Fall 2020 Anime Impressions Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Here is part 2 of the list! If you have yet to see part 1, you can go to this link!

Average: Not the best, but not the worst, these anime are, simply put, okay, but have the potential to become great.

Our Last Crusade or the Rise of a New World (Funimation)

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Impressions: It’s a pseudo-Romeo and Juliet-style romantic war story that’s based on a light novel and manga by Kei Sazane, directed by Shin Onuma and Mirai Minato, and animated by Silver Link. It’s set in a world where military personnel fight against powerful witches and wizards. It’s kind of a unique setting, but with designs we have seen before. Let’s just say that the comments I have seen comparing the leads to characters seen in Sword Art Online are not new. I think the chemistry between the two leads is cute, and the action is solid enough, but it all feels like something we have seen before and done better. At least by the third episode, the plot is kicking in.

Magatsu Wahrheit (Funimation)

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Impressions: We have yet another anime based on a popular mobile game. It was developed by KLab. The anime itself was directed by Naoto Hosoda and produced by Yokohama Animation Laboratory. We have yet another steampunk/WW1-looking world with some fantastical elements. Unlike most anime that tend to look like this, the magic and world are more grounded, which is nice. It makes it feel more believable. However, it doesn’t stand out in most areas. It has decent action, a decent story, decent characters, and a somewhat cohesive world. I want to feel invested, but there isn’t much to be invested in that I couldn’t find in previous seasons or this season of anime. 

The Day I Became a God (Funimation)

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Impressions:  Well, in terms of original anime series, this show directed by Yoshiyuki Asai and produced by P.A. Works has some supposed baggage that comes with this release. The story of a young girl claiming to be Odin befriending a normal boy who just happens to be named after a sun goddess is an interesting premise, to say the least. While I am finding the dynamics between the two leads grating, it at least has some comedy that is legit funny. Granted, the first two episodes get close to running their best jokes in the ground, and I’m kind of curious to know if this girl is just messing with the boy or not. Still, she can be pretty obnoxious, so your mileage may vary with this show. Oh, and since this is apparently by a director of some known projects that go awry, if that is your thing, then maybe stick around to see how this one unfolds.

Warlords of Sigdrifa (Funimation)

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Impressions: So, we have a multi-media franchise entry with this one. It has two light novel series by Tappei Nagatsuki, two different manga by Kanari Abe and Takeshi Nogami, and this anime series directed by Hirotaka Tokuda, and animated by A-1 Pictures. It’s Evangelion mixed with Raiden, and for some reason, this world’s art direction isn’t working for me. Normally, I would be fine with old-fashioned customized fighter planes fighting angelic-looking monsters, but it’s not gelling with me. I think it’s mostly because of the cast. Outside of the whole debate of using teens as child soldiers, the designs clash with the overly serious aspect of the show. It also makes a terrible first impression with an hour-long first episode that drags out what seems like a single episode-level story. The animation is pretty great, but the dialogue isn’t all that memorable, and some of the dynamics between the characters feel a touch uncomfortable for me. There are some genuine solid moments of levity, but they are few and far between. It has the potential to maybe be one of 2020’s hidden gems, but it’s not gelling with me so far.

Kuma Kuma Kuma Bear (Funimation)

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Impressions: This quirky isekai anime is based on a series of light novels and manga by Kumanano. The anime is directed by Hisashi Ishii and Yuu Nobuta. It was produced by EMT Square. Its one gimmick of a young 15-year-old getting zapped into an online VR MMO RPG with a special over-powered set of items is nothing all that new to the genre. Its cutesy art style is the only real thing that makes this show stand out. So far, it seems to have one real reoccurring gag with how strong the main character is, and it has gotten tired by the third episode. It is nice to get an anime in this genre with a female lead this time, but outside of that fun little addition, the fantasy world she inhabits is not all that interesting. There are some interesting aspects to her character, but they are her real-world self, and since she’s stuck in this fantasy world, we might not see them again. It’s a show that is struggling to keep me invested in its story, characters, and world.

DJ4D First Mix (Funimation, Crunchyroll, VRV, and HiDive)

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Impressions: I feel badly for this anime that’s based on a multi-media project by Bushiroad, because it had to come out almost a month after Hypnosismic Division Rap Battle Royale, and I worry that viewers are going to constantly compare the two due to their focus on rap and pop music. Sure, they are different projects and are entirely different setting-wise, but you know how the internet tried to make a drama fight last year with Fire Force and Promare? The petty nature of fandoms will never die. Anyway, this anime is directed by Seiji Mizushima and was produced by Sanzigen. It’s a cute premise of a girl wanting to be a famed DJ, and the CGI animation used is pretty alright. It’s expressive and snappy, so that’s more interesting than what that Berserk reboot had going for it. The music is popping, but otherwise, the anime is generic overall. You know what’s going to happen by the base set-up of the anime and the opening. I could see it may be getting better as the show goes on, but it’s an okay first impression at best.

Hypnosismic Division Rap Battle (Funimation)

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Impressions: This anime is based on a multi-media project by King Records, has a slew of manga written by Yuichiro Momose, a game developed by Idea Factory, and an anime series directed by Katsumi Ono, written by Shin Yoshida, and produced by A-1 Pictures. On one hand, this show’s premise of a world where weapons are abolished outside of specialized mics made for rappers is so dumb. I have no idea how this would work in real life. However, on the other hand, they commit to the silly premise, and you will laugh when you see someone rob a bank and hold a mic up to someone’s neck like it was a gun or knife. The rap battles are also fun, and it has even driven a lot of curiosity in the rap scene in Japan, which is pretty cool. The four rap groups the show follows are also distinct in their designs, personalities, and dynamics among one another. 

On the other hand, this show is so flippantly sexist with how it treats female characters, that it also takes away all of the goodwill that the show commits to its goofy premise and sometimes decent comedy. There are barely any female characters worth caring about, and I’m so worried about how they are going to handle the fact that the government is run by a woman. I was okay with it being mildly sexist at first, but now I’m worried about how sexist it’s going to go. The show has also lost the plot. We are about halfway through the first season and there has been no battle royale or big rap event. The rap groups know of one another, but so far, the battles have all been one-sided. I’m hoping the rest of the season picks up the pace.

Check in the part 3 soon!

The Other Side of Animation Awards 2020!

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Welcome, one and all, to The Other Side of Animation Awards! To end the decade, we will be celebrating the theatrical animation scene. I’ve got to tell you all, this was tough! With a group of judges of me, myself, and I, I decided to make an award show that would pay tribute to the thrilling year of 2019. Before we begin, if you wonder why I chose me, myself, and I as judges, well, that’s because of the 32 animated films submitted last year, I saw 29 of them. That’s more than most of the Academy Voters ever see. Now, let’s get started!

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Best US Animated Film: The category for the best US feature film.

NOMS: Toy Story 4, The LEGO Movie Part 2, Abominable, Frozen II, Missing Link, How to Train your Dragon: The Hidden World, Klaus, and Spies in Disguise.

Result: This was tough, because while I did enjoy all of these films, 2019 was a mixed bag. Not all of it was great, but I still very much enjoyed the contestants here. I was thinking about which one gave me an overall splendid and emotional experience, and that kicked off Abominable, How To Train Your Dragon: The Hidden World, and Frozen II. I love those three films, but their overall enjoyability was hampered by certain story elements. Spies in Disguise was surprising, but it could have been stronger. So, that leaves us with The LEGO Movie Part 2, Toy Story 4, Missing Link, and Klaus. Toy Story 4 probably had the best emotional story of the four choices, LEGO Movie 2 was poignant, but I enjoyed films like Klaus and Missing Link more. In the end, I had to make it a tie with Klaus and Missing Link as the Best US Animated Features, because they gave me two experiences that were refreshing and unique to see. Plus, it’s my award show, and I can do what I want.

Winner(s): Missing Link and Klaus

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Best Foreign/Indie Animated film: the category for the best foreign/indie animated film of the year.

Noms: Funan, Bunuel, Promare, The Swallows of Kabul, Weathering with You, White Snake, Marona’s Fantastic Tale, Children of the Sea, Penguin Highway, I Want to Eat Your Pancreas, Okko’s Inn, I Lost My Body, This Magnificent Cake, Nezha, Another Day of Life, and Pachamama.

Result: As usual, the foreign animation scene was strong this year with many powerful, important, and incredible films. This was tough, because I recommend everyone check out these films. Some of them had downright jaw-dropping animation, and some had great stories. Due to how hard this was, I had to narrow it down to just a few films. My choices then came down to Marona’s Fantastic Tale, Bunuel, Funan, Promare, White Snake, and Weathering with You. I chose those, because they were the most compelling of the films, but then it came down to what I looked for in an animated film that was able to balance out both animation and story. At the end of the day, I had to go with Dennis Do’s Funan as the most fulfilling and satisfying balance of story and animation, but I think everyone should check out the films in this category.

Winner: Funan

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Best 2D Animation: This Category is to award the film with the best use of 2D animation.

Noms: Funan, Bunuel, Promare, Children of the Sea, Weathering With You, The Swallows of Kabul, Penguin Highway, Klaus, Okko’s Inn.

Result: This is tough, because technically, most 2D animated films use some level of CGI, so I decided to nominate the films that use mostly 2D visuals, but CGI to enhance the experience. Promare is a visual treat, but a lot of it is using CGI. Weathering With You is drop dead gorgeous, but it has the same look as most of Shinkai’s films. It’s iconic, but familiar. Penguin Highway has some wonderful visuals, but you don’t get to the trippy stuff until the third act. Okko’s Inn is beautiful, but the more family friendly designs may turn off viewers. Bunuel has great visuals, but the animation can look stiff. It then came down to Children of the Sea, Klaus, The Swallows of Kabul, and Funan. All four of these films have incredible animation to them, and while I could technically make a four-way tie, I don’t want to keep doing that for each category. I then took it down to two films, Children of the Sea and Klaus. Both were stand outs in the animation scene due to their visuals and the execution of visuals. While the techniques used in Klaus are nothing new if you keep up with animation tools, the fact they took 2D animation and painted them like they were 3D models is wildly impressive. This is a nail biter of a decision, because the award could have gone either way, but I had to give it to Children of the Sea, because you watch that film in motion, and you get some of the most ethereal visuals that you will ever see in animation. Seriously, how it mixes its beautiful 2D animation with the CGI sea animals is out of this world.

Winner: Children of the Sea.

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Best CGI Animation: This category is for the film with the best CGI animation.

Noms: Toy Story 4, Frozen 2, The Lion King, White Snake, I Lost My Body, The LEGO Movie 2, Abominable, Nezha, and Spies in Disguise.

Result: This one was a bit easier to narrow down in terms of what I thought had the best animation. The Lion King was a technical marvel, but outside of how bonkers real everything looks, that’s all it offers, and it’s not like we don’t have realistic CGI being used all the time. I love the look that I Lost My Body has made with its mix of CGI models and 2D textures and features, but the stuff with the detached hand was more interesting to look at animation wise than the humans. The LEGO Movie 2 looks great, but it’s still the same we have seen with the previous LEGO Films. Abominable had great scenery and some standout shots, but otherwise, it looks like another CGI animated film. Spies in Disguise is probably Blue Sky’s best looking film, even if some of the designs looked wonky, but I found the lighting super impressive. This leads us to the finale of the remaining nominees, Toy Story 4, Frozen II, White Snake, and Nezha. To me, while the two Disney films objectively look better, the visuals I saw in White Snake and Nezha were way more wild and surprising to me. CGI animation was rough for a good decade or so with Chinese animation, but now, we have these two films that look like they had Disney/Pixar money thrown at them. I then had to think about which one had the better shots, and I had to go with White Snake. Everyone should get a copy of White Snake and Nezha and watch them to see how far Chinese CGI animation has come, and to put it in their Blu-ray player of choice, and be in shock and awe at how gorgeous they are. Still, White Snake had some of the prettiest visuals I saw last year, and that’s why I chose it.

Winner: White Snake

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Best Mixed Media Animation: This category lists the nominees are the films with the best mix of different kinds of animation styles.

Noms: Promare, Marona’s Fantastic Tale, I Lost My Body, Another Day of Life, and Bunuel.

Result: This is a fun one, because every once in a while, an animated film will stretch itself, and expand on what animation as a medium is. Bunuel and Another Day of Life do something fun by combining either Bunuel’s 2D animation with footage from the real life documentary they are making in the film, or Another Day of Life combines vibrant comic book-like visuals with actual live-action documentary-style footage of the time period in which the film takes place. I Lost My Body, like mentioned above, combines CGI models with 2D textures and designs. Promare uses a super vibrant color pallet with its mix of cartoonish 2D visuals and CGI models. However, the one winner for me in this category is Marona’s Fantastic Tale. Since it’s told from the perspective of a dog, the visuals take advantage of this fantastical world seen through the eyes of the dog, and every person the dog meets is animated differently. I could honestly gush about this film’s visuals all day and how there are fun symbolic elements to some of the characters. In short, Marona’s Fantastic Tale wins this award.

Winner: Marona’s Fantastic Tale

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Best Action/Adventure Film: This category awards the film that symbolizes the best action/adventure film in the animation scene this year.

Noms: Promare, Toy Story 4, Spies in Disguise, How to Train Your Dragon: The Hidden World, Missing Link, White Snake, Nezha, and Batman vs TMNT.

Results: This was another category that was easy to break down, because the nominees were limited, and it was fun to break down what films I thought had the best action sequences, and gave us the best adventure out of the animation scene. Batman vs TMNT was the first to go, due to the limited budget hampering the film. They really should have spent the extra coin to give the animation to a studio like Studio MiR. Toy Story 4 has a lot of entertaining sequences, but it’s more of a drama. How to Train your Dragon: The Hidden World also got put on the chopping block due to its focus on story and comedy. Missing Link is a great adventure film, but the action is limited as it also focuses more on story and comedy. That left me with Nezha, White Snake, and Promare. While these three films do have great stories and characters, I then had to get critical with the action sequences. Nezha was ambitious and very creative, but it does have that low point where they resort to a fart joke to help progress the fight. The action in White Snake and Promare are both flashy, over-the-top, stylized, and are fun to watch. It was really splitting hairs, but I had to go with the one that had the more coherent fights, and I went with White Snake. Like I said, it was splitting hairs, and while I enjoy Promare more as a whole, White Snake had the more focused and enthralling story. Like I said though, I was splitting hairs.

Winner: White Snake

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Best DC Animated Film: This category awards the best of the straight-to-video films from DC and WB.

Noms: Reign of the Supermen, Batman vs TMNT, Teen Titans Go! vs. Teen Titans, Wonder Woman: Bloodlines, and Justice League vs. The Fatal Five.

Results: Unlike most years, 2019’s lineup of direct-to-video DC features was pretty stellar. Each one had a certain theme and intriguing story that made them more worthwhile watches than most of the DC films that come out in this category. Like the Best Animated Feature and Best Foreign/Indie Feature, I look for the film that gives me the best overall experience. It really came down to Justice League vs. The Fatal Five, Teen Titans Go! vs. Teen Titans, and Batman vs. TMNT. I then narrowed it to just Teen Titans Go! vs. Teen Titans and Batman vs. TMNT. To be honest, while Teen Titans Go! was funny and amusing, I’m getting tired of the style of humor with the whole self-deprecation and meta aspect they know that no one likes this iteration of the teen team. That’s why I chose Batman vs. TMNT, because it checked the boxes of what I look for in these films. Does it have good writing? Check! Does it have solid animation? Check! Is the story interesting enough from beginning to end to be invested into? Check! It also had a different art-style, which I always look for. It was the one film where I don’t hesitate watching again.

Winner: Batman vs. TMNT

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Best Comedy: This category goes to the film with the best comedy.

Noms: The Angry Birds Movie 2, Toy Story 4, Frozen II, Klaus, The LEGO Movie Part 2, Teen Titans Go! vs Teen Titans, and Missing Link.

Results: This is a tricky category, because comedy is so subjective and any winner I choose could be someone’s least favorite comedy. The first film to go was Teen Titans Go! vs Teen Titans, because while I found it funny, that show’s style of humor is starting to get a touch tiring, even if it is still pretty funny for 90% of the time. Klaus was next, because while the jokes and the characters are funny, I enjoy the writing and the chemistry the most and the great jokes are ones I don’t consistently think about. The same goes with Frozen II, because it’s funny, but I think more about the dialogue and the chemistry. Toy Story 4 probably has the best comedy of the four films in the franchise, but, like a broken record, I think about the story first and the jokes second. To me, the jokes came first for this award, and the last three films were hard to choose from because the comedy in Missing Link, LEGO Movie Part 2, and The Angry Birds Movie 2 are all different. Missing Link uses slow and very subtle wit. The LEGO Movie Part 2 uses the brand meta comedy that Lord & Miller have made popular. The Angry Birds Movie 2 uses the approach of being as ambitious as possible with all the humor and jokes that we push into the film. It’s wildly brave at how many kinds of jokes they try out, and for the most part, work. So, do we award it to meta humor, subtle wit, or everything and the kitchen sink comedy? Well, here is a good question, which film has the best comedy and what has the best combo of both story and comedy? When I thought about that, I had to give it to Missing Link. I love the story and the humor, whereas the other two films don’t fully live up to their stories.

Winner: Missing Link

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Best Drama: This award goes to the best drama-focused animated film.

Noms: Funan, Bunuel, Children of the Sea, Toy Story 4, Frozen II, The Swallows of Kabul, I Want to Eat Your Pancreas, I Lost My Body, Okko’s Inn, and Weathering With You.

Results: So, like usual, I nominate a lot of films, but then start to break them down with how I enjoyed the drama and the story. I first films I let go of were I Lost My Body, Frozen II, then I Want to Eat Your Pancreas, Okko’s Inn, and then Children of the Sea. That left me with Toy Story 4, The Swallows of Kabul, Weathering With You, Funan, and Bunuel. These remaining films have very personal stories with intimate themes of life and personal discovery. I took off Weathering With You and Toy Story 4 because of story elements that hindered their experiences. That results in Funan, Bunuel, and Kabul. This is really hard, because I then had to cut Bunuel due to the slightly repetitive nature to Bunuel’s drama. At the end of the day, I decided to choose The Swallows of Kabul, because while Funan has great drama, The Swallows of Kabul lingers with me with its drama.

Winner: The Swallows of Kabul.

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Best Director: This category goes to the best director or dual directors.

Noms: Salvador Simo (Bunuel in the Labyrinth of the Turtles), Dennis Do (Funan), Jennifer Lee (Frozen II), Zabou Breitman and Elea Gobbe-Mevellec (The Swallows of Kabul), Sergios Pablos (Klaus), Hiroyuki Imaishi (Promare), Josh Cooley (Toy Story 4), Makoto Shinkai (Weathering With You), Chris Butler (Missing Link), Anca Damian (Marona’s Fantastic Tale), and Troy Quane and Nick Bruno (Spies in Disguise).

Result: To me, the best director did, well, the best directing with the film. Like, who helped make the best experience, which director got the best performances out of their actors, and you get the idea. To me, that resulted in Salvador Simo, Dennis Do, Zabou Breitman/Elea Gobbe-Mevellec, Anca Damian, and Sergios Pablos. All of these directors did such fantastic jobs with their films, and if I wanted to, I could and really want to give it to all of them. I then finally broke it down to between Dennis Do and the duo of Zabou Breitman and Elea Gobbe-Mevellec. Like a lot of this editorial, it came down to splitting hairs, but I went with the duo behind The Swallows of Kabul, Zabou Breitman and Elea Gobbe-Mevellec.

Winner: Zabou Breitman and Elea Gobbe-Mevellec. (The Swallows of Kabul)

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Best Short: This category goes to the best animated short.

Noms: Hair Love, Kitbull, My Moon, Memorable, Hors piste, and Sister.

Results: The animated shorts scene this year was unique as Disney didn’t really have one for their films, and Pixar was moving their shorts to Disney+ through their SparkShorts program. I then had to really rely on what got nominated and which ones I saw online. Now, the winner might be very obvious, but this wasn’t to say that it was an easy task of picking to award just one. They are also all different types of experiences. Yes, they all share a personal relationship theme, but some of them are funny, some are abstract, and some hit on very personal subject matters. However you may weave how I chose the short to win this award, but I had to give it to Hair Love. While I might adore the animation in some of the films slightly more, Hair Love is so personal, loving, caring, funny, relatable, and took the animation world by storm. Still, I highly recommend everyone get online to try and find a way to watch all of the shorts nominated.

Winner: Hair Love.

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Best New Release That Was Previously Unreleased in the US of 2019: This category is for the best animated film that finally got a release in 2019.

Noms: Aya of Yop City, Son of the White Mare, Genius Party/Genius Party Beyond, The Case of Hana and Alice, and Mai Mai Miracle.

Results: As usual, the challenge came down to what gave me the best experience. I love the two Genius Party films, but those are anthology films, and you will either love every short or find some to be annoying. The Case of Hana and Alice is a sweet endearing teen drama, but it takes a bit too long to get going. Son of the White Mare is a visual marvel, but a bit repetitive due to its fairytale-style story. That left us with Aya of Yop City and Mai Mai Miracle. Both are great in their own respective ways as they show life during a certain period in history. I then decided to award the one I would watch the most, and that narrowed it right down to Mai Mai Miracle. I’m not shocked I liked this movie the most, since it’s the same director behind In This Corner of the World.

Winner: Mai Mai Miracle.

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Best Lead Actor: This category awards the best male lead in an animated film.

Noms: Jorge Uson (Bunuel), Simon Abkarian (The Swallows of Kabul), Tom Hanks (Toy Story 4), Billy Matez (Promare), Brandon Engman (Weathering With You), and Jason Swartzman (Klaus).

Results: While it might not be on camera, actors still need to put in good performances to pull you into the film. Since this is the first time I’m awarding voice actors, I decided to go with variety. Jason Swartzman brings a lot of earnest sarcasm and pathetic nature to his character. Tom Hanks is just great as a wise and weathered Woody. Brandon Engman does well as a teenager finding his place in the world. Billy Matez does a good job at keeping up that impossibly optimistic and heroic spirit. Jorge Uson portrays a director trying to save his career while conflicted with his past and who he is as an individual. Simon Abkarian was also great as a man tired and weary of his country’s ideals as he tries to figure out what to do about the driving force of the story. After thinking about it, it came down to Jorge Uson and Simon Abkarian, and between the two, I think the best actor goes to Simon Abkarian. He left an impression on my viewing experience with a powerful and subtle performance.

Winner: Simon Abkarian (The Swallows of Kabul)

Best Supporting Actor: This category awards the best male supporting actor in an animated film.

Noms: Fernando Ramos (Bunuel), J.K. Simmons (Klaus), Zach Galifianakis (Missing Link), Johnny Yong Bosch (Promare), and Lee Pace (Weathering With You).

Results: To me, I was looking for an actor who was going toe to toe with the lead. The actors I chose for this award definitely accomplished that. Each of these actors was able to either keep up or even outshine the main character. It was tough, because I enjoyed all of these performances, but the one that stuck with me the most, and the winner of this one is Fernando Ramos from Bunuel, because he was so good as Ramon, and going head to head with the lead in the film, and having his own stand out scenes and lines.

Winner: Fernando Ramos (Bunuel)

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Best Lead Actress: This category awards the best lead performance by an actress.

Noms: Zita Hanrot (The Swallows of Kabul), Stephanie Sheh (White Snake), Lizzie Brochere (Marona’s Fantastic Tale), Ashley Boettcher (Weathering With You),  Annie Potts (Toy Story 4), and Mana Ashida (Children of the Sea)  

Results: like I said above, I went with variety this year and this was even tougher to really narrow it down. I had to look at who I felt put in the stronger performance and I thought they all did. I went with who left a stronger impression on me. When it came down to it, my favorite performance was from Zita Hanrot from The Swallows of Kabul.

Winner: Zita Hanrot from The Swallows of Kabul

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Best Supporting Actress: Obviously this award goes to the actress with the best supporting role.

 Noms: Hiam Abbass (The Swallows of Kabul), Christina Hendricks (Toy Story 4), and Yu Aoi (Penguin Highway).

Results: I know I said the other acting noms were tough, but this was the toughest one, because I didn’t find that many supporting roles that felt substantial from the female characters in the films from last year. When I thought about these three, I looked at their characters and their performances, and the one that stood out to me the most was Christina Hendricks as Gabby Gabby from Toy Story 4. She felt unique as a villain and was someone right out of a Ghibli film due to her layered character. This is probably my favorite acting that I have seen from Christina Hendricks, and she’s a good actress.

Winner: Christina Hendricks (Toy Story 4)

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Best Soundtrack: This award goes to the best soundtrack and that includes the musical numbers.

Noms: The Swallows of Kabul, Children of the Sea, Funan, Bunuel, Frozen II, The LEGO Movie Part 2, Promare, and Weathering With You.

Results: So, I decided to combine both soundtrack and original songs into one category, because it’s easier that way for me. Put another coin in the jar, because I decided to make this category hard for myself. I love the music in these nominees, but which one had the best overall package of songs? Well, I loved Promare’s two theme songs, but I don’t fully remember the rest of the music. The same goes for Frozen II and The LEGO Movie Part 2. While I love the soundtracks to Funan and Bunuel, I don’t fully remember the individual tracks used outside of one song. At the end of listening to the soundtracks, I had to go with the soundtrack from Children of the Sea. It, like its movie, is so other worldly and mesmerizing. It captures a mood and experience unlike any other. Then again, it’s also Joe Hisaishi, and he always makes great soundtracks.

Winner: Children of the Sea.

And there we go! I apologize it took a month or two to get this done, but I hope you all enjoyed this, and I think I’ll do it again next year.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

Animation Tidbits: Annecy Part 2

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(Originally written: May 29th: 2019. Sorry for posting this late!)

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Alrighty, for the final part of this look at Annecy 2019, I decided to combine a bunch of films from different categories. This is because the various categories don’t have enough to warrant talking about in individual articles. At least, that is my opinion on the other categories. The one major change they made was a new category called Contrechamp, a category with animated features that are in competition, but have visuals that challenge the medium of animation. Otherwise, the films on the list will be from the screening events and In Production section of the festival. Let’s get started!

Children of the Sea (Contrechamp)

Directed by Ayumu Watanabe, the story focuses on a girl named Ruka, who saw a ghost in her dad’s aquarium when she was little. She becomes attracted to the aquarium and the appearance of two mysterious boys named Umi and Sora, all the while the adults who work there figure out the mass disappearance of the earth’s fish. In a lot of ways, it’s almost unfair that this film is the perfect representation for the Contrechamp section of the festival. It’s almost unfair how downright jaw-dropping-off-your-face beautiful the film is. Studio 4C has done a lot of great work, but this easily looks like it will be their best. Plus, with GKids now attached to bringing it over to the states this year, I have major hopes it’s going to be at Animation is Film 2019! If that wasn’t enough to get you hyped, Joe Hisaishi, the composer behind many of the Studio Ghibli classics, is composing the music for this film.

Away (Contrechamp)

Directed by Gints Zilbalodis, Away is about a young man who’s riding a motorcycle, trapped on a mystical island while trying to avoid a shadowy monster chasing him. This is also a film that looks like it will be taking advantage of the Contrechamp title. Sure, it kind of looks like an indie game that’s trying to be the next artistic achievement in gaming, but that’s sort of the fun of it. Plus, this was directed and animated by someone who is 25 years old. That is wildly ambitious and I give him kudos for that. It looks like a visually creative film that I hope does well.

Underdog (Contrechamp)

Directed by Sung-Yoon Oh and Chun Baek Lee, the story revolves around a blue dog that was once a house pet, but ends up back in the wild. He encounters wild dogs, and tries to help them survive and live freely. Generic title aside, I really like the visual look of this film. It reminds me of the work arounds French animation uses in projects like The Painting. It has a super vibrant color palette, and while the CGI may not be Pixar or Disney level at all, it has its own identity and personality to it. I’m happy to see South Korean animation finally making some break-out titles to show that they can make animated features that aren’t tied down to propaganda, and can be watchable by all. Though seeing some of the marketing blurbs say it was more emotionally gripping than Zootopia? Yeah, we will have to see about that.

Ville Neuve (Contrechamp)

Directed by Felix Dufour Laperriere, Ville Neuve focuses on a man named Joseph, who moves into a house with his friend, and tries to get back with his ex-wife, and this is happening with the 1995 Quebec Referendum happening in the background. I like the minimalist approach with its focus on whites, blacks, and grays. It comes off like a more personal and intimate film, and I can’t wait to see what the reviews say about this one.

Playmobil (Screening)

Now then, let’s jump in with the first film in the “Screening” category. Directed by Lino DiSalvo, the story focuses on a young woman named Marla, played by Anya Taylor-Joy, who gets pulled into this Playmobil world with her brother Carlie, played by Gabriel Bateman. They get separated, and it’s up to Marla to team up with Rex Dasher, a secret agent voiced by Daniel Radcliffe and Del, a food truck driver voiced by Jim Gaffigan, to get her brother back and avoid the evil clutches of Emperor Maximus, played by Adam Lambert. Yeah, this film did not get the warmest impression, being negatively compared to the 2014 The LEGO Movie. I can understand why. It comes off as a bit outdated that there needs to be a reason for the Playmobil world to exist, when people would rather just enjoy the world that they make. Still, the film looks silly and aware about itself, and some of the jokes I saw got a chuckle out of me. Hopefully it can be an entertaining flick once it releases later this year.

The Prince’s Voyage (Screening)

Directed by Jean-Francois Languionie and Xavier Pircard, this is a follow-up to a film Jean Francois did a while back called A Monkey’s Tale, which follows the prince from that film, as he washes up on the shore of an island, and encounters an individual named Young Tom and his two parents, who were exiled scientists. The film itself looks great, but that should be no surprise, because it’s the same guy behind The Painting, but I am curious to see how they make this film work, because who remembers A Monkey’s Tale? It has only gotten an English UK release, and no one in America has probably heard of this guy or his films. Still, the CGI looks stylized, and I’m curious to see how this film does in continuing the story with these characters in a travel diary-style form.

Abominable (Screening)

Finally, we are seeing actual trailers and footage for this film. Directed by Jill Culton and Todd Wilderman, we follow the exploits of a young Chinese woman named Yi, voiced by Chloe Bennet, as she encounters an actual Yeti on the rooftop of her apartment building. It was previously caught by a scientist named Dr. Zara, voiced by Sarah Paulson, and an evil rich man named Burnish, voiced by Eddie Izzard. It is up to Yi, her friends Peng, voiced by Albert Tsai, and Jin, voiced by Tenzing Norgay Trainor, to get the Yeti back to his home in the mountains. This is an important film, due to this being DreamWorks first Chinese collaboration with Pearl Studio. As per usual with their non-comedy stuff, Abominable looks visually great, and has some endearing moments, but the jokes and references made in the first trailer and in the recent trailer are iffy. Hopefully, this is more of DreamWorks working at a How to Train your Dragon and Kung Fu Panda level, and not Shrek the Third level. Also, what is up with their marketing for this film? Everyone has already seen a trailer for the film for two or so months before the “official” trailer was released last week. What was the point of having two trailers and one of them was already viewable in theaters? Oh well, I hope this is a good movie.

Toy Story 4 (Screening)

Directed by Josh Cooley, we follow our heroes dealing with their new lives and a new encounter with a self-made toy named Forky, voiced by Tony Hale. One day, Forky gets out, and Woody, voiced by Tom Hanks, sets out to bring Forky back, but also runs into Bo Peep, voiced by Annie Potts. Shenanigans then ensue as Woody and the gang try to get Forky back to their new owner Bonnie, and Woody starts to have a crisis of what it means to be a toy. It’s too easy and frankly lazy, to say how this is a “cash grab”, when all films are cash grabs. We didn’t need a 4th one, but if we needed this one to get back on the train of original films starting with next year’s Onward, then so be it. Plus, I have been hearing good early word of mouth, and plus, who doesn’t want to see Keanu Reeves in his first ever voice role? Even if we might “not need it”, I’m glad to go back if the story is good.

Frozen 2 (Screening)

Directed by Chris Buck and Jennifer Lee, our heroes from the first film, Elsa, Anna, Kristoff, and Olaf are off on another adventure to go beyond the kingdom of Arendelle. Yeah, there isn’t much known about the film right now, so let’s talk about how incredible the teaser trailer was. This film looks jaw-dropping-off-your-face-and-exploding gorgeous. I’m sure a lot of this is just teaser editing, and the film may not be this serious in tone, but wouldn’t that be awesome if it was? I know there is a bit of Frozen burnout, but I liked the first movie, and I’m excited to see how this new one unfolds.

Weathering With You (WIP)

In the Work in Progress section, we have the newest film from Makoto Shinkai. The story revolves around a young boy who moves to Tokyo alone, and almost becomes broke, until he gets a writing job for an odd occult magazine. His life feels like it’s constant misery, as rain and dark clouds follow him everywhere. One day, he encounters a young girl who has a mysterious power to clear the sky of the clouds and rain. While I have been critical of some of Shinkai’s efforts and directorial touches in the past, this one has me very excited. To no surprise that Shinkai has more drop-dead eye-popping visuals, something about the story feels instantly likable, and GKids recently announced that they will be bringing it over! I can’t wait to see this film, and I hope to see it sometime soon.

Promare (Midnight Special)

Finally, for the Midnight Special, we have Promare. Directed by Hiroyuki Imaishi, and animated by Studio Trigger, we follow Galo Thymos and his team, the Burning Rescue Fire Department. Their main goal is to take down a group of evil mutants called BURNISH that emits and can control a special fire that is engulfing the planet. This movie looks so over-the-top, silly, nonsensical, it’s super drenched in its anime identity, and this is why I follow foreign/indie animation. This movie looks crazy in the most positive way possible. Sure, if you know anything about Studio Trigger’s previous work like Kill la Kill, Space Patrol Luluco, Little Witch Academia, and SSSS Gridman, then you know you are going to get some of the most vibrant Japanese animation around. It looks like a lot of fun, and I hope to also see it soon.

And that wraps up what I think looks to be the most promising at the Annecy International Film Festival. Even with these listed, there are truly more interesting features being shown in their completed form or work-in-progress form. Just go check out the site, and see the multitude of animated projects being shown, and find your favorites.

 

 

Animation Tidbits: Annecy 2019 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, it’s another year, and that means the E3 of animation, the Annecy International Film Festival, is going to happen! This year, the special guest country is Japan, and the line-up that includes films from Japan is impressive! This article will tackle the films that are in the main competition. The line-up has many strong films, and I’ll be talking about a few that I have mentioned before.

Honorable Mention: Bunuel in the Labyrinth of the Turtles

Competing last year in the “Out of Competition” section, I have seen the full film at Animation is Film 2018, and I loved it. It’s easily one of my favorite animated films of this decade, and it told a compelling story about a real-life filmmaker saving his career and finding out about himself. It has beautiful animation. The only reason why I’m putting it in the Honorable Mentions category is that it’s about to have a US release as well. Still, if you are going to Annecy, and you can go see this film, do so!

 

Now then, let’s get on with the other films!

Birthday Wonderland

Directed by Keiichi Hara, the director of one of 2016’s best animated features, Miss Hokusai, Birthday Wonderland tells the story of a young girl named Akane, who gets visited by an alchemist named Hippocrates and the student of the alchemist Pipo. They tell Akane that they are on a quest to save the world, and go into a basement to teleport into a world known as Wonderland. One of the stand-out details for me is the art direction. It looks incredible, but it’s more who is attached to it that is interesting to me. The visuals and character designs are being done by a Russian artist named Iiya Kuvshinov. You don’t really see outside artists work on Japanese productions. It’s a rare sight indeed. It definitely looks like a fun fantastical adventure with plenty of whimsical visuals and a cheerful tone that I hope delivers a wonderful experience.

Ride Your Wave

Directed by Masaaki Yuasa, famed director of Lu Over the Wall Mindgame, and The Night is Short, Walk on Girl, the story follows the relationship of Hinako, a college girl who loves to surf, and Minato, a firefighter who also loves to surf. After Minato passes away during a surfing accident, Hinako goes into a depression. However, when she sings a song that was close to the two, she finds that Minato is back! Well, as a ghost that’s trapped in the water. Yeah, this is going to be another odd and abstract film from the creative anime director. It looks to be a film about dealing with grief and growing up. I’m just sitting here now waiting for it to pop up at the Animation is Film Festival line-up, and for GKids to pick it up!

White Snake

Directed by Amp Wong and Ji Zhao, and a prequel to the Chinese Fable, Legend of the White Snake, it tells the story about a hunter and a snake disguised as a woman. I’m a bit worried how people who are not familiar with the original story will react to this, and its slightly more adult tone may turn off certain people, but I think for Chinese animation, it looks impressive. Their CGI might not be all there yet, but it looks better than most features that come out of China. Hopefully, the story will be compelling and interesting enough for those not aware of the fable.

Swallows of Kabul

I know I have talked about this film by duo directors Zabou Breitman and Elea Gobbe-Mevellec, but since we have a new trailer of the film based on the book of the same name, I wanted to make sure people know about it. It still has a lot of the incredible animation that we saw in the previous teaser for the film, and we get a little more about the story about two families that become intertwined by a corrupt society. It looks great, and I bet we will see this one at Animation is Film later this year.

I Lost My Body

Directed by Jeremy Clapin, this French animated feature focuses on a living human hand that goes on a perilous adventure to be reattached to its body. Yeah, this is easily one of the more complex animated features competing this year. You get an adult vibe from the trailer, which could lead to some fairly mature topics. I’m not entirely sure how this premise is going to carry on through a feature-length film, but it’s a film that stands out from the rest, due to its premise!

The Famous Bear Invasion of Sicily

We finally have a trailer for this one! The story itself hasn’t changed, about a bear prince that ends up in the human kingdom that causes a stir between them and the bears. I wanted to bring up the insanely creative visuals. This is done by the same studio that did the Oscar-nominated The Red Turtle and Zarafa, Prima Linea Productions. The vibrant colors, the well-executed CGI animation, and the fantastical imagery really give this film some life that not a lot of other animated features can have. All the visuals look like they are part of some kind of painting come to life, and it’s crazy how lush the colors are! I really hope this comes over to the Animation is Film Festival later this fall.

Marona’s Fantastic Tale

TheExtraordinaryVoyageOfMarona from Aparte Film on Vimeo.

Finally, we have Marona’s Fantastic Tale! Directed by Anca Damian, this Romania, France, and Belgium collaboration follows a dog, which recently passes away, and goes through a journey through her life and the people that she encountered. This is a truly unique-looking animated feature with a pastel painting look to the characters, with a bunch of bright colors and eye-opening visuals to tell a story about love. It’s a small-scale-looking film that I think would be awesome to watch.

The Other Side of Animation 144: Dr. Seuss’s The Grinch (2018) Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

It’s another year, and that means another Illumination Entertainment movie. It also means another time to say how Illumination is not a horrible studio in the sea of vitriolic hate and anger that is the internet that hates this studio with a passion. Listen, in the grand scheme of things, there are worse things to worry about than a studio that makes middle-of-the-road movies that rakes in boatloads of money, because they hit a massive audience. Now, in the context of the animation scene, I get the annoyance. You want films that put all the elbow grease into their animation, story, and writing to make all the money, or people to go see the incredible indie animation scene. Sadly, that’s an all too head-in-the-clouds way of knowing what’s going to actually happen. People are going to go see films that might not be perfect, but they personally find enjoyable. So, it is annoying that Illumination seems to do the bare minimum with their work, but rake in cash because of smart budgeting and business. It’s not their fault they are doing something that, at the end of the day, is going to make the studio money. Art might be why we make movies, but you can’t simply rely on that on its own to make the industry run. It’s a balancing act, and that’s why for every Missing Link, we get a Dr. Seuss’s The Grinch. Directed by Scott Mosier and Yarrow Cheney, this newest take on the beloved short story was released November 9th, and while getting mostly middling reviews, is raking in the money. To be fair, this is way better than the Ron Howard live-action version by millions of miles. Why? Well, let’s find out!

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Benedict Cumberbatch voices our main character, the Grinch, a green furry individual who hates everyone in Whoville, and especially the Christmas holiday. He doesn’t like the cheerfulness, he doesn’t like the joy, nor does he like his overly happy neighbor “friend” Bricklebaum, voiced by Kenan Thompson. The only proper thing to be mad about is the aggressive groups of Christmas carolers that harass him while he goes to the store. When he finds out that the Whoville citizens are going to throw a Christmas celebration that’s three times bigger than normal, Grinch decides to steal the Who’s Christmas with the help of his dog Max. He has only a few hours to get it all done, and will encounter a few challenges, like cookies and little Cindy Lou Who, voiced by Cameron Seely. Can he do it? I mean, you know about the original story by now, or at the very least, you should.

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Let’s talk about the positives that the film brings to the table. While sounding more snarky, sassy, and almost making you wonder what would have happened if Bill Hader got the role, Benedict Cumberbatch does a solid job as our grumpy green icon. I like that if you aren’t paying attention, or know that it’s him beforehand, you might actually think it’s Bill Hader doing the voice of the Grinch. The rest of the voice cast is also pretty solid. While not all of the characters get worthwhile dialogue sequences, like Rashida Jones’ role as Cindy Lou’s mother, other actors like Kenan Thompson get some of the better laughs in the movie. Oh, and the Whos are actually nice in this film. It’s fine if you grew up and love the Jim Carrey/Ron Howard version, but the one thing the film royally screwed up in that movie was making the Whos the most unlikable blithering individuals. They even have a few story elements that, while they do not go into them at all because it’s Illumination, I liked the ideas of. For example, Grinch has a “neighbor” who is always happy, optimistic, and friendly toward him, while being fairly unaware that Grinch hates him. But you can kind of see two different individuals who deal with the same kind of loneliness, but deal with it in different ways.  It would have been nice if they went more into that, but again, it’s Illumination, depth isn’t their strong point.

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On an animation side of things, The Grinch is probably Illumination’s most visually impressive movie. You can tell that whatever the studio is using to animate this film, the artists and animators they have are incredibly talented. It’s colorful, has some of that Seuss whimsy in its designs, but also has its own Illumination touch. A lot of the textures and details were simply impressive to look at on the big screen. I even heard the 3D version is decent, but my viewing was in 2D. The animation on the character work also made for some solid physical comedy moments. All the visuals accumulate into the heist sequence, and while it is short, is a lot of fun to watch with the fantastical Christmas designs.

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Many of the film’s problems come into the fray with making this story feature-length. Due to the original special being about 25 minutes in length, you don’t get to the actual heist part of the film until maybe halfway or a little over halfway through the 80-minute runtime. It adds in sequences of the Grinch interacting with the Who, and while this could have led to something interesting, it’s more lightweight snark and physical comedy. Along with more sequences of the Grinch with the Who, they give Cindy Lou a subplot and a group of friends who do not add anything at all to the overall story. It even takes out the major threat of the Grinch by giving him a reason why he slightly hates Christmas. The strength of the original special was that he didn’t really have a set reason to hate the holiday. As I sat through the film, I found myself bored at times, because some of the jokes weren’t landing. The audience I was with was the same, but they definitely got a few more chuckles out of the film than me. I also found myself thinking about scenes and ways the film could have improved upon itself through visual storytelling. However, I can’t judge the film because of scenes or ways of filmmaking I would found to be better, but with the film I have here, and it’s simply put, it’s another Illumination film.

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In general, it’s another safe, visually pretty, decently funny, and forgettable animated feature. It might have a nice ending, Benedict Cumberbatch was good as the Grinch, and again, visually splendid animation, but why would you waste the money to go to this film? Just go see Ralph Breaks the Internet, or go and try to find a screening of Mirai or Liz and the Blue Bird to watch. I still stand by my opinion that Illumination isn’t the worst studio around, but it’s becoming harder to defend them when they are not willing to try and push themselves into more creative directions. They make money hand over fist, and they should be able to now experiment a little with different writers, directors, and animation styles. Hopefully, they start doing that more in the future. Now then, let’s talk about one of the great action-animated films of 2018 with MFKZ. Thanks for reading! I hope you enjoyed the review, and I will see you all next time!

Rating: Rent it!

Animation Tidbits #1: Storycorps

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/quick review!)

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Welcome to a new segment I want to try out called Animation Tidbits. This is a spin-off series of editorials/quick reviews of short pieces of animation. These could be shorts, talking about animated show openings, the occasional TV series, or short films that don’t qualify as “feature length”. I have recently come across a lot of great stuff, but didn’t feel like putting a full-on review about them. What am I going to talk about first? Well, it’s about a very cool non-profit organization I found out about last year. This company is called StoryCorps, and their goal is to record the stories of normal everyday people of different backgrounds. Now, why is this animation-related? This company sounds great, but why am I talking about it personally? It’s because with some of their stories, they will tell them through animation. Seriously, they will get a team to make these wonderful 2D-animated shorts done in a couple of different varieties of art styles. Some of them have this great 2D cartoonish Dexter’s Laboratory and Powerpuff Girls art style.

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What kind of stories do they tackle from this organization? Well, there are a lot of different kinds that range from their life on a certain job, stories from the eldest members of the family, losing loved ones during 9-11, to other moments from their lives. What’s really amazing about these is that every story that I have seen is charming, heartfelt, touching, sad, interesting, and hopeful. You can tell that every emotion that is heard through the individuals speaking is raw and real. Since we just came off of one of the worst years in recent human history, and the beginning of this year hasn’t been all that nice either, hearing these stories and the surprising and heartwarming endings to some of them makes me smile. I’ll admit that I even cried during some of the more personal stories. I just adored that they decided to do this, and even if you decide to check out the non-animated stories, you will find a lot of fun and engaging ones. If you do decide to check out the animated stories that they have made, a good place to start is with a 30-minute video called Listening Is an Act of Love. It contains a couple of different stories, and I highly recommend checking that one out first, and making sure to support this great organization.

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The only real nitpick I have is that sometimes the art styles look a bit off, and the animation quality is inconsistent. Still, it’s a very minor nitpick, and I’m not going to lose sleep over it. The main focus on these shorts is more on the human spirit and their stories than on the quality of the animation. These are fantastic, and I could listen to them all day.

Here are the videos I would highly recommend checking out! These are my favorite videos from this organization.

Listening Is an Act of Love: This is the video I mentioned above in this article. It’s 30 minutes long, and all the stories are touching and emotionally resonating.

Clean Streets: The story of retired sanitation workers, Angelo Bruno and Eddie Nieves, who worked together 10 years on the same route in Manhattan’s West Village. It’s probably one of the more ‘feel good’ videos, and always puts a smile on my face hearing the two talk about their time as sanitation workers.

Driven:  This video focuses on the first Africa- American racer to be inducted into the NASCAR Hall of Fame, Wendell Scott. The video is narrated by his son Frank, as he talks to Wendell’s grandson about his father’s life as a racer.

The Saint of Dry Creek: The story focuses on Patrick Haggerty growing up during the 1950s, and is about his father who knew that Patrick was gay. It’s a shining example of the human spirit during a time when it wasn’t easy, when you weren’t straight.

Facundo the Great: an interesting memory from famed musician Ramon “Chunky” Sanchez, about the time when he was little, and teachers would Americanize the Hispanic children’s’ names. That was, until a new student arrived.

A Good Man: It follows the story of how Bryan Wilmoth reconnected with his younger siblings after being thrown out of the house years ago for being gay. It’s a touching story, and it reminds me of how strong a family bond can be.

To R.P. Salazar, With Love: A love story about how Rachel P. Salazar and Ruben P. Salazar all started with an email being sent. It’s a cute romantic tale that will put you into a good mood if you are feeling down.

The Human Voice: Following oral historian Studs Terkel, it focuses on what Studs thinks is missing from modern day.

Danny & Annie: As for the final recommendation, a story about the 27-year marriage of Danny Perasa and his wife, Annie. The story follows them from their first date, to the sad final days of Danny’s fight with terminal cancer.

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Like I said, I love what this company does, and I highly recommend checking them out. Thank you for reading, and I will see you all next time on the next Animation Tidbits.