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The Winter 2024 season has been a wild ride of what we have seen coming from an industry that is in dire need of change. It’s a slow change, as we deal with said slow change to the industry and how it treats its animators and seeing the shows that get greenlit. New and returning titles flood the airwaves via Crunchyroll, Netflix, HiDive, and Hulu/Disney+. While there are a few terrible shows this season, it might have the biggest gap between high-quality, mid-quality, low-quality, and terrible shows that I have ever seen. The terrible stuff is vastly smaller than the amount of great stuff, and even the other stuff is from mostly good, fine, to nothing worth talking about. I am going to try and go a little bit of a different route with this editorial since I want to talk about my biggest takeaways of the season. I still watched an array of new non-returning shows per usual, but after a while, with so many shows coming out and so many tending to have the same problems, it’s more interesting to talk about the big takeaways from the season.
Takeaway #1: Isekai/fantasy shows decided to Step It Up!
The fantasy/isekai genre can be a very hit-and-miss genre, and more times than not, a lot of the most mediocre shows every season come from this genre. So many want to be the new Re-Zero or whatever big isekai is still big, and that has led to many creatives either missing the point or cannibalizing each other. They all think an overpowered lead and a harem is all that you need instead of interesting characters, worldbuilding, and a compelling story. Whether it’s because the titles getting adapted are getting better or they are picking better properties to adapt, the fantasy/isekai genre was way better this season than usual. Whether it was Delicious in Dungeon, which combined a fantasy dungeon crawler with cooking and environmentalism, The Wrong Way to Use Healing Magic and its zany boot camp journey of our lead learning to be a healer, The Weakest Tamer Began a Journey Picking Up Trash’s self-healing journey of discovery and taming monsters, 7th Time Loop’s Edge of Tomorrow style of storytelling with our lead’s backstory of trying to survive and end ups courting the villain in her previous lifespan, Villainess Level 99: I May Be The Hidden Boss, but I’m Not The Demon Lord!’s silly twist on the villainess subgenre with our main character being the hidden boss of the visual novel that wanted to be ignored but then became priority number 1, and you get the idea. It was refreshing to not have to sit through so much fantasy/isekai stuff that wasn’t male empowerment or just another bog standard experience with no flair. Not that every fantasy/isekai show was good, but…
Takeaway #2: Even middling titles had something of note!
Something I noticed this season was that I wasn’t finding myself as frustrated or constantly disappointed with the shows I was checking out. Even the more middling experiences had something of note that made them more interesting than most. The Undead Unwanted Adventurer, while needing more time to cook, was a compelling beginning with our hero being revived as a skeleton after a horrific dragon attack in a dungeon. The Strongest Tank takes from the genre of fantasy shows where someone with a specific class from RPGs is seen as inferior, and while I like the base dynamic of our lead’s bond with his sister, these types of shows dive way too much into the harem genre that quickly derails them, and the fact the supposed harem looks to be of young girls is not helping the matter. But the fact our lead was a more defensive character was something we don’t often see with these shows. Too bad the reasoning behind their departure from the hero’s party is never as captivating as the premise should be. Delusional Monthly Magazine was a wild swing-and-miss original property that feels like it could quite pick between being the life of a weird monthly magazine or some globetrotting supernatural adventure. Fluffy Paradise may have been basic and more low-key with its focus on a lead who got turned into a child in a fantasy world, but the fact it captures the love and feeling of just wanting to cuddle and chill with friendly animals makes for an appealing if not urgent watch. Sasaaki and Peeps has a ton of different hooks, such as having an adult male lead obtain a pet bird who happens to be a magical wizard. It is also an odd isekai premise where our lead can traverse between two worlds and then gets enrolled with helping to take down psychics. It is an original idea, but your mileage will vary depending on how much you feel invested with this combination of things. Dr Elise is another isekai where our lead has been reincarnated in a different world multiple times and goes from the real world to the fantasy world once more, and just so happens to be a skilled medic. The show plants an interesting seed of a premise, but doesn’t quite make the landing with the world and character being as compelling as they need to be. Chained Soldier and Tales of the Wedding Rings offer mix-ups with their takes on the fantasy worlds in which they pull us. Tales of the Wedding Rings falls apart due to the harem element taking center stage, leaving the writing and animation to take a hit. With its writing and building up character relationships as our lead is sent on a quest to get a harem due to magic reasons to protect the kingdom, it at least has more going on under the hood than others. Chained Soldier has a mix of action, harem, and ecchi elements with a world where women gain powers to take down monsters, and sexual shenanigans happen on the side. It at least put in the footwork to make the male lead likable, and the dynamics with the women he is staying with are likable enough to not make it just a show where the viewer has to sit through the creative’s BDSM fetish. If you can walk away and say “Hey, I didn’t vibe with it, but I admire what it was doing” then that’s better than walking away feeling like you earned nothing through the experience. Even then…
Takeaway #3: Despite the bloat, some titles are still surprising!
I always love to be surprised by the shows we watch, and I am always going to be down with shows that catch me off-guard with how much I enjoy them. Although it came out a tad late during the seasonal drop, Bang Brave Bravern is a callback to old-school mecha anime, with all of the world-building and political asides mixed with giant robot action and very homoerotic overtones that make for a charming series with some stellar action. The Witch and the Beast offers up a supernatural buddy-cop dynamic between a mage and a woman who must track down the witch who cursed her. We get some stellar action and captivating mysteries as we finally have a killer fantastical mystery anime that I haven’t seen since the summer season last year with Undead Murder Farce. Metallic Rogue is an original anime from Studio Bones, with a cool sci-fi dystopian action show that may be light on the exposition, but heavy on the vibes, likable leads, and killer action. Tis Time for Torture offers a comedic take on a demon general trying to interrogate a princess about her kingdom’s secrets using delicious-looking food and video games to force her to crack under pressure. Mr Villain’s Day Off captures the relatability of trying to have a day off, even when you are a general in an evil army that is constantly at battle with a Power Rangers-like group of heroes. All he wants is to not deal with coworkers, and enjoy time looking at the panda at the zoo. Romance anime gave us a trio of three hits with A Sign of Affection being the best one of the bunch, as we follow the romantic tension between a deaf woman and a guy who wants to be a part of her world. It’s such an endearing and lovable series that shows us the world from her perspective which makes for a heartwarming romantic experience. If you are starving for something similar to My New Boss is Goofy, the more Yaoi-focused Cherry Magic! has a goofy little premise of our lead gaining mind-reading powers due to turning 30 as a virgin, but his dynamic with his coworker who has a crush on our lead is heartfelt, spicy, and is a good follow-up for those that loved My New Boss is Goofy. While the Demon Prince of Momochi House is a bit melodramatic and takes some time to wind up its mystery of the mansion, its inhabitants, and the romance between our leads, the visuals and chemistry between our two leads result in a real solid romance anime. No matter the number of shows released, we tend to get a lot of good ones, but with that said how many anime we get…
Takeaway #4: Why did we get Snack Basue and Gushing Over Magical Girls?
Even though anime companies are willing to sell the rights to every new show during every seasonal drop, we still don’t get every title. It’s funny, because every once in a while, there will be an anime from random seasonal drops that just don’t show up until either way later on some streaming service, or just gets pirated online with folks crafting fan subs for them. Now, to some degree, I get it. Why bring over an anime that may or may not be attached to a show or property that is big or at least more well-known in Japan than the States and why would they think it would do well here? But that seems to be an even smaller case that barely happens. Still, no one can watch all of these shows, especially when you have a total of 50+ shows at times, and it feels like a shotgun approach is taken these days. Bringing over anything and everything no matter if it looks appealing or has any chance of being a hit can be a hit-or-miss propostion. So why do we get titles like Snack Basue, which has no real wide appeal, absurdly cheap-looking animation, and is about a nightlife culture that most fans and viewers aren’t going to know about? I should love this zany weird comedy, but something either doesn’t and won’t translate to an audience not familiar with the style of comedy they are going for, and with the bad animation, the jokes don’t land as well as they should. Gushing Over Magical Girls I can understand a bit more, since everyone loves a good magical girl deconstruction, but when a lot of it is based around BDSM fetish with middle school-aged characters that becomes fairly explicit, it makes you wonder who this is for outside of a very questionable group of folks who would enjoy this type of show. We don’t get Pon no Michi, a show about a group of girls running a mahjong parlor, but we get these two that have a way smaller viewer base. It just makes you wonder where the priorities are, and prompts a discussion about the point of ecchi anime or anime that borderlines on pornography or much more problematic stuff, but that’s a topic for another time. For now, another takeaway I had was…
Takeaway #5: So much violence!
Something that I noticed between shows like Solo Leveling, Ishura, Sengoku Youko, and Meiji Gekken: 1874 was that the blood and violence levels were higher than usual. Not that they were all at the levels of the stuff you would see in the OVA boom from the late 80s and early 90s, but you normally don’t see this much unless it was something like Attack on Titan. With dismembered limbs, folks getting sliced in half, and you get the idea, they use violence as a means to show how dangerous the world is. Solo Leveling builds up the dangers of the dungeons and leads to training to get stronger with everyone getting slaughtered in the first two episodes. While struggling to balance out its historical and silly anime action beats, Meiji Gekken uses it to show the brutality of war and humans. Ishura delivers a world on the constant brink of war and bloodshed with multiple strong individuals all meeting and or roaming the earth for the next big battle they must overcome to become the main hero. Sengoku Youko uses its violence in its samurai-era setting to show the complexity of war and the conflict between humans and demons through the eyes of our wannabe samurai who joins a human who hates other humans and a kitsune spirit that loves humanity to become stronger. It isn’t just gore for the sake of gore. They are still going to be action shows through and through, but it doesn’t mean they can’t use that violence to elevate the themes and commentary they are bringing to the experience.
Takeaway #6: The mediocre titles were few and far between!
Honestly, the really bad titles were few and far between for me this season. There were only two shows I would say were deeply terrible. I already talked about how mediocre and terrible Gushing Over Magical Girls was so I won’t repeat myself here. On the other hand, My Instant Death Ability is So Overpowered is meant to be a parody of the isekai genre. You can see in some small moments how obnoxious, instantly dislikable, and dull the characters are, and how it tries to shove in a lot of the slop you see in bad isekai anime. Either the fans don’t know what a satire/parody is or the team that made it decided to play everything straight when it wasn’t meant to be. It’s a tedious show to sit through and the introduction of a third character who is meant to be the comedy relief is annoying. Yeah, maybe she is meant to be annoying, but if that’s the joke, then you need a better joke. It wasn’t clever or substantial in the way this show needed to be. We can have One Punch Man-style shows with different genres, but they need to be whip-smart and creative.
So then, that is what I have to say about the Winter 2024 season. Here are the anime I highly recommend checking out on Netflix, Hulu, HiDive, and or Crunchyroll.
Anime I’d Recommend in no order: Ishura, Solo Leveling, Tis Time for Torture, Delicious in Dungeon, The Witch and the Beast, Metallic Rouge, Sengoku Youko, The Weakest Tamer Began Their Journey Picking Up Trash, Cherry Magic!, A Sign of Affection, 7th Time Loop, VIllainess lvl 99, The Wrong Way to Use Healing Magic, Mr. Villain’s Day Off, Bucchigiri?!, Brave Bang Bravern.