(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this review!)
Since 2019, there has been a small uptick in how video game adaptations have been handled. Instead of being the biggest burning money pits, the mostly positive reviews and receptions to projects like Detective Pikachu, the live-action Sonic films, Dragon Age: Absolution, DOTA: Dragon’s Blood, as well as the upcoming Mario movie cause me to think that maybe we are slowly and steadily heading into a realm where we don’t have to dread these productions anymore. Even the world of animation suffers from this situation, where the adaptations of famous and not-so-popular video games are inconsistent in quality. For every anime adaptation of a mobile game that succeeds like Princess Connect: Redive, we get 15 that fail and or miss the point. So, where does Deemo: Memorial Keys stand in terms of animation adaptations?
This is based on the rhythm game by Rayark. It’s directed by Shuhei Matsushita, written by Junichi Fujisaku, and Bun’O Fijisawa, and produced by a collaboration between Production I.G. and Signal M.D. We focus on a young girl named Alice, dubbed by Anairis Quinones. She has lost her memory and is now stuck in an unknown world. That being said, she is not alone. Alongside her is a whimsical cast of characters that include the titular DEEMO, a mysterious entity that plays the piano every night.
Let’s talk about what may be the thing that will probably hold a lot of viewers back while watching this film, the animation. It’s pretty obvious that due to how rigid the movements are, a lot of the CGI is motion-captures, and the jittery look of the CGI models with smaller movements gives an uncanny valley feel to the characters in the film. It’s not Ex-Arm levels of bad motion capture since they did enough to smooth everything out to the best of their abilities, but it sure doesn’t look as good as something from Studio Orange or look as good as some of the recent CGI films from Japan like Lupin III The First or The First Slam Dunk. But with those two, they are franchises that were able to get the best CGI animation tools and teams around. It undercuts its visuals with this underwhelming CGI, due to how the film wants you to be enthralled in this mysterious place that our lead is in. It’s unfortunately drab looking.
I hate talking about the visuals of this film, because they really do show how hollow the story comes off. It’s meant to be this fantastical take on finding connection and dealing with grief and loss. It’s trying to be this emotionally touching story about this girl’s journey of what I just listed in the previous sentence, but due to how floating and flat much of the world and the characters are, it only makes those issues stand out more. There also doesn’t seem to be a lot there in the overall execution of the plot. The characters are all uninteresting, and you can probably guess what will happen and what the twists will be. There are some decent moments where everything works, and when it’s letting the music and atmosphere do their trick, the film gives this ominous and otherworldly feel. Because DEEMO himself doesn’t talk gives you a feeling of what is behind the individuals’ intentions. The big problem is that there is very little going on in this film. It has story beats, but for a film that’s only 90 mins long, it drags the pacing out and then relies on you to be connected from beat to beat. It wants to run on emotional and fairy tale logic, but doesn’t go the distance to go all the way with said logic. It’s as if it has heard about films that do this, but didn’t go the distance. Who knows?. Maybe this film was meant to promote the game and be a tech demo for the music for the game. The 2D visual pieces during the ending credits are lush and beautiful. I just wish the CGI translated the designs well. There is a universe out there where DEEMO: Memorial Keys has a truly out there Fantasia-like experience, but we can only judge what we get here with the film’s visual and musical presentation.
To be fair, the music is fantastic. The piano ballads are on point as they have these beautiful orchestrations that are the highlight of the movie. The composers for the film were Yoshichika Kuriyama, Shiho Terada, Kaho Suzuki, and Yu Sonoda, though the main theme was composed by Yuki Kaijura who worked on shows like Demon Slayer, Sword Art Online, Madoka Magika, and Noir. Without having played the game, these tunes were extremely catchy. Well, when you are based on a rhythm game that’s made to line up, or well, originally line up to release alongside the game, you should have killer music. The voice cast is small, but full of talented dub actors including Anairis Quinones, Bryce Pappenbrook, Mike Pollock, Stephanie Sheh, Luci Christian, and Michelle Marie. They do their best to work with the clunky dialogue.
Some people assume that all animated features from Japan and other parts of the world are great, just because they are not made by Hollywood. It’s an extremely bad take that rings hollow, when no matter where you go, whether it’s budget is small or big, films of all levels of quality are going to be made everywhere. The film has a lot going for it, but it fumbles the execution by being a hollow experience based on a game that is made to sell the game. It’s a shame, because if it had a bit more polish and focus on its story, or went “all in’ on a symphonic experience, it could be something special. Sadly, that isn’t the case, so what we got is a film that falls flat in the story department. Still, it’s nice to see the film gain a bigger audience by getting a US release. if you are curious about this film, it will be coming to blu-ray and digital soon. For now, we will be diving into a multitude of different animated films from around the world and on streaming services. You will just have to wait and see what unfolds.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)
Here we are with Part 2 of the Winter 2023 Anime Season Impressions! If you have not seen Part 1, then please do so, since I covered the anime in that part that won’t show up here. This is definitely the area where the Winter 2023 strides with so many titles in this batch showing the best of the season. Now then, let’s get started.
Fantasy/Isekai
Chillin’ in My 30s after Getting Fired from the Demon King Army (Crunchyroll)
You ever see a show just bail on its own title/premise so quickly it breaks the sound barrier? Yeah, this is one of those shows. This is based on the novels by Rokujuyon Okazawa. The anime adaptation is directed by Fumitoshi Oizaki, who directed last spring season’s Deaimon, written by Hitomi Amamiya, and produced by Encourage Films. If this anime is supposed to be about relaxing after getting fired from your overdemanding job, then why revert to a power fantasy anime? If the lead is having to do stuff that isn’t just relaxing, then that’s not really relaxing. Sure, they couldn’t make a show where all he does is relax and just help out around the village. They were probably worried that people would get bored, but due to how bad the entertainment industry is, novels, manga, and anime aren’t given time to be good, which sucks since it doesn’t all have to be bad. To be fair to this show though, it isn’t the worst of the season. It has some charm and humor about itself, and it at the very least seems to be pro-worker’s rights. It just suffers from a premise that isn’t all that different from other fantasy shows, a female lead that flip-flops between anime figurine fodder and a self-reliant and competent hero, and world-building that isn’t all that impressive. In a weaker season, this could have been a better title, but it sits in my bottom five for right now.
Farming Life in Another World (HiDive)
I know video games have made farming a genre, but for some reason, anime has continued to struggle with this concept. This is based on the novel series by Kinosuke Saito. The adaptation is directed by Ryoichi Kuraya, written by Touko Machida, and produced by Zero-G. At the very least, this is better than Chillin’ in My 30s because it actually commits to its plot. It’s literally about a guy who starts a farming life in a fantasy world. No demon lord or saving the world. Granted, it has the harem element pretty early on by the 3rd episode, but it is at least trying to have some comedic personality, be about growing crops, and what you need to do to get into farming life. It’s still fairly boring though, with everyone having basically the same personality. It still should be focusing more on the details of growing certain plants and such, but overall, it’s fine. Just a low-key anime that isn’t the worst of the season. There are way more frustrating anime out this season that are more of a chore to watch than this one.
The Fire Hunter (Crunchyroll)
It’s a shame this anime is the other poster child for the possibility that the anime industry really needs to take a moment and stop crafting so many hot messes. Consider this one of winter 2023’s biggest disappointments. Based on the novels by Rieko Hinata, this adaptation is written by Mamoru Oshii, directed by Junji Nishimura, and produced by Signal MD. Listen, I know Oshii loves to make really dense scripts, and the fact that much of this show is focused more on the lore, history, politics, and world-building than the actual characters, is a sign of such. It’s a fascinating world about how humans can become easily combustible in the presence of fire, and now have to use a special liquid farmed from beasts to do things like light special fires and fuel their vehicles. This show has a lot going for it, and once again, it feels like it is an adaptation issue that the storytelling is so dense and easy to glaze over, due to how much people go on and on talking about the history of the world. Like, some world-building and exposition is needed, but not the entire script. It left a sour taste after watching the first three episodes, and from what I have seen from the episodes past that point, nothing is changing, but if you like the show that’s cool. Not every show will be for everyone, but if a majority of people are already turning away from it due to its choppy and wonky animation and dense storytelling more interested in background stuff than actually being about the characters, then that’s a bad sign. It’s a shame, but if this show wasn’t so committed to Oshii and his team’s worst aspects as a creative, then maybe people wouldn’t be ready to leave the show. Also, just because the source material has an explanation, if they weren’t able to give a clear answer in the anime adaptation, then that’s on the anime, not the audience members being confused or their eyes glazing over due to their being too much dialogue on which to focus.
The Tale of Outcasts (Crunchyroll)
Yeah, it sucks this show is coming out a season before much better alternatives of this type of story will be coming out in the next anime season this year. This is based on the manga series by Makoto Hoshino. It’s directed by Yasutaka Yamamoto, written by Kenichi Yamashita, and produced by Ashi Productions. The biggest problem this show has is its tone. It wants to be both a dark fantasy with a romantic escape for its young lead who makes a deal with a demon to trade her eyesight for his protection, and then lightweight at times with super quirky moments that don’t really mesh well with the rest of the show’s much darker storyline. The animation is fine and some of the action scenes are decent, but the design of our main demon bugs me due to his demon form, and the first episode is a really rough sit. Maybe some fans will find time to watch it, but most will be waiting to see the second season of The Ancient Magus Bride or Sacrificial PrincessandThe King of Beasts in the spring season.
Saving 80,000 Gold in Another World for My Retirement (Crunchyroll)
When an anime has a very creative premise, how much are you willing to tolerate its rougher edges? This is based on the novels by Funa. The anime adaptation is directed by Hiroshi Tamada, written by Akihiko Inari, and produced by Felix Films. There is some admiration to be had with how this is an isekai where our lead can travel to and from the real world and the fantasy world that she ends up in. The premise itself has some fun and creative opportunities, and I have heard some positive reviews of the light novels on which this show is based. Still, either a wonky adaptation, or what feels like a slow burn to see where this story goes, frankly hurts its chances to watch past episode 3. The second episode is more real-world prep for the lead to head back into the fantasy world, and the fantasy world seems more like a pseudo road trip than her figuring out how to make enough money to save for her retirement. It does feel more interested in the world-building and character dynamics than the antics of raising enough money to retire easily, but the execution feels uneven. Doesn’t help that the animation isn’t great, and there are definitely some aspects of the show that will maybe rub people the wrong way. Still, it at least has something going for it than most isekai that come out every season. It might not reach the heights of the best ones from this season, but it still deserves some admiration for its twists on the formula.
Kaina of the Great Snow Sea (Crunchyroll)
It’s rather bizarre how this season has brought us two slow-burn original fantasy series, and that’s pretty neat. This is an original anime that is produced at Polygon Pictures. It’s directed by Hiroaki Ando and written by Sadayuki Murai and Tetsuya Yamada. While the CGI is the usual Polygon Pictures fare, they are improving upon their use of CGI animation, and boy howdy did they craft a really cool and unusual world. It’s definitely a pro-environmental world due to how everything is set up with this canopy made by giant tree-like entities. Luckily, the characters are likable and compelling enough so far by episode three to give you, the viewer, enough to want to see more past the third episode. Granted, it’s one of those shows that takes three episodes to get the ball rolling, but if you aren’t bothered by that, then you will want to find yourself traversing the snowy seas to see what mysteries are revealed about this world.
The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (Crunchyroll)
Just when you think the isekai genre won’t have something to offer, a show like this comes out of nowhere and makes you remember why the genre can be good. This show is based on the novels by Piero Karasu. The anime adaptation is directed by Shingo Tamaki, written by Wataru Watari, and produced by Diomedea. First off, every other isekai? Take notes on this one. It actually shows you and tells you about its setting, world, and characters without having to resort to big and dense layers of exposition as we learn about the relationship between a princess who can’t use magic in a world where everyone uses magic, and a noble who’s upcoming marriage is broken due to political upheaval and brash decisions made by her ex-fiance. Sure, some parts may or could possibly lean onto more power fantasy aspects of isekais, but with the fact our lead was smart enough to craft something truly original and not just be someone set with a ton of magical powers and no stakes in any fights, it’s a really smart decision made within the story. The one lead makes her own combination of magic and technology to do things that others can do, due to the ability to cast magic. The show is also willing to let the characters be characters, and not just cheap promotional material for the merchandise. It’s also a gorgeous show, due to how much the team and production committee were obviously working on the same level as one another. With its visually splendid animation, complex characters, intriguing world, and killer music, this is easily in the running for one of the best anime of the season and an early contender so far for best isekai of the year. Well, it’s the best one next to another show you will see the impressions of soon.
Other
Sugar Apple Fairy Tale (Crunchyroll)
CW: topics and themes of slavery
Consider this to be one of the more loaded anime of the season that absolutely doesn’t sound like it would be a dark fantasy, but some spin-off of the Strawberry Shortcake franchise. This is based on the novels by Miri Mikawa. The director of this adaptation is Yohei Suzuki, written by Seishi Minakami, and produced by J.C. Staff. By the opening of the show and its cute, well-crafted animation, you think this would be something super, pardon the pun, cloyingly sweet, but it really isn’t. It’s rather impressive how this show is able to balance out its nuanced world with flawed humans. The slavery angle is handled better here than most, which is scary that hey, anime can actually tackle this topic and not be absolutely terrible at it. It’s not perfect though, and some parts can be a touch uncomfortable to watch. Still, the show does a good job of mixing all of the lore, world-building, drama, and character development into a show that will be a bit clunky, but an overall intriguing experience.
Ippon Again! (HiDive)
It wouldn’t be an anime season if we didn’t have a show about a group of girls getting into some kind of sport or hobby. This is based on the manga series by Yu Muraoka. The adaptation is directed by Ken Ogiwara, written by Aya Satsuki, and produced by Bakken Record. It feels surprising to me that, as far as I’m aware, there aren’t that many anime about judo. You think with such a strategic and compelling sport, they would find ways to make it creative, but Ippon Again! It definitely aims for a slice-of-life and coming-of-age story about our characters taking the wheel and forming a judo club in their high school. It does the right thing and focuses on the drive our characters have for the sport and for their growing friendship to go the distance to win the nationals in judo. The animation itself looks good, but can be a bit clunky here and there. Otherwise, it’s nice to start the year with a really charming and good sports anime, which isn’t always a given every year.
Revenger (Crunchyroll)
This season has been chock full of original anime this season, and this is one of them. It’s produced by Ajia-do Animation Works, but is directed by Masaya Fujimori, and written by Renji Oki and famous writer Gen Urobochi. The adventure we set off on with this one has a real solid hook to it about an ex-samurai who is being chased by the government for murdering an important figure. He joins up with a group of hitmen who take down corrupt individuals and while it might not be the most original show in a lot of ways, it all comes down to execution. With its focus on the inner politics of our leads, the world around them is kept interesting and the action is well animated and the characters have a certain charm to them. As long as they can keep it in the same ballpark of being able to combine both a compelling narrative and action, then it can very much be one of winter’s best shows.
Buddy Daddies (Crunchyroll)
Let’s get this out of the way first, this isn’t a rip-off or clone of Spy X Family. It is able to stand on its own. This is an original anime that is produced at one of the best animation studios right now, P.A. Works. It’s directed by Yoshiyuki Asai and written by Vio Shimokura and Yuko Kakihara. Yeah, the premise can sound similar to Spy X Family, due to how it’s an action comedy with a found family hook of two assassins who live under one roof who accidently encounter a little girl who may or may not be the daughter of one of the two hitmen. What it does do well is accomplish some high-octane action mixed with some very goofy hitmen who have to deal with 2023’s first extremely adorable kid character of the year. It doesn’t just rest on the dynamic of two dangerous individuals taking care of a super child-like, well, child. It does give everyone rather depressing backstories and how even though they are fairly different from one another, they all come together cohesively as a family. It has P.A. Works stellar animation, some sweet comedic timing, and touching moments that make this show a great alternative while we wait for Spy X Family Season 2.
Campfire Cooking in Another World With My Absurd Skill (Crunchyroll)
It’s always nice to be happy when a show you are looking forward to is actually really good and just a blast to watch for three episodes. This is based on the light novel series by Ren Eguchi. It’s directed by Kiyoshi Matsuda, written by Michiko Yotoke, and produced by MAPPA. While most isekais struggle to try and copy, rip off, or be the next Sword Art Online or ReZero, here comes this delightfully unique take on the isekai genre where the lead, in fact, doesn’t want to save the world. Instead, with his superpower of being able to order groceries from his world to the fantasy world, has gained a powerful wolf-like deity who makes a pact with our lead, not because he’s the chosen one, but because he can cook delicious food. It’s a show with a light-hearted sense of humor and some really hilarious set pieces and punchlines with how they keep the story fun and worth investing time into. They even find ways to add in a little dark comedy and quandaries of how they eat certain creatures or even if they can, that adds so much flavor and spice to the overall journey. It’s such a breath of fresh air alongside the other amazing isekai of the season that it’s frankly insulting that this show, Faraway Paladin, The Saint’s Magic is Omnipotent and The Magical Revolution of the Reincarnated Princess, and Genius Young Lady aren’t the guides to how to make proper modern isekai series. Take a good hook, add a well-written script and cast of loveable leads, and a splash of splendid animation, and you have a recipe for success. It’s easily my favorite anime of the season and one I can recommend to anyone.
Thank you all for checking out my impressions, and if I had to pick my favorite anime of the season to check out, I would watch in no particular order…
Anime Recommendations of Winter 2023: Revenger, Buddy Daddies, Campfire Cooking in Another World with my Absurd Skill, Sugar Apple Fairy Tale, Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Ippon Again, Endo & Kobayashi Live, Giant Beast of Ars, Tomo Chan is a Girl, and Trigun Stampede.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)
It would be an understatement that Japanese animation loves to revolve stories around teenagers. Teenagers seem to be the core age range for so many animated films from Japan, and while I understand the want for older characters, I get it. Teenage years are the end of your childhood and right before your adulthood begins. A lot of interesting coming-of-age stories can be told in a variety of different experiences. For example, with the newest animated feature that Netflix picked up, we have a coming-of-age teen romance that not only has a unique visual look, but also has an adoring theme about how art connects us. Let’s talk about Words Bubble Up Like Soda Pop.
Directed by Kyohei Ishiguro, and produced by Signal MD, the same studio that made 2017’s Napping Princess, it was originally supposed to come out last year, but due to that one thing that caused 99.9% of all films to get delayed, it didn’t come out until July 22nd and was released by Netflix onto their service in the US. Unfortunately, like most Netflix exclusive films and shows, it has been buried under everything coming out onto the service, and I’m going to make sure you see this film.
The story revolves around a young boy named Cherry, dubbed by Ivan Mok, who interacts via haikus, and a young girl named Smile, dubbed by Kim Wong, who hides her smile and braces behind a mask. After running into one another at the mall and accidentally picking each other’s phones up, their summer changes their lives forever. This includes helping an old man find his long-lost record, and Cherry and Smile dealing with their individual friends and family.
I think let’s talk about the outright beautiful animation shown on-screen first. This flat bright color palette reminds me of the bombastic visuals seen in anime like The Great Pretender, where they take realistic photos and then paint over them in this very vibrant pop-art look. The character movements for the most part are weighty and realistic, but when the time comes for it, the characters move like individuals seen in something by the likes of Science Saru or Trigger. They bring such a rough, but readable and lively look to everyone, that it makes the film itself stand out from other Japanese animated films that have come out this year or will be coming out in the future. It’s an animated film with its distinct vibe and feel, and while it may only be about 90 minutes in length, it has a low-fi charming pace to the overall look and atmosphere of the story being told to us.
In terms of the story, it’s a smaller-scale experience with it mostly focusing on the love story between our two leads, but due to great writing, identifiable and likable characters, it’s nice to see something smaller-scale. Not every animated film needs to be about the literal ending of the world. Their relationship, and the fact that it grows strong even though there is the possibility of it ending is catastrophic enough. I know I’m defending what would normally amount to melodramatic teen problems in real life or normal mediocre teen dramas, but it’s always in the execution that you make the teen drama interesting. You want to root for Cherry to be able to speak in front of people. You want Smile to be able to not be ashamed of her buck teeth and braces. You want to see them get the record back. It’s compelling and epic in scale in its small way. Sure, some of the characters are a little one-note, but you do recognize them and they are kept consistently entertaining and relatable. It’s a film about how art connects us, and it’s a constant theme throughout the entire film as we see poetry, art, and music give everyone connections to one another and how we move through the world around us. It also helps that we have a fantastic dub cast that includes Ivan Mok, Kim Wong, Sam Lavagnino, Marcus Toji, Ratana, Ping Wu, Yuuki Luna, Victoria Grace, Kim Mai Guest, and Andrew Kishino. It also helps that there is an incredible composer as well. You’ve got Kensuke Ushio, who composed music for A Silent Voice, Liz and the Blue Birds, Ping Pong, Japan Sinks 2020, and Devilman Crybaby. The music overall is fantastic and the main song that plays in the final act and in the credits is beautiful. I’ll look up the songs and download them if I can get my hands on them.
Words Bubble Up Like Soda Pop is a delightful, low-fi, and really sweet animated feature. It executes its story and characters with grace and respect to the viewers, and tells an endearing and wholesome story through its music and visuals. It’s on Netflix right now, and I highly recommend everyone check it out! I can’t wait to see what this director does next since he’s attached to that upcoming samurai-themed Bright film. For now, I will talk about a truly excellent Netflix series that you will not want to miss out on!
Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)
Here we are with part 2! Let’s do this!
Drama
Higehiro: I Shaved and then Brought Home a High School Girl (Crunchyroll)
Based on the novels and manga by Shimesaba, the anime was directed by Manabu Kamikita, written by Deko Akao, and produced by Project No. 9. I am so frustrated with this show. Not because it’s one of the worst shows this season, but because it has a decent idea. While the base idea is already a bit uncomfortable, you see how the show unfolds and it turns out to be this drama about young adults and the baggage that they carry with them. They do talk about it and interact with one another like real individuals. It’s uncomfortable, but at times, it’s uncomfortable for the right reasons with these characters coming to terms with what they carry with them and how they interact with friends and people they are close to. On the flip side, it’s also filled with fanservice and the show keeps using shots to leer at the young girl and the women in this show, and it can’t seem to balance out what it wants to be. Does it want to be this adult drama that tackles uncomfortable elements and the emotional baggage you carry? Or does it want to be a fanservice show? Granted, so far from what I have seen, it doesn’t want to entirely be about the fanservice, but it’s distracting enough to make the experience of watching the show a tough sit. I think I’m more disappointed with how it handles its themes and story than downright mad. Still, I wish it focused on just the drama.
86 (Crunchyroll)
Based on the light novels and manga by Asato Asato, this A1 Pictures-produced series is directed by Toshimasa Ishii and written by Toshiya Ono. What this anti-war drama gets right is what might be the biggest criticism aimed at it right now with how it handles its commentary and themes about discrimination and war with the carefulness of a sledgehammer. It’s very blunt about its beliefs and its story about a society of people who use “AI”-control mechs to fight, while in reality, the “AI” are humans that are of different races than the ones who sit back and do something. Normally, this would be a major issue since everyone loves to scream and rave about subtly while missing films and shows with subtle elements. I’m fine with them being blunt about the show’s themes and commentary. Sometimes, you need to tell them upfront what you are about. Luckily, the comradery between the 86 team members is constantly entertaining and feels like they are real friends. The action does use a lot of CGI, and while it comes with some of the typical clunkiness that is seen in none MAPPA and Studio Orange-produced CGI series, it’s a lot better here than in other anime from this season or previous seasons. However, the action is handled well and is intense. They also find a great balance in the drama, the action, and the moments of lightweight wholesomeness. It’s not subtle, but it’s a good anti-war drama that I think is one of the highlights of the season.
Tokyo Revengers (Crunchyroll)
Based on the manga by Ken Wakui, this delinquent school drama with a time travel twist was directed by Koichi Hatsumi, written by Yasuyuki Muto, and produced by Liden Films. What seems like a first in such a long time, we have an honest-to-god school delinquent story. It takes a few creative twists about its setting and how the lead can go back in time to try and prevent the death of a girl he dated in the past. I think what works about the show are the character dynamics. I found the lead way more interesting than he came off at first, and when he meets one of the future gang leaders, it sets off this chain reaction of relationships that I admired. Maybe it’s because it’s been a while or what feels like a long time since we have seen a school delinquent anime, but it feels new and fresh. Now, granted, I was not fond of the first episode. I found it a bit too try-hard in showing how pathetic our main character is, his friends from middle school were obnoxious (even if they were middle school boys, they were a bit much), and it was a bummer that the girl that our lead is trying to save gets relegated at first to being an object of a goal. However, as I went through the episodes, the friends got better, the lead got better, and it has turned into one of my favorite shows of the season. I hope it can keep the momentum up.
Those Snow White Notes (Crunchyroll)
Based on the manga by Marimo Ragawa, this show is directed by Hiroaki Akagi, written by Kan’ichi Kato, and produced by Shin-Ei Animation. This is hands down the best drama of the anime season with its focus on finding your sound aka your way in life through the power and mastery of the shamisen. Outside of gorgeous production values, solid comedy, and a more introspective take on the character’s arc, you have music that was supervised by the famous Yoshida Brothers, and it does make up for how much their talent was wasted back in the Summer 2020 season on 2020’s worst anime, Gibiate. The shamisen music heard throughout the show brings so much emotional depth that I was instantly hypnotized by the stand-out moments of each episode when a character would play the stringed instrument. It’s a show that truly stands out and so far, I have no real complaints about it. Now, if I continue watching the show and I find faults with it, maybe I’ll do quick little anime reviews going over the overall season of the show.
Action/adventure
Combatants Will Be Dispatched (Funimation)
Based on the light novels by Natsume Akatsuki, this adaptation is directed by Hiraki Akagi, written by Yukie Sugawara, and produced by J.C. Staff. Well, it might be from the same author as Konosuba, but it is not by the same anime team that made Konosuba the smash hit that it was. This show is very confused about what it wants to be. Is it set in a sci-fi world with fantasy? or is it a fantasy world with sci-fi elements, because by episode three, they pretty much dispatched the sci-fi elements in favor of fantasy offerings. What also doesn’t have that thing that made Konosuba work are the characters. Instead of having Konosuba‘s chaotically likable idiots, Combatants has characters who have none of that energy or drive that made the other property so fun to watch. What you get here are an annoying lead, a robot girl who looks like a young child, and a harem of quirky characters that don’t have much going for them outside of their one personality trait. The jokes are also not funny. Some got a mild chuckle, but the exact kind of jokes you would find in such a show are all here and accounted for. The one thing missing is any of the major jokes being funny. It’s a shame that I didn’t like this show because it makes me wonder if the Konosuba anime just got lucky it got a director and team that understood the goal or if the author of both this anime and Konosuba were not good. Maybe the source material is better than the adaptation, but as of right now, I do not want to watch these combatants be dispatched!
Seven Knights Revolution: The Hero’s Successor (Crunchyroll)
Based on a mobile game we can’t even play in the states, this anime adaptation is directed by Kazuya Ichikawa, written by Ukyo Kodachi, and produced by Liden Films and DOMERICA. It’s a real bog-standard action fantasy RPG with characters and a story you have seen before. Even the monsters look painfully generic. It’s always amusing how we get these anime for games we don’t get access to, because if you don’t know about the game, then why would you watch this show? It’s fine if you don’t play the game, but since I’ve seen this whole premise and cast of characters before, it doesn’t add anything to my experience that I couldn’t get with other action shows this season. When the action does kick in, it’s fine, but you can do a lot better this season than this anime.
Cestvs: Roman Fighter (Crunchyroll)
Based on the manga by Shizuya Wazarai, this anime is directed by Toshifumi Kawase and Kazuya Monma, written by Toshifumi Kawase, and produced by Bandai Namco Pictures and Logic & Magic. While we might not have an Ex-Arm this season in terms of bad CGI animation, Cestvs almost hits that mark. While it has better CGI animation with weight behind the movements and actual lip movements, the show suffers everywhere else. The main character is way too whiny, the aristocrats are pushed to an unlikability that’s not tolerable, and the side characters are boring. However, it then also pulls the stunt of being a mix of 2D and CGI, and while it’s better implemented than Ex-Arm, the show suffers by not fully going the route of CGI. Also, this whole gladiatorial combat stuff has been debunked by historical findings, so seeing some of the inaccuracies pop up that are only there to drive the story is humorous to me. It has a few interesting characters, and it doesn’t 100% fail at brushing the horrors of slavery under the rug, but even after going 4 episodes deep into this show, I can’t find myself going back to it. The only real reason to watch this show is the combat, but when there are so many anime this season with great action set pieces, then why would you go for the weaker shows in the action category when you can get something better? I would personally skip it unless you are curious about seeing a boxing anime that takes place in ancient Rome.
The World Ends With You: The Animation (Funimation)
Based on the cult-favorite video game from Square Enix, this adaptation is directed by Kazuya Ichikawa, written by Midori Goto, and produced by DOMERICA and Shin-Ei Animation. Well, it’s an anime adaptation of a video game. You get all of the cutscenes, but none of the fun of actually playing the game. It’s an extremely dense three episodes as we go from story beat to story beat with no time for stopping to take it all in. It got better by the third episode, and I would consider this to be one of the better action shows of the season. It’s not better than some of the other anime out this season, but I can see myself wanting to see how this show ends.
Mars RED (Funimation)
Based on a manga by Bun-O Fujisawa, this action drama is directed by Kohei Hatano and Shinya Sadamitsu, written by Jun’ichi Fujisaku, and produced by Signal.MD. This show set in 1923 and dealing with an elite unit to take care of a blossoming vampire problem was one of the first shows of the season and one of the first to get a dub. I’m not entirely sure why, but I found myself enthralled with this vampire drama. It’s not doing anything unique, but I think having the characters be adults let the scenes that have them contemplating about their vampire nature be handled better here than most stories that deal with the blood-sucking monsters. There are some truly heartbreaking moments in the show and I was compelled and pulled into their stories. The action is more grounded, but it has some small fantastical elements sprinkled in that make for some truly great visual moments. Speaking of the visuals, Mars RED is one of the most gorgeous shows I have seen this season with perfect linework, expressive animation, and the designs and world overall feel cohesive. I can understand why some people aren’t as into this show as others, but I see myself getting back into this show once I’m done writing this article.
Joran: The Princess of Snow and Blood (Crunchyroll)
Joran is an original anime this season directed by Susumu Kudo and produced by Bakken Records. It’s an anime version of the Lady Snowblood films mixed with Blood+, and turn-of-the-century technology (the late 1800s maybe early 1900s). I compare it to these elements because it has a stellar female lead who slays shapeshifting demons while wondering what is going on with the shady underbelly of the organization she works for and the targets they go after. It has pretty great animation, and when the power sets are turned on, the animation takes on an entirely different visual style that is so much fun to watch. It has great characters, intriguing plot twists, and lots of creative action that has impressed me within the five episodes I had watched.
To Your Eternity (Crunchyroll)
Based on the manga by Yoshitoki Oima, this adaptation is directed by Masahiko Murata, written by Shinzo Fujita, and produced by Brain’s Base. Without a doubt, To Your Eternity has made one of the biggest and best first impressions out of any anime this season. The first episode would have been amazing as its own little short film. Then you realize it has more story after that first episode! They threw a lot of talent and resources into this show if they got Utada Hikaru to do the theme song. It’s an ambitious story about life and the human experience as we follow our lead character as it interacts with the characters it meets. It’s a show that has a lot of enticing dialogue, creative world-building, and the individual the story is revolving around actually does become the main focus as the story goes on. Still, if you are against shows that have a sort of passive main character that traverses the story, you might not like this, and some story beats might be a bit much. Still, I have enjoyed the story and admired the ambition that this show has. It’s easily one of my favorite shows of the season so far. Now, will it stay that way, who knows?
Romance/Comedy
It’s Too Sick to Call this Love aka Koikimo (Crunchyroll)
Based on the manga by Mogusu, this anime adaptation is directed by Naomi Nakayama and produced by Nomad. This is an age gap romance where a man who is obviously in his 30s, is falling for a teenage girl, and the anime only seems half of the time aware of how creepy this premise is. You can spew all of the “well it’s a different culture and age of consent” comments as you want, but when one side of the party is not okay with the guy hitting on her constantly, then any defenses become null and void. The show only calls out the fact the guy is a creep half of the time! The other half is everyone gaslighting the high school girl that “hey maybe he’s not that bad” when all he does is stalk her, send her presents, and then does the bare minimum of a guy being nice and kind. Maybe this anime adaptation would have been better if it was leaning more on the dunking on the male lead and the animation was better, but it’s not. Alongside Burning Kabaddi and that Battle Athletes reboot, this is one of the cheapest-looking productions this season. The designs might be okay, but the animation is downright mediocre. It’s stiff and lifeless, and that’s saying something when you can say “Hey, The Way of the Househusband, a motion comic, is better animated than three of the shows in this anime season”. The opening and ending songs for Koikimo are okay, but that’s about all the kindness I have for this show. If I were ranking these shows, this would be right at the very bottom. I can’t see myself wanting to see how they gaslight the girl into loving the guy twice her age.
The Romcom Where The Childhood Friend Won’t Lose (Crunchyroll)
Based on the light novel and manga by Shuichi Nimaru, this adaptation is directed by Takashi Naoya, written by Yoriko Tomita, and produced by Doga Kobo. This might be the one anime this season where I don’t honestly don’t know where I stand on it. I enjoy it way more than Koikimo, but I don’t know if I downright love this show. On one hand, the first episode has a lot of ideas that rub me the wrong way. A high school boy is getting revenge on a girl because she is going out with another guy, and a girl who was crushing on our lead teams up with him to get revenge on the girl. But then you get to episode 3 and so many twists happen that it turns into less of a revenge fantasy with some rom-com elements, and more of a dysfunctional rom-com of teenagers who are in love and have no real idea of how to handle these emotions. The production values are okay, and so far, the cast is only okay, but something about this show grabbed me as I went on through it. Maybe I’ll pick it up again, but I will have to see if I do want to return.
Don’t Toy with Me, Miss Nagataro (Crunchyroll)
Based on the manga by Nanashi, this series is directed by Hirokazu Hanai, written by Taku Kishimoto, and produced by Telecom Animation Film. Who would have thought about a rom-com with a bullying fetish would be good? It’s not something I’m personally interested in, but the comedy is well-executed. Now if you aren’t into bully fetishes, then you won’t enjoy the titular character’s antics with the male lead. However, Nagataro herself is a sadistically delightful character who has some of the most expressive animations out of any character this season. While some of the teasings can lean a little too hard on being mean, there is this sincere kindness and teenage awkwardness under it all that makes it a delightful show to watch. You can tell she isn’t meaning to be a jerk, and she’s being more of a doofus crushing on the lead character who doesn’t get how to approach him respectably. The male lead isn’t the most interesting character at first but becomes more interesting as the show goes on. It’s a show I was wary about with how it would turn out, but I ended up enjoying it quite a lot and I can see myself wanting to finish it up alongside Dragon Goes House Hunting as my two comedies of the season.
And there you have it! The Spring 2021 Anime Season watch is complete. I am burnt out on anime, and I need to take a small break before I can fully dive in and enjoy more anime when the summer season heats up. Still, even if most of these shows didn’t pan out, I was happy enough with the ones I loved.
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The Spring 2021 anime season decided to come back swinging with even more anime than the infamous Winter 2021 season. It was almost exhausting to watch so many, but there was a lot of anime that was quite fantastic! It will be some of the best anime we will be seeing this year. Even the worst anime of the season aren’t worse than Ex Arm and Redo of Healer. That’s why I’m going to split this one into two parts due to how many shows there were to cover. As usual, this is only covering the new anime of the season. No returning series and I’ll only cover anime reboots if they are important in some way shape or form. No rankings this time either. I’m giving my 3+ ep impressions on these shows in terms of what genre they are in. Animation is a medium of storytelling, and anime is very good at going in different directions with their stories. Let’s start, shall we?
Sports
Battle Athletes Victory Restart (Funimation)
Based on the manga by Yuki Nakano, this new iteration/reboot of the fan-favorite series is directed by Tokihiro Sasaki and is produced by Seven. Let me ask you a question. Remember in the Fall 2020 season there was that great Higurashi sequel reboot thing that got people to talk about Higurashi again? Well, this one will get people talking, but for all of the wrong reasons. This reboot is not good. It’s not only bad at setting up what kind of plot we are getting into, but the characters are also flat, cookie-cutter, and the animation is easily some of the worst this season has to offer. For a show that’s going to be about intense athletic challenges, the animation is very basic. No weight is put behind the movements and you think they would make the sports stuff look exciting and thrilling. It comes off like a show that was made because they made a deal to make it to keep the rights of the property more than any real passion behind it. Also, while this show may aim at a female audience, it sure loves to have a ton of male gaze elements like looking at character’s butts, and it is more interested with the yuri baiting than telling a more followable story. Also, since one character has prosthetics, couldn’t they have made it appear like something that wasn’t looking like they pulled some pantyhose over one arm and leg? Oh, and this show doesn’t earn its political space drama either. No one gives a rat’s behind about this world or the main story. Eh, either way, Battle Athletes Victory Restart is easily one of the weakest shows of the season, and the only thing it will get people talking about is the original anime from the 90s.
Burning Kabaddi (Crunchyroll)
Burning Kabaddi is a sports anime based on the manga by Hajime Musashino. It’s directed by Kazuya Ichikawa and produced by TMS Entertainment. I always look for a sports anime with a unique hook. For example, this is a sports anime where the sport in question is Kabaddi, which is full-contact tag. That sounds great! Too bad that this is one of the cheapest-looking anime of the season. It doesn’t have the best animation and for a sport that I said is a more aggressive tag, then that’s a huge problem. It doesn’t help either that this is by a studio and director that are busy with other projects. Unless said otherwise, it sounds like this anime got the short end of resources. The voice acting is decent, and some of the leads are amusing, but it doesn’t stand out. It makes me wonder if this project went to someone like Studio Mappa. The animation would have been better. Even then, it has a severe case of “been there done that” in terms of its story and characters. I was honestly looking forward to this anime, so it makes me sad that it wasn’t better. It’s, at the very least, earnest in its execution that I can’t fully hate it as much as some other anime this season.
Farewell, My Dear Cramer! (Crunchyroll)
Based on the manga by Naoshi Arakawa, this anime adaptation was directed by Seiki Takuno, written by Natsuko Takahashi, and produced by Liden Films. Unfortunately, this is yet another sports anime this season that suffers from major production issues. It’s a show where the visuals are at some points decent, but keep leaning into the wholly mediocre territory. For a sports anime about running and kicking a ball, it all feels so stiff and lifeless like Battle Athletes. The character designs look so wonky. A friend of mine described it as if they were given the eyes and lips of a fish, and I can’t unsee it that way now. At first, it looks like they were going for a more retro-inspired design for the characters, but it’s not gone far enough to warrant the “retro” vibe, and then there are some weird inconsistent designs. It doesn’t help that it’s hard to know who is the real main character of the show. Due to it being a team of girls, it keeps shifting between the ones who play a more important role in the story. I get why they keep focusing on so many, but with how slow-paced the progression of the story is going, it doesn’t seem like we are going to know anytime soon who is the main focus, and the story isn’t good enough to care about who wins, and that’s a shame. I love the drama angle of how popularity is dropping for women-driven soccer, but that needed to be the focus, not watching the team of the story fail and deal with intensely smug champion teams. I’m so bummed that this one isn’t better, because I was hoping to find a soccer anime that I could love, but this sure ain’t it.
Bakuten! Aka Backflip! (Crunchyroll)
Oh my goodness! We have an actual good sports anime this season! This original anime is directed by Toshimasa Kuroyanagi, written by Toshizo Nemoto, and produced by Zexcs. This is the sports anime of the season that has everything the other sports shows are lacking. You have beautiful animation that masterfully matches fluid and expressive 2D animation with CGI, likable and hugely memorable characters, and a story with stakes that are just big enough to keep the story moving forward, but doesn’t treat the experience like it’s the end of the world. It has incredibly wholesome energy with the story, music, and character chemistry that makes for easily one of the best shows to watch of the Spring 2021 season.
Fantasy/Isekai
Full Dive (Funimation)
Based on the light novels and manga by Light Tuchihi, this anime adaptation was directed by Kazuya Miura, written by Kenta Ihara, and produced by Studio ENGI. This was advertised as a dark comedy take on the VRMMO anime series like Sword Art Online, but this one has a devilishly solid gimmick. The VRMMO in this anime is so realistic that there are no traditional game gimmicks and so on. It’s pretty much a game that drops you into a hard mode crafted by From Software and the teams behind those obtuse adventure games. Sadly, for as great as the first episode starts, the rest of the show, so far, has failed to live up to that first episode. It seems more comfortable explaining the more “realistic” elements of the game itself than doing something fun with them, and the characters aren’t that interesting. It also loves to slide into mean-spirited dialogue and interactions, but not balance it out to where we are rooting for anyone. The main character is dull and has every right to be mad at how he got conned into buying this game, the female lead is irredeemably awful, and it doesn’t have that flow or execution that makes anime like Konosuba work. It’s trying very hard to reconcile the game with the real world, but it’s neither fun nor interesting to be in this game world. Maybe it will get better, but when you start with such a strong first episode, only to flop hard in the second and third episodes, it makes me not want to watch the rest to see what happens. Maybe I will give it an episode or two more, but so far, it’s easily one of the biggest disappointments of the anime season.
I’ve Been Killing Slimes for 300 Years and Maxed Out My Level (Crunchyroll)
Based on the light novels by Kisetsu Morita, this anime adaptation is directed by Nobukage Kimura and was produced by Revoroot. Yes, it’s another isekai, and yes, it is about an individual who died of being overworked. That’s why I was curious to see how they take the “I maxed out my level and now have god-tier powers, but all I want to do is be left alone.” angle the marketing made it out to be. On one hand, I think it is a smarter show than its very obvious all-woman harem elements offer. It does dive into how the lead makes sure none of her now newly adopted family members (who are of course cute monster girls) don’t make the same mistakes as she did back in the real world. It also does its job of being a cute fantasy-comedy as it has some very solid jokes. I’m just not pulled into the overall story yet. I think it’s because it feels like they took the premise and halted it for cute harem shenanigans, and while we now have two spirit girls, a dragon girl, and a clumsy elf girl, I have seen better versions of these characters before. I think it’s not hitting it out of the park fully, and maybe I’m just thinking about how Taoteba Last Dungeon and Konosuba took more advantage of their premises by the first episode. Still, I don’t hate this series, but I wouldn’t be shocked if I decided to drop it after another episode or so. I at least think the characters hold up the plot more than most isekai shows. It’s cute and harmless, and sometimes, that’s all you need.
The Saint’s Magic Power is Omnipotent (Funimation)
Based on the light novel series by Yuka Tachibana, this adaptation is directed by Shota Ihata, written by Wataru Watari, and produced by Diomedia. I was first hooked on the premise of a regular working-class woman who gets swept to another world, only to find out she was swept to this world by accident with the real “chosen one”. It’s something I haven’t seen tackled in a lot of isekai, and I fell for this show even more once she decided to sit back and do her own thing. She didn’t want to save the world or deal with some demon king, but instead, she wanted to make potions. Sei Takanashi, our lead character, ends up making the world she is in a better place by simple actions of healing and helping out the individuals that would otherwise get looked over in other isekai stories. It does have a male harem element with three guys that may or may not be crushing on her all at once, but it doesn’t feel as skeezy as other anime with these types of setups. It’s a slow burn, but it’s a burn that has been worth it.
Dragon Goes House Hunting (Funimation)
Based on the manga by Kawo Tanuki, this adaptation is directed by Haruki Kasugamori and is produced by Signal. MD. You would think with a premise about a dragon wanting to find his own home with the help of a demon lord real-estate agent it would have a limited range in humor and writing, but it’s a show that knows how to expand on its setting and isn’t stuck on the elevator pitch of a premise. It’s got a great dynamic between the dragon and our real estate agent, and it uses every situation with getting the dragon a new home to have some kind of expansion on the world, the characters, or the story. It might not have the best animation since it feels like it wants to stay heavily on model due to how detailed the characters are, the show does do a good job transitioning to more comedic animation, and the jokes are funny! It’s a show that was an early favorite this season, and I’m so glad it feels like a fully realized comedy and fantasy anime. It’s probably my favorite comedy this season since shows like Combatants Must Be Dispatched have underperformed.
Other
Blue Reflection Ray (Funimation)
Based on the game developed by Gust, this video game adaptation is directed by Risako Yoshida, written by Akiko Waba, and produced by JC Staff. It’s boring. It’s supposed to be this dramatic battle royale anime with powers that revolve around girls teaming up with other girls and being defined by emotions. It does a really bad job at explaining how it all works, the characters are pretty forgettable, and I had a hard time remembering the names of the two leads. The art direction looks nice, but there is a real lack of movement. Characters will stand around to drag out scenes, and I know this is typical for anime shows, but it feels so restrictive and with such a distinct visual style, it only makes the stiffness stand out even more. There could have been a really interesting way to tackle this story and world, but I gave it the three-episode rule, and well, I won’t be watching any more beyond that.
Pretty Boys Detective Club (Funimation)
Based on the novel series by Nisio Isin, this anime adaptation is directed by Akiyuki Shinbo, Hajime Ootani, written by Akiyuki Shinbo and Shaft, and produced by Shaft. Well, with a name like Pretty Boys Detective Club, you have to assume it’s going to be a very pretty show, and boy howdy does it have some of the best visual eye candy in terms of this show’s visual presentation. Great designs, fluid animation, and stylish visuals carry this entire show. The impressive visuals also carry into the writing of the show that is fairly dense with the first three episodes’ storyline of helping a girl find a star in the sky. It turns from a solid mystery of a heartbroken girl to the girl having the eyesight to see something she wasn’t supposed to see. It takes a huge leap, and while the dialogue is a bit much and some of this is familiar ground, if you are looking for something like a mix of Ouran Highschool Host Club with some bonkers detective work, then this will easily be the show for you!
Vivy: Fluorite Eye’s Song (Funimation)
This is an entirely original anime by creators Tappei Nagatsuki and Eiji Umehara. It’s directed by Shinpei Ezaki, written by the creators, and produced by WIT Studios. Vivy is a wildly ambitious sci-fi story about time travel, the commentary about man and machine, and morality. The story about a futuristic AI being sent back in time to prevent a robot uprising that kills the human race in the future is some truly compelling stuff when you realize who this AI has to team up with to save humanity. The other side of the equation is the first AI android who the future AI goes to find doesn’t believe this super AI from the future is telling the truth. The real drama and driving force are the different ideals of the two AIs as they try and fix the past so the future doesn’t unfold into bloodshed, but then small wrinkles come up from time to time that throw a wrench into the situation, and it makes for an extremely compelling story. I wish it was dubbed because the future AI talks way too fast and it’s hard to keep up with the subtitles at points. Otherwise, it’s one of Spring’s most intriguing anime.
Odd Taxi (Crunchyroll)
This is a very cool original anime this season. It’s directed by Baku Kinoshita, written by Kazuya Konomoto, and produced by OLM Inc, and P.I.C.S. It does have a manga, but it was an original series first and foremost. This is a mix of a drama, a thriller, and a slice-of-life anime about the world that revolves around this lone walrus taxi driver and the storylines that spin-off of his encounters with both familiar faces and new individuals. It’s an anime I can’t quite compare to many that are out these days or not right off the top of my head. It’s like someone took the tone of something like The Wire or Fargo and mixed it up with Zootopia and Beastars with the designs from Animal Crossing. It’s an anime that truly stands out among the pack from not only its visuals, but its low-key story and perfect writing. I want to see what happens with all of these characters to see how the mystery around this missing girl unfolds and how these stories interact and finish. It’s an anime that was made with my kind of sensibilities. If I was ranking these anime individually and not by genre category, it would easily be in my top five. I highly recommend people check out this show because it hooks you within the first episode and doesn’t let go.
Slice of Life
Super Cub (Funimation))
Based on the light novel series by Tone Koken, this anime adaptation was directed by Toshiro Fujii, written by Toshizo Nemoto, and produced by Studio Kai. So far, from what I have seen, there is a real polarizing reception to this show. You either love how low-key and slow it is, or you find it too much of a slow burn to get through. I’m in the middle. I do like it due to how low key it is, but it is a touch too slow. The writing can also come off as making the lead character, Koguma, a touch dafter than she is. The CGI is also hit and miss as it doesn’t always blend well with the 2D characters or backgrounds. However, something about this show just clicks with me. I love the low-key vibes, I like the 2D visuals, the interaction between the leads, and the calming music. It reminds me of an indie game where all you do is drive around and listen to the music and just have a no-stress time. It won’t be for everyone, and I wouldn’t consider this a top 10 anime of the Spring season, but at least it is what is advertised and it doesn’t fall apart like Full Dive and Combatants Must Be Dispatched.
Fairy Ranmaru (Crunchyroll)
Hey, look, another original anime this season. This one is produced by Studio Comet, written by Jo Aoba, and directed by Kosuke Kobayashi and Masakazu Hishida. At first, I was enjoying the abstract dumbness of this one. A bunch of hot men who come from different fairy clans comes to earth to help clients expel the toxic and negativity in their lives via abstract combat. Within the combat encounters, the men transform in extremely horny ways into their fairy forms. It’s a dumb trashy anime that could have worked. I love the music, the transformations are delightfully horny to give the middle finger to male-focused fanservice. And yes, this isn’t the first anime to do such a thing, but it’s so rare, that it’s delightful to see it when it does happen. I like a lot of the little ideas about the leads and how the rules work. However, it’s a hot mess and it doesn’t always blend. It seems like it’s always at the edge of going down the right direction with its content but then doesn’t go far enough. I wish it went full dumb, but it also wants to be about something. I don’t know if I want to see what happens next after the three episodes I watched. If you like dumb but sincere anime, then, by all means, watch this one, but I can easily list a few other shows that go all the way with their fun dumb premise that do it better than Fairy Ranmaru.
Shadows House (Funimation)
Based on a manga by Su-mat-to, this adaptation is directed by Kazuki Ohashi, written by Toshiya Ono, and produced by CloverWorks. Okay, before we continue, let’s get the joke out of the way first, this is where all the resources that were for The Promised Neverland Season 2 went after the Neverland committee simply gave up on the second season. Anyway, Shadows House is a great show! I love the mystery behind this world of shadowy individuals, living dolls, and the commentary that can be picked from not only the environment but the dialogue and the ideas at play here. The dolls are rather complex characters, and their dynamics with the Shadows are really interesting to watch in motion. It has nice animation, the designs are distinct, and the writing has kept me invested in this show, which is why I’m going to so far, stick with it.
Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!
The Other Side of Animation 