(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you appreciate what I do, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you enjoy this editorial!)
Hey, everyone, I had to break this up into two parts because tackling one editorial that was going to be eight pages long would have been a lot for my readers, so if you have yet to see part 1, then go to this link and you will find it there. Thank you and enjoy the rest of this breakdown and observation about the Fall 2023 Anime Season!
Romance
Anime talked about in this category:
A Girl and Her Guard Dog (Crunchyroll), I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness (Crunchyroll), Our Dating Story (Crunchyroll), The 100 Girlfriends Who Really Really Really Really Really Love You (Crunchyroll).
Overall Impressions: It must be tough to make a good romance anime, because you either have authors that haven’t had a relationship experience or had proper relationship/dating experience, or you get a few chaotic individuals who are either tired of romcom or harem anime tropes, and just run wild and pulling the lever to see what happens with it. A Girl and Her Guard Dog is yet another creepy as-hell age-gap romance, and one where the romance isn’t all that great or healthy. Yes, some authors use stories to explore taboo subject matters, but when it’s between a 15-year-old girl and a 26-year-old man who has known her since she was a toddler, then that becomes a problem. It’s by far and away the worst show of the season, despite it trying to make it quirky and charming when it feels like the story has to twist itself into pretzels to make the story work. Exploring taboo subject matters isn’t forbidden, but if you are going to, you have to tackle it in a way that isn’t an adult man who is aging into 30 telling the teenager that she grew into the body type he likes. The I’m Giving the Disgraced Noble Lady show is about a powerful wizard who is making sure a young woman who was thrown through the ringer has a life full of joy and happiness, but after the third episode, it felt like they were taking away her full agency. That is a shame since while it looks generic in a lot of ways, it has enough to make it stand out that does culminate into a sweet show. Our Dating Story on the other hand feels like a generic version of titles that we have seen come out from previous seasons. The story of a shy guy whose first real date is with a popular girl. Them finding out that they both have flawed perspectives on relationships is a cute idea, but a lackluster visual style and a dull world doesn’t offer much that you couldn’t get out of other romcom anime out there. With all that said, the show I was surprised the most this season was The 100 Girls Who Really Love You. It is a chaotic, cranked-to-100 absurdity and comedy about a guy who is destined to end up with 100 girlfriends that ends up being a raunchy, funny, and charming time. Not that everything works at all times, but to see a harem anime go this hard with its antics and character dynamics makes for a watch that is constantly funny. The show has so much personality oozing out of every frame that it results in a new standard for harem shows that go the distance. The fact the story kicks off because the god of love accidentally gave our lead 100 girlfriends because he accidentally wrote 100 on a sheet to fill out the main character’s wish for a girlfriend shows you how on board everyone is with this show.
Comedy
Kawagoe Boys Sing (Crunchyroll), The Vexations of a Shut-In Vampire Princess (HiDive), The Family Circumstances of the Irregular Witch (Crunchyroll), Tearmoon Empire (Crunchyroll), 16 Bit Sensation: Another Layer (Crunchyroll), Stardust Telepath (Crunchyroll), I’m in Love with the Villainess (Crunchyroll), My New Boss is Goofy (Crunchyroll)
Overall Thoughts: Comedy has and will always be a polarizing and subjective genre when it comes to entertainment, and that’s just what’s going to happen. Some of these are a little more varied in genre than just pure comedy, but websites can’t nail down what genre each anime belongs to. Anyway, Kawagoe Boys Sing feels like a show that was supposed to be attached to a multi-media franchise that never got off the ground, so what we have is a clunky and fairly mediocre anime about the formation of a boy’s choir. The characters aren’t interesting, the animation is rough, and the story and music aren’t good enough to carry you from point A to point B. The Vexations of a Shut-In Vampire Princess has a creative idea within its world-building, how the world they live in is full of armies killing one another and then at the end of the day, coming back to life. The thing is, the show is more interested in the trials and tribulations of our young princess not being a super strong vampire and having to fool and manipulate her way into being the heir to the throne, but the characters are forgettable and fairly creepy at points. It also doesn’t do enough to justify its setting. The Family Circumstances of the Irregular Witch is sweet, even though it has a few bits of comedy like the crass comedy that don’t fully land. The mother and adopted daughter aspect is cute when it focuses on it, and the phoenix familiar is probably the best part of the entire show. Tearmoon Empire might be another show with time travel, where our lead goes back a few years before the revolution happens to work on not being such a “garbage” person. It’s cute and has some solid character beats, but it isn’t as thrilling as other time travel shows. Still, it’s an entertaining watch. Last season, I complained about the fact that villainous-style stories were becoming uninspired and repetitive. Like the isekai power fantasy, villainous stories need to have a refreshing change of pace, and I’m in Love With the Villainous is that change of pace. Putting fiery romcom energy into the story where our lead doesn’t turn into the villainous of her favorite visual novel, but an adjacent character who goes out of her way to make the villainous character fall for her is such a creative idea. Don’t worry, the Looney Tunes-inspired comedy and dynamic between our two leads does grow and evolve as the show goes on, and it is a gem of the season. If you had to ask me what the funniest show of the season is, it’s the surprisingly wholesome My New Boss is Goofy. While it is about a young man who joins a new company and his new boss is a bit of an adorable dork, the show builds upon the main idea of our lead recovering from the trauma and abuse he encountered in his last job workplace experience. It might be straightforward, but who wouldn’t want an endearing show about friendship and healing?
Other
Shows talked about in this category: Protocol: Rain (Crunchyroll), Ron Kamonohashi’s Forbidden Deduction (Crunchyroll), Migi & Dali (Crunchyroll), The Yuzuki Family’s Four Sons (Crunchyroll), The Apothecary Diaries (Crunchyroll), Overtake! (Crunchyroll)
Overall Impressions: The Other category tends to have some of the best anime of the season, but it can still have some terrible titles in it. Protocol: Rain attempts to be a compelling esports-centric anime about an underdog team trying to save a cafe from closing down, but the characters, pacing, writing, and drama aren’t compelling enough to make it through a few cute scenes, a solid opening beat, and the mediocre cgi for the game having an appealing looking charm. Ron Kamonohashi’s Forbidden Deduction has the unfortunate timing of coming out after Undead Murder Farce. Its premise of a newbie detective teaming up with a weird oddball detective who just happens to have the ability to essentially tell the culprits to stop living is a fun twist that kicks into high gear by episode two. It has some fun animation, and when the overarching plot revs up, it becomes a fun murder mystery anime. Migi & Dali is one of the most distinct anime this year, as it was based on the manga by the creator of I’m Sakamoto Kun so it wears its odd dark comedy about identical twins that get adopted by an elderly couple, but the twist is that they are pretending to be one child since the elderly couple only adopted one child. The first beat of the story for this one is them finding ridiculous ways to fool the couple and not getting busted that they are twins and not one child. It then turns into a murder mystery as they figure out what happened to their mother. It’s a wild ride and it’s the type of show you will need to vibe with to catch what it’s throwing. The Yuzuki Family’s Four Sons had the most unfortunate launch with mediocre subtitles that only got fixed a few days after the first episode went up. Just another sign that y’all need to pay your translators better because they ruined the hype of a truly charming albeit heartbreaking show about four brothers of varying ages as we follow their lives after the loss of their parents. Apothecary Diaries was a show that got all of the proper talent, time, and resources, due to this medical period drama about a young apothecary tending to the care of the emperor’s concubines. It results in a complex and enthralling journey through the apothecary’s life and the concubines’ interactions with characters like a very curious eunuch. It’s also a drop-dead amazing-looking show. Overtake was a real deal surprise of the season, due to it being an original anime about a photographer who finds new joy in life by helping out this underdog Formula 1 racing team, and we can watch the well-executed races and the behind-the-scenes drama of funding and the human side of these races. It shows that you can make a thrilling and endearing show about anything, and even non-fans of those sports or interests will be compelled to see how the rest of the series unfolds.
I apologize for how long this editorial is. Once again, I tackled 30+ shows because the anime industry doesn’t know when to stop and slow the heck down. Either way, a lot of wonderful shows came out from all of this nonsense, and my favorites were
The Apothecary Diaries, Overtake!, My New Boss is Goofy, The Yuzuki Family’s Four Sons, Frieren: Beyond Journey’s End, Shangri-La Frontier, Migi & Dali, The 100 Girlfriends Who Really Really Really Really Really Love You, Undead Unluck, Shy, and Bullbuster.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)
Here we are with Part 2, and while the first part of this overall season was stuffed to the gills with good shows, here we have some other great shows, but this was definitely the second half of the season where we ran into some true garbage anime. Some of these could have been saved by better execution of their plots and bad source material, but more times than not, it’s a bad adaptation. Let’s dive right into the spring season and let’s finish it!
Fantasy/Isekai
I Got a Cheat Skill in Another World and Became Unrivaled (Crunchyroll)
CW: harassment, bullying, fatphobic
Do you mean to tell me the same author behind Fruit of Evolution has another terrible isekai that is also problematic, hateful, and mediocre? Color me surprised that this author is pretty terrible or at the very least, has a big issue with fat people. As I not so subtly said, this is based on the novels by Miku. The adaptation is produced by Millepensee, is written by Shin Itagaki, and co-directed by Shin Itagaki and Shingo Tanabe. We have yet another isekai where we have a lead character who is fat, and then one day finds all of his problems are solved when he is able to go from his human world to a fantasy world, turns into a super thin hot guy, gets two worlds worth of friends and harem acquaintances, and is as shallow as a puddle. The mean-spirited nature of this show is cartoonish and melodramatic in the worst way possible. It’s one of those lazy and uninspired power fantasies that aren’t interested in going in-depth with how society treats people who look different or are heavy. It’s a bad version of Lookism that actually delves into the topics this show failed to tackle with much more nuance. Outside of its repugnant characters and terrible writing, it’s just another power fantasy that isn’t interesting at all. These authors need to do better. Screw this self-indulgent power fantasy nonsense. Your petty pathetic power fantasy ruins any potential this anime could have had in the story department.
My One-Hit Kill Sister (Crunchyroll)
CW: themes of incest
This show honestly has the exact opposite problem from which most of these shows from this season suffer. This anime is directed by Hiroaki Takagi, written by Yohei Kashii, and produced by Studio Gekko. It’s based on the novels and manga by Konoe. What’s so fascinating about this anime is how hard it goes with its visual presentation. Out of all of the shows to have a stunning visual look and some of the best-directed action of the season, it shouldn’t be the anime with an incest kink with the older sister wanting to be very close to her younger brother. The whiplash you get from how well-executed certain scenes and jokes are is on the level of some of the best action and comedy anime out there, and yet what falls apart is the fact that this has a heavy emphasis on an incest subplot. Sure, they can try to write it off that she really cares about her brother, but it’s not in a way that says she just cares for him on a platonic level, because without that angle, it’s just a middling if well-executed edgy dark isekai fantasy comedy. It has a funny angle of the brother being sent to a fantasy world and not being the special one, whereas the sister is the one with all of the power fantasy tropes, and some of the jokes, (or at the very least, the execution of the jokes are more humorous than usual), but the incest angle is an instant turn-off to ever recommending this show. It also isn’t the only show this season with incest or a possible incest angle.
The Aristocrat’s Otherworldly Adventure (Crunchyroll)
CW: Harassment played for laughs, and some slight hints of incest.
Well, while I do not like this show for a multitude of similar reasons I don’t like most isekai power fantasies, I can say that at least this isn’t a tedious chore in many ways. This is based on the novels by Yashu. It’s produced by EMT Squared. It’s co-directed by Noriyuki Nakamura and Mitsutaka Noshitani, and written by Natsuko Takahashi. As I said, it suffers from a lot of the nonsense that plagues the most boring and generic isekai stories that include no stakes and harem elements that become slightly creepy when it’s about our lead who is a child for much of the show’s run. They also introduce mentors who don’t do anything, and there are no stakes in the action since our hero can’t be harmed. They try to make the characters more interesting by focusing on the more comedic angle of the series, and that is honestly its strongest aspect. The show is really adamant about being a comedy and it does a lot of different gags and jokes to make for a more entertaining sit. Even if the jokes don’t always land, it’s more than most isekai that play their stale power fantasies straight. They are trying a lot of things with this show and due to bad pacing and the stuff mentioned above, it still falls flat, but it’s not a boring sit.
KamiKatsu Working for a God in a Godless World (Crunchyroll)
Honestly, while I wouldn’t call the fantasy/isekai genre this season as good as others since it’s pretty rancid in a lot of ways when one of the best shows is still a dumpster fire, that’s a telling note of this being one of the best by default. It’s based on the manga by Aoi Akashiro. It’s directed by Yuki Inaba, written by Aoi Akashiro, and produced by Studio Palette.Yeah, this is one of the most infamous anime of the season, and not because characters do repugnant things or a creative is a terrible person. I mean, who knows, those things could happen, but more about the production side of things is why this show is being heralded as a dumpster fire/ironic classic. Shoddy editing, wild jumps in quality with animation, and inconsistent tones make this a real hot mess of a series to watch. On one side of the quality spectrum it’s a harsh snappy commentary about religious extremists and sex, but on the other side, it takes itself too seriously at points for the few laughs to fall flat, it restarts its stakes about halfway through the show’s run, and the zany tone it wants to go for doesn’t truly stick to that lane. This could have been the new generation Cromartie High, but due to its lack of commitment to the bit, it falls hard on its face. It’s a real shame, because I was down when it stuck to the zany unhinged side of its run, but it’s hard to fully recommend, since this show will either be your cup of tea or just turn you right off. Sure, it’s being made by a studio that is relatively new and a director who hasn’t done a lot of actual directing, but it at least stands out from the rest due to how wild it tries to go at points with its story and humor.
Sacrificial Princess and the King of Beasts (Crunchyroll)
Thankfully, we don’t end the fantasy isekai genre of this season on a bad note. Granted, if this show was in any other stronger season, it wouldn’t be at the top, but here we are, and at least it’s a solid show. This is based on the manga by Yu Tomofuji. It’s produced by JC Staff, written by Seishi Minakami, and directed by Chiaki Kon. While this is yet another take on Beauty and the Beast, unlike last season’s similar show and has to compete with The Ancient Magus Bride this season, Sacrificial Princess and the King of Beasts actually does stand on its own compared to other shows with similar premises. For one thing, our female lead actually has stakes, unlike some shows where they take all of their stakes and have them solely rely on the beastly individual for everything. What also makes this stand out is that while it is a fantasy romance, it’s more interested in the world and politics of our beast king’s actions of having a human bride and how she is treated in both the human and beast world. While I am not fond of how young the lead is compared to the king, their chemistry almost distracts from that. It’s nothing original for this type of story, but being original can sometimes be its own beast of burden, and just being a well-constructed show is enough. Again, if this was in any other season, this probably wouldn’t be at the top, but due to the world, the characters, the inciting incidents that kick off this powder keg drama, and the twist and turns we see unwrap, it makes for a really solid watch.
Romance/Comedy
Rokudo’s Bad Girls (Crunchyroll)
This category is starting out with a rough and rather clunky show based on the manga by Yuji Nakamura. It’s directed by Keiya Sato, written by Yuichiro Momose, and produced by Satelight. You would think an anime that’s trying to be retro in its visuals and premise about a boy who ends up with a curse where he gains a harem of ladies, but they are only delinquents and “bad girls”, would be funny or creative, but it’s not. It doesn’t seem sure what it wants to be with its take on masculinity and finding a more peaceful approach to conflicts, due to how the entire premise is based around our lead inadvertently getting all the bad girls to like him. What makes this premise worse are the implications of a single male individual thinking he can tame “wild girls” and how they all don’t really have any personality to speak of. They have character quirks, but they are extremely surface level, and the main blonde bad girl has no personality. Sure, they might show off some backstory about these characters at one point or another, but by the third episode, when you have been sitting there tolerating the mediocre action, animation, and writing, you just end up feeling like you wasted your entire time watching those episodes hoping for something good. It’s terrible, and not in a fun way other shows can be fun while being bad.
Yuri is My Job (Crunchyroll)
Hey, look, a Studio Passione project that isn’t sleazy and creepy. This is based on the manga by Miman. It’s co-directed by Hijiri Sanpei and Takahiro Majima, written by Naoki Hayashi, and produced by Studio Passione and Studio Lings. This show had me conflicted about how to feel about the few episodes I watched. On one hand, the premise is creative about a girl who puts on a facade in front of everyone who is put to the test with said facade when she gets roped into a dinner theater-like cafe. It’s definitely a melodramatic, possibly queer romance story where our lead has to come to terms with the persona/face she puts on when she has to do it differently when the theatrical stuff takes place at an all-girls school that obviously dips into queer romantic intent at points. It’s a fascinating premise that gets a touch repetitive until the third episode gets the ball rolling. I like the ideas that this show brings to the table, and the drama, if a bit melodramatic and queerbait-feeling, is compelling stuff. What do you do when the face you put on to make people compelled to like you, is put to the test in a setting where that face has to adapt on the fly? What happens when the persona is so much your personality that it becomes hard for people to know when it’s on or off? I have heard and read it gets better past the third episode, but if this all sounds interesting, give it a watch! It’s just not for me.
Too Cute Crisis (HiDive)
Some viewers may want compelling thrillers. Some viewers may want high-octane action. Some may just want to see someone who has never seen cats or dogs before react to them and have their love for them to not have the earth blow up. It’s based on the manga by Mitsuru Kido. It’s directed by Jun Hatori, written by Aya Satsuki, and produced by SynergySP. Honestly, this is the most straightforward anime of the season. An alien is sent down to survey the earth and see if it’s worth blowing up, but is smitten by encountering cats and has a change of heart. Its main focus is poking fun, but also being sincere about the obsession pet owners have with their animals and this passive competition of the owners having the cutest animal. It doesn’t have the flashiest animation and a lot of its humor is reliant on viewers being pet owners, but it’s a cute series. It’s extremely silly and lightweight, but if you are down for a bunch of animal and pet owner jokes with a slice of sci-fi in your comedies, then you will like this series. It even has real-life photos of pets in the credits, and it does just make you want to snuggle and take photos of your favorite pets or cute animals.
A Galaxy Next Door (Crunchyroll)
Sometimes, a rom-com needs to have an out-of-this-world angle and perspective to stand out from the rest. Sadly, it also came out in the same season as Tonikawa Season 2. This is based on the manga by Gido Amagakure. It’s produced by Asahi Productions, directed by Ryuichi Kimura, and written by Gigaemon Ichikawa. Reading up how this manga was from the same author that made Sweetness and Lightning makes so much sense due to how both manga and anime are about a father taking care of their kids, and in A Galaxy Next Door’s case, the father meets a young woman who is actually from a race of people from the stars that took refuge on an island off of Japan. It feels a bit like a wish fulfillment. Oh, the woman who signed up to do illustration work for the lead’s manga happens to be a huge fan of his work, has read everything obsessively, and happens to be drop-dead gorgeous? It’s not as self-indulgent as some of the isekais we talk about, but it has that feeling. What does help is that the characters are likable and they take their time for their bond and relationship to build and grow as the two bond with one another. It’s a bit slow-paced and that does hurt the show due to how low-key it all is. At some point, the family drama and the bond between the father and his kids can be more interesting than the main romance of the couple. With all that said, if you like slow-burn and I mean really slow-paced shows, then you will like this one.
The Reason Why Raelina Ended up at the Duke’s Mansion (Crunchyroll)
While this is technically an isekai, it’s really more of a romantic drama. It is based on a South Korean web novel by Milcha. It’s directed by Junichi Yamamoto, written by Mitsutaka Hirota, and produced by Typhoon Graphics. Instead of Raelina reincarnating as the main female lead of a romance novel, she is a minor character in the novel the isekai world is based on, and her fate is to be killed. So, that puts us in the shoes of our lead who goes out of her way to make sure she doesn’t end up on some royal’s hit list and to make sure she gets the life she didn’t have in the modern world. Much of the runtime is her maneuvering around the rich socialite lifestyle so she doesn’t end up six feet under the ground, and a lot of the emphasis is put on her relationships with everyone. It can be compelling stuff, if a tad clunky from time to time. Some moments feel like a bit too big of a leap in logic, and the sometimes solid and sometimes underwhelming animation can make yet another slow-burn thriller feel very frustrating to sit through. It gets juicy though when our lead realizes that while she is playing her version of chess to make sure she doesn’t die, her key player in her plan is also playing his own version of chess to get out of certain situations, and it combines in a romantic drama that can be compelling to watch. It definitely got me wanting to check out the rest of the series.
The Dangers in My Heart (HiDive)
It’s always nice when an anime decides to surprise you every season, and this is one of those hidden gem surprises that snuck up on this anime fan. This is based on the manga by Norio Sakurai. It’s directed by Hiroaki Akagi, written by Jukki Hanada, and produced by Shin-Ei Animation. Basically, it’s a story about an edgy teen who thinks of dark murder-like thoughts of taking out his other classmates, but in reality, is just an angsty teenager who is depressed, and he has the realization about his classmate he decides should be his first victim. The realization is that he thinks the popular girl is cute, but also finds out that she isn’t just a stereotypical popular girl, but is silly, loves snacks, and so on. The show is basically about their blossoming friendship and love. It captures a very real feeling of that time period of being a teenager where you become edgy, discover your attraction to the other sex, and become an individual who doesn’t quite know how to take in all of these new situations and emotions. Ever want to see yourself squirm and remember how awkward or terrible you are as a blossoming teenager? This show will do that well! It’s a sweet show that does a lot with its premise, and shows constant character growth and makes some types of jokes work that I don’t normally care for. That’s rare! Anyway, this was a surprise gem this season and it shows how good a lot of HiDive’s shows were this season.
Oshi no Ko aka My Favorite Idol (HiDive)
Spoiler talk
Content Warning, Stalking, mentions of suicide, and abuse.
This one is a lot, and that’s both good and in some ways bad. But when the manga is by the same author of Kaguya Sama: Love is War, then you know you are in for something. This is based on the manga by Aka Akasaka. It’s directed by Daisuke Hiramaki, written by Jin Tanaka, and produced by Doga Kobo. So, since it’s been more than a month since this anime’s release, it’s time to talk about this film’s extremely unhinged premise, but surprisingly well-done execution of said premise. If you don’t want to know about the premise, skip this section until you see the first episode. Now then, let’s begin! First off, it starts with a 90-min first episode, and you get why it did. If your plot was of a doctor and a terminally ill teen being reborn as the two children of their favorite idol, and what feels like a sweet romantic slice-of-life turns into a drama with a slow-burn revenge thriller of finding the person behind the idol’s murder, then you would need 90 minutes to get all of that out of the way first. They could have made a 30-minute or an hour-long premiere, but it really does set up the emotional connection you make with the characters, and then those last five minutes really stab you in the feelings. It turns from idol stuff into a romantic drama about the two now teenage kids going about their lives in the entertainment industry, where the daughter tries to make it as an idol and the son tries to find connections to his mother’s murder. It also starts to sharply critique the entertainment industry on multiple avenues from idols, child acting, to the cynical marketing made by production companies to hamper actors who are truly great. It’s a show with layers of character depths and what drives them. Granted, the manga has some issues and irksome manga/anime-like elements, but the 90-min episode skips through a lot of the baby/child phase of the story for good reason since it seems like the focus of the people behind this adaptation knew what was more important to focus on. It might not grab everyone and you have to get through the 90-min first episode and the out-there premise, but I would easily recommend it as one of the stand-out series this season.
Loving Yamada at lv 999 (Crunchyroll)
Still, if someone had to ask what romcom anime gave me the best impressions from its three-plus episodes, then this one would be it. This is based on the manga by Mashiro. It’s produced by Madhouse, written by Yasuhiro Nakanishi, and directed by Morio Asaka. We have yet another romcom anime this year with college/young adults as the leads, and as always it feels so refreshing that it isn’t just teen romance. Even when the teen romance is good, you just want to see some variety in ages, and this season brought us that in spades. What also helps is how they created this great parallel between the online game the characters connect with, and the story of a woman going through a rough breakup and bonding with a member of a guild via the game they play in real life. Both of our leads are complex, interesting, funny, and truly human in their interactions. Sure, our male lead is a shut-in gamer who doesn’t have a lot of human connection, but obviously isn’t a terrible person. Our female lead is dealing with pain and wants to put the sadness and anger of her breakup through the wringer instead of dealing with it sensibly. It’s another compelling drama/romcom that’s equal parts funny, romantic, and appealing to the eye via Madhouse’s fantastic animation. You feel for them, and their chemistry is wonderful. The cast of side characters are also great additions to the roster, and makes it an incredible series. I wholly recommend it to anyone who wants to watch the best of the romcom/drama.
And that is the Spring 2023 anime season! Overall, thinking about the lineup between Part 1 and 2, this was a great season. It definitely took some time to get good, and some of the bad anime were intensely terrible, but since the anime industry is going to keep chugging along no matter how many times people tell them to slow down, we might as well keep track of the industry in its doom spiral. Hopefully, they change, because as usual, when anime is great, it’s really good!
My Spring 2023 Anime Recommendations: Loving Yamada at lvl 999, Oshi no Ko, Hell’s Paradise, Skip & Loafer, The Dangers in My Heart, Magical Destroyers, Mashle, Otaku Elf, Insomniacs After School, My Clueless First Friend, Heavenly Delusion.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)
Here we are with Part 2 of the Winter 2023 Anime Season Impressions! If you have not seen Part 1, then please do so, since I covered the anime in that part that won’t show up here. This is definitely the area where the Winter 2023 strides with so many titles in this batch showing the best of the season. Now then, let’s get started.
Fantasy/Isekai
Chillin’ in My 30s after Getting Fired from the Demon King Army (Crunchyroll)
You ever see a show just bail on its own title/premise so quickly it breaks the sound barrier? Yeah, this is one of those shows. This is based on the novels by Rokujuyon Okazawa. The anime adaptation is directed by Fumitoshi Oizaki, who directed last spring season’s Deaimon, written by Hitomi Amamiya, and produced by Encourage Films. If this anime is supposed to be about relaxing after getting fired from your overdemanding job, then why revert to a power fantasy anime? If the lead is having to do stuff that isn’t just relaxing, then that’s not really relaxing. Sure, they couldn’t make a show where all he does is relax and just help out around the village. They were probably worried that people would get bored, but due to how bad the entertainment industry is, novels, manga, and anime aren’t given time to be good, which sucks since it doesn’t all have to be bad. To be fair to this show though, it isn’t the worst of the season. It has some charm and humor about itself, and it at the very least seems to be pro-worker’s rights. It just suffers from a premise that isn’t all that different from other fantasy shows, a female lead that flip-flops between anime figurine fodder and a self-reliant and competent hero, and world-building that isn’t all that impressive. In a weaker season, this could have been a better title, but it sits in my bottom five for right now.
Farming Life in Another World (HiDive)
I know video games have made farming a genre, but for some reason, anime has continued to struggle with this concept. This is based on the novel series by Kinosuke Saito. The adaptation is directed by Ryoichi Kuraya, written by Touko Machida, and produced by Zero-G. At the very least, this is better than Chillin’ in My 30s because it actually commits to its plot. It’s literally about a guy who starts a farming life in a fantasy world. No demon lord or saving the world. Granted, it has the harem element pretty early on by the 3rd episode, but it is at least trying to have some comedic personality, be about growing crops, and what you need to do to get into farming life. It’s still fairly boring though, with everyone having basically the same personality. It still should be focusing more on the details of growing certain plants and such, but overall, it’s fine. Just a low-key anime that isn’t the worst of the season. There are way more frustrating anime out this season that are more of a chore to watch than this one.
The Fire Hunter (Crunchyroll)
It’s a shame this anime is the other poster child for the possibility that the anime industry really needs to take a moment and stop crafting so many hot messes. Consider this one of winter 2023’s biggest disappointments. Based on the novels by Rieko Hinata, this adaptation is written by Mamoru Oshii, directed by Junji Nishimura, and produced by Signal MD. Listen, I know Oshii loves to make really dense scripts, and the fact that much of this show is focused more on the lore, history, politics, and world-building than the actual characters, is a sign of such. It’s a fascinating world about how humans can become easily combustible in the presence of fire, and now have to use a special liquid farmed from beasts to do things like light special fires and fuel their vehicles. This show has a lot going for it, and once again, it feels like it is an adaptation issue that the storytelling is so dense and easy to glaze over, due to how much people go on and on talking about the history of the world. Like, some world-building and exposition is needed, but not the entire script. It left a sour taste after watching the first three episodes, and from what I have seen from the episodes past that point, nothing is changing, but if you like the show that’s cool. Not every show will be for everyone, but if a majority of people are already turning away from it due to its choppy and wonky animation and dense storytelling more interested in background stuff than actually being about the characters, then that’s a bad sign. It’s a shame, but if this show wasn’t so committed to Oshii and his team’s worst aspects as a creative, then maybe people wouldn’t be ready to leave the show. Also, just because the source material has an explanation, if they weren’t able to give a clear answer in the anime adaptation, then that’s on the anime, not the audience members being confused or their eyes glazing over due to their being too much dialogue on which to focus.
The Tale of Outcasts (Crunchyroll)
Yeah, it sucks this show is coming out a season before much better alternatives of this type of story will be coming out in the next anime season this year. This is based on the manga series by Makoto Hoshino. It’s directed by Yasutaka Yamamoto, written by Kenichi Yamashita, and produced by Ashi Productions. The biggest problem this show has is its tone. It wants to be both a dark fantasy with a romantic escape for its young lead who makes a deal with a demon to trade her eyesight for his protection, and then lightweight at times with super quirky moments that don’t really mesh well with the rest of the show’s much darker storyline. The animation is fine and some of the action scenes are decent, but the design of our main demon bugs me due to his demon form, and the first episode is a really rough sit. Maybe some fans will find time to watch it, but most will be waiting to see the second season of The Ancient Magus Bride or Sacrificial PrincessandThe King of Beasts in the spring season.
Saving 80,000 Gold in Another World for My Retirement (Crunchyroll)
When an anime has a very creative premise, how much are you willing to tolerate its rougher edges? This is based on the novels by Funa. The anime adaptation is directed by Hiroshi Tamada, written by Akihiko Inari, and produced by Felix Films. There is some admiration to be had with how this is an isekai where our lead can travel to and from the real world and the fantasy world that she ends up in. The premise itself has some fun and creative opportunities, and I have heard some positive reviews of the light novels on which this show is based. Still, either a wonky adaptation, or what feels like a slow burn to see where this story goes, frankly hurts its chances to watch past episode 3. The second episode is more real-world prep for the lead to head back into the fantasy world, and the fantasy world seems more like a pseudo road trip than her figuring out how to make enough money to save for her retirement. It does feel more interested in the world-building and character dynamics than the antics of raising enough money to retire easily, but the execution feels uneven. Doesn’t help that the animation isn’t great, and there are definitely some aspects of the show that will maybe rub people the wrong way. Still, it at least has something going for it than most isekai that come out every season. It might not reach the heights of the best ones from this season, but it still deserves some admiration for its twists on the formula.
Kaina of the Great Snow Sea (Crunchyroll)
It’s rather bizarre how this season has brought us two slow-burn original fantasy series, and that’s pretty neat. This is an original anime that is produced at Polygon Pictures. It’s directed by Hiroaki Ando and written by Sadayuki Murai and Tetsuya Yamada. While the CGI is the usual Polygon Pictures fare, they are improving upon their use of CGI animation, and boy howdy did they craft a really cool and unusual world. It’s definitely a pro-environmental world due to how everything is set up with this canopy made by giant tree-like entities. Luckily, the characters are likable and compelling enough so far by episode three to give you, the viewer, enough to want to see more past the third episode. Granted, it’s one of those shows that takes three episodes to get the ball rolling, but if you aren’t bothered by that, then you will want to find yourself traversing the snowy seas to see what mysteries are revealed about this world.
The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (Crunchyroll)
Just when you think the isekai genre won’t have something to offer, a show like this comes out of nowhere and makes you remember why the genre can be good. This show is based on the novels by Piero Karasu. The anime adaptation is directed by Shingo Tamaki, written by Wataru Watari, and produced by Diomedea. First off, every other isekai? Take notes on this one. It actually shows you and tells you about its setting, world, and characters without having to resort to big and dense layers of exposition as we learn about the relationship between a princess who can’t use magic in a world where everyone uses magic, and a noble who’s upcoming marriage is broken due to political upheaval and brash decisions made by her ex-fiance. Sure, some parts may or could possibly lean onto more power fantasy aspects of isekais, but with the fact our lead was smart enough to craft something truly original and not just be someone set with a ton of magical powers and no stakes in any fights, it’s a really smart decision made within the story. The one lead makes her own combination of magic and technology to do things that others can do, due to the ability to cast magic. The show is also willing to let the characters be characters, and not just cheap promotional material for the merchandise. It’s also a gorgeous show, due to how much the team and production committee were obviously working on the same level as one another. With its visually splendid animation, complex characters, intriguing world, and killer music, this is easily in the running for one of the best anime of the season and an early contender so far for best isekai of the year. Well, it’s the best one next to another show you will see the impressions of soon.
Other
Sugar Apple Fairy Tale (Crunchyroll)
CW: topics and themes of slavery
Consider this to be one of the more loaded anime of the season that absolutely doesn’t sound like it would be a dark fantasy, but some spin-off of the Strawberry Shortcake franchise. This is based on the novels by Miri Mikawa. The director of this adaptation is Yohei Suzuki, written by Seishi Minakami, and produced by J.C. Staff. By the opening of the show and its cute, well-crafted animation, you think this would be something super, pardon the pun, cloyingly sweet, but it really isn’t. It’s rather impressive how this show is able to balance out its nuanced world with flawed humans. The slavery angle is handled better here than most, which is scary that hey, anime can actually tackle this topic and not be absolutely terrible at it. It’s not perfect though, and some parts can be a touch uncomfortable to watch. Still, the show does a good job of mixing all of the lore, world-building, drama, and character development into a show that will be a bit clunky, but an overall intriguing experience.
Ippon Again! (HiDive)
It wouldn’t be an anime season if we didn’t have a show about a group of girls getting into some kind of sport or hobby. This is based on the manga series by Yu Muraoka. The adaptation is directed by Ken Ogiwara, written by Aya Satsuki, and produced by Bakken Record. It feels surprising to me that, as far as I’m aware, there aren’t that many anime about judo. You think with such a strategic and compelling sport, they would find ways to make it creative, but Ippon Again! It definitely aims for a slice-of-life and coming-of-age story about our characters taking the wheel and forming a judo club in their high school. It does the right thing and focuses on the drive our characters have for the sport and for their growing friendship to go the distance to win the nationals in judo. The animation itself looks good, but can be a bit clunky here and there. Otherwise, it’s nice to start the year with a really charming and good sports anime, which isn’t always a given every year.
Revenger (Crunchyroll)
This season has been chock full of original anime this season, and this is one of them. It’s produced by Ajia-do Animation Works, but is directed by Masaya Fujimori, and written by Renji Oki and famous writer Gen Urobochi. The adventure we set off on with this one has a real solid hook to it about an ex-samurai who is being chased by the government for murdering an important figure. He joins up with a group of hitmen who take down corrupt individuals and while it might not be the most original show in a lot of ways, it all comes down to execution. With its focus on the inner politics of our leads, the world around them is kept interesting and the action is well animated and the characters have a certain charm to them. As long as they can keep it in the same ballpark of being able to combine both a compelling narrative and action, then it can very much be one of winter’s best shows.
Buddy Daddies (Crunchyroll)
Let’s get this out of the way first, this isn’t a rip-off or clone of Spy X Family. It is able to stand on its own. This is an original anime that is produced at one of the best animation studios right now, P.A. Works. It’s directed by Yoshiyuki Asai and written by Vio Shimokura and Yuko Kakihara. Yeah, the premise can sound similar to Spy X Family, due to how it’s an action comedy with a found family hook of two assassins who live under one roof who accidently encounter a little girl who may or may not be the daughter of one of the two hitmen. What it does do well is accomplish some high-octane action mixed with some very goofy hitmen who have to deal with 2023’s first extremely adorable kid character of the year. It doesn’t just rest on the dynamic of two dangerous individuals taking care of a super child-like, well, child. It does give everyone rather depressing backstories and how even though they are fairly different from one another, they all come together cohesively as a family. It has P.A. Works stellar animation, some sweet comedic timing, and touching moments that make this show a great alternative while we wait for Spy X Family Season 2.
Campfire Cooking in Another World With My Absurd Skill (Crunchyroll)
It’s always nice to be happy when a show you are looking forward to is actually really good and just a blast to watch for three episodes. This is based on the light novel series by Ren Eguchi. It’s directed by Kiyoshi Matsuda, written by Michiko Yotoke, and produced by MAPPA. While most isekais struggle to try and copy, rip off, or be the next Sword Art Online or ReZero, here comes this delightfully unique take on the isekai genre where the lead, in fact, doesn’t want to save the world. Instead, with his superpower of being able to order groceries from his world to the fantasy world, has gained a powerful wolf-like deity who makes a pact with our lead, not because he’s the chosen one, but because he can cook delicious food. It’s a show with a light-hearted sense of humor and some really hilarious set pieces and punchlines with how they keep the story fun and worth investing time into. They even find ways to add in a little dark comedy and quandaries of how they eat certain creatures or even if they can, that adds so much flavor and spice to the overall journey. It’s such a breath of fresh air alongside the other amazing isekai of the season that it’s frankly insulting that this show, Faraway Paladin, The Saint’s Magic is Omnipotent and The Magical Revolution of the Reincarnated Princess, and Genius Young Lady aren’t the guides to how to make proper modern isekai series. Take a good hook, add a well-written script and cast of loveable leads, and a splash of splendid animation, and you have a recipe for success. It’s easily my favorite anime of the season and one I can recommend to anyone.
Thank you all for checking out my impressions, and if I had to pick my favorite anime of the season to check out, I would watch in no particular order…
Anime Recommendations of Winter 2023: Revenger, Buddy Daddies, Campfire Cooking in Another World with my Absurd Skill, Sugar Apple Fairy Tale, Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Ippon Again, Endo & Kobayashi Live, Giant Beast of Ars, Tomo Chan is a Girl, and Trigun Stampede.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)
The fall 2022 season was a pleasant upgrade over Summer 2022’s anime season. It doesn’t reach all of the same heights as Fall 2021, but with its cast of new and returning anime, it still unleashes to the anime-loving audience a batch of amazing shows. Sure, some were bound to be new classics like Chainsaw Man, but there are other great shows this season and with Winter 2023 around the corner, let’s drop some impressions of a pretty solid season of anime.
COMEDY
Love Flops (HiDive)
(CW: assault and harassment jokes in the first episode)
One of the few original properties this season by Kadokawa Pictures. It’s produced by Passione, directed by Nobuyoshi Nagayama, and written by Ryo Yasumoto. Consider this one of the most middling mediocre harem anime to ever exist. Probably one of the worst anime of 2022 as well with the fact that the five girls and one woman who are fawning over this teenager, have no reason to fall for him. The way they are introduced to one another is laughably terrible and conceived, and the second episode’s reason behind them falling for him is yet another take on the vibe that they want anime viewers to start getting married and make kids. If it didn’t have Passione’s higher-than-usual production values, this anime would have fallen flat due to one-note love interests, and how it’s mostly interested in being male-wish fantasy nonsense. You all know you can not watch bad anime because it has cute anime girls right? You can go to other anime for cute anime girls that have more substance and personality to them. Heck, this season is full of them. You can do so much better than this one. Oh, and it dares to have a twist and become super meta when it doesn’t earn it or deserve it.
The Little Lies We All Tell (Crunchyroll)
Man, it must be tough to be a comedy/gag anime that comes out the same season as Pop Team Epic’s triumphant return. This show is based on the manga by Madoka Kashihara. It’s directed by Makoto Hoshino, written by Megumi Shimizu, and produced by Studio Flad. The marketing for this show is weird. One poster and the title make it sound like it’s going to be some dark teen drama, but it’s a gag anime. It feels like it was put together by random or thrown-out ideas, and it is at least trying to be absurd and have that same high energy take as classics of the subgenre, but it never quite feels as cohesive or as absurd as others. It’s trying, and it has a laugh here and there, but it’s never as consistent as other shows like Cromartie High or Sleepy Princess in the Demon Castle. The four, well, three girls and one cross-dressing boy who was forced to go to the school all have something to hide, and the different gimmicks never feel like they mesh. It’s a weird show, because I personally don’t think it’s good, but I can see someone vibing with this show. It needed to have a bit more balance or focus on making the characters have actual personalities rather than just relying on the gimmick and some tired anime tropes. Still, you can do worse with anime comedies.
Urusei Yatsura (HiDive)
Well, if it’s not broken…. This is based on the influential manga by Rumiko Takahashi. It’s directed by Hideya Takahashi, Yasuhiro Kimura, and Takahiro Kamei, written by Yuko Kakihara, and produced by David Productions. No exaggeration here, this new adaptation of the manga basically kept everything set in the 1970s without changing much outside of a new visual coat of paint. So be prepared to see somewhat tame by today’s standards mean-spirited gag stories with a somewhat overarching plot being weaved into the episodes. It can be loud, absurd, and funny, and whether its more heartfelt moments clash or not with the over-the-top and well-animated comedy, will be up to you. For me, I enjoyed the batch of episodes I have seen so far and it will at least be way better than that Inuyasha follow-up.
More Than a Married Couple, But Not Lovers (Crunchyroll)
I feel so betrayed and frustrated by this show. It’s based on the manga by Yuki Kanamura, directed by Takao Kato and Junichi Yamamoto, written by Naruhisa Arakawa, and produced by Studio Mother. If you don’t hear about the setting this story takes place in, it sounds like a real rock-solid rom-com. Two students who don’t care much for each other team up to actually hook up with the people they want to crush on. Now, if you have seen these romcoms before, you know our two leads are actually gonna fall for each other. The story focuses on their insecurities as individuals and, while it can be a bit horny since it’s anime, the show really does invest a ton of time to progress the story arcs between our leads. What makes this show fall flat is the premise. Our two leads are together because they are in a mandatory school course where they must learn to become good future husbands and wives. Oh, and the dorms the couples stay in, are wired with cameras all over, watching their every step. It’s intensely creepy and it’s maddening because this would be really cool if the premise didn’t sound like some weird conservative wet dream of the ideal school course students should be taking. I know some of the anime made every year will have some underlying political commentary about modern political topics in Japan, but no school should have a mandated “get a grade by being a married couple” course. You could easily have a better setting, because everything else is pretty okay! I wish I could recommend it full-heartedly, but there are better romcoms this year that don’t pull weird settings like this.
I’m the Villainess, So I’m Taming the Final Boss (Crunchyroll)
When you watch a terrible anime like Shinobi No Ittoki, coming back to watch a show like this one really shows how good some of the shows this season are. This is based on the novels by Sarasa Nagase. The adaptation is produced by Maho Films, written by Kenta Ihara, and directed by Kumihiko Habara. While we are about to slowly get flooded with isekai titles about characters playing the villain from a popular or just any random otome game, if they can keep differentiating themselves from My Life as a Villainess, then they are good to go. Here, the rom-com plot of our lead trying to propose to the demon lord has resulted in a rather delightful and quirky journey, as we see our lead break the game and shift reality around her beck-and-call and use her knowledge of the original game to her advantage. It focuses on a lot of diverse character interactions, and it’s an adorable show with so many characters being rather lovable. It might have wonky animation and CGI compositing, but this is an otherwise charming show that will warm its way into your heart.
Do It Yourself! (Crunchyroll)
What a wonderful original anime we have this season. It’s directed by Kazuhiro Yoneda, written by Kazuyuki Fudeyashu, and produced by Pine Jam. What’s so delightful about this show is how it works on so many levels. You not only have the fun of seeing an anime about the joy of Do It Yourself projects, but it’s a show about rebuilding and repairing friendships old and new. It’s not just another “cute girls doing cute things” show. It also has a visual style that looks like the result of Cloverworks and Science Saru having a child. Pine Jam has truly crafted a fantastic watercolor visual style and some of the most expressive characters of this season of anime. It’s one of those shows that is a great gateway anime to introduce to newcomers, and it stands out as one of the best this season.
Bocchi The Rock (Crunchyroll)
While Chainsaw Man is probably the most obvious show this season to be popular, it’s nice to see a show like this stellar piece of rock and roll get popular. It’s based on the manga by Aki Hamaji. It’s directed by Keiichiro Saito, written by Erika Yoshida, and produced by CloverWorks. You can basically call this a combination of coming-of-age, music, and extreme cases of social anxiety. The journey of our nervous wreck of a lead character to join a blossoming band and to expand upon her social skills is one of Fall 2022’s biggest surprises. It also has some of the most expressive and vibrant animation seen all year. Not a big shock from CloverWorks, but just in general. It’s some of the most interesting visuals you will find in a year full of anime with distinct visuals. It’s also really funny and crushingly accurate as to how they capture social anxiety, and how it can feel for some people in certain situations. Just a splendid anime around, and it’s no wonder why it has become one of the fan-favorite anime of the season.
ACTION/ADVENTURE
Shinobi no Ittoki (Crunchyroll)
Well, at least it’s trying to do more than most middling ninja anime. This is another original anime of the season that’s directed by Shuu Watanabe, written by Minato Takano, and produced by Troyca. This show has an odd balance of tones. On one hand, the story of a boy who’s suddenly forced into being trained in order to run an entire clan of ninjas is understandably compelling, but lordy, is this some of the worst written dialogue and storytelling I have seen all year. Yeah, let’s follow this one character who was never told until he was in high school about his ninja ancestry, never train him, and then throw him into a school full of other ninja clans that want him dead and not give him at the very least a rundown or heads up of who to avoid or what to know. This show wants to be this thrilling ninja story and it isn’t just due to how the characters are terribly written, and what could be interesting or fun with the rather solid action animation, is dead weight and stuck with a story that’s not fun to sit through. Just a really boring and unbearable series. It’s not a bad show because it’s poorly animated or problematic. It’s a bad show because at no point is it thrilling, at no point is the story compelling or giving you a reason to root for its characters. It has story beats that happen that aren’t earned, and it’s a sign of how bad certain original anime can be.
The Eminence in Shadow (HiDive)
(CW: Sexual Assault in the first episode)
What is with anime productions that want to botch their first impressions with anime-only first episodes? I swear these production committees never learn. This is based on the novels by Daisuke Aizawa. It’s directed by Kazuya Nakanishi, written by Kanichi Katou, and produced by Nexus. So, this show is weird, because the first episode is an anime-only story that sets itself up as an edgy power fantasy show, but when you watch past episode 1, it feels like it’s supposed to be a parody, or it’s goofing on the tropes and story beats of mediocre isekai. I would normally be all for that with how they crafted certain moments from the episodes I watched, but after a bit, I felt like I fell off on whether this was supposed to be a parody or they were just being very tongue-and-cheek with it when it comes off like every other power fantasy anime that comes out every year. I guess at least it has a sense of personality with how it’s trying to lay out its jokes, but I couldn’t personally vibe with this one. I get why a lot of people do, but it just wasn’t my cup of tea.
Chainsaw Man (Crunchyroll)
I mean, we all knew this was going to be one of, if not the best new show of the Fall 2022 season right? It’s based on the hit manga by Tatsuki Fujimoto that has taken the manga world by storm. The anime adaptation is obviously produced by MAPPA, it’s written by Hiroshi Seko, and directed by the duo of Ryu Nakayama and Nasato Nakazono. This show is just a bit of everything. It has fantastic action, incredible film quality level animation, dark comedy, and it doesn’t just fall back on its popularity or the gore to keep you invested. It has everything an anime fan or a newcomer to anime could want with how it balances everything to pretty much perfectly. There is a reason why this is considered one of the best shows of the year and season. You can’t get any better than this in terms of anime, and hopefully, MAPPA is treating its animators well to craft such an exquisite experience.
FANTASY/ISEKAI
I Somehow Became Stronger By Raising Farming-Related Skills (HiDive)
CW: Episode 2 has a really tasteless male getting assaulted joke.
Is anyone else getting really sick and tired of shows having a solid elevator pitch, but then completely bailing on it for no reason? This show is based on the light novels/manga by Shobonnu. It’s directed by Norihiko Nagahama, written by Touko Machida, and produced by Studio A-Cat. A super-powered farmer in a fantasy world where he doesn’t want to be the hero sounds like it could lead to a really creative comedy about a farmer who just wants to farm. The first episode has the lead character literally throwing a carrot at the speed of light and killing a dragon with it. That’s so funny and yet, the rest of the show is actually not about that. It’s about a farmer who just gets roped up into being a hero because he’s got really good stats. It’s a really boring watch that doesn’t do anything new or really fun with the formula, gets way too dark for a show that isn’t advertised as such, and of course, it will slowly have a colorful cast of female love interests and some non-threatening male friends that don’t get in the way of our lead and his forced-together harem. If it focused less on being just another power fantasy with a harem with really shoddy animation, there could have been something special. Still, alas, it’s another mediocre fantasy anime in a year full of them.
Management of a Novice Alchemist (HiDive)
Well, at least it isn’t boring. This is based on the novels/light novels/manga by Mizuho Itsuki. The show is directed by Hiroshi Ikehata, written by Shigeru Murakoshi, and produced by ENGI. I mean, it’s a “cute girls doing cute things” alchemy/fantasy edition. It doesn’t do anything truly unique outside of focusing on the crafting side than the magic, but it also has to fit in stuff like action and possible romance baiting between the four characters. It’s got a solid visual look with some better-than-usual animation, but it’s mostly just okay. If it looked a bit worse, I would rank it lower, but its aesthetic is what’s saving this run-of-the-mill anime. Not that originality is the end all be all, but after a bit with how much anime is coming out, doing the bare minimum while other shows are hitting it out of the park is going to bite some on the backside in the long run.
Beast Tamer (Crunchyroll)
Some of the toughest anime to give impressions on are shows that are just so committed to being down the middle in terms of quality and story execution. Beast Tamer is kind of that show but with enough charm to it that makes it hard to be hateful or angry towards it. This is based on the novels by Suzu Miyama. The anime adaptation is directed by Atsushi Nigorikawa, written by Takashi Aoshima, and produced by EMT Square. The funny thing about these “I got kicked out of the hero’s party” fantasy anime is that the reason for getting kicked out is so petty, and that might be the intention, but it’s never believably done. What’s more interesting is despite it being what will essentially be a harem anime with multiple cute fantasy girls, the show as of what I have seen, was not interested in fanservice. Or, at least not to a distracting degree where the show halts in its tracks to give you some cheesecake. The main cast has decent chemistry with how our lead is gonna save the day with kindness with his monster-taming skills, but it’s just okay. Nothing super obnoxious, but nothing all that stellar either. It could definitely fill the void of comfort food anime watching, but your tolerance for certain harem tropes will be the deciding point, or if you can truly utterly believe the igniting point of the overall story in the first place.
Raven of the Inner Palace (Crunchyroll)
Well, we have our The Heiki Story anime of the season, and I mean that in the way that we have a period drama that’s really fascinating. It’s based on the light novels by Koko Shirakawa. It’s written by Satomi Ooshima, directed by Chizuru Miyawaki, and produced by Bandai Namco Pictures. It’s a shame the first major story arc is split between two episodes because this is one of the rare few anime that would have been better as a one-hour premiere. It’s really slow to start out and build up the world-building, politics, and supernatural elements with the first episode, and by the second episode, it fully kicks into what the first mystery of the show is. By the third episode, you will be intrigued and compelled to see what the requests the Raven Consort get and how they unfold. It unwraps into a beautiful story of love, loss, and is full of political and royal drama/thriller elements to keep you in this gorgeously prepared world. Doesn’t hurt either that Queen Bee does a fantastic theme song for the show, and if you are down for something a bit different from your typical shonen action romps or the big league titles, then consider giving this one a shot.
Reincarnated as a Sword (HiDive)
This is what happens when you make a familiar, but compelling isekai. This is based on the novels by Yuu Tanaka. It’s directed by Shinji Ishihara, written by Takahiro Nagano, and produced by C2C. While the lead being reincarnated as a sword doesn’t seem like it leads to a very compelling story, it actually stands on its own as one of the better isekai this year. The sword’s interaction with our cat girl lead that so far, the anime has tried to avoid sexualizing, is nice since anime is so bad at not making young characters look lewd. I get ya want to sell merchandise, but instead of doing most anime nonsense, the show does focus on the growing bond between our leads and it makes for a more pleasant experience when you are able to enjoy the show without so much nonsense getting in the way. With a fun premise, great animation, and well-executed action, Reincarnated as a Sword was a pleasant surprise in a year full of mediocre isekais.
OTHER
My Master Has no Tail (HiDive)
This was a sweet little title. It’s based on the manga by TNSK. The anime adaptation is produced by Liden Films, written by Touko Machida, Kei Shimobayashi, Aya Satsuki, and Yuho Togashi, and directed by Hideyo Yamamoto. What starts off as a cute little fantastical take on a period piece where our little tanuki lead goes into the human world to see what is going on, turns into a friendship drama about her wanting to work under a storyteller’s wing in a changing world. No longer can a tanuki thrive in a world with carriages, cars, and at the time, modern devices. It’s a show that tackles themes of dealing with the fear of the unknown in an ever-changing world, respecting the past, and finding that ambition to push through the tides of change. It’s well-animated, the characters are likable, and while there may be some cultural barriers that will get lost in translation, the show is easy to follow and only has a little bit of that anime nonsense that hampers it from time to time.
Bibliophile Princess (HiDive)
This is where I wish this had a dub, due to how talkative it is. This is based on the light novels by Yui. This period piece drama/romance is directed by Taro Iwasaki, written by Mitsutaka Hirota, and produced by Madhouse. Listen, this show’s first episode is really slow, and you will only get the crumbs of what the drive of this show will be between a lovely prince and a bookish princess. Luckily, by the second and third episodes, the chemistry blossoms into a rather lovely romance with some gorgeous visuals. This is one of the few light novels where it’s not just an edgy male power fantasy isekai nonsense. Granted, even though I have watched plenty of episodes, I am worried about how much our princess has in terms of agency and how much development she gets from the story, since a lot of it is told from her perspective. Still, if you are in the mood for romance, period dramas, and something more slow and low-key, then you will probably like this show.
Blue Lock (Crunchyroll)
The one sports anime of the season comes in the form of one of the best sports anime of the year. It’s based on the manga by Muneyuki Kaneshiro with illustrations by Yusuke Nomura. The adaptation is written by Taku Kishimoto, directed by the duo of Tesunaki Watanabe and Shunsuke Ishikawa, and produced by Eight Bit. Instead of being another familiar but well-executed typical shonen-style sports anime, Blue Lock brings a more aggressive and sinister vibe to the sports formula by pitting teams against each other to become the best. With a more assertive and menacing art style to the players and the world itself, Blue Lock sets itself apart by being different and truly stands out among 2022’s mostly generic batch of sports anime.
Mobile Suit Gundam: The Witch From Mercury (Crunchyroll)
Never thought I’d see the day I talk about and love a Gundam series that wasn’t G-Gundam or the other series that Toonami and Adult Swim played back then. This is directed by Hiroshi Kobayashi and Ryo Ando, written by Ichiro Okouchi, and produced by Sunrise. Who knew that what we needed was not a group of angsty teenagers in yet another anti-war story that clashes with the sole money-making side of the Gundam franchise of selling a multitude of models and action figures? Yeah, war is bad, but look how cool the robots and action beats are. Thankfully, what ya get with this one is Gundam crossed with Revolutionary Girl Utena, which is already at this point, a tired and worn joke since one of the writers of Utena is writing the script for this show. On a more serious note, this show is just fantastic. It’s got its political upheaval and war is bad messages for sure, but instead of that stuff being in your face at all times, it focuses more on the characters and they are delightfully diverse and complex. It still weaves in themes of discrimination and corruption, but they are characters first and foremost. It also helps that they are pretty likable, on top of the fight scenes being pretty stellar. It’s the shot in the arm that this franchise needed and it just needed to have more LGBTQ+ elements. Who knew?
Akiba Maid War (HiDive)
Well, I found it, I found the most ideal trashy anime that I don’t have to feel guilty for watching. This original anime is directed by Soichi Masui, written by Yoshihiro Hiki, and produced by P.A. Works. Yeah, the show is basically John Wick, but here every woman wears a sexy maid uniform. It’s more of a trashy action flick mixed with some territorial crime/gang war drama where all of the maid cafes are actually competing against one another with shady underbelly stuff that you would find in most crime thrillers. It’s over-the-top and schlocky, but with how much personality is in this show and how it 100% commits to its premise of drama and over-the-top action, if you were a fan of Lycoris Recoil, then you will absolutely love this show. HiDive this year has gotten some of this year’s best shows and Akiba Maid Wars is one of them!
And there you have it. If you had to know the anime I’d recommend before the Winter season starts, please check out these titles: Chainsawman, Reincarnated as a Sword, Do It Yourself, Gundam: The Witch From Mercury, Akiba Maid Wars, Bocchi Rock, Raven if the Inner Palace, I’m The Villainess so I’m Taming the Final Boss, and honorable mentions go to Not a Married Couple, but Not Lovers and Urusei Yatsura.
The Other Side of Animation 