Spring Cleaning the 2023 Spring Anime Season Part 1

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)

2023’s spring season was fascinating to watch unfold. While not feeling as thrilling as 2021 or 2022’s spring season, I would argue it’s more diverse and experimental with its ideas of what adaptations got put into this released chunk of the year. While it definitely had its share of big titles to be hyped about, it also had a slew of surprises that came with some of the underdogs. Even the big hype machine titles had something going on with them more so than previous titles that everyone was looking forward to seeing in previous seasonal anime drops. It’s a more provocative lineup of anime titles that even the lesser ones were, at some points, trying to be different in some way shape or form. Now then, let’s get started! 

Action/Adventure

Summoned to Another World for a Second Time (Crunchyroll)

Just wouldn’t be an isekai or fantasy adventure without some isekais that don’t do enough to stand out. This is based on the light novels and manga by Kazuha Kishimoto. It’s directed by Motoki Nakanishi, written by Yukihito, and produced by Studio Elle. As usual we have an isekai that has a potentially interesting premise of our lead getting summoned into a fantasy world, but the twist being is that he has been here before. You think this would lead to fun or interesting commentary about the isekai genre, and crafting some great jokes, but instead, it plays it straight with no thrills or chills to call its own. Even some of the gags it has have been done better in much more lovable shows. These authors can’t seem to get past the elevator pitch with their ideas, and that sucks since this had so much more potential to be something special, but isn’t. The characters fall flat, the action isn’t stellar, the setting is boring, and it’s just a reminder of how most isekais need to start doing better.

The Marginal Service (Crunchyroll)

We have one of the few original anime this season and it’s sadly not one of the better ones. This show is directed by Masayuki Sakoi, written by Kenta Ihara, and produced by Studio 3HZ and Cygames. You think a mix of Men in Black and Power Rangers-themed construction suits/weaponry fighting cryptids and aliens would be fun, but the show, at least for its first three episodes, spends too much time explaining its world instead of showing it. The characters are one-note and annoying, the gags aren’t funny, and the animation isn’t as personality-driven as the show feels like or wants it to be. It’s a creative idea with a lot of potential possibilities to get better as time goes on, but it has left a really underwhelming taste on my anime-watching palette. It’s a shame since original anime should be supportive, but just as there are bad adaptations, there are also bad original anime.

The Legendary Hero is Dead (Crunchyroll)

Well, the premise for this one is interesting enough. This is based on the manga by Subaruichi. The anime is directed by Rion Kujo, written by Yu Sato, and produced by Liden Films. For a dark comedy fantasy anime, the hook of the setting is a fun one. Our lead is a dirtbag who accidentally gets the legendary hero killed and now has to take on not only the mantle of the hero but also his body via his spirit. This could’ve led to some very fun jabs at the genre and to some funny jokes. Well, too bad it’s not as creative as the elevator pitch for this show is. The leads are all very forgettable. Our main lead is a skeevy dirtbag, our female lead is there for the sake of fanservice, and the necromancer is the most well-rounded character, but she is inconsistently written, and that results in a party of characters you don’t really want to hang out with. They even introduce a villain who is way worse as a human being that is only there to give you a reason to root for our unlikeable lead. Having mean and nasty characters isn’t the constant deal breaker, it’s the fact that everything else around those leads doesn’t balance it all out. 

Dead Mount Death Play (Crunchyroll)

This anime is adapted from the manga by Ryugo Narita of Durarara!! and Baccano fame. It’s directed and written by Manabu Ono and produced by Geek Toys. Instead of being a normal isekai, we have a reverse isekai of a necromancer getting sent to the modern day. While it doesn’t have the same quality or charm as the author’s previous work, the show is, at the very least, more compelling than most isekai/action shows with our lead being more compelling and likable than most leads. Heck, a lot of the characters here are more likable than most isekai casts. It helps that the source material and the author have turned out good work in the past that relied heavily on good character chemistry. It’s just a shame that the animation is underwhelming and the show is only a bit more polished when it comes to the fanservicey aspects. I mean, that seems to be a consistent problem with a lot of shows this season having lackluster animation, but it’s frustrating because the rest of the show is good, and amazing animation isn’t always needed, but when the clunkiness is on screen, it’s hard to not have it detract from the show. Still, anytime an isekai can do better and be more creative than the rest, then I’m down to be more supportive of it as long as it keeps up the rest of the story, and the show is compelling. 

Magical Destroyers (Crunchyroll)

While I am not always down for chaotically trashy anime, this is one of the few exceptions to the rule. This original anime was created by Jun Inagawa. It’s directed by Hiroshi Ikehata and Masao Kawase, written by Daishiro Tanimura, and produced by Bibury Animation Studios. This feels like an anime that was made by Studio Trigger or later down the line Studio Gainax that has the passion and spirit of early to mid-2000s anime. It’s pretty much nerds with the help of their leader and a group of magical girls having to defeat the government which has quarantined and made otaku culture a bad thing to preserve Japan’s morals and honor. It might be another “we love otaku culture and this world is set in a world where otaku are targets of the government” anime, but unlike a lot of them, this one feels like it took a more unhinged and unapologetically nerdy approach to this action show and it is full of life because of it. It’s trashy, horny, thrilling, confusing, loving, and partly hateful of otaku culture, and feels mostly like it’s a team of people who want to see something a bit deranged, compared to a lot of the more “normal” anime out this season. It’s out to have a fun high-octane time, and whether that holds up over 12 or so episodes has yet to be seen, but at least it has one of the most exhilarating opening sequences of any anime this season. Seriously, even if you don’t watch this show or don’t like it, you can’t deny that the opening is just pure anime in the best way possible. Whether it sticks the landing or not is beside the point. Or at least, it’s beside the point with this show. 

Mashle: Magic and Muscle (Crunchyroll) 

We have yet again another alternative piece of art that has wizards and isn’t created by a horrible transphobic author. This anime is based on the manga by Hajime Komoto. It’s produced by A-1 Pictures, written by Yosuke Kuroda, and directed by Tomoya Tanaka. It’s basically what if Saitama from One Punch Man was thrown into a better version of Harry Potter? Well, this is what you would get. While our lead is intensely strong and can pretty much beat anyone into submission if need be, he is unfortunately in a world where everyone but him has magical powers. What makes this show fun is how they figure out creative ways for our lead character to get around the school’s curriculum by using his brute strength and quick if inconsistent smarts to pass classes like using “magic” to unlock a key or using a broom to fly. The ways they play with our protagonist’s strengths and his sometimes dense wits drives this into being one of the best comedies of the year so far. The sheer ways they come up with gags and solutions to problems never stop being amusing and it has a lot going on underneath the comedic shenanigans, but it so far from what I have seen balances it out perfectly. It results in a show that might not get everything about the manga right but is a consistently fun show to watch.

Hell’s Paradise (Crunchyroll)

And here we have the big Studio MAPPA anime of the season that shows that while this studio needs to get its act together with how they treat their animators, and stop taking on so much work, they are the only studio in the anime industry that could tackle something like this project. This is based on the manga by Yuji Kaku, is directed by Kaori Makita, and written by Akira Kindaichi. What makes this thrilling action/horror anime so exciting to watch are the stakes of a bunch of criminals and their handlers being sent to an island to find an elixir of life that happens to be populated by horrific plants and grotesque monsters are how the stakes are raised by the third episode. A lot of characters that are introduced are not going to make it past this point, and while it’s frustrating to see such fun designs end up not making it past the first three episodes, it makes for a sign of how brutal this show can be. The danger is around every corner and that isn’t counting the inhabitants of the island itself, but all the other criminals and the handlers that are ready and willing to kill one another to get off the island. Heck, who says the monsters are the only human-based things to worry about? With MAPPA’s usual polished animation, exciting action set pieces, and a more human study-based story about life, death, and what makes these characters thrive results in an easy frontrunner for one of the best anime this season in a season full of really strong contenders. 

Slice of Life/Drama

My Clueless First Friend (Crunchyroll)

Sometimes, what ya need is a spoonful of sugar to make the medicine go down. This anime is based on the manga by Taku Kamamura. It’s directed by Shigenori Kageyama, written by Takafumi Hosikawa and Shogo Yasukawa, and produced by Studio Signpost. While this anime doesn’t do anything new with it being about a girl who is constantly bullied for looking “like a grim reaper” the one person to befriend her is a boy who doesn’t quite get the memo and thinks she is cool. It is an intensely sincere anime. The act of being kind to one another really is what drives this show into being a fun lightweight watch with some goofy antics, sweet-as-sugar moments, and some solid story beats and character growth from the cast. Sometimes, you just want to watch something to escape from the cynical and harsh world for a few episodes. Definitely an easy watch and one to recommend. 

Otaku Elf (HiDive)

Who knew the slice-of-life genre would be full of super charming shows? This one is based on the manga by Akihiko Higuchi. The anime is directed by Takebumi Anzai, written by Shogo Yasukawa, and produced by C2C. What starts off as a simple gag anime with an elf that was sent to Japan centuries ago and who now is seen as a goddess can almost feel one note. The only real gag is that now that the elf is aware of geek and pop culture fandoms and memorabilia, she has become reclusive like most nerd-like characters seen in anime and other forms of media. But then they start sprinkling in little payoffs to why she is so reclusive, and while a lot of it is played for laughs and to poke fun at merchandise stuff, it does show a more sincere reason as to why she shuts herself off from the world. How being alive for so long and seeing the world literally change around you, and experiencing the people that you love and know pass on while you still live can really affect how open you become to people in the world. And that is all just in the first episode where we see her learn to be more social and friendly towards other people. It also is nice that this show got some of the better-looking visuals and character animation, though that might be because they have an official Red Bull sponsorship. This is funny because they have some well-known brands and then parody brands, which makes you wonder how they pick and choose what brands they could use. Still, the rest of the cast including the elf’s handler, her sister, and her classmate, and I definitely want to see who the other characters are to find out how they fit into this very quirky world. 

Insomniacs After School (HiDive)

Even though I love the quirkiness of a lot of anime, at times, anime is at its best when it’s wholly unique and different from the rest of the shows that have come out during this season. This includes Insomniacs After School. This is based on the manga by Makoto Ojiro. Its adaptation is directed by Yuki Ikeda, written by Rintaro Ikeda, and produced by Liden Films. While not similar in any major way, this show reminds me of Call of The Night from last year’s summer season. It has a low-fi atmosphere to its slice-of-life antics about two teens who suffer from insomnia making their hang out in the school’s observatory which is rather quiet in its atmospheric tone. It’s a romantic experience as we see our leads bond over looking at the stars and fulfilling night-based activities together. They are two individuals who feel isolated and alone in the daytime period of the day but feel personally connected to one another as the night sky blankets over the earth, and the stars make themselves known throughout the far reaches of the universe as they hang over the leads observing them. Granted, what kind of money is a high school making to have its own functioning observatory, but I digress. What matters most is how this show really does have a great pair of protagonists, fantastic supporting cast members, and some lovely ethereal visuals to keep you hooked to the screen. 

Skip and Loafer (Crunchyroll)

Honestly, this and Insomniacs After School are tied as some of my favorite anime of the year. This is based on the manga by Misaki Takamatsu. It’s written and directed by Kotomi Deai, and produced by P.A. Works. This show reminds me a lot of Horimiya, where we dive more into the characters that have an outward persona that they show off but are way more complex individuals with reasons why they use the facade that they have, with the exception of our lead who is unapologetically themselves no matter who they are hanging with. It’s a show about acceptance and how we sometimes overthink situations and what we observe about people around us. It’s such a low-key show that really mellows you out and tells you to not over-complicate life and what you do with friends. It’s an absolutely wholesome show that is delightful from start to finish due to the incredible designs, animation, and probably the best opening song sequence of any anime this season. 

Other

Opus Colors (Crunchyroll)

This original anime is directed by Shunsuke Tada, written by Sayaka Harada, and produced by C-Station. You would think the story of the struggle of two creative individuals crafting AR/VR art would be both visually splendid and compelling. It’s neither of those things. This spring season has brought us some very ugly-looking anime and Opus Colors is very much one of the worst-looking shows of the season. Flat, lifeless characters, generic designs, queerbaiting through the roof, contrived drama to drive the plot, but not much else, and so much more. This should be a fascinating drama of what it’s like for two creatives, an artist and what is essentially their producer to struggle to be on the same page to make something powerful and evocative, but due to the underwhelming animation, it all falls flat. It’s a frustrating show to sit through due to how boring and drab it all is. Even though it’s not based on any preexisting manga or mobile game, it sure feels like it was made to advertise a mobile rhythm game with a bunch of good-looking guys, but the twist is that the game never came out and we are stuck with its ad campaign. A really tedious show to watch that is lacking any sort of cohesive artistic identity. 

My Home Hero (Crunchyroll)

This show, even with its faults, is so distinct that it feels like a miracle that it got made in the current anime landscape. This is based on the manga by Naoki Yamakawa. It’s directed by Takashi Kamei, written by Kohei Kiyasu, and produced by Tezuka Productions. When was the last time an anime had a lead character that was 47? Seriously, in a landscape that requires lead characters to be at most 16 years old, we rarely if ever get adult-focused main characters. This is one that is basically a drama thriller of the dad killing his daughter’s abusive yakuza boyfriend to protect her only to end up in the dark world of the yakuza. It is such a good premise, and it differentiates itself from most anime this season due to this. Watching the slow spiral of playing chess with the family dealing with the yakuza is a compelling watch. What sucks though is that the animation, once again, is lackluster. Again, the anime industry could improve the quality of everything if they just paid their animators better and stopped overburdening them among other things. Imagine if this show had the proper lighting and imagery a dramatic thriller like this needs. Sure, the story can be a bit melodramatic, but anime is melodramatic. A lot of media and dramas are melodramatic. As long as the show is making a convincing case for itself, then that’s all that matters. I could see this one probably spiraling out of control, but considering how many mediocre anime we get with teen characters, it’s okay to root for and support shows like this, because that’s how we get more shows like this and not the middling slop we tend to get that fill up every season. 

Heavenly Delusion (Disney+/Hulu)

Consider this one of the biggest surprises of the season. This anime is directed by Hirotaka Mori, written by Makoto Fukami, and produced by Production I.G. It’s based on the manga by Masakazu Ishiguro. What we have here is a fairly complex and mysterious dystopian sci-fi journey as we follow two different plots happening at around the same time. They are full of themes and commentary about life, sexuality, sex, relationships, gender, and gender norms/gender roles in society that are placed on certain people. It finds a way to balance it all out really well with some of this season’s best visuals and animation. Luckily, it doesn’t get too stuck in the mud or in the depths of its own hubris as it keeps you guessing what exactly is going on and how the two concurring plots connect to one another. It’s a sci-fi anime that isn’t afraid to step back from heavy-handed philosophical quandaries and dialogue being the focus, and instead lets you live in the world this show sets up and invests into the characters and their individualistic drives of what they are looking for in a scary unnerving world. 

The Winter 2023 Anime Season. The Winter 2023 Anime Season Never Changes Part 2

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)

Here we are with Part 2 of the Winter 2023 Anime Season Impressions! If you have not seen Part 1, then please do so, since I covered the anime in that part that won’t show up here. This is definitely the area where the Winter 2023 strides with so many titles in this batch showing the best of the season. Now then, let’s get started. 

Fantasy/Isekai

Chillin’ in My 30s after Getting Fired from the Demon King Army (Crunchyroll)

You ever see a show just bail on its own title/premise so quickly it breaks the sound barrier? Yeah, this is one of those shows. This is based on the novels by Rokujuyon Okazawa. The anime adaptation is directed by Fumitoshi Oizaki, who directed last spring season’s Deaimon, written by Hitomi Amamiya, and produced by Encourage Films. If this anime is supposed to be about relaxing after getting fired from your overdemanding job, then why revert to a power fantasy anime? If the lead is having to do stuff that isn’t just relaxing, then that’s not really relaxing. Sure, they couldn’t make a show where all he does is relax and just help out around the village. They were probably worried that people would get bored, but due to how bad the entertainment industry is, novels, manga, and anime aren’t given time to be good, which sucks since it doesn’t all have to be bad. To be fair to this show though, it isn’t the worst of the season. It has some charm and humor about itself, and it at the very least seems to be pro-worker’s rights. It just suffers from a premise that isn’t all that different from other fantasy shows, a female lead that flip-flops between anime figurine fodder and a self-reliant and competent hero, and world-building that isn’t all that impressive. In a weaker season, this could have been a better title, but it sits in my bottom five for right now. 

Farming Life in Another World (HiDive)

I know video games have made farming a genre, but for some reason, anime has continued to struggle with this concept. This is based on the novel series by Kinosuke Saito. The adaptation is directed by Ryoichi Kuraya, written by Touko Machida, and produced by Zero-G. At the very least, this is better than Chillin’ in My 30s because it actually commits to its plot. It’s literally about a guy who starts a farming life in a fantasy world. No demon lord or saving the world. Granted, it has the harem element pretty early on by the 3rd episode, but it is at least trying to have some comedic personality, be about growing crops, and what you need to do to get into farming life. It’s still fairly boring though, with everyone having basically the same personality. It still should be focusing more on the details of growing certain plants and such, but overall, it’s fine. Just a low-key anime that isn’t the worst of the season. There are way more frustrating anime out this season that are more of a chore to watch than this one.  

The Fire Hunter (Crunchyroll)

It’s a shame this anime is the other poster child for the possibility that the anime industry really needs to take a moment and stop crafting so many hot messes. Consider this one of winter 2023’s biggest disappointments. Based on the novels by Rieko Hinata, this adaptation is written by  Mamoru Oshii, directed by Junji Nishimura, and produced by Signal MD. Listen, I know Oshii loves to make really dense scripts, and the fact that much of this show is focused more on the lore, history, politics, and world-building than the actual characters, is a sign of such. It’s a fascinating world about how humans can become easily combustible in the presence of fire, and now have to use a special liquid farmed from beasts to do things like light special fires and fuel their vehicles. This show has a lot going for it, and once again, it feels like it is an adaptation issue that the storytelling is so dense and easy to glaze over, due to how much people go on and on talking about the history of the world. Like, some world-building and exposition is needed, but not the entire script. It left a sour taste after watching the first three episodes, and from what I have seen from the episodes past that point, nothing is changing, but if you like the show that’s cool. Not every show will be for everyone, but if a majority of people are already turning away from it due to its choppy and wonky animation and dense storytelling more interested in background stuff than actually being about the characters, then that’s a bad sign. It’s a shame, but if this show wasn’t so committed to Oshii and his team’s worst aspects as a creative, then maybe people wouldn’t be ready to leave the show. Also, just because the source material has an explanation, if they weren’t able to give a clear answer in the anime adaptation, then that’s on the anime, not the audience members being confused or their eyes glazing over due to their being too much dialogue on which to focus. 

The Tale of Outcasts (Crunchyroll) 

Yeah, it sucks this show is coming out a season before much better alternatives of this type of story will be coming out in the next anime season this year. This is based on the manga series by Makoto Hoshino. It’s directed by Yasutaka Yamamoto, written by Kenichi Yamashita, and produced by Ashi Productions. The biggest problem this show has is its tone. It wants to be both a dark fantasy with a romantic escape for its young lead who makes a deal with a demon to trade her eyesight for his protection, and then lightweight at times with super quirky moments that don’t really mesh well with the rest of the show’s much darker storyline. The animation is fine and some of the action scenes are decent, but the design of our main demon bugs me due to his demon form, and the first episode is a really rough sit. Maybe some fans will find time to watch it, but most will be waiting to see the second season of The Ancient Magus Bride or  Sacrificial Princess and The King of Beasts in the spring season. 

Saving 80,000 Gold in Another World  for My Retirement (Crunchyroll) 

When an anime has a very creative premise, how much are you willing to tolerate its rougher edges? This is based on the novels by Funa. The anime adaptation is directed by Hiroshi Tamada, written by Akihiko Inari, and produced by Felix Films. There is some admiration to be had with how this is an isekai where our lead can travel to and from the real world and the fantasy world that she ends up in. The premise itself has some fun and creative opportunities, and I have heard some positive reviews of the light novels on which this show is based. Still, either a wonky adaptation, or what feels like a slow burn to see where this story goes, frankly hurts its chances to watch past episode 3. The second episode is more real-world prep for the lead to head back into the fantasy world, and the fantasy world seems more like a pseudo road trip than her figuring out how to make enough money to save for her retirement. It does feel more interested in the world-building and character dynamics than the antics of raising enough money to retire easily, but the execution feels uneven. Doesn’t help that the animation isn’t great, and there are definitely some aspects of the show that will maybe rub people the wrong way. Still, it at least has something going for it than most isekai that come out every season. It might not reach the heights of the best ones from this season, but it still deserves some admiration for its twists on the formula.

Kaina of the Great Snow Sea (Crunchyroll)

It’s rather bizarre how this season has brought us two slow-burn original fantasy series, and that’s pretty neat. This is an original anime that is produced at Polygon Pictures. It’s directed by Hiroaki Ando and written by Sadayuki Murai and Tetsuya Yamada. While the CGI is the usual Polygon Pictures fare, they are improving upon their use of CGI animation, and boy howdy did they craft a really cool and unusual world. It’s definitely a pro-environmental world due to how everything is set up with this canopy made by giant tree-like entities. Luckily, the characters are likable and compelling enough so far by episode three to give you, the viewer, enough to want to see more past the third episode. Granted, it’s one of those shows that takes three episodes to get the ball rolling, but if you aren’t bothered by that, then you will want to find yourself traversing the snowy seas to see what mysteries are revealed about this world. 

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (Crunchyroll) 

Just when you think the isekai genre won’t have something to offer, a show like this comes out of nowhere and makes you remember why the genre can be good. This show is based on the novels by Piero Karasu. The anime adaptation is directed by Shingo Tamaki, written by Wataru Watari, and produced by Diomedea. First off, every other isekai? Take notes on this one. It actually shows you and tells you about its setting, world, and characters without having to resort to big and dense layers of exposition as we learn about the relationship between a princess who can’t use magic in a world where everyone uses magic, and a noble who’s upcoming marriage is broken due to political upheaval and brash decisions made by her ex-fiance. Sure, some parts may or could possibly lean onto more power fantasy aspects of isekais, but with the fact our lead was smart enough to craft something truly original and not just be someone set with a ton of magical powers and no stakes in any fights, it’s a really smart decision made within the story. The one lead makes her own combination of magic and technology to do things that others can do, due to the ability to cast magic. The show is also willing to let the characters be characters, and not just cheap promotional material for the merchandise. It’s also a gorgeous show, due to how much the team and production committee were obviously working on the same level as one another. With its visually splendid animation, complex characters, intriguing world, and killer music, this is easily in the running for one of the best anime of the season and an early contender so far for best isekai of the year. Well, it’s the best one next to another show you will see the impressions of soon. 

Other

Sugar Apple Fairy Tale (Crunchyroll) 

CW: topics and themes of slavery

Consider this to be one of the more loaded anime of the season that absolutely doesn’t sound like it would be a dark fantasy, but some spin-off of the Strawberry Shortcake franchise. This is based on the novels by Miri Mikawa. The director of this adaptation is Yohei Suzuki, written by Seishi Minakami, and produced by J.C. Staff. By the opening of the show and its cute, well-crafted animation, you think this would be something super, pardon the pun, cloyingly sweet, but it really isn’t. It’s rather impressive how this show is able to balance out its nuanced world with flawed humans. The slavery angle is handled better here than most, which is scary that hey, anime can actually tackle this topic and not be absolutely terrible at it. It’s not perfect though, and some parts can be a touch uncomfortable to watch. Still, the show does a good job of mixing all of the lore, world-building, drama, and character development into a show that will be a bit clunky, but an overall intriguing experience. 

Ippon Again! (HiDive)

It wouldn’t be an anime season if we didn’t have a show about a group of girls getting into some kind of sport or hobby. This is based on the manga series by Yu Muraoka. The adaptation is directed by Ken Ogiwara, written by Aya Satsuki, and produced by Bakken Record. It feels surprising to me that, as far as I’m aware, there aren’t that many anime about judo. You think with such a strategic and compelling sport, they would find ways to make it creative, but Ippon Again! It definitely aims for a slice-of-life and coming-of-age story about our characters taking the wheel and forming a judo club in their high school. It does the right thing and focuses on the drive our characters have for the sport and for their growing friendship to go the distance to win the nationals in judo. The animation itself looks good, but can be a bit clunky here and there. Otherwise,  it’s nice to start the year with a really charming and good sports anime, which isn’t always a given every year. 

Revenger (Crunchyroll)

This season has been chock full of original anime this season, and this is one of them. It’s produced by Ajia-do Animation Works, but is directed by Masaya Fujimori, and written by Renji Oki and famous writer Gen Urobochi. The adventure we set off on with this one has a real solid hook to it about an ex-samurai who is being chased by the government for murdering an important figure. He joins up with a group of hitmen who take down corrupt individuals and while it might not be the most original show in a lot of ways, it all comes down to execution. With its focus on the inner politics of our leads, the world around them is kept interesting and the action is well animated and the characters have a certain charm to them. As long as they can keep it in the same ballpark of being able to combine both a compelling narrative and action, then it can very much be one of winter’s best shows. 

Buddy Daddies (Crunchyroll)

Let’s get this out of the way first, this isn’t a rip-off or clone of Spy X Family. It is able to stand on its own. This is an original anime that is produced at one of the best animation studios right now, P.A. Works. It’s directed by Yoshiyuki Asai and written by Vio Shimokura and Yuko Kakihara. Yeah, the premise can sound similar to Spy X Family, due to how it’s an action comedy with a found family hook of two assassins who live under one roof who accidently encounter a little girl who may or may not be the daughter of one of the two hitmen. What it does do well is accomplish some high-octane action mixed with some very goofy hitmen who have to deal with 2023’s first extremely adorable kid character of the year. It doesn’t just rest on the dynamic of two dangerous individuals taking care of a super child-like, well, child. It does give everyone rather depressing backstories and how even though they are fairly different from one another, they all come together cohesively as a family. It has P.A. Works stellar animation, some sweet comedic timing, and touching moments that make this show a great alternative while we wait for Spy X Family Season 2. 

Campfire Cooking in Another World With My Absurd Skill (Crunchyroll)

It’s always nice to be happy when a show you are looking forward to is actually really good and just a blast to watch for three episodes. This is based on the light novel series by Ren Eguchi. It’s directed by Kiyoshi Matsuda, written by Michiko Yotoke, and produced by MAPPA. While most isekais struggle to try and copy, rip off, or be the next Sword Art Online or ReZero, here comes this delightfully unique take on the isekai genre where the lead, in fact, doesn’t want to save the world. Instead, with his superpower of being able to order groceries from his world to the fantasy world, has gained a powerful wolf-like deity who makes a pact with our lead, not because he’s the chosen one, but because he can cook delicious food. It’s a show with a light-hearted sense of humor and some really hilarious set pieces and punchlines with how they keep the story fun and worth investing time into. They even find ways to add in a little dark comedy and quandaries of how they eat certain creatures or even if they can, that adds so much flavor and spice to the overall journey. It’s such a breath of fresh air alongside the other amazing isekai of the season that it’s frankly insulting that this show, Faraway Paladin, The Saint’s Magic is Omnipotent and The Magical Revolution of the Reincarnated Princess, and Genius Young Lady aren’t the guides to how to make proper modern isekai series. Take a good hook, add a well-written script and cast of loveable leads, and a splash of splendid animation, and you have a recipe for success. It’s easily my favorite anime of the season and one I can recommend to anyone. 

Thank you all for checking out my impressions, and if I had to pick my favorite anime of the season to check out, I would watch in no particular order…

Anime Recommendations of Winter 2023: Revenger, Buddy Daddies, Campfire Cooking in Another World with my Absurd Skill, Sugar Apple Fairy Tale, Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Ippon Again, Endo & Kobayashi Live, Giant Beast of Ars, Tomo Chan is a Girl, and Trigun Stampede.

Chainsawing Through the Fall 2022 Anime Season

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)

The fall 2022 season was a pleasant upgrade over Summer 2022’s anime season. It doesn’t reach all of the same heights as Fall 2021, but with its cast of new and returning anime, it still unleashes to the anime-loving audience a batch of amazing shows. Sure, some were bound to be new classics like Chainsaw Man, but there are other great shows this season and with Winter 2023 around the corner, let’s drop some impressions of a pretty solid season of anime. 

COMEDY

Love Flops (HiDive) 

(CW: assault and harassment jokes in the first episode)

One of the few original properties this season by Kadokawa Pictures. It’s produced by Passione, directed by Nobuyoshi Nagayama, and written by Ryo Yasumoto. Consider this one of the most middling mediocre harem anime to ever exist. Probably one of the worst anime of 2022 as well with the fact that the five girls and one woman who are fawning over this teenager, have no reason to fall for him. The way they are introduced to one another is laughably terrible and conceived, and the second episode’s reason behind them falling for him is yet another take on the vibe that they want anime viewers to start getting married and make kids. If it didn’t have Passione’s higher-than-usual production values, this anime would have fallen flat due to one-note love interests, and how it’s mostly interested in being male-wish fantasy nonsense. You all know you can not watch bad anime because it has cute anime girls right? You can go to other anime for cute anime girls that have more substance and personality to them. Heck, this season is full of them. You can do so much better than this one. Oh, and it dares to have a twist and become super meta when it doesn’t earn it or deserve it. 

The Little Lies We All Tell (Crunchyroll)

Man, it must be tough to be a comedy/gag anime that comes out the same season as Pop Team Epic’s triumphant return. This show is based on the manga by Madoka Kashihara. It’s directed by Makoto Hoshino, written by Megumi Shimizu, and produced by Studio Flad. The marketing for this show is weird. One poster and the title make it sound like it’s going to be some dark teen drama, but it’s a gag anime. It feels like it was put together by random or thrown-out ideas, and it is at least trying to be absurd and have that same high energy take as classics of the subgenre, but it never quite feels as cohesive or as absurd as others. It’s trying, and it has a laugh here and there, but it’s never as consistent as other shows like Cromartie High or Sleepy Princess in the Demon Castle. The four, well, three girls and one cross-dressing boy who was forced to go to the school all have something to hide, and the different gimmicks never feel like they mesh. It’s a weird show, because I personally don’t think it’s good, but I can see someone vibing with this show. It needed to have a bit more balance or focus on making the characters have actual personalities rather than just relying on the gimmick and some tired anime tropes. Still, you can do worse with anime comedies. 

Urusei Yatsura (HiDive)

Well, if it’s not broken…. This is based on the influential manga by Rumiko Takahashi. It’s directed by Hideya Takahashi, Yasuhiro Kimura, and Takahiro Kamei, written by Yuko Kakihara, and produced by David Productions. No exaggeration here, this new adaptation of the manga basically kept everything set in the 1970s without changing much outside of a new visual coat of paint. So be prepared to see somewhat tame by today’s standards mean-spirited gag stories with a somewhat overarching plot being weaved into the episodes. It can be loud, absurd, and funny, and whether its more heartfelt moments clash or not with the over-the-top and well-animated comedy, will be up to you. For me, I enjoyed the batch of episodes I have seen so far and it will at least be way better than that Inuyasha follow-up. 

More Than a Married Couple, But Not Lovers (Crunchyroll) 

I feel so betrayed and frustrated by this show. It’s based on the manga by Yuki Kanamura, directed by Takao Kato and Junichi Yamamoto, written by Naruhisa Arakawa, and produced by Studio Mother. If you don’t hear about the setting this story takes place in, it sounds like a real rock-solid rom-com. Two students who don’t care much for each other team up to actually hook up with the people they want to crush on. Now, if you have seen these romcoms before, you know our two leads are actually gonna fall for each other. The story focuses on their insecurities as individuals and, while it can be a bit horny since it’s anime, the show really does invest a ton of time to progress the story arcs between our leads. What makes this show fall flat is the premise. Our two leads are together because they are in a mandatory school course where they must learn to become good future husbands and wives. Oh, and the dorms the couples stay in, are wired with cameras all over, watching their every step. It’s intensely creepy and it’s maddening because this would be really cool if the premise didn’t sound like some weird conservative wet dream of the ideal school course students should be taking. I know some of the anime made every year will have some underlying political commentary about modern political topics in Japan, but no school should have a mandated “get a grade by being a married couple” course. You could easily have a better setting, because everything else is pretty okay! I wish I could recommend it full-heartedly, but there are better romcoms this year that don’t pull weird settings like this. 

I’m the Villainess, So I’m Taming the Final Boss (Crunchyroll)

When you watch a terrible anime like Shinobi No Ittoki, coming back to watch a show like this one really shows how good some of the shows this season are. This is based on the novels by Sarasa Nagase. The adaptation is produced by Maho Films, written by Kenta Ihara, and directed by Kumihiko Habara. While we are about to slowly get flooded with isekai titles about characters playing the villain from a popular or just any random otome game, if they can keep differentiating themselves from My Life as a Villainess, then they are good to go. Here, the rom-com plot of our lead trying to propose to the demon lord has resulted in a rather delightful and quirky journey, as we see our lead break the game and shift reality around her beck-and-call and use her knowledge of the original game to her advantage. It focuses on a lot of diverse character interactions, and it’s an adorable show with so many characters being rather lovable. It might have wonky animation and CGI compositing, but this is an otherwise charming show that will warm its way into your heart. 

Do It Yourself! (Crunchyroll)

What a wonderful original anime we have this season. It’s directed by Kazuhiro Yoneda, written by Kazuyuki Fudeyashu, and produced by Pine Jam. What’s so delightful about this show is how it works on so many levels. You not only have the fun of seeing an anime about the joy of Do It Yourself projects, but it’s a show about rebuilding and repairing friendships old and new. It’s not just another “cute girls doing cute things” show. It also has a visual style that looks like the result of Cloverworks and Science Saru having a child. Pine Jam has truly crafted a fantastic watercolor visual style and some of the most expressive characters of this season of anime. It’s one of those shows that is a great gateway anime to introduce to newcomers, and it stands out as one of the best this season. 

Bocchi The Rock (Crunchyroll) 

While Chainsaw Man is probably the most obvious show this season to be popular, it’s nice to see a show like this stellar piece of rock and roll get popular. It’s based on the manga by Aki Hamaji. It’s directed by Keiichiro Saito, written by Erika Yoshida, and produced by CloverWorks. You can basically call this a combination of coming-of-age, music, and extreme cases of social anxiety. The journey of our nervous wreck of a lead character to join a blossoming band and to expand upon her social skills is one of Fall 2022’s biggest surprises. It also has some of the most expressive and vibrant animation seen all year. Not a big shock from CloverWorks, but just in general. It’s some of the most interesting visuals you will find in a year full of anime with distinct visuals. It’s also really funny and crushingly accurate as to how they capture social anxiety, and how it can feel for some people in certain situations. Just a splendid anime around, and it’s no wonder why it has become one of the fan-favorite anime of the season. 

ACTION/ADVENTURE

Shinobi no Ittoki (Crunchyroll)

Well, at least it’s trying to do more than most middling ninja anime. This is another original anime of the season that’s directed by Shuu Watanabe, written by Minato Takano, and produced by Troyca. This show has an odd balance of tones. On one hand, the story of a boy who’s suddenly forced into being trained in order to run an entire clan of ninjas is understandably compelling, but lordy, is this some of the worst written dialogue and storytelling I have seen all year. Yeah, let’s follow this one character who was never told until he was in high school about his ninja ancestry, never train him, and then throw him into a school full of other ninja clans that want him dead and not give him at the very least a rundown or heads up of who to avoid or what to know. This show wants to be this thrilling ninja story and it isn’t just due to how the characters are terribly written, and what could be interesting or fun with the rather solid action animation, is dead weight and stuck with a story that’s not fun to sit through. Just a really boring and unbearable series. It’s not a bad show because it’s poorly animated or problematic. It’s a bad show because at no point is it thrilling, at no point is the story compelling or giving you a reason to root for its characters. It has story beats that happen that aren’t earned, and it’s a sign of how bad certain original anime can be. 

The Eminence in Shadow (HiDive) 

(CW: Sexual Assault in the first episode)

What is with anime productions that want to botch their first impressions with anime-only first episodes? I swear these production committees never learn. This is based on the novels by Daisuke Aizawa. It’s directed by Kazuya Nakanishi, written by Kanichi Katou, and produced by Nexus. So, this show is weird, because the first episode is an anime-only story that sets itself up as an edgy power fantasy show, but when you watch past episode 1, it feels like it’s supposed to be a parody, or it’s goofing on the tropes and story beats of mediocre isekai. I would normally be all for that with how they crafted certain moments from the episodes I watched, but after a bit, I felt like I fell off on whether this was supposed to be a parody or they were just being very tongue-and-cheek with it when it comes off like every other power fantasy anime that comes out every year. I guess at least it has a sense of personality with how it’s trying to lay out its jokes, but I couldn’t personally vibe with this one. I get why a lot of people do, but it just wasn’t my cup of tea. 

Chainsaw Man (Crunchyroll)

I mean, we all knew this was going to be one of, if not the best new show of the Fall 2022 season right? It’s based on the hit manga by Tatsuki Fujimoto that has taken the manga world by storm. The anime adaptation is obviously produced by MAPPA, it’s written by Hiroshi Seko, and directed by the duo of Ryu Nakayama and Nasato Nakazono. This show is just a bit of everything. It has fantastic action, incredible film quality level animation, dark comedy, and it doesn’t just fall back on its popularity or the gore to keep you invested. It has everything an anime fan or a newcomer to anime could want with how it balances everything to pretty much perfectly. There is a reason why this is considered one of the best shows of the year and season. You can’t get any better than this in terms of anime, and hopefully, MAPPA is treating its animators well to craft such an exquisite experience. 

FANTASY/ISEKAI

I Somehow Became Stronger By Raising Farming-Related Skills (HiDive)

CW: Episode 2 has a really tasteless male getting assaulted joke. 

Is anyone else getting really sick and tired of shows having a solid elevator pitch, but then completely bailing on it for no reason? This show is based on the light novels/manga by Shobonnu. It’s directed by Norihiko Nagahama, written by Touko Machida, and produced by Studio A-Cat. A super-powered farmer in a fantasy world where he doesn’t want to be the hero sounds like it could lead to a really creative comedy about a farmer who just wants to farm. The first episode has the lead character literally throwing a carrot at the speed of light and killing a dragon with it. That’s so funny and yet, the rest of the show is actually not about that. It’s about a farmer who just gets roped up into being a hero because he’s got really good stats. It’s a really boring watch that doesn’t do anything new or really fun with the formula, gets way too dark for a show that isn’t advertised as such, and of course, it will slowly have a colorful cast of female love interests and some non-threatening male friends that don’t get in the way of our lead and his forced-together harem. If it focused less on being just another power fantasy with a harem with really shoddy animation, there could have been something special. Still, alas, it’s another mediocre fantasy anime in a year full of them. 

Management of a Novice Alchemist (HiDive)

Well, at least it isn’t boring. This is based on the novels/light novels/manga by Mizuho Itsuki. The show is directed by Hiroshi Ikehata, written by Shigeru Murakoshi, and produced by ENGI. I mean, it’s a “cute girls doing cute things” alchemy/fantasy edition. It doesn’t do anything truly unique outside of focusing on the crafting side than the magic, but it also has to fit in stuff like action and possible romance baiting between the four characters. It’s got a solid visual look with some better-than-usual animation, but it’s mostly just okay. If it looked a bit worse, I would rank it lower, but its aesthetic is what’s saving this run-of-the-mill anime. Not that originality is the end all be all, but after a bit with how much anime is coming out, doing the bare minimum while other shows are hitting it out of the park is going to bite some on the backside in the long run. 

Beast Tamer (Crunchyroll)

Some of the toughest anime to give impressions on are shows that are just so committed to being down the middle in terms of quality and story execution. Beast Tamer is kind of that show but with enough charm to it that makes it hard to be hateful or angry towards it. This is based on the novels by Suzu Miyama. The anime adaptation is directed by Atsushi Nigorikawa, written by Takashi Aoshima, and produced by EMT Square. The funny thing about these “I got kicked out of the hero’s party” fantasy anime is that the reason for getting kicked out is so petty, and that might be the intention, but it’s never believably done. What’s more interesting is despite it being what will essentially be a harem anime with multiple cute fantasy girls, the show as of what I have seen, was not interested in fanservice. Or, at least not to a distracting degree where the show halts in its tracks to give you some cheesecake. The main cast has decent chemistry with how our lead is gonna save the day with kindness with his monster-taming skills, but it’s just okay. Nothing super obnoxious, but nothing all that stellar either. It could definitely fill the void of comfort food anime watching, but your tolerance for certain harem tropes will be the deciding point, or if you can truly utterly believe the igniting point of the overall story in the first place. 

Raven of the Inner Palace (Crunchyroll) 

Well, we have our The Heiki Story anime of the season, and I mean that in the way that we have a period drama that’s really fascinating. It’s based on the light novels by Koko Shirakawa. It’s written by Satomi  Ooshima, directed by Chizuru  Miyawaki, and produced by Bandai Namco Pictures. It’s a shame the first major story arc is split between two episodes because this is one of the rare few anime that would have been better as a one-hour premiere. It’s really slow to start out and build up the world-building, politics, and supernatural elements with the first episode, and by the second episode, it fully kicks into what the first mystery of the show is. By the third episode, you will be intrigued and compelled to see what the requests the Raven Consort get and how they unfold. It unwraps into a beautiful story of love, loss, and is full of political and royal drama/thriller elements to keep you in this gorgeously prepared world. Doesn’t hurt either that Queen Bee does a fantastic theme song for the show, and if you are down for something a bit different from your typical shonen action romps or the big league titles, then consider giving this one a shot. 

Reincarnated as a Sword (HiDive)

This is what happens when you make a familiar, but compelling isekai. This is based on the novels by Yuu Tanaka. It’s directed by Shinji Ishihara, written by Takahiro Nagano, and produced by C2C. While the lead being reincarnated as a sword doesn’t seem like it leads to a very compelling story, it actually stands on its own as one of the better isekai this year. The sword’s interaction with our cat girl lead that so far, the anime has tried to avoid sexualizing, is nice since anime is so bad at not making young characters look lewd. I get ya want to sell merchandise, but instead of doing most anime nonsense, the show does focus on the growing bond between our leads and it makes for a more pleasant experience when you are able to enjoy the show without so much nonsense getting in the way. With a fun premise, great animation, and well-executed action, Reincarnated as a Sword was a pleasant surprise in a year full of mediocre isekais. 

OTHER

My Master Has no Tail (HiDive) 

This was a sweet little title. It’s based on the manga by TNSK. The anime adaptation is produced by Liden Films, written by Touko Machida, Kei Shimobayashi, Aya Satsuki, and Yuho Togashi, and directed by Hideyo Yamamoto. What starts off as a cute little fantastical take on a period piece where our little tanuki lead goes into the human world to see what is going on, turns into a friendship drama about her wanting to work under a storyteller’s wing in a changing world. No longer can a tanuki thrive in a world with carriages, cars, and at the time, modern devices. It’s a show that tackles themes of dealing with the fear of the unknown in an ever-changing world, respecting the past, and finding that ambition to push through the tides of change. It’s well-animated, the characters are likable, and while there may be some cultural barriers that will get lost in translation, the show is easy to follow and only has a little bit of that anime nonsense that hampers it from time to time. 

Bibliophile Princess (HiDive)

This is where I wish this had a dub, due to how talkative it is. This is based on the light novels by Yui. This period piece drama/romance is directed by Taro Iwasaki, written by Mitsutaka Hirota, and produced by Madhouse. Listen, this show’s first episode is really slow, and you will only get the crumbs of what the drive of this show will be between a lovely prince and a bookish princess. Luckily, by the second and third episodes, the chemistry blossoms into a rather lovely romance with some gorgeous visuals. This is one of the few light novels where it’s not just an edgy male power fantasy isekai nonsense. Granted, even though I have watched plenty of episodes, I am worried about how much our princess has in terms of agency and how much development she gets from the story, since a lot of it is told from her perspective. Still, if you are in the mood for romance, period dramas, and something more slow and low-key, then you will probably like this show. 

Blue Lock  (Crunchyroll)

The one sports anime of the season comes in the form of one of the best sports anime of the year. It’s based on the manga by Muneyuki Kaneshiro with illustrations by Yusuke Nomura. The adaptation is written by Taku Kishimoto, directed by the duo of Tesunaki Watanabe and Shunsuke Ishikawa, and produced by Eight Bit. Instead of being another familiar but well-executed typical shonen-style sports anime, Blue Lock brings a more aggressive and sinister vibe to the sports formula by pitting teams against each other to become the best. With a more assertive and menacing art style to the players and the world itself, Blue Lock sets itself apart by being different and truly stands out among 2022’s mostly generic batch of sports anime. 

Mobile Suit Gundam: The Witch From Mercury (Crunchyroll)

Never thought I’d see the day I talk about and love a Gundam series that wasn’t G-Gundam or the other series that Toonami and Adult Swim played back then. This is directed by Hiroshi Kobayashi and Ryo Ando, written by Ichiro Okouchi, and produced by Sunrise. Who knew that what we needed was not a group of angsty teenagers in yet another anti-war story that clashes with the sole money-making side of the Gundam franchise of selling a multitude of models and action figures? Yeah, war is bad, but look how cool the robots and action beats are. Thankfully, what ya get with this one is Gundam crossed with Revolutionary Girl Utena, which is already at this point, a tired and worn joke since one of the writers of Utena is writing the script for this show. On a more serious note, this show is just fantastic. It’s got its political upheaval and war is bad messages for sure, but instead of that stuff being in your face at all times, it focuses more on the characters and they are delightfully diverse and complex. It still weaves in themes of discrimination and corruption, but they are characters first and foremost. It also helps that they are pretty likable, on top of the fight scenes being pretty stellar. It’s the shot in the arm that this franchise needed and it just needed to have more LGBTQ+ elements. Who knew?

Akiba Maid War (HiDive)

Well, I found it, I found the most ideal trashy anime that I don’t have to feel guilty for watching. This original anime is directed by Soichi Masui, written by Yoshihiro Hiki, and produced by P.A. Works. Yeah, the show is basically John Wick, but here every woman wears a sexy maid uniform. It’s more of a trashy action flick mixed with some territorial crime/gang war drama where all of the maid cafes are actually competing against one another with shady underbelly stuff that you would find in most crime thrillers. It’s over-the-top and schlocky, but with how much personality is in this show and how it 100% commits to its premise of drama and over-the-top action, if you were a fan of Lycoris Recoil, then you will absolutely love this show. HiDive this year has gotten some of this year’s best shows and Akiba Maid Wars is one of them! 

And there you have it. If you had to know the anime I’d recommend before the Winter season starts, please check out these titles: Chainsawman, Reincarnated as a Sword, Do It Yourself, Gundam: The Witch From Mercury, Akiba Maid Wars, Bocchi Rock, Raven if the Inner Palace, I’m The Villainess so I’m Taming the Final Boss, and honorable mentions go to Not a Married Couple, but Not Lovers and Urusei Yatsura. 

Fall 2020 Anime Impressions Part 2

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Here is part 2 of the list! If you have yet to see part 1, you can go to this link!

Average: Not the best, but not the worst, these anime are, simply put, okay, but have the potential to become great.

Our Last Crusade or the Rise of a New World (Funimation)

Impressions: It’s a pseudo-Romeo and Juliet-style romantic war story that’s based on a light novel and manga by Kei Sazane, directed by Shin Onuma and Mirai Minato, and animated by Silver Link. It’s set in a world where military personnel fight against powerful witches and wizards. It’s kind of a unique setting, but with designs we have seen before. Let’s just say that the comments I have seen comparing the leads to characters seen in Sword Art Online are not new. I think the chemistry between the two leads is cute, and the action is solid enough, but it all feels like something we have seen before and done better. At least by the third episode, the plot is kicking in.

Magatsu Wahrheit (Funimation)

Impressions: We have yet another anime based on a popular mobile game. It was developed by KLab. The anime itself was directed by Naoto Hosoda and produced by Yokohama Animation Laboratory. We have yet another steampunk/WW1-looking world with some fantastical elements. Unlike most anime that tend to look like this, the magic and world are more grounded, which is nice. It makes it feel more believable. However, it doesn’t stand out in most areas. It has decent action, a decent story, decent characters, and a somewhat cohesive world. I want to feel invested, but there isn’t much to be invested in that I couldn’t find in previous seasons or this season of anime. 

The Day I Became a God (Funimation)

Impressions:  Well, in terms of original anime series, this show directed by Yoshiyuki Asai and produced by P.A. Works has some supposed baggage that comes with this release. The story of a young girl claiming to be Odin befriending a normal boy who just happens to be named after a sun goddess is an interesting premise, to say the least. While I am finding the dynamics between the two leads grating, it at least has some comedy that is legit funny. Granted, the first two episodes get close to running their best jokes in the ground, and I’m kind of curious to know if this girl is just messing with the boy or not. Still, she can be pretty obnoxious, so your mileage may vary with this show. Oh, and since this is apparently by a director of some known projects that go awry, if that is your thing, then maybe stick around to see how this one unfolds.

Warlords of Sigdrifa (Funimation)

Impressions: So, we have a multi-media franchise entry with this one. It has two light novel series by Tappei Nagatsuki, two different manga by Kanari Abe and Takeshi Nogami, and this anime series directed by Hirotaka Tokuda, and animated by A-1 Pictures. It’s Evangelion mixed with Raiden, and for some reason, this world’s art direction isn’t working for me. Normally, I would be fine with old-fashioned customized fighter planes fighting angelic-looking monsters, but it’s not gelling with me. I think it’s mostly because of the cast. Outside of the whole debate of using teens as child soldiers, the designs clash with the overly serious aspect of the show. It also makes a terrible first impression with an hour-long first episode that drags out what seems like a single episode-level story. The animation is pretty great, but the dialogue isn’t all that memorable, and some of the dynamics between the characters feel a touch uncomfortable for me. There are some genuine solid moments of levity, but they are few and far between. It has the potential to maybe be one of 2020’s hidden gems, but it’s not gelling with me so far.

Kuma Kuma Kuma Bear (Funimation)

Impressions: This quirky isekai anime is based on a series of light novels and manga by Kumanano. The anime is directed by Hisashi Ishii and Yuu Nobuta. It was produced by EMT Square. Its one gimmick of a young 15-year-old getting zapped into an online VR MMO RPG with a special over-powered set of items is nothing all that new to the genre. Its cutesy art style is the only real thing that makes this show stand out. So far, it seems to have one real reoccurring gag with how strong the main character is, and it has gotten tired by the third episode. It is nice to get an anime in this genre with a female lead this time, but outside of that fun little addition, the fantasy world she inhabits is not all that interesting. There are some interesting aspects to her character, but they are her real-world self, and since she’s stuck in this fantasy world, we might not see them again. It’s a show that is struggling to keep me invested in its story, characters, and world.

DJ4D First Mix (Funimation, Crunchyroll, VRV, and HiDive)

Impressions: I feel badly for this anime that’s based on a multi-media project by Bushiroad, because it had to come out almost a month after Hypnosismic Division Rap Battle Royale, and I worry that viewers are going to constantly compare the two due to their focus on rap and pop music. Sure, they are different projects and are entirely different setting-wise, but you know how the internet tried to make a drama fight last year with Fire Force and Promare? The petty nature of fandoms will never die. Anyway, this anime is directed by Seiji Mizushima and was produced by Sanzigen. It’s a cute premise of a girl wanting to be a famed DJ, and the CGI animation used is pretty alright. It’s expressive and snappy, so that’s more interesting than what that Berserk reboot had going for it. The music is popping, but otherwise, the anime is generic overall. You know what’s going to happen by the base set-up of the anime and the opening. I could see it may be getting better as the show goes on, but it’s an okay first impression at best.

Hypnosismic Division Rap Battle (Funimation)

Impressions: This anime is based on a multi-media project by King Records, has a slew of manga written by Yuichiro Momose, a game developed by Idea Factory, and an anime series directed by Katsumi Ono, written by Shin Yoshida, and produced by A-1 Pictures. On one hand, this show’s premise of a world where weapons are abolished outside of specialized mics made for rappers is so dumb. I have no idea how this would work in real life. However, on the other hand, they commit to the silly premise, and you will laugh when you see someone rob a bank and hold a mic up to someone’s neck like it was a gun or knife. The rap battles are also fun, and it has even driven a lot of curiosity in the rap scene in Japan, which is pretty cool. The four rap groups the show follows are also distinct in their designs, personalities, and dynamics among one another. 

On the other hand, this show is so flippantly sexist with how it treats female characters, that it also takes away all of the goodwill that the show commits to its goofy premise and sometimes decent comedy. There are barely any female characters worth caring about, and I’m so worried about how they are going to handle the fact that the government is run by a woman. I was okay with it being mildly sexist at first, but now I’m worried about how sexist it’s going to go. The show has also lost the plot. We are about halfway through the first season and there has been no battle royale or big rap event. The rap groups know of one another, but so far, the battles have all been one-sided. I’m hoping the rest of the season picks up the pace.

Check in the part 3 soon!