The Other Side of Animation 91: Blame! Review

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In my Patema Inverted review, I talked about why universe building is important, and why you don’t really want to be taken out of the film because the world the film takes place in isn’t well defined. Sometimes, you need to take time to explain certain elements, because while the universe building could be seen as padding or exposition, it needs to make sense. However, if your entire film is just world building and set-up for an even bigger story, then you also need to be careful there. On one side of said spectrum, you have Rise of the Planet of the Apes, which talks about the origin/reboots the universe the franchise takes place in. It might be building up to what happens, but you still care about the characters and hate to see what happens. On the bad side of the spectrum, you have the first G.I. Joe live-action film where it’s not really interesting, has a lot of questionable elements, and doesn’t give us what we want until pretty much the end of the film. So, where does the Netflix-exclusive Blame! come into play? Based off the manga series and the online miniseries, Blame! is the first theatrical film adaptation of the property. It was directed by Hiroyuki Seshita, and was produced by Polygon Pictures, a studio well known for its help with CGI/CGI segments of films like Ghost in the Shell 2: Innocence, the Disney film Valiant, and the upcoming Godzilla: Monster Planet. I didn’t really see a lot of people get excited or talk about this film, and it got me concerned, since when there is no previews or that many articles talking about it, you wonder why that’s the case. Anyway, how is the actual movie? Well, let’s find out.

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Blame! takes place in a world where the entire earth is covered in giant metal skyscrapers, and there is barely any organic life left. It sucks to be a human in this world, since humans are considered pests by the security system that they ironically made, and are killed on the spot by the security system if they are spotted. Now, the human race is about to go extinct and live in these little settlements. As the viewer, you follow the lead of the film, Killy, voiced by Johnny Yong Bosch, a wandering individual who comes across one of the human settlements, and decides to help them out with the help of a decayed robot scientist. Can they survive? What will they find? Can they avoid the security system or maybe an even more dangerous threat?

blame02Right off the bat, Blame! does a couple of elements excellently. First off, let’s talk about the animation. CGI anime has been a touch controversial, due to the fact that 2D animation is more loved with this medium than CGI, since CGI in anime has been poorly used before, and is still poorly used. An obvious example of bad CGI anime would be the recent Berserk series, since it looks like they just replaced 2D characters with CGI puppets, and either don’t have the time or the effort to make sure they move fluidly. It’s aggravating, since you can understand that CGI animation might be cheaper and could get more jobs for people in that insane working conditions nightmare known as the anime industry. At the same time, CGI just doesn’t have the soul that 2D has, and it never, will unless they were willing to go the Disney/Pixar level quality route. Blame!, on the other hand, has for the most part, pretty good anime-style CGI. No one comes off as puppet-like, nothing is too floaty or cheap, and it makes the action scenes and overall film fun to watch. You can really tell with something like the recent Berserk series when the camera swings around or moves quickly to try and trick the viewer into not spotting the shoddy animation. It makes watching the series tough since you know how good action anime can be. You feel every shot, punch, and strike that are being given to the enemy and the lead characters.

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I think the world building is done pretty well. To me, it stands out, with while being very drab and gray, an interesting concept, since you always hear about how we, as a species can stop overpopulation. Granted, the story does fall into the “the humans forgot to do something, and now the thing we created, wants to kill us” trope, but I could look past that since so many sci-fi-focused products give us that story. I liked that these giant robots that build everything are not bothered by humans, I think it’s scary that there can be killer security robots that can disguise themselves as humans to avoid the barrier keeping the humans safe. I liked how bug-like the security robots moved, and so on. Killy is an interesting character, since he is a cyborg, but he’s left open enough to hopefully see more of him fleshed out in a movie or series. You wonder why this cyborg was made when everything else wants to kill the humans that are still surviving. I will also give Blame! credit, because it pulls off one of the best twists I have seen in not just anime, but animated films. Maybe I could have picked up on it more, but I found the twist to be legit shocking.

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However, this film does fail in a lot of areas. For one, this feels like one of those franchise films that are solely made to set up the universe, and then the second film is what you actually get. I say this because the characters outside of Killy, are really boring. I could care less about what happens to this set of humans. You get every single anime/sci-fi trope you can think of. The only two interesting characters are again, Killy, and the scientist that helps them out. By the end of the film, I had a lingering feeling they were expecting this to be super amazing, and either spawn more films, or a TV series. It gets a bit drab to watch, because the characters fight only two types of enemies. They also do that thing where Killy decides to stay behind to kill something horrifying looking so the rest of the human survivors can escape, but don’t show us the actual fight. Like, don’t do that! Don’t cut away from the most interesting character in the entire film. Nothing else besides the world the film introduces to you leaves a huge impression, and that’s a shame, since I could have seen this being one of the great anime action films. I also felt like some of the anime tropes that are in, well, anime are annoying. For example, why does the scientist, when she gets a new body, get heels? And why does the bigger threat in the film (not spoiling it here) have a skirt? I mean, it’s not that it’s attractive when this threat is killing people point blank with the same weapon Killy uses.

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Blame! is definitely one of the better animated films to come out this year, but in terms of animated films in general, I personally thought it was just okay. It’s nothing ground breaking, it has its moments, but I can’t see myself watching this movie again. It doesn’t have the full-on staying power that something like Ghibli and Hosoda would create and show off. I can’t really say rent it, since it’s a Netflix exclusive, but if you aren’t done watching the new season of House of Cards or Orange is the New Black, maybe give it a look. Though, if you haven’t seen The Little Prince, then watch that first.  Well, that was fun, and before we start heading into some really good movies, I want to tackle one more middling film that shouldn’t be getting a theatrical release, but it is. Next time, we will look at the Google Play exclusive, A Stork’s Journey. Thanks for reading, I hope you enjoyed the review, and I will see you all next time.

Rating: Rent it!

The Other Side of Animation 90: Spark a Space Tail Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

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When I was looking at what films were coming out in 2017, I was one of the few people not trying to make it look like one of the worst years for animation as a whole. Sure, I can understand the dread and concern since so far, 2017 in animation has been pretty middling. Not that there haven’t been great animated films released this year, like The LEGO Batman Movie or My Entire High School Sinking into the Sea, but for every good film, three films of lesser quality pop up and overshadow the good ones. However, this year has also seen animated films that somehow slip into theaters and then quietly leave after being ridiculed for being in theaters, when they had no reason to be there. Spark: A Space Tail is one of those films. Written and directed by Aaron Woodley, this film was made by the same studios that made 2014’s critically panned, but financially successful (somehow) The Nut Job. You would think with a film that for one reason or another was a moneymaker like The Nut Job, the same care and attention would go into Spark. Apparently, the distributor for both films, Open Road Films, thought otherwise. There was no real marketing for this film besides one trailer a month before it came out, and I saw nothing else. No TV spots or online ads for the film. To no surprise, the film was given a limited release, and was rightfully panned by the critics and the two people that went to go see it. Apparently, the film is also a box office bomb that’s actually worse than Delgo. Granted, they won’t tell us the budget for Spark, but I think it’s a good estimated $20-$30 mil and it only made a little over $196K. How do you do that? Well, let’s find out.

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The story follows our lead, a monkey named Spark, voiced by Jace Norman. He’s stuck on a chunk of his old planet after his parents and planet were destroyed by an evil, yet small, dictator named Zhong, voiced by Alan C. Peterson. Spark dreams of taking down the evil empire with his friends Vix, voiced by Jessica Biel, and Chunk, voiced by Rob deLeeuw. After attempting to be useful, Spark actually makes things worse, by gives Zhong what he was looking for, a giant whale monster known as the Kraken. Spark must then make a second attempt to take down Zhong with his friends and an old military captain, voiced by Patrick Stewart.

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The many ways this film bothers me are too many to count. This is one of the most soulless and cynically-motivated films I have seen this year. There was no effort put into this film, and I honestly can’t think of one area where the film does something right. I mean, where do I start? How about the animation? It’s quite obvious this was never going to be a theatrical-quality-animated film. It’s woefully lackluster in its character designs, movements, and textures. It looks like a nicely polished PlayStation 2 game. Everything is too flat and the character designs are not that inspiring, and simply forgettable. It’s also yet another Asian-made CGI film that has elements of Journey to the West inspirations. Thankfully, it’s not just another Journey to the West-style story, but it’s getting really tiring that apparently, while it’s a popular story in that part of the world, they can’t think of any other stories to take inspiration/references from. The movements are definitely not as rubbery as Norm of the North, but they still don’t move as fluidly as they should. I know some would argue not every film needs to be a Pixar and Disney film, but they need to look just as polished if they want to be in theaters. Movements are clunky and limited, facial movements are very basic, and even the “action” sequences don’t have any weight to them. The characters feel like they are flying around a big green or blue screen, which makes the background look lifeless. It’s probably a good guess that they had enough of a budget for what would traditionally be enough for one episode of a regular CGI animated show.

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The story and characters are very flat, and not-at-all interesting. Spark is an annoying teenage character who is literally the reason behind Zhong getting the upper hand in the film, and is just a grating character to listen to. Yes he might be a teenager, but these types of characters are not endearing in the slightest to listen to or invest time with. Vix is a pill of a character, and Chunk probably is the most likable character, but is very basic. The villain shouldn’t be a threat. He can’t fight back against anyone bigger than himself, and while I get he was made more as a comedic villain, the film relies on everyone being too stupid to stand up to him. The overall story is very basic adventure 101 with a chosen one, and every cliché from this type of film that you have seen a hundred times. I don’t care if you are unoriginal, but you have to be executed well or do something new or refreshing. This film doesn’t do that well with a story that you can guess from the very beginning scene. I also wonder how the heck they got these actors. I know some of them aren’t current A-list, but how do you get Jessica Biel, Hillary Swank, Susan Sarandon, and Patrick Stewart? I get why you got that child actor Jace Norman, but those other four? You would think they would get to throw some weight around, especially Patrick Stewart and Susan Sarandon, since they were both in recent hits like The Feud and Logan. I understand that they did this way before those two projects came out, but come on.

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So, is there anything positive to say about this film? Not really. The only real reason this film has to exist now is to be a prime example of how to not make, distribute, in this case, animate, and market your film. I don’t know one thing this film did correctly to entice or interest anyone into seeing this film. It’s quite honestly one of the prime examples of a film that has no real reason to exist or to have been pushed into theaters. If Open Road Films cared at all about this film, they would have marketed more, put more time and effort into it, and actually gave a hoot about it. I can’t repeat this enough that this film has no reason to exist. I wish I could find something about this film as redeemable, but when more animated films are putting effort into their experiences, whether they turn out to be good or bad, you have to step it up in order for them to warrant theater time. For now, Spark has the honored spot as the worst animated film of the year. I don’t usually like talking about these films because I know the people that made them probably didn’t have the best work schedule to get this done, but if you are going to be selling me a product that I’m paying money for to see in a place that has multiple Hollywood-level films in other rooms, then you are opening yourself up for massive amounts of criticism. Sometimes, going straight-to-DVD is the better route for these animated films. How about next time, we look at the new anime film on Netflix with Blame! Thanks for reading; I hope to see you all next time as we count down to review 100 animation reviews.

Rating: The Worst/Blacklist

The Other Side of Animation 89: Sahara Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

When I choose a film to watch, I try not to go directly into the film with a sense of “oh man, I’m going to hate this film”. Who wants to go into a film knowing it’s going to be bad? I said in my previous review that I like to be surprised. If it turns out to be a good or bad movie, that’s up to the film, and what I take away from it. That’s how I go into every film, and it was no different with the newly released Netflix-distributed film, Sahara. I knew about this CGI-animated film from France since the end of last year, but was intrigued when I saw Netflix was going to distribute it. I was a bit concerned when they didn’t really advertise the film, and after watching it, I understand why. Let’s dive into the desert with Sahara.

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The story revolves around a cobra and a scorpion, who feel out of place with the colony of other snakes they live with. The cobra named Ajar, voiced by Robert Naylor, decides to try and fit in with the snakes that live within the oasis on the other side of the valley. Unfortunately for him, the snakes in the oasis are pretty high class, and have a rather strong defense system. He and one of the oasis snakes escape the boundaries of the environment, and end up bonding with one another. That is, for a few seconds, as a snake charmer kidnaps the oasis snake. Ajar, along with the Oasis’s snake’s lazy obnoxious brother, must go save the “love” of his life before she ends up in a worse situation.

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Yeah, as much as I love foreign animation with their focus on story and characters, with different art styles and styles of animation, Sahara definitely doesn’t feel like one of those amazing films I talk about on my site. It becomes very obvious, outside of the rating for this film, that it’s meant for very little kids. Even if this was meant for younger kids, I can’t imagine someone like my niece sitting through this boring film. I don’t think I have ever felt so bored with an animated film from France since forever. None of the characters are very fleshed out, and they end up getting stuck with very basic character traits. Ajar is your generic lead character, Pitt the scorpion is your nervous safety-reliant friend, the female lead has no real character to her, and even the villain isn’t a super terrible guy. He’s not a good guy or anything, but the villain of this film feels forced. That’s also a problem when one of the characters you follow has a very hipster/surfer bro-style of talking that sounds way off from the original French dub of the film. Yeah, that’s another problem, the English dub is terrible. It’s not poorly done, but I feel like they either got the wrong voice director, or the actors weren’t putting their all into it, but a lot of the characters in this film were annoying to listen to. Especially that brother to the lead female, he is by far the most annoying character I have seen so far in 2017. First off, how does he have a blonde wig? Why does he talk like a surfer? Why is he a pot addict? Yes, it’s technically not pot but pollen, but it’s the same thing in terms of context. How do these characters reference things like Batman and Robin when they are snakes in a desert? I made it halfway through the film before I paused, switched to the French dub, and watched it with subtitles. You can tell that the French actors were putting more into their performances than the US cast.

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The film also loves to include a slew of characters that have no real purpose for the film. None of them push the narrative along, they don’t have much in terms of personalities, and sometimes, they are entirely 100% objectively pointless. For example, Pitt gets a scorpion girlfriend. Why? Because they needed a love interest in the last 20 minutes for him. Why? Because heaven forbid, we get any animated films these days that don’t rely on a romance between characters. You have bullies that never show up again, a cult of bugs that don’t show up again, and a family of scorpions that were way too willing to let their daughter go along with Pitt on the adventure that you never see again. And you have these security birds that only appear in the beginning of the film, and I swear one of them probably dies in the desert. I wouldn’t mind all of these pointless and boring main and secondary characters if they had any real chemistry. There is no convincing chemistry and charm between any of the characters. The two leads don’t even have romantic opportunity together; they fall for each other in a matter of seconds. Give Disney some credit, they at the very least, give the leads three or more days to do such a thing. It’s so weak and poorly executed that it’s eye-rolling.

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Did I like anything about this tale of snakes? Well, that’s one thing I can give credit to for this film. It is about an animal that you don’t see as leads in an animated film very often, and are not villains. I also like the animation and designs of the characters. It looks generic by US animation standards, but it looks way better than most foreign CGI fares. Even the humans have good looks to them that remind me of the Illumination Despicable Me look. I also found the movements to be fluid, and maybe that’s because most of the characters are snakes, but I think that’s pretty commendable that they put more detail into the animation. The colors are also very nice, because even though it is the desert, there can still be a lot of different colors, from the vibrant plants to the different skin or scale tones of the animals that live there. It was also nice to see the film was willing to take breaks every now and again to let the characters breathe. It’s nice to see that since a majority of animated films from the states tend to be very hyper and comedy-focused; this one could take its time for viewers to breathe and to slow the plot down. It doesn’t fix any of the issues with the plot, but having some atmosphere is nice.

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I still stand by my opinion that a lot of foreign animation is leagues better than a majority of the films made in the states, but this is one of the few times where I consider this one of their blunders. It’s not the worst animated film from France by any means, but it makes you wonder why the heck Netflix picked it up, and why it was even made. It has nice animation, but nice animation can’t save a film from its lackluster characters and story. If you really want to see this, for the love of animation, please watch it in French with English subtitles. It’s one of the few French-animated films that I have seen that felt like they weren’t even trying. Well, that happens from time to time. Thankfully, Sahara is way more watchable than what is quite possibly my worst animated film of 2017. You will just have to wait to see what that is next time. Thanks for reading!

Rating: Lackluster!

The Other Side of Animation 87: Smurfs: The Lost Village Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this Review!)

There is always a touch of disappointment when a film series starts to get its spirit and identity on track, but then still fumbles and falls off said tracks. For example, today’s review will be of the Smurf’s fourth foray into being translated onto the big screen. Let’s just say that this new movie had one of the biggest hurdles to get over, in terms of being an animated film. How do you succeed after two financially successful, but critically panned live-action ventures? Well, you kind of don’t. While not a huge financial bomb, it’s probably going to be one of the biggest underperforming animated films of 2017.  Well, let’s see what this new animated adventure directed by Kelly Asbury has to offer.

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The story revolves around the single female Smurf among Smurf Village, Smurfette, voiced by Demi Lovato. She doesn’t feel like she has a purpose, whereas everyone else pretty much does. One day, after hanging out with a few friends, she finds out that there might be a lost village hidden within their world. After getting denied the chance by Papa Smurf, voiced by Mandy Patinkin, to go beyond their village, she decides to go off on her own to find this lost village. She is joined by Hefty Smurf, voiced by Joe Manganiello, Clumsy Smurf, voiced by Jack McBrayer, and Brainy Smurf, voiced by Danny Pudi. On their adventure, they must avoid the grasp of the evil wizard Gargamel, voiced by Rainn Wilson. Can they find this lost village? Who inhabits the village? Was there no real surprise to this film since Sony outright said it was a village of female Smurfs?

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Yeah, that’s probably the biggest problem with this film, there is no real surprise or intrigue to it. It’s like watching an Illumination Entertainment film. It has very pretty visuals and good animation, but the story lacks substance, and seems to rely on its star-studded cast more than actual characters. It doesn’t help that Sony spoiled the surprise, but even then, I think everyone knew what the twist would be. Funny enough, the big twist of the all-female village seems wasted in terms of potential and content. They could explore and wonder what caused this split into bigger detail, or find something very creative to do with such a twist. I think the problem is that it happens in the third act, and then you are introduced to a slew of female Smurfs, which I’m sure were brought in for a possible sequel. It’s a shame, since the characters themselves aren’t terrible, and I sort of like Smurf Willow as this more laid back individual, but you don’t get enough time to flesh them outside of their one character trait. I get that they all have one character trait, but Inside Out had characters who were supposed to be one emotion, but they found ways to expand on said personality traits. Unless you know how to execute simple characters, they come off as bland and forgettable. Even the visuals that they showed off in the trailer, while still very vibrant, get pushed aside. I wanted this film to be more like DreamWorks’ Trolls film, since in that movie, they got to show off super creative creatures, lands, and characters.

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I was also distracted by a ton of the actors they got for the film. It’s another example where they could have either gotten a better voice director or super talented voice actors for the characters, but I get it. You want big names for your film, even though as of right now, no one really went to see your movie. It’s a shame too, since while I think voice actors could have been better choices, and I think Demi Lovato or Meghan Trainor were not needed and come off as pointless, I did enjoy the rest of the cast. Mandy Patinkin does a decent Papa Smurf, Joe Manganiello as Hefty was decent, Danny Pudi was a perfect choice for Brainy, Jack McBrayer, while not doing anything new, is fun as Clumsy, Rainn Wilson actually isn’t bad as Gargamel, though I think Hank Azaria did the voice better in the live-action films. Julia Roberts was good as Smurf Willow, Michelle Rodriguez was basically playing herself as Smurf Storm, Ellie Kemper is maybe a tad too annoying as Smurf Blossom, and Ariel Winter as Smurf Lily is pointless. They are doing their best to be these new characters, and I get that voice acting and acting in general is hard, but I don’t see them as the characters. They also do that thing where they bring in a ton of celebrities to do a line or two, like Gordon Ramsay is Baker Smurf, Tituss Burgess is Vanity Smurf, Gabriel Iglesias is Jokey Smurf, Jeff Dunham is Farmer Smurf, and Kelly Asbury is Nosy Smurf. The only two legit voice actors they hired were Frank Welker as Gargamel’s cat Azrael, and Dee Bradley Baker as Gargamel’s pet vulture, Monty.

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So, did I like anything about the movie? Well, I really enjoyed the animation. I consider this to be the best looking Sony Pictures Animated film to date. I love the colors, how the designs stay close to the original source material, and it’s not too Sony Animation-ish where it’s super hyper and it doesn’t take time to breathe. The colors are very vibrant, and when they are able to show off more of the magical stuff of the world, it’s fun to look at. I wish they could have done more than what we got. Even though the humor is very hit-and-miss with a lot of cop-out jokes, I did like the river scene with Gargamel and the Smurfs. Like I said above, while I was still distracted by all the actors in the film, they did their best. I mean, you are getting paid to be in what is essentially an apology letter for the previous two dumpster fires, so I think you would do your best to be invested within your roles.

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Smurfs the Lost Village is definitely leagues better than the live-action films that came out, and it definitely is creative in the visuals department. If you had to watch one Smurfs film, it’s definitely this one. If the story and pacing were better, along with the writing, I think they really could have had a hidden gem, or one of the better surprises in terms of animation. It needed to be more timeless than pandering to most casual moviegoers to leave a better impact. If this was made in Europe, maybe France, had 2D animation, or it was made in the 80s, I think we could have gotten more of an edge or more bite to the overall experience. Sadly, it’s just another dud that may or may not hurt Sony Pictures Animation if their upcoming Emoji Movie tanks as well. If you haven’t seen it yet, I would definitely wait for a rental. I can see some kids enjoying it, but I don’t know how long-lasting this film’s appeal will be, compared to something like The LEGO Batman Movie or My Entire High School Sinking into the Sea has. Maybe pick it up if you find it for cheap when it comes out, but there is no rush to see this film. In fact, how about we take a look at My Entire High School Sinking into the Sea next time? Thanks for reading! I hope you enjoyed the article, and I will see you all next time!

Rating: Lackluster

Animation Tidbits #2: What’s Cam Looking Forward To? 5/5/17

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, in my personal life, I love to make emails about a bunch of upcoming films for my family, who may or may not know much about what’s coming out. I recently did an email with all the upcoming animated films that are being released here in the states or somewhere around the world where I hope they get a stateside release. I decided to make a series of Animation Tidbits, where I show off some trailers or clips of upcoming animated films that have caught my eye. Now, some of these are already well known, but I’m sure many people have not heard of many of the films listed in this editorial. Let’s get started.

Early Man 

Up first is the trailer for Nick Park’s newest stop-motion feature, Early Man. I mean, I love Aardman Entertainment and all of their films. I don’t see why I shouldn’t be up for this one. While I don’t usually get super-hyped for big-named cast members in general anymore, I think Early Man has an incredible cast, including Tom Hiddleston (Marvel films, The Night Manager), Eddie Redmayne (The Danish Girl, Fantastic Beasts and Where to Find Them), Timothy Spall (The Last Samurai, Enchanted, and Sweeney Todd), and Maisie Williams (Game of Thrones). Unfortunately, I have to wait until 2018 for this promising flick.

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While Cars 3 doesn’t technically look terrible, and it does seem like Pixar wants to make a good movie from this flawed and merchandise-spewing trilogy, Pixar’s original film is what I’m looking forward to more. Yes, it’s another animated film based on Day of the Dead, and I do know the pointless turf war Coco fans and The Book of Life fans brought up with each other on Twitter with the two films’ directors, but it’s Pixar. I know their recent track record has been bumpy, but I usually feel like I can be excited and love their original content. The voice cast for this film is also pretty stellar with Benjamin Bratt, Gael Garcia Bernal, Renee Victor, and newcomer Anthony Gonzalez. Hopefully, this becomes another great original film in Pixar’s line up.

Wolfwalkers

I’m patiently waiting (badly) to hear a release date, and for GKids to pick this film up. Wolfwalkers is the next film by two-time Oscar-nominated director Tomm Moore, who was the director of Song of the Sea, and The Secret of Kells. The animation looks beautiful, you can sense and feel the atmosphere and Irish cultural elements, and it’s a downright gorgeous 2D animated film. I do wish the movie-going world would give this director and the super talented team at Cartoon Saloon a lot of support.

Gatta Cenerentola

Or as it’s known in English, Cat Cinderella. This is the first obscure film that I hope gets an English release. It’s an Italian CGI animated film, using mostly motion-capture for the animation. It’s a modern dark take on the Cinderella story, and it looks amazing. I know the movements can come off as clunky, since motion-capture can be finicky if not done correctly, but I think the tone, setting, and the idea will elevate it. Plus, it has a gorgeous art style, and I could listen to that song in the trailer all day.

The Big Bad Fox and Other Tales

If you watched the amazing Ernest & Celestine, the art style should look familiar to you, since one of the directors of the film, Benjamin Renner is behind this film. It’s based off of his comic, and while the trailer is in French, you can pretty much understand what is going on. It has good animation, a great sense of humor, and it’s just adorable. Hopefully, GKids can pick this one up.

Calamity

One of my favorite films from last year was the French film, Long Way North. While I think it went under the radar way too much last year, the same group that made Long Way North are back with another female lead-driven film. While it might be based on the historical figure, Calamity Jane, the filmmakers are taking on the character in their own story. I know that might be a bad idea in some cases, but Long Way North was so fantastic, and these guys know what they are doing.

 Icarus

While I love a lot of the films on this list, I think Icarus has me the most excited in terms of the setting. It’s a mixed-media animated film, using CGI and beautiful 2D animation. It makes the three Greek Gods, Zeus, Poseidon, and Aphrodite not just Gods, but Newspaper Journalist Gods as they try to weave interesting tales out of Greek Mythology for the paper. First off, the idea itself is awesome. I could see a lot of commentary about journalistic integrity, and how a lot of sites like to use clickbait-style headlines for not very interesting stories. I also love the combination of CGI and the lovely 2D animation. You just watch the trailer, and you get a lot of great visual eye candy. It also helps that there is a Pixar Veteran directing the film named Carlos Volgele. I just love the idea, and I definitely want GKids or Shout! Factory to bring it over.

Well, there you have it. These are the animated films that I am looking forward to at this point in time. I will do these from time to time when I find enough films to warrant a list like this, but do expect more of these. I might do these more so than a “Most Anticipated Films of –insert year here-“lists. Thanks for reading, and I hope you all have a good day!

The Other Side of Animation 80: Ratchet & Clank Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

We should probably all admit and accept that video game movies are never going to be good. I don’t care how many times we have to try to make them work, they are never going to get better, and it’s a waste of money. Sure, some films get closer than others, like 2016’s Warcraft, which should have been its own solo film instead of a universe/franchise plotting film that came out seven years too late. What’s another good example? Why, no other than 2016’s Ratchet & Clank. On paper, Ratchet & Clank looks like it has everything to make it a successful video game-based movie. It’s fully animated, so no live-action trainwrecks, it has a majority of the original cast from the games in it, one of the writers of the games was penning the script, and it seemed to have a bit of everything that fans of the franchise would love, and is a film that newcomers could check out and not be confused. So, what happened? Quite a lot happened. Reports came in that the film was already done and shelved for two years before last year’s release, the writer of the games stepped down and disowned the film, due to hints and comments saying two other writers rewrote the script, a lack of marketing and trailers, said trailers not showing off Ratchet & Clank, but the celebrities that were signed on to be in the film, and that was before release. Once it hit the theaters, no one saw it. Out of a $20 mil budget, it only made back $12 mil, it cost the animation studio Rainmaker Entertainment $10 mil in damage, and the head of Rainmaker got angry and ranted that theaters and the Hollywood system set the film up to fail since it was coming out between Zootopia and The Jungle Book. Yeah, there are not a lot of good graces with this movie. So, is it good? Or is it as bad as some people make it out to be? Well, let’s dive in.

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The story is a retelling of the first game, as it follows a Lombax named Ratchet, voiced by James Arnold Taylor, who wants to become one of the Galactic Rangers. This group of popular galactic heroes is led by an individual named Captain Qwark, voiced by Jim Ward. Unfortunately, Ratchet doesn’t pass the test to become one, and ends up moping back to his place to look into the stars and be depressed. That is, until an escape pod crashes nearby his location, and he goes to check it out to see if anyone is hurt. He finds a small robot by the name of Clank, voiced by David Kaye. Ratchet learns from his new robotic friend that there is an evil individual named Chairman Drek, voiced by Paul Giamatti, and his evil scientist named Doctor Nefarious, voiced by Armin Shimerman. They are planning to blow up worlds, take parts of said blown up world, and make a new world. Can Ratchet & Clank team up with the Galactic Rangers to save the day? Was there a reason to have Sylvester Stallone, John Goodman, Paul Giamatti, Bella Thorne, and Rosario Dawson to be in this movie? No.

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So, what is wrong about this movie? It should work, since it has all the elements that would make for a fun animated film. Sadly, it’s a really boring sit. I know that sounds weird when you have a film with space battles, creative guns, comedy, and quirky characters, and say it’s boring, but, by lord, they found a way to make it all a chore to sit through. Not only are the elements that made the franchise fun not really focused on, but the overall story is painfully generic. I get it’s a retelling of the original story, but they couldn’t find a way to make it less predictable? I mean, probably more so than any Illumination Entertainment’s films can you see what is going to happen with Ratchet & Clank. I think the major issue, besides the film being a bore, is the fact that our two iconic heroes, Ratchet and Clank are barely in the movie. Sure, you do get to see them separated from one another, but you don’t get to see them together a lot. I know the duo weren’t the most interesting in the first game, but they are a likable set of characters that this film does no justice to. Instead, a lot of the time, the film is actually focusing on Captain Qwark, and that’s already a huge red flag, if you know his story arc in the games at all. This film tries to squish in his story arc that actually spanned about five or so games. Here though, you want to know the most offensive element about the overall film? It’s the fact that the film’s scenes are literal cut scenes that the developers used in the PlayStation 4 game that was released at the same time. Why would I go out and watch this movie, when I could play the game and see a huge chunk of the film and the good writing that wasn’t screwed over by the other two writers. It’s easily one of the most baffling business decisions I have ever heard of, in terms of animation and gaming. I also don’t see the reason to hire such big actors for these roles. I mean, yeah, some of them do a decent job, but why bring back the video game actors for the big roles, and then replace the always awesome Kevin Michael Richardson with Paul Giamatti? I like both actors, but there was no reason for Giamatti to be one of the lead villains. I mean, that’s really the biggest annoyance with this movie’s A-list cast. A lot of them are decent and fine, but there was no reason for them to be there besides to have big names to sell to the public.

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The animation is also a mixed bag. While the designs look like the characters from the games, the movements are clunky, and some of the designs don’t feel as part of the games’ universe as they should. I get Sony didn’t think they needed to spend a lot of money on this project, but you can’t be making good animated films at the $20 mil price range. Or, at the very least, make a $20 mil animated film good with that price range, since I know most European-animated films can and do make good work with lesser budgets. It’s becoming more obvious when a film doesn’t have at the very least a $75+ mil budget, in terms of animation, due to how people are so trained to catch when the animation isn’t up-to-par. It’s hard to explain unless you see it in person, and then watch something like Moana or Zootopia back-to-back with Ratchet & Clank. Some of the designs are not a surprise to see, since they fit the franchise’s universe, but then there were a few times where I felt like the characters were from a totally separate cartoon or series. I guess at the very least, it’s not as bad as The Wild Life and Norm of the North. It’s on par with Rock Dog’s animation, which also needed a bit more cash to polish it all off.

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Oh, and once again, I have to disagree with people defending this movie and saying how it was “made for fans”. Well, you know what? Your fan service doesn’t make it a good movie. Sure, you can feel nostalgic for a film that is based on something from your childhood, but a PlayStation One boot-up sound, or a quick reference to Sly the Raccoon isn’t going to save this movie. They should have made the movie good first, and then put in the fan service. Saying the movie is good because it has nostalgic value and fan service just doesn’t sit well with me, because it means that you are willing to ignore everything, because it has elements you recognize from the games/anime/TV series/whatever. Plus, if this film was made for fans, then why did none of the fans go see it? Oh wait, that’s because a huge majority of the cut scenes from the game were actually from the movie! So yeah, why go see the movie when you can play the game, and get a much better experience doing so.

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So, what do I like about this movie? Well, I do admire that they decided to keep this film in an animated form, since making it a live action film would have been horrible and horrifying. While the humor was mostly miss, at the very least, the humor wasn’t super painful or annoying. Plus, there were a few lines that were pretty funny. I also enjoyed the voice work of the actors who were brought in from the video games. Jim Ward, James Arnold Taylor, David Kaye, and Armin Shimerman all do a fantastic job working off one another. Some of the big league celebrities they got were alright, and were cynically pushed into the movie, but I’ll at the least give credit to Paul Giamatti, Rosario Dawson, and John Goodman who put in some entertaining voice work.

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While not worse than Norm of the North, Ratchet & Clank is a bomb and a failure as another video game movie that couldn’t be amazing. It should have been free with the game, or free for PlayStation Plus users. It’s available on Netflix as of writing this review, and if you are for some reason wanting to buy it, by all means you should do so. I don’t think you should, since you should purchase Moana or Sing instead, but you do you. I simply know that I will never want to watch this movie ever again, and will just enjoy the video games. Well, that was underwhelming, but at the very least, it wasn’t Delgo. We will sooner or later get to that disaster. For now, let’s try and get excited for next week’s review, as we take a look at the very first Vampire Hunter D film. Thanks for reading, I hope you enjoyed the review, and I will see you all next time!

Rating: Lackluster

The Other Side of Animation 79: The Monkey King: Hero is Back

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

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So, if I told you that I found an animated film from China that is pretty solid, would you believe me? I mean, I wouldn’t be surprised if you didn’t believe me. There has always been this stigma of China going for a quantity-over-quality style of filmmaking, and yeah, when you realize just how many animated films they make, it definitely shows how low the quality can be. I’m sure there are plenty of good animated films from China, but since most are never brought over here unless Lionsgate has  another bad spending day, then I won’t know about them. Granted, there are some great looking animated films coming out that are really promising. Today’s review is one of those promising films from China, Monkey King: Hero is Back. This was released in 2015, and has the noteworthy title of being China’s highest grossing animated film of all time. Well, until Kung Fu Panda 3 and Zootopia overtook it, but still. In terms of just China-made animated films, it’s the highest grossing animated film from that country. It’s weird because there were so many movies based on the Monkey King, and they got passable reviews. What about this film specifically made a dent in terms of films based on such a mystical character? Well, let’s find out.

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The story revolves a young boy who lives with a monk, played by James Hong, after his parents were killed by trolls. One day, the boy’s town is attacked by the same trolls from long ago. The boy does escape them, but ends up falling into a cave and accidentally awakens the imprisoned Monkey King, voiced by Jackie Chan. The Monkey King really doesn’t want anything to do with the kid, but is then forced into a quest of taking down an evil lord, voiced by Feodor Chin. Can the great Monkey King take down the evil force and bond with the young boy?

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I will start out with the negatives about this film; it might have the worst dub job that I have seen so far. It’s so rushed and poorly synced that it wouldn’t be a shock if they did this dubbing in an afternoon. I mean, it feels like no effort was put into having the voices sync up with the lip movements. The actors also didn’t put in much into their performances. It’s like they knew this was a trainwreck, and that they were going to be in a better animated film together with Kung Fu Panda 3, so they didn’t put too much effort into their roles. Even this annoying comedic side character played by Roger Craig Smith has a, “I really don’t care that I’m here” attitude. Or, maybe they were trying their best, and the individual in charge of the dub wasn’t doing their job! The film is also very annoying in terms of humor, with a lot of pandering fart jokes and other jokes that don’t really work. It’s distracting, and makes the film-going experience tough to sit through, since sitting through a movie with very bad jokes is a massive chore.

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The animation is also not really impressive. Granted, we are seeing small signs that China is getting better with their animation quality, but the CGI is pretty low level, and the animations are stiff when there aren’t any fight sequences or grand movements on screen. Textures are low quality, but the designs are fine. They aren’t anything amazing, but when you have seen how ugly bad foreign CGI character designs can be, it’s higher-up on the totem pole than most. The story is also very generic. On top of not really explaining how a few incidences in the film happened, it’s a very Hollywoodized version of the Monkey King legend that is apparently the biggest property to make films out of in China. I mean, I get it, since the US has the biggest turn-on for most young adult novels that have no right in being made into movies. The characters are not that interesting either. They were boring, generic, or really annoying. I don’t get the deal behind having an annoying kid team up with the lead character, who is much more interesting. The kid was really grating, and I don’t know if I’m right about this, but I think the creators knew that since there were way too many times in the movie where the kid would have or should have died. They did it just to annoy people. It even takes the weight out of the final climatic fight scene, because they don’t kill the kid in the end. I mean, why would you do that? It’s like when they “killed” Superman in Batman v Superman: Dawn of Justice, and then teased at the very end that he’s coming back. Like, yeah, now you have ruined that character’s story arc. I don’t get why you would do that. Unless this was some clever Edgar Wright comedy, you shouldn’t ruin something like a death of a major character.

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So, what is actually good about this movie? Well, out of all the Chinese CGI trainwrecks that I can think of, The Monkey King: Hero is Back (and I still don’t get why they couldn’t fix that weird title) is at the very least watchable. It’s not something like Gods of Egypt or Norm of the North, where watching it is a chore. While it can get annoying, The Monkey King: Hero is Back does at the very least have some tension and investment in taking down the demon lord. The fights are also fun to watch. You can tell a lot of the budget and effort went into these sequences. While they never reach the heights of the Kung Fu Panda series or Kubo and the Two Strings, they are still entertaining enough to get you through the slog of bad jokes and horrible voicework. While the villain wasn’t anything that interesting, I at least enjoyed the campy personality, and the final fight with him and the Monkey King was fun to watch.

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While I totally get why this film got so much acclaim, I still don’t think it is all that great. It’s just very average. The only real reason to rent this film on any occasion would be because of its legacy and its status. Maybe if you can find this film for $5 or less, I could recommend it, but if you want good kung fu/action in animated form, just get the Kung Fu Panda trilogy or Kubo and the Two Strings. There are a ton of animated films that have much better action sequences and just better overall experiences that you should check out before even putting money down on The Monkey King: Hero is Back. It’s a shame since if the story and animation was better, I would have easily called this film the hidden gem of 2016, but that title goes to Mune: Guardian of the Moon and 25 April. Well, I’ll say this. I would rather watch The Monkey King: Hero is Back much more than what the next review will tackle. I won’t say what it is, but it is quite possibly the biggest flop in terms of animation from 2016. Thanks for reading, I hope you enjoyed the review, and I will see you all next time!

Rating: Rent it.