(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this review!)
While the isekai genre is flooding the anime scene like how tentpole genre films have taken up theater screenings, it doesn’t mean that there can’t be great titles in the genre. There are reasons why so many light novel authors, manga creators, and anime studios/production committees chase trends and want their next big isekai hit. The problem then comes with how most aren’t willing to try hard to differentiate themselves from others. It results in productions that result in bland characters, bland world-building, mediocre animation, and just end up wasting time and space, when there could be other more interesting stories that could have been told instead. Thankfully, for shows like That Time I was Reincarnated as a Slime, they do show you why isekais can be great by doing everything right. They can have compelling characters, fantastic animation, stories that are not just about a power fantasy for a male audience, and no harem so the female characters are able to shine as characters. While some of the anime tropes can be a bit much at points, the franchise has stayed near the top of the best isekai shows for a reason. Sadly, isekai franchises don’t really lend themselves to films like other action franchises in the anime world. Still, that won’t stop production committees from doing so, and now we have That Time I was Reincarnated as a Slime: Scarlett Bond.
This film is directed by Yasuhito Kikuchi, written by Kazuyuki Fudeyasu, and produced by 8bit. We follow our main lead Rinmaru Tempest, dubbed again by Brittney Karbowski. On a rather normal day while crafting the ever-so-major road that connects his kingdom to another that has been talked about for two seasons now, the orcs get attacked by a raging ogre named Hiiro, dubbed by Jonah Scott. Thankfully, the other ogres come to help and realize that they know him as a pseudo-brother/leader of the village in which they used to live. As things calm down, Hiiro learns that his fellow ogres were okay and learns more about what happened. After hearing what was going on since he last saw everyone, Hiiro asks for help with the kingdom he was from, due to the queen being cursed and the land around them dying. Can Rimiru figure out what’s going on with the kingdom, the queen, and find out who is behind these dastardly deeds?
The biggest problem with isekais is the fact that most shows in that genre of anime can have well-told stories, but due to the lead being an overly powerful ball of destruction and invincibility, the stakes tend to be low, unless the power level, while strong, isn’t stronger than most other opponents the hero could face. When every fight is one-sided, then no one will be happy or invested with the story since we know the lead can’t get hurt. It’s why it’s aggravating that some shows still keep this up, even after franchises like One Punch Man and Konosuba have pretty much ruined those fantasies of either being able to stop any foe with no sweat or have a harem of lovely ladies who all want you because they show the flaws in those types of stories. So, making a film based on an isekai power fantasy should have some easy solutions that include not making Rimuru the lead, letting other characters shine, and or make a threat strong enough to even outshine Rimuru. It would be basic plot stuff, sure, but if you don’t take those elements into consideration, then you end up with a story that’s hard to invest in, not because of it’s confusing or hard to follow, but because our lead can just do anything and everything and that doesn’t result in a compelling arc or story to sit through that’s almost two hours long. A lot of the charm and appeal of the franchise is that while it has its power fantasy moments, it’s more about building an optimistically-fueled utopia where everyone, no matter the origin or life, can live peacefully among one another in a prosperous world. While there is a ton of action, it’s also about world-building, conversations, negotiations, and political power structures. It just so happens that all of those details are sandwiched between appealing-looking anime characters and bombastic and vibrant action set pieces. Sadly, the fact that Rimuru does take up the mantle as the lead instead of the other characters like Hiiro is a real downside to this overall product. Hiiro’s angle of seeing the actions caused by Tempest are way more interesting. The first 10 or so minutes before the misunderstanding is essentially squashed to make way for everything else are probably the best part of the film.
Heck, any scene where it’s Hiiro being alongside his other ogre friends is genuinely fun, but there are so few of them due to the political conspiracy of what exactly is going on with this kingdom. The problems also come in with how forgettable a lot of the new characters are. The old geezers and the two guards that follow Hiiro don’t leave much of an impression. It’s a real problem when the queen is just as bland. Even adding some small personality quirks or details in their movements would have left much more of an impression. Oh, and it doesn’t stop there either. The villain? This villain might be one of the most forgettable villains in anime franchise film history. He doesn’t even appear in the film until the halfway point, and you will quickly forget his name and his antics that could have led to more interesting layers to Hiiro’s journey, but when he starts to be all one-note evil, there isn’t much else. The story isn’t entirely helpful to newcomers either, due to at this point in two seasons of the show, a ton of characters have been introduced and they don’t get a lot of screen time. Their roles within the story vary depending on who is who in the ranking of power in the world this franchise has crafted. Not that some don’t leave a fun quirk or moment for themselves, but be ready to just wing it and just assume they were shown or introduced at some point during the show’s run. The film is at one point so disinterested in the clash with Hiiro and the villain that it cuts away to another character who knows how to take down the curse, and once again, I found that plot more compelling. Maybe that’s harsh to say, but it sure feels like it wanted to focus on the other characters more, and give us exposition and backstory as to why the kingdom is as it is and or why the tiara/crown is cursed and who cursed it. Even when we do focus back on the fight with the main villain, the film has to have flimsy excuses for the lead not to end his life with the snap of his fingers. It’s aggravating to sit here and not feel immersed in the story or drama because you know in the back of your head that this could have been 20 minutes shorter.
Sorry if this review sounds very negative so far, but there are aspects to adore. The animation looks great and the dynamic fight sequences are thrilling to watch unfold. The voice cast is as good as usual with Ricco Fajardo doing some stellar work as Benimaru, alongside Jonah Scott. Not to say the others don’t have their moments, because the dub cast for this franchise tends to hit it out of the park with names like Mallorie Rodak, Tyson Rinehart, Michelle Rojas, Tia Ballard, Chris Rager, Ken Williams, Ryan Reynolds (the voice actor, not the Hollywood actor), Charles Campbell, Daman Mills, Kristen McGuire, Cherami Leigh, Cris George, and Caitlin Glass to name a few. The composer is Hitoshi Fujima, who has composed for anime before including 2021’s Visual Prison.
It’s a shame because what this film ends up ultimately being is just another action franchise film, but an isekai franchise film. I’m sure this will maybe be connected in some way to the rest of the franchise, since having films that actually take place within the continuity of the show are more popular than ever, but the fact is that Scarlet Bond is a sadly forgettable romp. It’s not a terrible film, and if you love the franchise, you will love the film, but if you are looking for more substantial stories in Japanese animated features, you are better off going somewhere else for them. Still, if you want to see more Japanese animated features, you should see as many of them as you can in theaters. Who knows, maybe you will love this one more than me. Now then, next time, we will be tackling the CGI feature based on the beloved work of Terry Pratchett. Next time, we will be getting a visit from The Amazing Maurice.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)
The fall 2022 season was a pleasant upgrade over Summer 2022’s anime season. It doesn’t reach all of the same heights as Fall 2021, but with its cast of new and returning anime, it still unleashes to the anime-loving audience a batch of amazing shows. Sure, some were bound to be new classics like Chainsaw Man, but there are other great shows this season and with Winter 2023 around the corner, let’s drop some impressions of a pretty solid season of anime.
Love Flops (HiDive)
(CW: assault and harassment jokes in the first episode)
One of the few original properties this season by Kadokawa Pictures. It’s produced by Passione, directed by Nobuyoshi Nagayama, and written by Ryo Yasumoto. Consider this one of the most middling mediocre harem anime to ever exist. Probably one of the worst anime of 2022 as well with the fact that the five girls and one woman who are fawning over this teenager, have no reason to fall for him. The way they are introduced to one another is laughably terrible and conceived, and the second episode’s reason behind them falling for him is yet another take on the vibe that they want anime viewers to start getting married and make kids. If it didn’t have Passione’s higher-than-usual production values, this anime would have fallen flat due to one-note love interests, and how it’s mostly interested in being male-wish fantasy nonsense. You all know you can not watch bad anime because it has cute anime girls right? You can go to other anime for cute anime girls that have more substance and personality to them. Heck, this season is full of them. You can do so much better than this one. Oh, and it dares to have a twist and become super meta when it doesn’t earn it or deserve it.
The Little Lies We All Tell (Crunchyroll)
Man, it must be tough to be a comedy/gag anime that comes out the same season as Pop Team Epic’s triumphant return. This show is based on the manga by Madoka Kashihara. It’s directed by Makoto Hoshino, written by Megumi Shimizu, and produced by Studio Flad. The marketing for this show is weird. One poster and the title make it sound like it’s going to be some dark teen drama, but it’s a gag anime. It feels like it was put together by random or thrown-out ideas, and it is at least trying to be absurd and have that same high energy take as classics of the subgenre, but it never quite feels as cohesive or as absurd as others. It’s trying, and it has a laugh here and there, but it’s never as consistent as other shows like Cromartie High or Sleepy Princess in the Demon Castle. The four, well, three girls and one cross-dressing boy who was forced to go to the school all have something to hide, and the different gimmicks never feel like they mesh. It’s a weird show, because I personally don’t think it’s good, but I can see someone vibing with this show. It needed to have a bit more balance or focus on making the characters have actual personalities rather than just relying on the gimmick and some tired anime tropes. Still, you can do worse with anime comedies.
Urusei Yatsura (HiDive)
Well, if it’s not broken…. This is based on the influential manga by Rumiko Takahashi. It’s directed by Hideya Takahashi, Yasuhiro Kimura, and Takahiro Kamei, written by Yuko Kakihara, and produced by David Productions. No exaggeration here, this new adaptation of the manga basically kept everything set in the 1970s without changing much outside of a new visual coat of paint. So be prepared to see somewhat tame by today’s standards mean-spirited gag stories with a somewhat overarching plot being weaved into the episodes. It can be loud, absurd, and funny, and whether its more heartfelt moments clash or not with the over-the-top and well-animated comedy, will be up to you. For me, I enjoyed the batch of episodes I have seen so far and it will at least be way better than that Inuyasha follow-up.
More Than a Married Couple, But Not Lovers (Crunchyroll)
I feel so betrayed and frustrated by this show. It’s based on the manga by Yuki Kanamura, directed by Takao Kato and Junichi Yamamoto, written by Naruhisa Arakawa, and produced by Studio Mother. If you don’t hear about the setting this story takes place in, it sounds like a real rock-solid rom-com. Two students who don’t care much for each other team up to actually hook up with the people they want to crush on. Now, if you have seen these romcoms before, you know our two leads are actually gonna fall for each other. The story focuses on their insecurities as individuals and, while it can be a bit horny since it’s anime, the show really does invest a ton of time to progress the story arcs between our leads. What makes this show fall flat is the premise. Our two leads are together because they are in a mandatory school course where they must learn to become good future husbands and wives. Oh, and the dorms the couples stay in, are wired with cameras all over, watching their every step. It’s intensely creepy and it’s maddening because this would be really cool if the premise didn’t sound like some weird conservative wet dream of the ideal school course students should be taking. I know some of the anime made every year will have some underlying political commentary about modern political topics in Japan, but no school should have a mandated “get a grade by being a married couple” course. You could easily have a better setting, because everything else is pretty okay! I wish I could recommend it full-heartedly, but there are better romcoms this year that don’t pull weird settings like this.
I’m the Villainess, So I’m Taming the Final Boss (Crunchyroll)
When you watch a terrible anime like Shinobi No Ittoki, coming back to watch a show like this one really shows how good some of the shows this season are. This is based on the novels by Sarasa Nagase. The adaptation is produced by Maho Films, written by Kenta Ihara, and directed by Kumihiko Habara. While we are about to slowly get flooded with isekai titles about characters playing the villain from a popular or just any random otome game, if they can keep differentiating themselves from My Life as a Villainess, then they are good to go. Here, the rom-com plot of our lead trying to propose to the demon lord has resulted in a rather delightful and quirky journey, as we see our lead break the game and shift reality around her beck-and-call and use her knowledge of the original game to her advantage. It focuses on a lot of diverse character interactions, and it’s an adorable show with so many characters being rather lovable. It might have wonky animation and CGI compositing, but this is an otherwise charming show that will warm its way into your heart.
Do It Yourself! (Crunchyroll)
What a wonderful original anime we have this season. It’s directed by Kazuhiro Yoneda, written by Kazuyuki Fudeyashu, and produced by Pine Jam. What’s so delightful about this show is how it works on so many levels. You not only have the fun of seeing an anime about the joy of Do It Yourself projects, but it’s a show about rebuilding and repairing friendships old and new. It’s not just another “cute girls doing cute things” show. It also has a visual style that looks like the result of Cloverworks and Science Saru having a child. Pine Jam has truly crafted a fantastic watercolor visual style and some of the most expressive characters of this season of anime. It’s one of those shows that is a great gateway anime to introduce to newcomers, and it stands out as one of the best this season.
Bocchi The Rock (Crunchyroll)
While Chainsaw Man is probably the most obvious show this season to be popular, it’s nice to see a show like this stellar piece of rock and roll get popular. It’s based on the manga by Aki Hamaji. It’s directed by Keiichiro Saito, written by Erika Yoshida, and produced by CloverWorks. You can basically call this a combination of coming-of-age, music, and extreme cases of social anxiety. The journey of our nervous wreck of a lead character to join a blossoming band and to expand upon her social skills is one of Fall 2022’s biggest surprises. It also has some of the most expressive and vibrant animation seen all year. Not a big shock from CloverWorks, but just in general. It’s some of the most interesting visuals you will find in a year full of anime with distinct visuals. It’s also really funny and crushingly accurate as to how they capture social anxiety, and how it can feel for some people in certain situations. Just a splendid anime around, and it’s no wonder why it has become one of the fan-favorite anime of the season.
Shinobi no Ittoki (Crunchyroll)
Well, at least it’s trying to do more than most middling ninja anime. This is another original anime of the season that’s directed by Shuu Watanabe, written by Minato Takano, and produced by Troyca. This show has an odd balance of tones. On one hand, the story of a boy who’s suddenly forced into being trained in order to run an entire clan of ninjas is understandably compelling, but lordy, is this some of the worst written dialogue and storytelling I have seen all year. Yeah, let’s follow this one character who was never told until he was in high school about his ninja ancestry, never train him, and then throw him into a school full of other ninja clans that want him dead and not give him at the very least a rundown or heads up of who to avoid or what to know. This show wants to be this thrilling ninja story and it isn’t just due to how the characters are terribly written, and what could be interesting or fun with the rather solid action animation, is dead weight and stuck with a story that’s not fun to sit through. Just a really boring and unbearable series. It’s not a bad show because it’s poorly animated or problematic. It’s a bad show because at no point is it thrilling, at no point is the story compelling or giving you a reason to root for its characters. It has story beats that happen that aren’t earned, and it’s a sign of how bad certain original anime can be.
The Eminence in Shadow (HiDive)
(CW: Sexual Assault in the first episode)
What is with anime productions that want to botch their first impressions with anime-only first episodes? I swear these production committees never learn. This is based on the novels by Daisuke Aizawa. It’s directed by Kazuya Nakanishi, written by Kanichi Katou, and produced by Nexus. So, this show is weird, because the first episode is an anime-only story that sets itself up as an edgy power fantasy show, but when you watch past episode 1, it feels like it’s supposed to be a parody, or it’s goofing on the tropes and story beats of mediocre isekai. I would normally be all for that with how they crafted certain moments from the episodes I watched, but after a bit, I felt like I fell off on whether this was supposed to be a parody or they were just being very tongue-and-cheek with it when it comes off like every other power fantasy anime that comes out every year. I guess at least it has a sense of personality with how it’s trying to lay out its jokes, but I couldn’t personally vibe with this one. I get why a lot of people do, but it just wasn’t my cup of tea.
Chainsaw Man (Crunchyroll)
I mean, we all knew this was going to be one of, if not the best new show of the Fall 2022 season right? It’s based on the hit manga by Tatsuki Fujimoto that has taken the manga world by storm. The anime adaptation is obviously produced by MAPPA, it’s written by Hiroshi Seko, and directed by the duo of Ryu Nakayama and Nasato Nakazono. This show is just a bit of everything. It has fantastic action, incredible film quality level animation, dark comedy, and it doesn’t just fall back on its popularity or the gore to keep you invested. It has everything an anime fan or a newcomer to anime could want with how it balances everything to pretty much perfectly. There is a reason why this is considered one of the best shows of the year and season. You can’t get any better than this in terms of anime, and hopefully, MAPPA is treating its animators well to craft such an exquisite experience.
I Somehow Became Stronger By Raising Farming-Related Skills (HiDive)
CW: Episode 2 has a really tasteless male getting assaulted joke.
Is anyone else getting really sick and tired of shows having a solid elevator pitch, but then completely bailing on it for no reason? This show is based on the light novels/manga by Shobonnu. It’s directed by Norihiko Nagahama, written by Touko Machida, and produced by Studio A-Cat. A super-powered farmer in a fantasy world where he doesn’t want to be the hero sounds like it could lead to a really creative comedy about a farmer who just wants to farm. The first episode has the lead character literally throwing a carrot at the speed of light and killing a dragon with it. That’s so funny and yet, the rest of the show is actually not about that. It’s about a farmer who just gets roped up into being a hero because he’s got really good stats. It’s a really boring watch that doesn’t do anything new or really fun with the formula, gets way too dark for a show that isn’t advertised as such, and of course, it will slowly have a colorful cast of female love interests and some non-threatening male friends that don’t get in the way of our lead and his forced-together harem. If it focused less on being just another power fantasy with a harem with really shoddy animation, there could have been something special. Still, alas, it’s another mediocre fantasy anime in a year full of them.
Management of a Novice Alchemist (HiDive)
Well, at least it isn’t boring. This is based on the novels/light novels/manga by Mizuho Itsuki. The show is directed by Hiroshi Ikehata, written by Shigeru Murakoshi, and produced by ENGI. I mean, it’s a “cute girls doing cute things” alchemy/fantasy edition. It doesn’t do anything truly unique outside of focusing on the crafting side than the magic, but it also has to fit in stuff like action and possible romance baiting between the four characters. It’s got a solid visual look with some better-than-usual animation, but it’s mostly just okay. If it looked a bit worse, I would rank it lower, but its aesthetic is what’s saving this run-of-the-mill anime. Not that originality is the end all be all, but after a bit with how much anime is coming out, doing the bare minimum while other shows are hitting it out of the park is going to bite some on the backside in the long run.
Beast Tamer (Crunchyroll)
Some of the toughest anime to give impressions on are shows that are just so committed to being down the middle in terms of quality and story execution. Beast Tamer is kind of that show but with enough charm to it that makes it hard to be hateful or angry towards it. This is based on the novels by Suzu Miyama. The anime adaptation is directed by Atsushi Nigorikawa, written by Takashi Aoshima, and produced by EMT Square. The funny thing about these “I got kicked out of the hero’s party” fantasy anime is that the reason for getting kicked out is so petty, and that might be the intention, but it’s never believably done. What’s more interesting is despite it being what will essentially be a harem anime with multiple cute fantasy girls, the show as of what I have seen, was not interested in fanservice. Or, at least not to a distracting degree where the show halts in its tracks to give you some cheesecake. The main cast has decent chemistry with how our lead is gonna save the day with kindness with his monster-taming skills, but it’s just okay. Nothing super obnoxious, but nothing all that stellar either. It could definitely fill the void of comfort food anime watching, but your tolerance for certain harem tropes will be the deciding point, or if you can truly utterly believe the igniting point of the overall story in the first place.
Raven of the Inner Palace (Crunchyroll)
Well, we have our The Heiki Story anime of the season, and I mean that in the way that we have a period drama that’s really fascinating. It’s based on the light novels by Koko Shirakawa. It’s written by Satomi Ooshima, directed by Chizuru Miyawaki, and produced by Bandai Namco Pictures. It’s a shame the first major story arc is split between two episodes because this is one of the rare few anime that would have been better as a one-hour premiere. It’s really slow to start out and build up the world-building, politics, and supernatural elements with the first episode, and by the second episode, it fully kicks into what the first mystery of the show is. By the third episode, you will be intrigued and compelled to see what the requests the Raven Consort get and how they unfold. It unwraps into a beautiful story of love, loss, and is full of political and royal drama/thriller elements to keep you in this gorgeously prepared world. Doesn’t hurt either that Queen Bee does a fantastic theme song for the show, and if you are down for something a bit different from your typical shonen action romps or the big league titles, then consider giving this one a shot.
Reincarnated as a Sword (HiDive)
This is what happens when you make a familiar, but compelling isekai. This is based on the novels by Yuu Tanaka. It’s directed by Shinji Ishihara, written by Takahiro Nagano, and produced by C2C. While the lead being reincarnated as a sword doesn’t seem like it leads to a very compelling story, it actually stands on its own as one of the better isekai this year. The sword’s interaction with our cat girl lead that so far, the anime has tried to avoid sexualizing, is nice since anime is so bad at not making young characters look lewd. I get ya want to sell merchandise, but instead of doing most anime nonsense, the show does focus on the growing bond between our leads and it makes for a more pleasant experience when you are able to enjoy the show without so much nonsense getting in the way. With a fun premise, great animation, and well-executed action, Reincarnated as a Sword was a pleasant surprise in a year full of mediocre isekais.
My Master Has no Tail (HiDive)
This was a sweet little title. It’s based on the manga by TNSK. The anime adaptation is produced by Liden Films, written by Touko Machida, Kei Shimobayashi, Aya Satsuki, and Yuho Togashi, and directed by Hideyo Yamamoto. What starts off as a cute little fantastical take on a period piece where our little tanuki lead goes into the human world to see what is going on, turns into a friendship drama about her wanting to work under a storyteller’s wing in a changing world. No longer can a tanuki thrive in a world with carriages, cars, and at the time, modern devices. It’s a show that tackles themes of dealing with the fear of the unknown in an ever-changing world, respecting the past, and finding that ambition to push through the tides of change. It’s well-animated, the characters are likable, and while there may be some cultural barriers that will get lost in translation, the show is easy to follow and only has a little bit of that anime nonsense that hampers it from time to time.
Bibliophile Princess (HiDive)
This is where I wish this had a dub, due to how talkative it is. This is based on the light novels by Yui. This period piece drama/romance is directed by Taro Iwasaki, written by Mitsutaka Hirota, and produced by Madhouse. Listen, this show’s first episode is really slow, and you will only get the crumbs of what the drive of this show will be between a lovely prince and a bookish princess. Luckily, by the second and third episodes, the chemistry blossoms into a rather lovely romance with some gorgeous visuals. This is one of the few light novels where it’s not just an edgy male power fantasy isekai nonsense. Granted, even though I have watched plenty of episodes, I am worried about how much our princess has in terms of agency and how much development she gets from the story, since a lot of it is told from her perspective. Still, if you are in the mood for romance, period dramas, and something more slow and low-key, then you will probably like this show.
Blue Lock (Crunchyroll)
The one sports anime of the season comes in the form of one of the best sports anime of the year. It’s based on the manga by Muneyuki Kaneshiro with illustrations by Yusuke Nomura. The adaptation is written by Taku Kishimoto, directed by the duo of Tesunaki Watanabe and Shunsuke Ishikawa, and produced by Eight Bit. Instead of being another familiar but well-executed typical shonen-style sports anime, Blue Lock brings a more aggressive and sinister vibe to the sports formula by pitting teams against each other to become the best. With a more assertive and menacing art style to the players and the world itself, Blue Lock sets itself apart by being different and truly stands out among 2022’s mostly generic batch of sports anime.
Mobile Suit Gundam: The Witch From Mercury (Crunchyroll)
Never thought I’d see the day I talk about and love a Gundam series that wasn’t G-Gundam or the other series that Toonami and Adult Swim played back then. This is directed by Hiroshi Kobayashi and Ryo Ando, written by Ichiro Okouchi, and produced by Sunrise. Who knew that what we needed was not a group of angsty teenagers in yet another anti-war story that clashes with the sole money-making side of the Gundam franchise of selling a multitude of models and action figures? Yeah, war is bad, but look how cool the robots and action beats are. Thankfully, what ya get with this one is Gundam crossed with Revolutionary Girl Utena, which is already at this point, a tired and worn joke since one of the writers of Utena is writing the script for this show. On a more serious note, this show is just fantastic. It’s got its political upheaval and war is bad messages for sure, but instead of that stuff being in your face at all times, it focuses more on the characters and they are delightfully diverse and complex. It still weaves in themes of discrimination and corruption, but they are characters first and foremost. It also helps that they are pretty likable, on top of the fight scenes being pretty stellar. It’s the shot in the arm that this franchise needed and it just needed to have more LGBTQ+ elements. Who knew?
Akiba Maid War (HiDive)
Well, I found it, I found the most ideal trashy anime that I don’t have to feel guilty for watching. This original anime is directed by Soichi Masui, written by Yoshihiro Hiki, and produced by P.A. Works. Yeah, the show is basically John Wick, but here every woman wears a sexy maid uniform. It’s more of a trashy action flick mixed with some territorial crime/gang war drama where all of the maid cafes are actually competing against one another with shady underbelly stuff that you would find in most crime thrillers. It’s over-the-top and schlocky, but with how much personality is in this show and how it 100% commits to its premise of drama and over-the-top action, if you were a fan of Lycoris Recoil, then you will absolutely love this show. HiDive this year has gotten some of this year’s best shows and Akiba Maid Wars is one of them!
And there you have it. If you had to know the anime I’d recommend before the Winter season starts, please check out these titles: Chainsawman, Reincarnated as a Sword, Do It Yourself, Gundam: The Witch From Mercury, Akiba Maid Wars, Bocchi Rock, Raven if the Inner Palace, I’m The Villainess so I’m Taming the Final Boss, and honorable mentions go to Not a Married Couple, but Not Lovers and Urusei Yatsura.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)
So, here we are, a new chaotic year, and I am now going to start doing these seasonal anime impressions more regularly. Maybe I’ll even do a best to worst ranking of them all after the season is over! So, the same rules that we used in the previous listing, will be used here. These will only cover the new anime of this season. This won’t cover returning series from last year. No reboots unless there is something extremely noteworthy about them, like Higurashi: When They CryNew or Yashahime. Now then, let’s get started!
Actually, before we start, a couple of these anime will have content warnings before my short 3+ episode impression of them, so please be wary about that, and if you are disturbed by any of these warnings, then skip them and move to the next one. Viewer discretion is advised.
Redo of Healer (HiDive, VRV)
Content Warning:Rape, abuse, racism, violence, sexual violence, and homophobia
Based on the novel and manga by Ryo Tsukiyo, this adaptation is directed by Takuya Asaoka, written by Kazuyuki Fudeyasu, and is produced by TNK. Well, to the shock of no one, this is the worst anime of the season. On a moral level, it’s a repugnant revenge fantasy that has rape, homophobia, racism, and every red flag you can think of for an anime. It’s made for edgelords that don’t see anything wrong with the main character thinking rape is a proper revenge tactic. It is an anime with a time travel gimmick, but since the writing and storytelling are not good enough to distract me from the other minefield that is time travel, all I’m stuck wondering is why didn’t the main character, instead of doing all of this awful stuff, not just go back in time to a point where his abusers weren’t alive, or go back in time and kill them before they were born. Heck, if you are going to become a power fantasy since you can pull up the cheat sheet of powers and abilities, why not just create a past where you didn’t become the healer, and just live on your merry way? Instead of doing something more straightforward, this unlikable dumpster fire goes out of his way to “get back” at the abusers in a way that still makes him an abuser. Even if Sentai Filmworks wasn’t showing a censored version of this anime where they cut/edited out the sex scenes, the show isn’t all that great to look at. The fantasy world designs have all been done before and better, the characters look generic, and the music doesn’t stand out. It looks “better” than the worst animated show of the season, Ex Arm, but at best, Redo of Healer looks only okay. Also, for everyone crying about how people need to watch the uncut version, well, no they don’t. All the uncut version does is show the sex scenes, and since a lot of this show is full of assault, abuse, and rape, no one needs to watch them. Plus, if you wanted to watch porn or in this case, hentai, then go watch it! There are continent-sized amounts of hentai on the internet that you don’t have to justify watching. Seriously, the defenders of this show have been nothing but trolls who think this show is the best thing ever and go after anyone who doesn’t like it. When the novel and manga don’t have releases in the west due to a real lack of market value and no real audience, then maybe it was a bad idea to make an anime you are going to have to show censored, and then use an entirely different site or wait for uncut blu-rays to watch in full. The ratings for this show are dropping, the viewership is dropping as of writing this editorial, and it’s no wonder. Even if there was something good to say about the show, like the actors for Flare and Bullet are doing great with such garbage material, it wouldn’t matter. The exhausting nihilistic and toxic world, writing, story, and characters ruin anything it has going for it. For some reason, if you like this show, fine. Keeping liking it, but if you go after and harass anyone who doesn’t like it, because they don’t like it, then you are not worth anyone’s time. Redo of Healer is easily the worst anime of the season.
Ex Arm (Crunchyroll, VRV)
Considered dead on arrival, this anime adaptation is directed by Yoshikatsu Kimura, written by Tommy Morton, produced by Visual Flight, and is based on the manga by HiRock and was illustrated by Shinya Komi. What do you get when you hire a director who has no animation experience, doesn’t bother to learn how animation is produced, works with a studio that hasn’t made anime before, relies too heavily on motion capture, and then has the giant brass cajones to think this was going to be the next big science fiction hit? Well, you get Ex Arm. While Redo of Healer is more morally repugnant, it is, at the very least, competently made on a production side of things. You knew everyone there was going to go in and adapt every hateful aspect of that anime. Ex Arm on the other hand went headfirst into a brick wall with no helmet on, thinking that it was going to be the next hot stuff. Well, it did become big and popular for one reason, its incredibly terrible CGI animation. This might be the worst CGI animation I have ever seen in anime. Lifeless, emotionless, stiff, and it’s 100% amateur hour from top to bottom. You can even tell when this show uses ugly white light circles to cover up that the people working on this show did not know how to do anything but animate CGI models like they were bashing action figures together. It’s an embarrassing front all around, and even if it had the proper animation team behind it, the writing falls flat, the characters are forgettable, the designs aren’t interesting, and due to the awful reliance on motion capture technology, the action sucks. What’s worse is that Ex Arm cuts out aspects of the story for no reason. So, yeah, have fun watching an incomplete story. If Redo of Healer wasn’t the worst anime overall, then Ex Arm would be the worst anime of the 2021 season. At the very least, Ex Arm is a perfect candidate for bad movie nights, and that’s all it does right.
Scar on the Praeter (Funimation)
Content Warning: some suggestions of incest.
Our first original anime of the season is directed by Shingo Suzuki and produced by GoHands. We have yet another anime that is filled to the brim with pretty boys looking edgy and cool, and maybe a touch too much in world jargon mumbo jumbo to make you feel invested. Anytime I have tried to talk to someone about this show, I don’t remember anything outside of the gaudy 3D visuals, and while the main characters look better than in Handshakers (a previous anime from the studio), they are still overly designed and they almost blend into one another. The action is disjointed and janky with fights that feel very unsatisfying. It’s a show that easily goes through one ear and out the other, and that alone is shockingly bad. I don’t know who at GoHands keeps getting funding for these original projects, but just because you are an original anime, doesn’t mean you get off with a free pass because it’s rare to find original anime not based on something. It also has a light homosexual subtext, which is fine, until the first episode introduces the main character’s younger adopted brother who may or may not want to make love to him. Seems like you can’t get a GoHands anime without some creepy incest or sexual context. If it was more memorable, I would probably put it in the mediocre category, but since it just feels like a nothing show with a confusing world, weak animation, disappointing fight sequences, and entirely forgettable characters, it’s in the worst spot.
Content Warning: Creepy perverted actions, mentions of rape, softcore porn, voyeurism, masturbation, and suggestions that the lead does watch illegal porn.
This anime from the newly formed studio, Studio Bind, is based on the light novels by Rifujin Na Magonote. It was then adapted into a manga by the same individual. This anime adaptation is directed and written by Manabu Okamoto, with gorgeous music by Yoshiaki Fujisawa, and character designer Kazutaka Sugiyama. It’s honestly one of the most beautiful anime on the list. it’s in the top five. It looks incredible from the designs, the colors, the fluid animation, the consistent character models, and it’s a visually stunning overall package in the presentation department. This sucks for one reason, and one reason only, because the main character is intolerable and unlikable. I have heard that there is a long-term play with the lead’s arc, but when the story is about a 30-something loser who gets kicked out from his home after running out of money, dies when he’s struck by a truck, and is reincarnated with all of his memories into the mind of a kid, it’s a really insufferable and sometimes extremely uncomfortable part to sit through. The lead does get better and does learn to change his perverse ways, but when the anime dabbles a little too much into it, it’s a tall order to tell people that it gets good later on. So far, it is getting better, but that still doesn’t excuse the fact that this anime put everything into making a stupidly stunning show, but then have a wildly problematic lead character whose whole redemption arc is going to be a slow crawl to being a better and somewhat less perverted individual. Luckily, it does seem like it is going to get better, but I won’t blame anyone for wanting to drop out after that first and second episode. Even with every great emotional moment, every bit of gorgeous animation, and every great song, a crummy lead (with some very problematic issues that people online are too easily ready to wave aside, which, you know, don’t do that) can still drag your series down. It doesn’t help that the 4th episode revealed the dad to have had an affair, and back in his training days, assaulted someone. So, yeah, for once so far, Rudy was not the biggest scumbucket in the show for one episode. Still, I’m hoping for the best, because this is still a decently impressive first anime from a brand new studio.
The Hidden Dungeon Only I Can Enter (Crunchyroll, VRV)
Content Warning: sexual sequences.
Based on the novels, light novels, and manga by Meguru Seto, this anime adaptation is directed by Kenta Onishi, written by Kenta Ihara, and produced by Okuruto Noboru. This power-fantasy harem comedy is in the worst category for multiple reasons. Its RPG elements are reliant on the main character getting pleasurable satisfaction from the women he interacts with. The fantasy world itself looks like a more mediocre Konosuba, and the animation is just okay, which is a problem if you want some softcore fanservice. The side characters are constantly unlikable, and for a fanservice show, it doesn’t go far enough to be fully titillating. It kind of knows what type of show it is so it’s not trying to be deeper than it is, but by the 3rd episode, I’m already seeing way more “likable” characters than our male lead, and this entire time, I was just thinking about how I would rather be watching Konosuba or Princess Connect: Redive. It has some funny jokes, but they are too few and far between in this somewhat mean-spirited world where being a noble has its own hierarchy system, and that just doesn’t make sense to me. They also try to add in some drama, and it simply doesn’t work. I’m too distracted by how horny this entire show is, and you want to introduce drama? No thanks! The stakes feel artificial due to the lead’s over-powered abilities that they just don’t rely on 24-7 because, well, they don’t give a good reason. Oh, and it does yet another sibling character wanting to have lewd fun with the lead when they are brother and sister. I’m getting so tired of anime and their flipping incest fetishes. Stop doing this! Oh, and it also has weak RPG game elements despite it not being an isekai. Boring!
This is an original anime from director Shigeru Ueda, written by Keiichiro Ochi, and produced by Hoods Entertainment. It’s another idol anime (big shock), but since it’s coming out during a season with more than just one anime being about idols, it’s going to be tough to stand out, and even tougher to be good. Well, sadly, I didn’t like Gekidol. It has such a weird dark turn with the base of the plot, and then it turns into every yuri trash anime that you can think of with the same batch of characters, dialogue, and weak fanservice. The dark setting doesn’t get brought up a whole lot, since you know, everyone forgets when a huge chunk of your city is just, you know, gone. It’s starting to pick up with it focusing on some of the other characters, but it’s a little too late for that, and to just not 100% explain where the cyborg girl came from, and how losing a huge chunk of your city didn’t do more damage to everything else makes for a mediocre experience. It’s a show that’s aimed in too many directions, and outside of some decent animation, there isn’t much else that stands out about this show.
I★Chu: Halfway Through the Idol (Crunchyroll or CR through VRV)
Hey, look, another idol anime. It’s time to buckle up because there are a few of them this season. This anime is based on the rhythm game by Liber Entertainment Inc. It’s directed by Hitoshi Nanba, written by Yoshimi Narita, and produced by Lay-Duce and Twin Engine. What do you get when you have 15+ lead characters? Too many! It was sometimes hard to remember their names, their designs, their quirks, and outside of some of them having some kind of hobby, they are cardboard cutout stereotypical male anime leads. It becomes such a problem that some of them seem to bleed into other characters, and end up sharing the same personality traits. It’s all too much for an anime that’s also really boring to watch. Outside of the principal of the school in which they are all enrolled wearing a giant bear costume and riding around on a segway, and a third episode introduction to a cross-dressing idol, this show doesn’t offer much that other idol shows aren’t offering in spades. It’s even too harmless to be offensive or have something wildly problematic about it. In some way, that’s the charm of this series. It’s too harmless to be bad or enraging. It’s at best and at worst, forgettable. Maybe you will get more out of it than me, but you can only throw so many pretty boys my way and expect me to be invested.
Hortensia Saga (Funimation)
Based on the smartphone game by Sega, directed by Yasuto Nishikata, written by Rintarou Ikeda, and produced by JC Staff, this new fantasy anime sure doesn’t do a lot to make itself stand out. It was also bad timing for the first episode of this show to air during the US capitol being raided by terrorists because the anime starts with an evil red-colored army storming a blue-colored castle with a mission to kill all of the royalty in there. Anyway, I’ll say that I least like this anime more than that awful King’s Raid anime from last year. Hortensia, at the very least, looks better and while looking clunky at points, has better action. It looks cleaner, the music is better, but outside of that, there isn’t much else there. It has some decent characters, and the third episode introduces the most likable one of the bunch so far. All this anime does is makes me want to go and play Fire Emblem: Three Houses. Because when I can get that kind of experience from a video game, why would I invest my time and energy into this anime that is failing to grab me? Anyway, Hortensia Saga is just more forgettable fantasy anime fluff with slightly average animation and a generic plot and world.
Vlad Love (YouTube)
Content Warning: blood, sexual suggestiveness.
An original anime that’s written and directed by anime legend Mamoru Oshii? That should be incredible. It’s also co-directed by Junji Nishimura and produced by Drive. At first, I was finding it hard to gel with the premise, being a bit too chaotic with its jokes. It slings jokes at you with such intensity that it becomes too much. It’s a yuri romantic comedy about a high school girl who has a fetish for donating blood, who gets involved with a vampire. It’s a bit much due to how high octane it is. It makes more sense when you realize that Oshii worked on the anime classic Urusei Yatsura and Patlabor, but it doesn’t have the cohesive world and characters. It’s also just trashy with its fanservice. However, it has chaotic energy that not many shows have, and its visual style, while using a few too many comic-book-style split screens, at least has a style to call its own. The rest of the series will debut on YouTube this month, so we will have to see what happens with everything past episode 1.
Bottom-Tier Character Tomozaki (Funimation)
Based on the light novel and manga by Yuki Yaku, directed by Shinsuke Yanagi, written by Fumihiko Shimo, and produced by Project No.9, this is a self-help harem comedy. Most of the time so far has been spent making sure our main male hero is improving upon his social skills and how he is seen on the inside and outside, and I respect what the anime is going for with how they are approaching the subject matter. Granted, some of it feels very superficial and Queer Eye-ish, but I guess sometimes, you need to be pushed into the deep end to hit the ground running. I think my only real issue is that the gaming lingo is awkward as it never sounds natural. It sounds better than the male lead in the first episode when we get to episode 3, but still. I’m also worried about how the other girls in this show are going to react to the lead, Tomozaki, and at least from the three episodes I watched, they are all going to be different and want to be friends or more with him for different reasons. I don’t know, I just don’t feel strongly about this title when the much better Horimiya is doing everything better and it looks better as well. I’m cautiously curious as to where Bottom Tier Character is going, but who knows if I will want to stick through with the entire 12 episodes.
Idoly Pride (Funimation)
Content Warning: Death
This anime is based on a multimedia Idol project by CyberAgent, which has a manga written by Hiroki Haruse. The anime is directed by Yu Kinome, written by Tatsuya Takahashi, Yasuhiro Nakanishi, and produced by Lerche and CAAnimation. Well, even though I wouldn’t say I like any of the Idol anime this season, at least Idoly Pride had an interesting hook to it. Sadly, I wish I could say that the Idol stuff was just as good as the base hook. On one hand, I love the tragic romance aspect of our lead character, who was goaded into being the love interest’s producer while she became an Idol. It has a real tragic twist, but an interesting supernatural element, as she comes back as a ghost to make sure her producer does well at his job. There is a lot of gold that could be mined from this premise, and there are story elements that could work very well to make this a great story. Too bad that’s not the focus. It’s about our male lead putting together another Idol group and having them be big hits. That means we are instead going to focus on 10 girls who so far have really basic personality traits, and their designs are just different enough that you can tell them apart. The Idol stuff is fine, but I just hate how it’s having to hustle to be the main focus when there is a much better tragic romance/drama on the show’s lap. I guess that’s what happens when you are just another Idol project. Still, some interesting elements are being put into the formula, like the younger sister of the now-deceased female lead is a part of this new group, and so on. Still, I can’t say if I’m committed enough to sit through the Idol beats just to get to the small more interesting drama beats. I still prefer it to the other Idol new animes this season.
Skate Leading Stars (Funimation)
Directed by Goro Taniguchi, produced by J.C. Staff, written by Noboru Kimura, and based on the manga by Chiaki Nagaoka, this anime came into the winter season with a hurdle to skate over due to it being constantly compared to the one other famous ice-skating anime. So, on its own merits, I do think Skate Leading Stars does stand on its own feet. It’s more interested in competitive skating and team coordination among its multitude of attractive anime boys. It is one of those anime that introduces maybe too many characters, as this anime is supposedly going to have 15+ main characters, and while they are different enough, are still too many to focus on so far for a satisfying story. I’ll say this, they are at least different enough and so far, don’t share personality traits like I★Chu: Halfway Through the Idol. Otherwise, it’s a solid sports anime with some decent animation and likable characters.
So I’m a Spider, So What? (Crunchyroll, VRV)
Based on the light novels and novels by Okina Baba, also based on the manga written by Gratin Tori, this anime adaptation is directed by Shin Itagaki, written by Okina Baba and Yuichiro Momose, and is produced by Millepensee. Out of all of the fantasy/isekai anime of the season, So I’m a Spider had the most creative premise as a lonely gamer girl, along with her classmates being swept up into another world. The catch is, our main character reincarnated into a spider, whereas her classmates had better luck as humans and so on. I was excited to see an isekai fantasy anime that was from the perspective of the animal world. It’s not like the anime doesn’t tease that aspect, since half of the episodes so far are about our spider hero making her way through surviving this harsh world as a monster you usually see in the first dungeon of a video game. While its CGI is noticeable, the models used for our spider hero is very expressive, and once you realize that this was the same studio and director behind that notoriously awful Berserk adaptation from a few years ago, then that’s impressive to see how much better this show is overall in visuals and storytelling. However, my biggest complaint is that it’s taking a bit too long to set everything up. I keep preferring the spider side of the story compared to the more generic humans side, but the show sometimes seems to lean more on progressing the humans more than our spider hero. It’s frustrating because the show also adds in generic RPG stat elements, and I just don’t care about that stuff. I don’t get why fantasy anime can’t just be fantasy anime without the RPG elements. Sometimes they are used well, but rarely have I seen an anime use them well. They keep teasing these other spider characters, and yet we still haven’t seen them, and honestly, this show might be the one I have the shortest patience with in terms of the shows I like this season. I love the premise so much, but it keeps struggling with who to focus on, and I just want to see the spider’s shenanigans. It also doesn’t help that the main lead is loud with her constant self-narration. Still, I’m wanting to see where the story goes and the action is great. I just can see this one easily sliding into my most disappointing anime of 2021 if it’s not careful.
Dr. Ramune: Mysterious Disease Specialist (Crunchyroll, VRV)
Content Warning:some episodes may have suggestively lewd visuals
Based on the manga written by Aho Toro, this anime adaptation is directed by Hideaki Oba, written by Ayumu Hisao, and produced by Platinum Vision. I know this isn’t anyone’s favorite due to the chunky art style and clashing tones for a horror/comedy anime, but I find myself enjoying this mix of comedy and horror. What gets me is how the weird diseases the characters are encountering are mixed with some form of social commentary. The stories are so far creative and fun to watch. By episode 3 they have introduced some other members of the main cast, and while one of the characters has a trope I hate seeing in anime, I do love the other new male lead they introduce. It’s an anime that’s easy to get into, and it’s creative enough for me to probably commit through the entire season.
2.43 Highschool Boys Volleyball (Funimation)
Content Warning: Suggestions/mentions of suicide
Based on the light novel by Yukako Kabei, the manga by Aiji Yamakawa, this sports drama is directed by Yasuhiro Kimura, written by Yosuke Kuroda, and produced by David Production. While you may wonder if you are getting a similar experience as the smash hit Haikyuu, well, you are not. This is a more grounded male-centric sports drama about our two leads Yuni Kuroba and Kimichika Haijima. It’s full of gay tension between them as well. The show is more about the drive to play, and the philosophy behind the sport in general. It’s also really melodramatic and it’s a bit of a rough sit for the first episode due to how unlikable Haijima is. That’s not even counting the dramatic baggage that Haijima has with him when the show begins. It’s gotten better now by the third episode, but your mileage may vary with how you will invest your time with this show’s story. Still, it’s a good sports drama, and if you need an alternative Haikyuu, then go watch this show! Oh, and the opening song is a real banger!
Otherside Picnic (Funimation)
Based on the novel and manga by Iori Miyazawa, directed by Takuya Sato, and produced by Liden Films and Felix Film, this anime is also based on Roadside Picnic, an eerie female-driven horror drama anime that has our two leads Sorao and Toriko exploring a place known as the Otherside, where dilapidated buildings are conquered by nature, and creatures from supernatural tales reside. It’s a show that captures a real intimacy and offbeat friendship between the two women with some pretty nice-looking animation, quiet humorous moments, and an unsettling atmosphere once they cross over to this new world. Some of its use of CGI is clunky, but it looks better than Ex-Arm by continents. It’s not just a supernatural anime either, as the first three episodes dive into the mindset of both of the leads and the characters with whom they interact. I was a little confused about a few things in the first episode, but I’m having a fantastic time going through this journey with our heroes. Oh, and if you want a horror anime this season, this is the one to watch. Just don’t watch it late at night as I did.
Back Arrow (Funimation)
We have ourselves an original giant mech anime this season, which I am super happy about! It’s directed by Goro Taniguchi, written by Kazuki Nakashima, and is produced by Studio VOLN. It stands out from other giant mech shows with the evil imperialist empire having a more Chinese-dynasty look, whereas other villages and towns so far in this show have used more wild west fashion choices. I can’t tell if this will be any more substantial than just being a fun giant mech anime, but I’m fine with that, honestly. We don’t need every giant robot anime to be so melodramatic and bogged down by philosophical arguments. Sometimes, you just want to see giant robots and feel like a kid watching Toonami again. I do like the overall cast, except for the main side characters so far. Something about how they are constantly willing to ditch the main hero on a dime makes them a bit hard to grasp as to whether I should hate them or like them. Still, I enjoy this show so far. I might not have it in my top 10 by the end of 2021, but I think it’s one of the better shows of Winter 2021.
Wonder Egg Priority (Funimation)
Content Warning: symbolic and suggestive suicide
This is an original anime produced by CloverWorks, directed by Shin Wakabayashi, and written by Shinji Nojima. With a season of anime that has had shows like Redo of Healer, which tries to be dark and mature, but falls flat, Wonder Egg Priority handles its subject matter with creativity and respect. With a constant theme of losing someone to suicide, it needs to be handled well, and this show is handling it with a very careful hand. It’s a drama with characters who are trying to bring someone close to them back to life, but who knows if that will happen or exactly what the outcome is. It’s balanced out with some incredible action, vibrant monster designs, and some of the best animation of the season. By episode 3, the action starts to kick in, and it reminds me of something Studio Trigger or Science Saru would make. The designs of the “bosses” in the dreamworlds in which the action takes place are always exciting to see with how symbolic/Silent Hill-ish they can be. You also feel for the characters as the main three girls we have seen so far are all interesting and work well off of one another. I want this to stick the landing because we don’t often get original anime that are not based on pre-existing properties. You can also go through this anime with a comb and pick apart its symbolic elements that are worth looking into more. It’s easily one of my favorite shows of the season.
Suppose a Kid From the Last Dungeon Boonies Moves to a Starter Town? (Funimation)
Content Warning:some suggestive elements from time to time.
Long title aside, this anime based on the light novel and manga by Toshio Sato, is directed by Migmi and produced by Liden Films. It’s a fantasy (not isekai) comedy that gives us a humorous main hero, who would be like if Saitama from One Punch Man didn’t know how stupidly strong he was. You see, the lead in this anime thinks he’s weak even though the village he is from is next to the final dungeon. So while he is considered weak while moving to a small kingdom to train and become a knight, everyone else is horrified of his powers and how humble and unaware he is of his strength. This alone has brought me three-plus episodes of laughter and fantastic character dynamics with some of the best comedy this anime season. The characters are all enjoyable, and the story by the end of the first episode kicks into gear and while it might not be a super unique fantasy tale, the premise and characters alone make up for it. You don’t have to be 100% unique. Sometimes, you just need to be executed well.
Kemono Jihen (Funimation)
Based on the manga by Sho Aimoto, this anime adaptation is directed by Masaya Fujimori, written by Noboru Kimura, and is produced by Ajia-do Animation Works. While I do think Dr. Ramune is a gem among the great anime of the season, Kemono Jihen is that gem polished to perfection. What a delightful horror/action/mystery anime with some rather engaging twists and turns. It might look like a typical shonen battle anime, but it has a lot more substance than most shows in these genres. Yes, it has young kids with powers, but with how the story has tackled them so far, it’s more mystery and horror than pure action. The encounters with the supernatural creatures so far also have some cool subtext and commentary about them. The opening song is just a fantastic banger. It’s an overall strong show with a strong cast, and I highly recommend it.
Based on the manga by Hero, this anime is directed by Masashi Ishihama, written by Takao Yoshioka, with music composed by Masaru Yokoyama, and is produced by CloverWorks. This teen drama is probably my personal favorite anime of the season. I love every anime in this category, but Horimiya hit me hard with its themes about how we present ourselves when we are by ourselves and when we are in front of people. It’s a clever premise on how we sometimes wear masks to hide from everyone else. It’s an anime that understands having to deal with emotions, relationships, and other individuals in high school, and I find the romance between our two leads adorable and fleshed out. It’s an extremely healthy relationship as well. What’s even better than this show’s amazing visuals, baller opening, and incredible writing, it shows how mature it all feels. While it might be about teens, this show treats them like adults. It’s also heartwarming, funny, and it’s easily going to be in my top five anime of the year so far. I just hope we don’t get another Sing Yesterday For Me.
Sk8 the Infinity (Funimation)
This original anime is directed by Hiroko Utsumi, written by Ichiro Okouchi, and is produced by Studio Bones. There are a ton of reasons why this show is climbing up the charts as one of the best from this season. For one, you have the director of the beloved Free! and Banana Fish adaptations with Hiroko Utsumi. Second, you have an anime that is 100% stylized and one of a kind in a sea of anime that’s released this season. Third, it’s a sports anime with endearing characters, each having distinct and identifiable personalities, and you then give it to Bones to animate. Seriously, this is easily one of the best looking shows of the season. Not only that, but the skating sequences are a lot of fun to watch, the characters are interesting, and it has the right balance of both action and story-telling to make it all work. I am so happy that we are seeing some original anime knock it out of the park this season.
Heaven’s Design Team (Crunchyroll or CR through VRV)
Based on the manga by Hebi-Zou and Tsuta Suzuki, this anime adaptation is directed by Soichi Masui, written by Michiko Yokote, and produced by Asashi Production, this is the Sleepy Princess in the Demon Castle of the season. Not only is it educational with little moments where they talk about the real-life animals that they create, but the entire show is also all about them making said animals and the process of getting the tasks from God as to what to make. I love how the premise is that God got too busy making the earth and outsourced it to a freelance team of angels to handle the creation of animals. It’s constantly funny, creative, and there is a lot of heart and great chemistry between the individuals who are a part of this team. It helps that there are about three or so segments each episode, and due to the different challenges thrown at them so far, the show hasn’t gotten boring. It’s the right kind of show to watch when you need a good laugh, and it’s pretty much the best comedy anime of the new anime of this season.
With that, we are my impressions of the new anime of the Winter 2021 season!
Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!