Favorite Shorts from the 19th Animation Show of Shows

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Recently, I went with my dad to the 19th Animation Show of Shows. This was a viewing of 16 different animated shorts from around the world. It was a blast, and there were plenty of amazing shorts that were shown. I decided to do a list of my favorite ones. I’m not going to go in any order, because one being better than another one came down to splitting hairs, and really, they all deserve a place on this list.

Can You Do It

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This was the first short shown as a cool mix of CGI and a wonderful modern pop art style by director Quentin Baillieux. While it is a glorified music video for the song by Charles X, it’s a fantastic and fairly optimistic song laid over a mix of economic classes, coming together for this one event. It’s an incredible short, and has an incredible song.

Next Door

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While this short is from 1990, this 2D animated short from now-famed director Pete Docter was full of charm. The 2D animation was fluid, and the cute story of a young girl and a grumpy old guy bonding over something made my heart flutter around with happiness. It’s also a good historic short for people curious to see Pete’s earlier work.

The Alan Dimension

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This was a fun and charming short by Jac Clinch. Its mix of 2D, CGI, and stop-motion made it one of the more visually unique animated shorts about an old man who has this special power to see into the future. It was the right balance of funny and heartwarming, as it showed what happens when you think too much about the future, but not enough about what’s important to you right here and right now in the present.

Hangman

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If I was putting these in order, I think Hangman, a short from 1964 by Paul Julian and Les Goldman, that was remastered in 2017, would be my favorite out of the 16. This animated adaptation of a philosophical poem, while lacking in pure 2D animation, made up for it in a strong, foreboding, eerie, and uncomfortable atmosphere. Seeing how the Hangman worked, and how the people reacted to the individual was the highlight of the short. While a lot of it was still frames, I could argue that when there is animation, it elevates the horror aspect of the short. You can find it on YouTube (though not in amazing quality), but if they can somehow restore this, and upload it to YouTube or on a DVD with some extras talking about it, I would definitely recommend checking it out.

Gokurosama

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After Hangman, my second favorite of the shorts was this French animation called Gokurosama. It was an effort by Clémentine Frère, Aurore Gal, Yukiko Meignien, Anna Mertz, Robin Migliorelli, and Romain Salvini. The CGI animation was perfect for this type of short. It had a nice misty glow to the entire Japanese shopping mall location, and everyone looked like small model figurines that you would see in a miniature display of a building that you would show to investors. While there is no dialogue, the fact that it perfectly paces itself with the physical comedy and a very simple slice-of-life story is what made this a highly watchable short. It reminds me how creative certain people can be when working with certain limitations, and I want to see more animated films try and be like this short or Hangman.

Dear Basketball

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I’ll admit, when I was writing my editorial about the Oscar-animated shorts, I was fairly harsh on this short. I know there is a lot of talk about Kobe’s past allegations, and while I still enjoyed LOU and Revolting Rhymes more, Glen Keane and Kobe Bryant’s Dear Basketball was a fantastic short. I still adore the fanciful pencil sketch style that flowed well with the elegant John Williams score. It’s not just a short about basketball, it’s about a man who gave his life, body, and soul to the love and passion he had for his sport. It’s an emotionally touching short, and I can’t wait to see what Glen Keane does next with his upcoming feature film.

Island

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This German short by director Max Mortl and Robert Lobel had a very cute stop-motion look to the rhythm of nature. It has no dialogue in it, and only has the sounds of the wildlife that end up making a catchy tune. Its designs might be simple, but they get the job done, and make for some pretty humorous animal designs. It was one of the shorter shorts on this list, but it was the right amount.

Unsatisfying

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Unsatisfying was probably the shortest of the shorts on this list of favorites, but it seems like it was intentionally short. This humorous 3D/CGI short was showed the most unsatisfying moments in life. They are simply small moments that kept building up as to how unsatisfying certain moments in life are. I think anyone who watches this short can relate to something, like a soda getting stuck in a vending machine, missing the bullseye playing darts, and you get the idea. It’s bittersweet, but all around hilarious.

 My Burden

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My Burden is a stop-motion film by Niki Lindroth Von Bahr about the night lives of night shift employees, all of which are animals, at a customer support service, a hotel, a grocery store, and a fast-food joint. While the tone has music and individuals dancing, it also shows darker themes that the director described of boredom, being alone, and existential anxiety. While I have never really worked night shifts, I can understand on an emotional level how that feels. The stop-motion animation was charming, and there was a subtle sense of humor with certain moments, like an anchovy at the hotel saying he’s alone, because he has bad skin. It might be a weird short about animals with night-shift jobs, but that weird feel is what makes this a favorite short.

Our Wonderful Nature: The Common Chameleon

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Listen, I love nature documentaries, and whenever I see one on TV, I do watch it. However, I loved this wonderful CGI short parodying a segment of a nature show. Directed by Tomer Eshed, this German-animated short was misleading, in a good way. At first, you see the fairly realistic-looking CGI chameleon, but then you see the animation side of things slowly ooze out with how the chameleon smiles after eating a small fly, and then watch as his constant hunger gets the best of him. It’s another short that has no real dialogue besides the faux nature documentary narrator, and relies on physical comedy. It’s short, but very effective. It was probably the one short that got some of the biggest laughs in my theater.

Everything

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Now, I do have some issues with this one being considered an animated short. It’s a really good short, but should it count as an animated short when it’s a video game? It’s basically some slightly altered gameplay footage. However, I can’t deny that this was a very effective short. The voice-over narration done by late British philosopher Alan Watts really makes you have an existential moment about life. He unloads about how everything is connected, from the smallest atom, to the biggest living creature. Everyone has a role to play, and we constantly rely on one another to live. The visuals are simple, but they get the job done. Plus, the simple visuals get really surreal when you see a bunch of items flying around in space. While I can debate if this actually counts as an animated short, it’s still a short worth checking out!

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Animation Tidbits #5: Oscar-nominated Shorts 2017

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

With the Oscars coming soon, I decided to do one last little editorial, talking about a section of the Oscars I honestly haven’t thought about covering, animated shorts. Not that I don’t watch them, because I do. I simply feel like they need a different mindset to tackle. However, I have had the opportunity to see all the nominated shorts in theaters. They were distributed by Shorts HD and Magnolia Pictures, and it made making this editorial very easy. I’m going to go through the five nominated shorts, and the three additional shorts that were going to could have been chosen, but didn’t make it. They are going to be quick little paragraph reviews. I will also be going in the order they were presented. Let’s get started.

Dear Basketball

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Narrated/produced by Kobe Bryant, and directed by Glen Keane, this is essentially an animated version of Kobe Bryant’s retirement letter, done in a pencil sketch style similar to the classic Christmas short, The Snowman. I was concerned about this one, since something about it always felt off. The letter itself and how it is narrated by Kobe himself is touching, and the pencil sketch style is really impressive, and it’s a solid short about dreams and passion. However, I find myself feeling cynical about it. It’s touching, but forgettable. I also found it to be a bit too manipulative for the emotional side of things. Not to say it’s a horrible short, because it’s not. Like I said, the speech itself is well-worded, John William’s score is great, as usual, and the animation stands out. I just didn’t like it as much as others. I also feel like the current movements in Hollywood will hold this short back, and might alienate non-fans of basketball. It’s a good short, but I personally won’t be rooting for it.

Negative Space

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Directed by Ru Kuwahata and Max Porter, Negative Space is about the bond the lead in the short had with his father over the fine art of packing clothes into suitcases. The stop-motion style has its charm with the doll-like character designs. It’s a cute little short about the ins and outs of making sure there is no negative space within the suitcase. It ends a bit abruptly for me, and maybe could have been a bit longer, but the short is well-made, and I understand why it’s being nominated for an Oscar.

LOU

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It wouldn’t be the Oscars if Pixar didn’t have a short to contribute to the competition. Directed by Dave Mullins and produced by Dana Murray, LOU is about a Lost and Found Box that loves giving everyone the possessions they lost. When I went to the theater to see the shorts, this was one of the two that got the biggest reactions from the audience, in terms of enjoyment. Lou himself is a very creative character. Being made of all the apparel and items resulted in some very creative visuals. Seeing Lou shapeshift through different forms made by all the toys and clothes was the highlight of the short. The only problem I have with the film is that, while it is probably one of my favorites among the five nominated, it’s fairly Pixar. It has a lot of the typical story beats that you would see in most Pixar films. It’s not a super terrible thing, but you know what’s going to happen. Still, LOU is a fantastic short, and should have been in front of Coco instead of Olaf’s Frozen Adventure.

Revolting Rhymes

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This first part of a two-part special based on the Roald Dahl book of fairy tales was easily the crowd favorite from my viewings, and is the short I am rooting for to win. I want to do a full review of part one and two, but I definitely want to do a small summary here. The first part is creative, the art style made the CGI look like stop-motion. While it might have dumbed down the darker tones of the book, it still has a lot of really dark jokes that made me, my friends, and the audience members in the theater laugh out loud. It’s a charming first part of the special, and I found how they handled the mixing of fairy tales creative.

Garden Party

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Directed by Illogic Collective, a group of six 3D artists, Garden Party is a simple story about a bunch of frogs that explore a deserted house. The best thing about this short is the animation and characterization of the frogs. The almost photo-realistic look of the short is incredibly impressive. Sure, you can kind of tell it’s CGI, but some areas look fairly realistic. I liked that they gave the frogs little quirks, and found it cute as they explore the house and interact with one another. Now, while it is subtly told through environmental storytelling, I didn’t like the ending. I won’t say what it is, but it felt too dark for a short about some frogs exploring a house. It also has the moment when you can tell it’s CGI, since what is in the pool looks more cartoonish than realistic. I know some are saying this is going to win, but I think the ending is going to turn some people off. Even with my complaints, I still love the short.

We now will move on to the three shorts that were “Highly Commended”

Lost Property Office

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Directed and written by Daniel Agdad, Lost Property Office is about an older gentleman who works at what is essentially a lost and found office. The drab color tones, and sly bits of humor is definitely why this one was close to being nominated. The stop-motion work was also well done. I think for me, this was one of the weaker shorts. The entire plot of the short is done with no dialogue, and I’m sure there is a deeper meaning to this short, but I have seen it twice now, and I don’t fully get it. It’s a pretty-looking short, but its story rang hollow. Maybe it’s more of a “not my cup of tea” situation, and the overall story is symbolic of the man and his job, but I didn’t quite get the appeal of this one. It felt more like it was chosen for its artistry than its story.

Weeds

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Directed by Kevin Hudson, this short is about a dandelion flower that yearns for a better life on a lively field of grass. While the CGI is good, the message is what I liked about the film, and how it’s about the many people that go through challenges every day to make and find a better life. The CGI is good, but I didn’t find anything super remarkable about it. However, I felt like the story was more important. It was simple and to the point. I definitely liked this one.

Achoo

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Finally, our last short is Achoo, a French-animated short about a Chinese dragon who wants to win a contest to be cherished by the humans. While this one is definitely the most cartoonish with the humor and designs, the CGI and textures are incredible. I have been vocal about how European CGI films have had issues with their lack of quality-looking CGI, and while this is a short, it looks great. The lighting looks impressive, the textures look marvelous with lots of little details, and the designs are cute. It has a few jokes that I didn’t care for, but for a harmless short, I enjoyed it. If I had to choose which one of the three I liked the most, it would probably be Achoo for visuals and WEEDS for story.

Thanks for reading! What short did you like the most? I’ll see you all next time!

My Two Cents On The Submissions For Best Animated Feature at the 90th Academy Awards.

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

The recent line-up of animated feature films for the Oscars next year have popped up, and for the first time, I decided to break down the chances each of the contenders have to make it into the five spots. Overall, the line-up is pretty strong! I know that sounds weird, since the mainstream big budget films from the bigger studios have not been all that great, but if you look at the indie film offerings, you have quite possibly, the best line-up of smaller animated films of this decade so far. It’s probably just as good as 2013 with the wide variety of indie animation. Now then, I’m going to break it down into different categories with films that have spots already filled, films that have amazing chances, films that might have a chance, and films that have no chance. Little side note, I find it hilarious that none of the Weinstein-animated films like Guardian Brothers and Leap! are not on the list. Thankfully, that is great, because screw Harvey Weinstein and his horrible take on animated films. Now then, let’s get started!

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100% Certified Spots

Coco*: While it just came out, the amazing amount of hype this film has gotten and the early positive previews, this is probably the only Pixar film that has a chance at making it into one of the five sacred slots for Best Animated Feature. Plus, it just looks like a great movie. Way more than most of the films released this year from bigger companies.

* Despite the recent controversy of now ex-head of Pixar John Lasseter’s leave because of allegations, I don’t think it would be fair for everyone else who made Coco suffer because of his actions.

Loving Vincent: While not getting as wide of a release as Coco or other big animated films, Loving Vincent has been a critical darling and a constantly talked about movie since making its runs in festivals. Plus, winning one of the three major prizes at Annecy Film Festival sounds good as well. It’s just a unique film that has caught the film world by storm.

The Breadwinner: We have a movie being made by a veteran of the Best Animated Features section, Cartoon Saloon, which had The Secret of Kells and Song of the Sea nominated, the distributor GKids, and so much universal acclaim from reviewers and people who have seen it combined, it would be a shock if this didn’t make it onto the shortlist. Plus, it got a lot of attention during the Animation is Film Festival, and won the main prize there.

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75% Possible Contenders

In This Corner of the World: Lots of festival buzz and highly positive reviews. It probably has the best chance out of Japanese animated films, besides Mary and the Witch’s Flower. Plus, what Academy voter doesn’t love a war time-era film?

The Big Bad Fox & Other Tales: It’s being directed by one of the directors of the Oscar-nominated Ernest & Celestine. Plus, it’s under the GKids banner, and they have had two or so films in the running before for Best Animated Feature. Though I am concerned with how it doesn’t have an official release date yet for 2018, I would hate for it to be viewable after the awards.

The Girl Without Hands: Another festival favorite, and an almost entirely a one-man job. That alone is very noteworthy. Plus, high reviews and again, GKids. The beautiful and stylized animation doesn’t hurt either.

Mary and the Witch’s Flower: Let’s check off the boxes. GKids? Check! Made by ex-Studio Ghibli individuals? Check! Director of Oscar-nominated When Marnie Was There? Check! I think that covers it. Though I’m concerned that the release is just a month away from the awards, but we shall see.

Birdboy: The Forgotten Children: Another well-received animated film being distributed by GKids, and won a couple of awards including the GOYA award for Best Animated Feature, and has gotten mileage for being an animated film with a twisted edge to it and dark themes under the cute designs.

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50% Maybe?

Ethel & Ernest: As much as I love this movie when I watched it, with no real release date, I don’t know if its legacy as Raymond Brigg’s work will make it noteworthy enough to make it into the sacred five slots. I love this movie, but man, they should do something to compete.

A Silent Voice: I loved this movie, and I think it has more of a chance than Your Name did last year, because it was released in theaters in the states months before the award show, but that might not be enough, since most people, unless they are film or animation fans, know a lot about this movie. The biggest amount of coverage it got was when it beat out Your Name as Best Animated Film of 2016 from the Japan Movie Critics Award. I just hope the distributor in charge of the theater distribution for this film makes a big enough push for more people to see it.

Cinderella the Cat: To be perfectly honest, this was a surprise to see on the list. I have been following this film for a while, and all I know about it is the positive reception it has alongside that one review from Variety.com. However, since there has been no news on a US distributor, I don’t know how much its positive foreign reception will win people over.

Window Horses The Poetic Persian Epiphany of Rosie Ming: This is a cute and utterly charming movie about a girl trying to find peace for herself, while finding her father. I don’t hear too many people talking about this one, but it has enough festival buzz for a chance to make it, but it’s an uphill battle to get past some of the other indie/foreign films.

The LEGO Batman Movie: While I do love this movie, and think it came out at the right time, due to people still grieving about what happened three months earlier in 2016, the original didn’t get nominated (still sort of annoyed by that), so what chance does this one have? Plus, while I do love it, it’s not as good as The LEGO Movie. It doesn’t have the full heart and soul the previous film had. It’s a great and hugely entertaining watch, but I don’t know if they will give it a pity vote.

Napping Princess: Personally, this is one of my favorite movies to watch in 2017. However, it’s probably the GKids film, along with another on the list, to get the least amount of talk or push. It’s a fun adventure movie with some great characters and sequences, and some festival buzz, but it’s critically one of the less loved films of the 2017-distributed GKids films. Not going to stop me from enjoying it, but I can see it having more of a struggle than the others that I listed above.

Captain Underpants: This was one of the biggest surprises of the year, and while I am confident in putting it in the 50% range, it would sound odd, wouldn’t it? Oscar-nominated Captain Underpants. I don’t know how they will take this one seriously enough to consider it.

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25% Very Slim Chances

The LEGO Ninjago Movie: While it was still much better than most of the films on this list, it was also the least liked of the three films, and underperformed. It wasn’t a bomb, but it did not rake in as much cash as they were expecting. Plus, it’s the only one that you can consider to be more of a cash grab than the others. It also has the weakest story and writing out of the three LEGO Movies.

The Boss Baby: This film is mostly noteworthy for coming out around the same time as Alec Baldwin’s Donald Trump skits became the funniest bits of comedy for a while, so that probably helped push this movie’s financial success, but outside of that, the film itself was not well received, and in general is not regarded as one of the best animated films of the year. I know some have put it high on their list, but that’s only because they haven’t seen many movies.

Cars 3: Unlike The Boss Baby or the next entry, Cars 3 doesn’t have that much to say “yeah, this movie deserves an Oscar!” it’s more emotionally investing than the second film, but it still has a slew of problems in terms of its story and the ending. Plus, it underperformed because nobody wanted another flipping Cars movie! It’s not a horrible film, but I doubt it will have a chance.

Despicable Me 3: While a financial hit all over the world, Despicable Me 3 has too much going against it. For one, the story is not great, the characters are now barely there, and any advantages they had with improving or pushing the story forward, they don’t take, and just keep staying in that safe circle because it worked for them in the past. Sure, they got one nomination with Despicable Me 2, but that was a pity nomination in a rather underwhelming year. If SING and The Secret Life of Pets couldn’t get a nomination, then Despicable Me 3 won’t either.

Ferdinand: Listen, I don’t like picking on Blue Sky Studios, because I think they are a super talented group of people. However, they are having the same problems as Illumination Entertainment has. It’s why I put Ferdinand low on the list. Granted, the movie looks better than a lot of their offerings, but I just can’t find myself trusting that it’s going to be a great movie. Plus, Blue Sky doesn’t have much notoriety in the Oscar races.

My Entire High School Sinking into the Sea: I love this movie. It’s still my favorite animated comedy of 2017 so far, but looking at it now compared to the other contenders, I don’t see it getting nominated. It would be awesome, and GKids is behind it, but it’s too indie for its own good, and I think GKids has had better animated offerings now than back then.

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0% No Chance in Hades

The Emoji Movie: Come on, I might not think it’s the worst animated film of the year (that goes to The Guardian Brothers), but it’s still really terrible, and it has no chance in Hades in making it. Even when Sony sort of knows it doesn’t have a chance, then that is saying something.

Sword Arts Online: The Movie – Ordinal Scale: Yeah, sorry, but nope. It’s a film based on a pre-existing anime, and those never get nominated. It didn’t happen then, and it won’t happen now.

Moomins and the Winter Wonderland: I have a fondness for The Moomins, and I do love the cast they are building it up for, but I highly doubt it will have enough people knowing the source material to care. I love weird and unique foreign stuff, but this will not have one of those sacred spots.

The Star: I do not think the organization is going to let this one get a chance. It looks cheap, the advertising is  not giving the film justice, and I just don’t see it making it. I love the cast, and I wish they were in a better movie, but I’m sorry, The Star is going to have to shine somewhere else.

There you have it, my guess as to what films have the most to the least amount of chances to get those five spots for Best Animated Feature at the Oscars. As of right now, I am fairly confident that I am going to be correct with these placements, and hey, if any of the films that haven’t come out yet turn out to be good, then I am all for pushing them up the ranks. Do you all have any guesses? What five films would you love to get chosen for the Oscars?

 

Animation Tidbits #4 What’s Cam Looking Forward To 10/19/17: Animation is Film Festival Edition

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome to another What’s Cam Looking Forward To on Animation Tidbits. I guess you can call this version the “Animation is Film Festival Edition”, because a lot of the films on this list will be at the LA-based Animation is Film Festival. So many of these animated films are making their US release at this festival. It’s a shame it wasn’t happening closer to me, since I live all the way in Texas, but I think anyone who wants to see some truly, in the sense of the word, “unique” animated films, they should go to this event. Now, some of these films I have talked about before, like The Breadwinner, Birdboy: The Forgotten Children, Zombillenium, and The Big Bad Fox and Other Tales. However, the mass majority of these will be new to the Animation Tidbit label. Let’s jump in!

Fireworks

While I am still bitter about Your Name’s success opening the floodgates for a slew of teen dramas/romances to overcrowd the market, I’m always willing to put that aside to judge the film on its own merits. Fireworks is helmed by the producer of Your Name, Genki Kawamura. It’s a tale of two junior high school boys, who fawn over the same girl who is going to be leaving their country-side town. One day, one of the boys finds a magical sphere that can control time, and uses it to try and get together with the girl, who by the time he finds this sphere, has fallen for the other guy. In the film, the boy will use the sphere he found to turn back the clock to fix a mistake, but may end up causing more consequences to doing such a thing than he would like. It reminds me of The Girl Who Leapt Through Time, which used the same plot idea. If handled well, it would lead to some touching scenes. The animation, while having fairly generic anime character designs, looks great, and I’m always down for a teen drama/romance to be taken or tackled in different ways. I wonder how good it will be compared to the mega hit Your Name, or the other massive hit, A Silent Voice. Granted, I am getting tired of Japan’s fixation on teen dramas and romances, but if the film can tell a compelling story and bring some creativity to the table, then I’m down to check it out. This will be playing the same day as The Breadwinner on Friday, the first day of the event.

MUTAFUKAZ

I love to consider this the French/Japanese-animated lovechild of a classic Robert Rodriguez action movie. MUTAFUKAZ is, like I mentioned, a French/Japanese collaboration combining Studio 4 ° C, director Shojiro Nishimi and Guillaume Renard, the creator of the comic on which the film is based.  It revolves around a young boy named Angelino, who lives with his skeleton friend Vinny in a dirty disgusting city known as Dark Meat City. After getting into an accident, Angelino starts to experience unknown powers, and boy, everything just hits the fan afterwards. Everything is thrown into this film, like a stew made of everything inside your fridge. You have gang fights, frantic car chases, Akira-style physic powers, trippy visuals, Jin-Roh-style soldiers, and utter chaos. It all blends together in this over-the-top action film that looks fantastic. I think for such a crazy idea, it was a good idea to get Studio 4 ° C because they are good at getting frenetic and fast-paced action done well. I’m concerned it’s going to be flash over substance, but it’s still one of the animated films I’m looking forward to seeing the most, due to the fact we rarely get action-focused animated features anymore.

Big Fish & Begonia

I have not been subtle about talking about the lackluster animation scene China has going on. It’s either bad anime-style clones, or really bad CGI with no thought about being creative with a small budget. This is why Big Fish & Begonia is poised to be the turning point for better animated features from that country. For a film that took a decade to make, the animation is gorgeous, and a lot of it makes the film look like this Chinese version of Spirited Away, which is fine by me. I have read early reviews of the film, which spoke highly of its philosophical elements, and it will have an English dub at the event, which means that Shout! Factory is probably getting ready for a more wide release and announcement for the film. If you want to see what could help turn China’s animation scene down a much more optimistic route, then you should definitely go check this film out.

Lu Over the Wall

Now, we have one of the big boys playing at the plate. Masaaki Yuasa, the director behind Mindgame, has two films out this year and at this event. Lu Over the Wall is the first film being shown, and is another take on the Little Mermaid story in the same way Hayao Miyazaki did with Ponyo. That means you will get offbeat characters, trippy animation, and a more light-hearted tone. It’s definitely what I got from the trailers and, from a few clips that are on YouTube, the charm really comes through the animation. It looks fantastic, and I hope GKids can bring this film over along with Masaaki’s other film that will be talked about later in this editorial.

Tehran Taboo

Now, this is a nice little surprise. Tehran Taboo is a German-Austrian collaboration about three different women and a musician trying to survive in a harsh and punishing city known as Tehran, where sex and drugs run amok under heavy religious and patriarchal ruling. It looks like an emotional and human experience, as we see these characters survive in such a restrictive life. I know some will argue about its animation, since it’s not technically 2D animation, but some form of rotoscope animation, but those purists can go bugger off. You are still tracing over living individuals frame by frame. Animation is much more vibrant and expansive these days, and this is a good example to show that. If you want something mature and adult during this festival, then it’s probably a good idea to step into the dramatic world of Tehran Taboo.

Mary and the Witch’s Flower

It’s not a surprise that one of the two major viewings that are sold out is the spiritual successor to Studio Ghibli, Studio Ponoc’s Mary and the Witch’s Flower. First off, the animation looks fantastic. It has a style very similar to Studio Ghibli, and while I have heard people say that this is distracting, I don’t find that a problem. Studio Ghibli isn’t doing anything besides Hayao Miyazaki’s newest film, and if it’s a distracting thing to have fluid and very expressive Japanese animation, then I think that’s a pretty good situation to have. Even Hayao Miyazaki and Isao Takahata have shown their approval of the film. It looks like a great one, and it has directors I trust behind it. It’s one of the most anticipated animated films of the year, and probably one of the sure Oscar nominees.

Night is Short, Walk on Girl

Finally, we have Masaaki Yuasa’s second film, Night is Short, Walk on Girl. Technically, it is a follow-up to a series he worked on called The Tatami Galaxy. The surreal romantic comedy of a girl and the guy who has a crush on her looks trippy, unreal, and hilarious. This is what I love about Yuasa’s work. Fantastic and vibrant visuals, interesting characters, and what might look random, has an underlying tone of something much more. I am concerned that I can watch this without having seen the TV series, which I just started, but the quality of the film will depend on if it stands strong on its own or not. Still, I hope GKids brings this and Lu Over the Wall over to the states.

Animation Tidbits #3: What’s Cam Looking Forward To? 5/22/17

 

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this quick editorial!)

So, I know it’s soon to do another editorial like this, but I found a slew of animated films to be on the lookout for, and since the Annecy Film Festival is right around the corner, I decided to do another list of films I’m looking forward to. Now then, let’s take a look at some of the films that will be competing at the festival first.

 In This Corner of the World

First up is the Japanese animated film by director Sunao Katabuchi, In This Corner of the World. This character-focused film that is about a young woman named Suzu during World War Two is a beautiful and emotionally-driven experience. While the story is said to be a fictional tale that takes place during that period in time, it is apparently based on real life events of said historical period. I love the soft watercolor look to everything, and that should be no surprise due to the director having previous award-winning films under his belt like Princess Arete and Mai Mai Miracle. I can’t wait for Shout! Factory to release this in the states with Funimation helping out because I will definitely be going to see this film when and if it comes to Austin.

Zombillenium

Like with Icarus from the previous list, Zombillenium has probably one of my favorite settings for an animated film. It’s a French animated film about a theme park where all the ghosts, ghouls, monsters, skeletons, and mummies are, in fact, real monsters. One day, a human named Hector, a safety regulations officer, is threatening to shut down the park. That is, until the vampire manager of the park decides to bite him and bring him on board as an employee. First off, the art style has this great comic book/cartoony style that is very eye-catching. Then again, this is based on the comic book series by one of the directors of this film. I feel like this setting could lead to some very interesting social commentary, with how the monsters work and live at the park, and how some of the monsters could symbolize labor laws and so on. I also get a vibe from something like a good HBO/FX drama, where it’s about the life and the days of the characters in their environment. Unfortunately, I don’t have a traditional trailer for this film, but instead, a music video. It’s done by Arthur DE PINS, one of the directors and the creator of the comic. I bet you that this was a huge excuse for not only a fun music video, but a tech demo to get funding for the film. It’s for a song called Nameless World by a French Rock Band called Skip the Use. This is also one of the films competing for the grand prize at the Annecy Film Festival, and it’s the only animated film competing at the Cannes Film Festival. I hope it turns out to be a fantastic flick.

UDATE: Here is a teaser for Zombillenium!

Bird Boy: The Forgotten Children

Well, GKids just got the rights to bring this film over in the fall, so I might as well talk about it next. Plus, I can’t pass up a GKids distributed film. This dark yet cartoony animated film from Spain is directed by Alberto Vazquez and Pedtro Rivero. If you are into the foreign animation scene, then you know about Alberto Vazquez, who is releasing a new movie called Unicorn Wars. And yes, that is a real movie. This guy is known for combining great animation, with cute designs and strikingly dark visuals. I can see it catching some people off-guard, but I think challenging what defines animation in terms of visuals is breathtaking. It might not be the first animated film to have super dark visuals and a story to boot, but it’s something I like to see going on from time to time with animation. I can’t wait to see who they get for the main cast, and I hope they can bring over his new film in the future.

The Swallows of Kabul

This one caught me by surprise. This French-animated film, based off the book of the same name, is being directed by two female directors. One of them is an actress-turned-director by the name of Zabou Breitman and designer/animator Eléa Gobbé-Mevellec. It’s also being produced by Les Armateurs, who worked on The Secret of Kells, The Triplets of Belleville, and Ernest & Celestine. Its watercolor art direction brings out some very beautiful visuals, and the character designs are fantastic. Then again, when one of the directors worked on The Prophet, The Rabbi’s Cat, and April and the Extraordinary World, it should be no surprise that it looks great in motion. Even though I know the story will be a bit more mature than your typical animated film, I don’t find the designs or the animation to be distracting. The teaser also does a good job at getting me intrigued about the story, as I’m curious to know what happened after the guard Atiq watched as his eyes were set on a beautiful woman who is the newest prisoner in a female prison. This is another good example why European animation can be so wonderful. Hopefully, in the future, we can hear more about the film.

The Breadwinner

While Wolfwalkers is in the early stages of development and funding, we can look forward to Cartoon Saloon’s upcoming film, The Breadwinner. This beautifully animated film from the studio that made Song of the Sea and The Secret of Kells is based off the book of the same name. It’s also being partly produced by Angelina Jolie. I’m a tad concerned about that part, since I have found her recent projects to be pretentious and lackluster, but just by the teaser trailer alone, the film looks impressive. I also enjoy the fact that they went full frontal with the casting, since they hired multiple actors of Afghan descent to be the major characters. It’s a wonderful-looking movie, and I can’t wait to watch it later this year.

Loving Vincent

This is probably the most visually striking of the films listed in this editorial. How many animated films can you think of that are painstakingly painted by very specific animators and artists that recreate and pay tribute to one of history’s greatest artists? I love the idea of someone going around asking about the legacy and impressions the artist left on people that he met. It’s such an impressive feat to watch what was going to be a short film directed by director Dorota Kobiela, and has now become this hugely passionate animated film celebrating the beauty and history of art from the infamous painter, Vincent Van Gogh. After it hopefully does well in the Annecy Film Festival, I will patiently wait for theater showings in my neck of the woods.

The LEGO Ninjago Movie

While this entire list has been mostly following smaller and foreign releases, it doesn’t mean I’m not looking out for the bigger releases. While we have gotten this trailer a few months back, I wasn’t really thinking about it until recently, as I was thinking back to The LEGO Batman Movie. It’s honestly going to be interesting to see how people react to another LEGO movie in one year. One kudos that I will give this film instantly is that no one has to watch the TV show with the same title to watch this movie, since neither the film nor the show are connected in any way. It also helps that personally, The LEGO Ninjago Movie gave off a strong first impression with good laughs, good animation, and solid voice work. It also helps that the film has a director that has worked in different positions on action-focused cartoons before, like The Powerpuff Girls Movie, Batman: The Animated Series, Tron: Uprising, Samurai Jack, and a lot of Cartoon Networks’ biggest and most popular cartoons. Now, I am concerned with how much emotional substance will be in this film, and how it’s going to have a slew of characters to introduce in one go, but I think Warner Animation Group has been pretty spectacular these past few years. Hopefully, The LEGO Ninjago Movie can be another feather in their cap.

Well, that’s it for this list. I probably won’t have enough to talk about for another one for a while, and I plan on doing an editorial on Blue Sky’s Ferdinand instead of adding it to a list, since I’m excited for it, but not fully on board with it due to the studio. Thanks for reading, and I hope you all get excited for these films as well!

Worst to Best Animated Films of 2016 Finale

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Welcome back to the final part of the Worst to Best Animated Films of 2016. If you have not seen the previous part of the list, here is a link. These are the final ten films that I love, and would watch many times over. I consider them new classics that everyone should check out and support. Honestly, I would just tell you to buy them all, but that’s just me. Let’s get started

10. April and the Extraordinary World

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I know everyone is in a bit of a bum mood, since the future of Studio Ghibli is up in the air as Hayao Miyazaki works on his supposedly “last” film, so instead, I want to turn your attention to what some have considered a French Ghibli alternative. April and the Extraordinary World is a fun Castle in the Sky-style action adventure film set in a world where science never got past the steam age. It’s filled with high-flying action, sci-fi technology, and it’s just a fun adventure with fun characters. I still think some of the chemistry between characters could have been better, but I really loved watching this film. If you need your Castle in the Sky fix and to see how to do Sky Captain and the World of Tomorrow better, then definitely watch this movie.

9. Long Way North

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Let’s call this the polar opposite of a Disney princess film. This French film about a Russian princess wanting to redeem her grandfather’s legacy is simple, yet complex. It’s easy to get into and well executed. The film can be very quiet and atmospheric with a honestly dark edge to the adventure she goes on to find her Grandfather’s ship. Granted, some of the voice work isn’t the best, but the film is gorgeously animated, and it has a great cast of characters with a story that shows the darker side of events like this. I was a tad disappointed that this film wasn’t seen by more people, since I truly think it’s a fantastic film. It’s easily the best film Shout! Factory has distributed, and I highly recommend you support this film by buying a copy.

8. The Boy and the Beast

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Man, I don’t know why people aren’t more willing to say Mamoru Hosoda is the new “Miyazaki”, because films like The Boy and the Beast are why he’s one of my new favorite directors. This tale with themes of father and son relationships, different family situations, and parents being up-front with your children is masterfully fused with the beautiful animation, great action, and likable characters. I think the pacing could have been better in the third act, but that shouldn’t detract from how amazing this movie is. I can’t wait to see what Hosoda does in the future.

7. Only Yesterday

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Yes, it’s technically a 2016 release since we never got it when Disney was bringing over all of the Ghibli films. Luckily, GKids decided to be awesome and help us out with bringing over probably one of my favorite Ghibli films to date. I love the more mature tone, the characters, the setting, and the voice cast. I adored Daisy Ridley as the lead, and I found her character to be rather complex and interesting. I’m sure everyone in their life has wondered if they feel like they got what they wanted out of their life. Sure, it can be a tad slow, and I can totally understand if someone finds this film boring, but I found it unabashedly fascinating. Easily one of my top five favorite films from the studio, and I think Isao Takahata’s best movie from the ones that I have seen from him.

6. The Little Prince

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Talk about a victim of circumstance. This amazing and mature CGI/stop-motion film from France with the director of the original Kung Fu Panda got screwed out of being in theaters, and whether it’s true that Paramount wanted the studio to pony up more cash for distribution and advertising or not, The Little Prince deserves more attention than it got. Yeah I get the complaint about the third act and such, but in the end, I loved my overall journey with this film from beginning to end.

 5. Moana

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In some regards, Moana had a disadvantage coming out right after the huge hit that was Zootopia, and being another Disney princess film right after the monster that was Frozen. Luckily, Moana I think does better in terms of an overall experience, while being progressive for a Disney princess film. Moana is a fantastic lead, Maui is a blast, the villains are hugely memorable, and the overall story is well-told. Sadly, it does take that dip in quality in the third act, and brings up very outdated Disney story elements, but I would call it safe than lazy, like some reviewers would argue. In the end though, Moana is a super fun adventure film, and is easily one of Disney’s best offerings in a year where they were doing pretty well.

4. My Life as a Zucchini

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Probably the most real and “human” animated film from last year. This Golden Globe/Oscar-nominated stop-motion film about a kid living in an orphanage is well animated, emotionally touching, charming, and it does feel human. Even with the English dub, the actors still bring in that calm and quiet spirit. The child actors were, once again, a situation where they would make or break the film, and well, they pulled it off. Granted, I wish the film was longer than 70 minutes, since I really enjoyed being with these characters and I liked the lead’s relationship with the police officer. It’s just an amazing film, and I would highly recommend checking out this award winner.

3. Zootopia

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While Moana is a fantastic film that I could watch over and over, Zootopia is the better movie. While it might not be super subtle with its themes, its clever writing, world building, hugely likable characters, great designs, and a fun sense of humor lifts itself up from such a problem. It was also a bigger risk, since it was Disney’s first animated film in a long time to use bipedal animals. If there was one film to take home the most awards for Best Animated Feature, I’m glad it was Zootopia. Sure, I wish Kubo and the Two Strings took the award, but hey, at the very least, I agree with Disney winning Best Animated Feature this time.

2. Miss Hokusai

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If there was a film that I wish could have gotten more acclaim and nominations, it would be Miss Hokusai. This down-to-earth, character-based film just won me over in an instant. I loved the daughter interacting with everyone and dealing with different situations in life, I loved the different art styles used for different parts of the story, I love the voice cast, I love Richard Epcar as Hokusai, I just loved this movie. Yes, there were some characters who you obviously knew were there for a very specific reason, but I don’t care. I love films like this since it shows animated films can be more than just wacky comedies, and that more adult animated films can be more than stoner comedies. It’s easily one of my top five favorite films GKids brought over, and I would recommend following the director and seeing what he does next.

1. Kubo and the Two Strings

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It should be no surprise that the film that had probably the biggest fighting chance of dethroning Zootopia at the Oscars is my favorite animated film from 2016. Kubo and the Two Strings surprised me in how much I loved it. I was not surprised by Finding Dory being great, I was not surprised by Kung Fu Panda 3 for being great, I was not surprised Moana was great, and you get the idea. I was surprised at how well-animated it was. The voice acting was amazing, the music was fantastic, the visuals were awe-inspiring, and the themes and tone of the film made it a darker family film. I love how it’s about life, and how you can’t live in life without hardships. The action was fantastic and well-choreographed.  I’m so upset this didn’t do better, and even if there is nothing wrong with Zootopia winning the Best Animated Feature at the Oscars, Kubo and the Two Strings deserved it more, and rightfully deserves the spot as my favorite animated film of 2016.

Well, that was 2016, a fantastic year for animation, and I know 2017 hasn’t been that great so far, but keep your hopes up and go see the smaller releases. Thanks for checking out this long list and I’ll make sure to get these out sooner rather than later next time.

Animation Tidbits #2: What’s Cam Looking Forward To? 5/5/17

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, in my personal life, I love to make emails about a bunch of upcoming films for my family, who may or may not know much about what’s coming out. I recently did an email with all the upcoming animated films that are being released here in the states or somewhere around the world where I hope they get a stateside release. I decided to make a series of Animation Tidbits, where I show off some trailers or clips of upcoming animated films that have caught my eye. Now, some of these are already well known, but I’m sure many people have not heard of many of the films listed in this editorial. Let’s get started.

Early Man 

Up first is the trailer for Nick Park’s newest stop-motion feature, Early Man. I mean, I love Aardman Entertainment and all of their films. I don’t see why I shouldn’t be up for this one. While I don’t usually get super-hyped for big-named cast members in general anymore, I think Early Man has an incredible cast, including Tom Hiddleston (Marvel films, The Night Manager), Eddie Redmayne (The Danish Girl, Fantastic Beasts and Where to Find Them), Timothy Spall (The Last Samurai, Enchanted, and Sweeney Todd), and Maisie Williams (Game of Thrones). Unfortunately, I have to wait until 2018 for this promising flick.

Coco

While Cars 3 doesn’t technically look terrible, and it does seem like Pixar wants to make a good movie from this flawed and merchandise-spewing trilogy, Pixar’s original film is what I’m looking forward to more. Yes, it’s another animated film based on Day of the Dead, and I do know the pointless turf war Coco fans and The Book of Life fans brought up with each other on Twitter with the two films’ directors, but it’s Pixar. I know their recent track record has been bumpy, but I usually feel like I can be excited and love their original content. The voice cast for this film is also pretty stellar with Benjamin Bratt, Gael Garcia Bernal, Renee Victor, and newcomer Anthony Gonzalez. Hopefully, this becomes another great original film in Pixar’s line up.

Wolfwalkers

I’m patiently waiting (badly) to hear a release date, and for GKids to pick this film up. Wolfwalkers is the next film by two-time Oscar-nominated director Tomm Moore, who was the director of Song of the Sea, and The Secret of Kells. The animation looks beautiful, you can sense and feel the atmosphere and Irish cultural elements, and it’s a downright gorgeous 2D animated film. I do wish the movie-going world would give this director and the super talented team at Cartoon Saloon a lot of support.

Gatta Cenerentola

Or as it’s known in English, Cat Cinderella. This is the first obscure film that I hope gets an English release. It’s an Italian CGI animated film, using mostly motion-capture for the animation. It’s a modern dark take on the Cinderella story, and it looks amazing. I know the movements can come off as clunky, since motion-capture can be finicky if not done correctly, but I think the tone, setting, and the idea will elevate it. Plus, it has a gorgeous art style, and I could listen to that song in the trailer all day.

The Big Bad Fox and Other Tales

If you watched the amazing Ernest & Celestine, the art style should look familiar to you, since one of the directors of the film, Benjamin Renner is behind this film. It’s based off of his comic, and while the trailer is in French, you can pretty much understand what is going on. It has good animation, a great sense of humor, and it’s just adorable. Hopefully, GKids can pick this one up.

Calamity

One of my favorite films from last year was the French film, Long Way North. While I think it went under the radar way too much last year, the same group that made Long Way North are back with another female lead-driven film. While it might be based on the historical figure, Calamity Jane, the filmmakers are taking on the character in their own story. I know that might be a bad idea in some cases, but Long Way North was so fantastic, and these guys know what they are doing.

 Icarus

While I love a lot of the films on this list, I think Icarus has me the most excited in terms of the setting. It’s a mixed-media animated film, using CGI and beautiful 2D animation. It makes the three Greek Gods, Zeus, Poseidon, and Aphrodite not just Gods, but Newspaper Journalist Gods as they try to weave interesting tales out of Greek Mythology for the paper. First off, the idea itself is awesome. I could see a lot of commentary about journalistic integrity, and how a lot of sites like to use clickbait-style headlines for not very interesting stories. I also love the combination of CGI and the lovely 2D animation. You just watch the trailer, and you get a lot of great visual eye candy. It also helps that there is a Pixar Veteran directing the film named Carlos Volgele. I just love the idea, and I definitely want GKids or Shout! Factory to bring it over.

Well, there you have it. These are the animated films that I am looking forward to at this point in time. I will do these from time to time when I find enough films to warrant a list like this, but do expect more of these. I might do these more so than a “Most Anticipated Films of –insert year here-“lists. Thanks for reading, and I hope you all have a good day!