(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you appreciate what I do, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you enjoy this editorial!)
Hey, everyone, I had to break this up into two parts because tackling one editorial that was going to be eight pages long would have been a lot for my readers, so if you have yet to see part 1, then go to this link and you will find it there. Thank you and enjoy the rest of this breakdown and observation about the Fall 2023 Anime Season!
Romance
Anime talked about in this category:
A Girl and Her Guard Dog (Crunchyroll), I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness (Crunchyroll), Our Dating Story (Crunchyroll), The 100 Girlfriends Who Really Really Really Really Really Love You (Crunchyroll).
Overall Impressions: It must be tough to make a good romance anime, because you either have authors that haven’t had a relationship experience or had proper relationship/dating experience, or you get a few chaotic individuals who are either tired of romcom or harem anime tropes, and just run wild and pulling the lever to see what happens with it. A Girl and Her Guard Dog is yet another creepy as-hell age-gap romance, and one where the romance isn’t all that great or healthy. Yes, some authors use stories to explore taboo subject matters, but when it’s between a 15-year-old girl and a 26-year-old man who has known her since she was a toddler, then that becomes a problem. It’s by far and away the worst show of the season, despite it trying to make it quirky and charming when it feels like the story has to twist itself into pretzels to make the story work. Exploring taboo subject matters isn’t forbidden, but if you are going to, you have to tackle it in a way that isn’t an adult man who is aging into 30 telling the teenager that she grew into the body type he likes. The I’m Giving the Disgraced Noble Lady show is about a powerful wizard who is making sure a young woman who was thrown through the ringer has a life full of joy and happiness, but after the third episode, it felt like they were taking away her full agency. That is a shame since while it looks generic in a lot of ways, it has enough to make it stand out that does culminate into a sweet show. Our Dating Story on the other hand feels like a generic version of titles that we have seen come out from previous seasons. The story of a shy guy whose first real date is with a popular girl. Them finding out that they both have flawed perspectives on relationships is a cute idea, but a lackluster visual style and a dull world doesn’t offer much that you couldn’t get out of other romcom anime out there. With all that said, the show I was surprised the most this season was The 100 Girls Who Really Love You. It is a chaotic, cranked-to-100 absurdity and comedy about a guy who is destined to end up with 100 girlfriends that ends up being a raunchy, funny, and charming time. Not that everything works at all times, but to see a harem anime go this hard with its antics and character dynamics makes for a watch that is constantly funny. The show has so much personality oozing out of every frame that it results in a new standard for harem shows that go the distance. The fact the story kicks off because the god of love accidentally gave our lead 100 girlfriends because he accidentally wrote 100 on a sheet to fill out the main character’s wish for a girlfriend shows you how on board everyone is with this show.
Comedy
Kawagoe Boys Sing (Crunchyroll), The Vexations of a Shut-In Vampire Princess (HiDive), The Family Circumstances of the Irregular Witch (Crunchyroll), Tearmoon Empire (Crunchyroll), 16 Bit Sensation: Another Layer (Crunchyroll), Stardust Telepath (Crunchyroll), I’m in Love with the Villainess (Crunchyroll), My New Boss is Goofy (Crunchyroll)
Overall Thoughts: Comedy has and will always be a polarizing and subjective genre when it comes to entertainment, and that’s just what’s going to happen. Some of these are a little more varied in genre than just pure comedy, but websites can’t nail down what genre each anime belongs to. Anyway, Kawagoe Boys Sing feels like a show that was supposed to be attached to a multi-media franchise that never got off the ground, so what we have is a clunky and fairly mediocre anime about the formation of a boy’s choir. The characters aren’t interesting, the animation is rough, and the story and music aren’t good enough to carry you from point A to point B. The Vexations of a Shut-In Vampire Princess has a creative idea within its world-building, how the world they live in is full of armies killing one another and then at the end of the day, coming back to life. The thing is, the show is more interested in the trials and tribulations of our young princess not being a super strong vampire and having to fool and manipulate her way into being the heir to the throne, but the characters are forgettable and fairly creepy at points. It also doesn’t do enough to justify its setting. The Family Circumstances of the Irregular Witch is sweet, even though it has a few bits of comedy like the crass comedy that don’t fully land. The mother and adopted daughter aspect is cute when it focuses on it, and the phoenix familiar is probably the best part of the entire show. Tearmoon Empire might be another show with time travel, where our lead goes back a few years before the revolution happens to work on not being such a “garbage” person. It’s cute and has some solid character beats, but it isn’t as thrilling as other time travel shows. Still, it’s an entertaining watch. Last season, I complained about the fact that villainous-style stories were becoming uninspired and repetitive. Like the isekai power fantasy, villainous stories need to have a refreshing change of pace, and I’m in Love With the Villainous is that change of pace. Putting fiery romcom energy into the story where our lead doesn’t turn into the villainous of her favorite visual novel, but an adjacent character who goes out of her way to make the villainous character fall for her is such a creative idea. Don’t worry, the Looney Tunes-inspired comedy and dynamic between our two leads does grow and evolve as the show goes on, and it is a gem of the season. If you had to ask me what the funniest show of the season is, it’s the surprisingly wholesome My New Boss is Goofy. While it is about a young man who joins a new company and his new boss is a bit of an adorable dork, the show builds upon the main idea of our lead recovering from the trauma and abuse he encountered in his last job workplace experience. It might be straightforward, but who wouldn’t want an endearing show about friendship and healing?
Other
Shows talked about in this category: Protocol: Rain (Crunchyroll), Ron Kamonohashi’s Forbidden Deduction (Crunchyroll), Migi & Dali (Crunchyroll), The Yuzuki Family’s Four Sons (Crunchyroll), The Apothecary Diaries (Crunchyroll), Overtake! (Crunchyroll)
Overall Impressions: The Other category tends to have some of the best anime of the season, but it can still have some terrible titles in it. Protocol: Rain attempts to be a compelling esports-centric anime about an underdog team trying to save a cafe from closing down, but the characters, pacing, writing, and drama aren’t compelling enough to make it through a few cute scenes, a solid opening beat, and the mediocre cgi for the game having an appealing looking charm. Ron Kamonohashi’s Forbidden Deduction has the unfortunate timing of coming out after Undead Murder Farce. Its premise of a newbie detective teaming up with a weird oddball detective who just happens to have the ability to essentially tell the culprits to stop living is a fun twist that kicks into high gear by episode two. It has some fun animation, and when the overarching plot revs up, it becomes a fun murder mystery anime. Migi & Dali is one of the most distinct anime this year, as it was based on the manga by the creator of I’m Sakamoto Kun so it wears its odd dark comedy about identical twins that get adopted by an elderly couple, but the twist is that they are pretending to be one child since the elderly couple only adopted one child. The first beat of the story for this one is them finding ridiculous ways to fool the couple and not getting busted that they are twins and not one child. It then turns into a murder mystery as they figure out what happened to their mother. It’s a wild ride and it’s the type of show you will need to vibe with to catch what it’s throwing. The Yuzuki Family’s Four Sons had the most unfortunate launch with mediocre subtitles that only got fixed a few days after the first episode went up. Just another sign that y’all need to pay your translators better because they ruined the hype of a truly charming albeit heartbreaking show about four brothers of varying ages as we follow their lives after the loss of their parents. Apothecary Diaries was a show that got all of the proper talent, time, and resources, due to this medical period drama about a young apothecary tending to the care of the emperor’s concubines. It results in a complex and enthralling journey through the apothecary’s life and the concubines’ interactions with characters like a very curious eunuch. It’s also a drop-dead amazing-looking show. Overtake was a real deal surprise of the season, due to it being an original anime about a photographer who finds new joy in life by helping out this underdog Formula 1 racing team, and we can watch the well-executed races and the behind-the-scenes drama of funding and the human side of these races. It shows that you can make a thrilling and endearing show about anything, and even non-fans of those sports or interests will be compelled to see how the rest of the series unfolds.
I apologize for how long this editorial is. Once again, I tackled 30+ shows because the anime industry doesn’t know when to stop and slow the heck down. Either way, a lot of wonderful shows came out from all of this nonsense, and my favorites were
The Apothecary Diaries, Overtake!, My New Boss is Goofy, The Yuzuki Family’s Four Sons, Frieren: Beyond Journey’s End, Shangri-La Frontier, Migi & Dali, The 100 Girlfriends Who Really Really Really Really Really Love You, Undead Unluck, Shy, and Bullbuster.
(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this editorial!)
The fall 2022 season was a pleasant upgrade over Summer 2022’s anime season. It doesn’t reach all of the same heights as Fall 2021, but with its cast of new and returning anime, it still unleashes to the anime-loving audience a batch of amazing shows. Sure, some were bound to be new classics like Chainsaw Man, but there are other great shows this season and with Winter 2023 around the corner, let’s drop some impressions of a pretty solid season of anime.
COMEDY
Love Flops (HiDive)
(CW: assault and harassment jokes in the first episode)
One of the few original properties this season by Kadokawa Pictures. It’s produced by Passione, directed by Nobuyoshi Nagayama, and written by Ryo Yasumoto. Consider this one of the most middling mediocre harem anime to ever exist. Probably one of the worst anime of 2022 as well with the fact that the five girls and one woman who are fawning over this teenager, have no reason to fall for him. The way they are introduced to one another is laughably terrible and conceived, and the second episode’s reason behind them falling for him is yet another take on the vibe that they want anime viewers to start getting married and make kids. If it didn’t have Passione’s higher-than-usual production values, this anime would have fallen flat due to one-note love interests, and how it’s mostly interested in being male-wish fantasy nonsense. You all know you can not watch bad anime because it has cute anime girls right? You can go to other anime for cute anime girls that have more substance and personality to them. Heck, this season is full of them. You can do so much better than this one. Oh, and it dares to have a twist and become super meta when it doesn’t earn it or deserve it.
The Little Lies We All Tell (Crunchyroll)
Man, it must be tough to be a comedy/gag anime that comes out the same season as Pop Team Epic’s triumphant return. This show is based on the manga by Madoka Kashihara. It’s directed by Makoto Hoshino, written by Megumi Shimizu, and produced by Studio Flad. The marketing for this show is weird. One poster and the title make it sound like it’s going to be some dark teen drama, but it’s a gag anime. It feels like it was put together by random or thrown-out ideas, and it is at least trying to be absurd and have that same high energy take as classics of the subgenre, but it never quite feels as cohesive or as absurd as others. It’s trying, and it has a laugh here and there, but it’s never as consistent as other shows like Cromartie High or Sleepy Princess in the Demon Castle. The four, well, three girls and one cross-dressing boy who was forced to go to the school all have something to hide, and the different gimmicks never feel like they mesh. It’s a weird show, because I personally don’t think it’s good, but I can see someone vibing with this show. It needed to have a bit more balance or focus on making the characters have actual personalities rather than just relying on the gimmick and some tired anime tropes. Still, you can do worse with anime comedies.
Urusei Yatsura (HiDive)
Well, if it’s not broken…. This is based on the influential manga by Rumiko Takahashi. It’s directed by Hideya Takahashi, Yasuhiro Kimura, and Takahiro Kamei, written by Yuko Kakihara, and produced by David Productions. No exaggeration here, this new adaptation of the manga basically kept everything set in the 1970s without changing much outside of a new visual coat of paint. So be prepared to see somewhat tame by today’s standards mean-spirited gag stories with a somewhat overarching plot being weaved into the episodes. It can be loud, absurd, and funny, and whether its more heartfelt moments clash or not with the over-the-top and well-animated comedy, will be up to you. For me, I enjoyed the batch of episodes I have seen so far and it will at least be way better than that Inuyasha follow-up.
More Than a Married Couple, But Not Lovers (Crunchyroll)
I feel so betrayed and frustrated by this show. It’s based on the manga by Yuki Kanamura, directed by Takao Kato and Junichi Yamamoto, written by Naruhisa Arakawa, and produced by Studio Mother. If you don’t hear about the setting this story takes place in, it sounds like a real rock-solid rom-com. Two students who don’t care much for each other team up to actually hook up with the people they want to crush on. Now, if you have seen these romcoms before, you know our two leads are actually gonna fall for each other. The story focuses on their insecurities as individuals and, while it can be a bit horny since it’s anime, the show really does invest a ton of time to progress the story arcs between our leads. What makes this show fall flat is the premise. Our two leads are together because they are in a mandatory school course where they must learn to become good future husbands and wives. Oh, and the dorms the couples stay in, are wired with cameras all over, watching their every step. It’s intensely creepy and it’s maddening because this would be really cool if the premise didn’t sound like some weird conservative wet dream of the ideal school course students should be taking. I know some of the anime made every year will have some underlying political commentary about modern political topics in Japan, but no school should have a mandated “get a grade by being a married couple” course. You could easily have a better setting, because everything else is pretty okay! I wish I could recommend it full-heartedly, but there are better romcoms this year that don’t pull weird settings like this.
I’m the Villainess, So I’m Taming the Final Boss (Crunchyroll)
When you watch a terrible anime like Shinobi No Ittoki, coming back to watch a show like this one really shows how good some of the shows this season are. This is based on the novels by Sarasa Nagase. The adaptation is produced by Maho Films, written by Kenta Ihara, and directed by Kumihiko Habara. While we are about to slowly get flooded with isekai titles about characters playing the villain from a popular or just any random otome game, if they can keep differentiating themselves from My Life as a Villainess, then they are good to go. Here, the rom-com plot of our lead trying to propose to the demon lord has resulted in a rather delightful and quirky journey, as we see our lead break the game and shift reality around her beck-and-call and use her knowledge of the original game to her advantage. It focuses on a lot of diverse character interactions, and it’s an adorable show with so many characters being rather lovable. It might have wonky animation and CGI compositing, but this is an otherwise charming show that will warm its way into your heart.
Do It Yourself! (Crunchyroll)
What a wonderful original anime we have this season. It’s directed by Kazuhiro Yoneda, written by Kazuyuki Fudeyashu, and produced by Pine Jam. What’s so delightful about this show is how it works on so many levels. You not only have the fun of seeing an anime about the joy of Do It Yourself projects, but it’s a show about rebuilding and repairing friendships old and new. It’s not just another “cute girls doing cute things” show. It also has a visual style that looks like the result of Cloverworks and Science Saru having a child. Pine Jam has truly crafted a fantastic watercolor visual style and some of the most expressive characters of this season of anime. It’s one of those shows that is a great gateway anime to introduce to newcomers, and it stands out as one of the best this season.
Bocchi The Rock (Crunchyroll)
While Chainsaw Man is probably the most obvious show this season to be popular, it’s nice to see a show like this stellar piece of rock and roll get popular. It’s based on the manga by Aki Hamaji. It’s directed by Keiichiro Saito, written by Erika Yoshida, and produced by CloverWorks. You can basically call this a combination of coming-of-age, music, and extreme cases of social anxiety. The journey of our nervous wreck of a lead character to join a blossoming band and to expand upon her social skills is one of Fall 2022’s biggest surprises. It also has some of the most expressive and vibrant animation seen all year. Not a big shock from CloverWorks, but just in general. It’s some of the most interesting visuals you will find in a year full of anime with distinct visuals. It’s also really funny and crushingly accurate as to how they capture social anxiety, and how it can feel for some people in certain situations. Just a splendid anime around, and it’s no wonder why it has become one of the fan-favorite anime of the season.
ACTION/ADVENTURE
Shinobi no Ittoki (Crunchyroll)
Well, at least it’s trying to do more than most middling ninja anime. This is another original anime of the season that’s directed by Shuu Watanabe, written by Minato Takano, and produced by Troyca. This show has an odd balance of tones. On one hand, the story of a boy who’s suddenly forced into being trained in order to run an entire clan of ninjas is understandably compelling, but lordy, is this some of the worst written dialogue and storytelling I have seen all year. Yeah, let’s follow this one character who was never told until he was in high school about his ninja ancestry, never train him, and then throw him into a school full of other ninja clans that want him dead and not give him at the very least a rundown or heads up of who to avoid or what to know. This show wants to be this thrilling ninja story and it isn’t just due to how the characters are terribly written, and what could be interesting or fun with the rather solid action animation, is dead weight and stuck with a story that’s not fun to sit through. Just a really boring and unbearable series. It’s not a bad show because it’s poorly animated or problematic. It’s a bad show because at no point is it thrilling, at no point is the story compelling or giving you a reason to root for its characters. It has story beats that happen that aren’t earned, and it’s a sign of how bad certain original anime can be.
The Eminence in Shadow (HiDive)
(CW: Sexual Assault in the first episode)
What is with anime productions that want to botch their first impressions with anime-only first episodes? I swear these production committees never learn. This is based on the novels by Daisuke Aizawa. It’s directed by Kazuya Nakanishi, written by Kanichi Katou, and produced by Nexus. So, this show is weird, because the first episode is an anime-only story that sets itself up as an edgy power fantasy show, but when you watch past episode 1, it feels like it’s supposed to be a parody, or it’s goofing on the tropes and story beats of mediocre isekai. I would normally be all for that with how they crafted certain moments from the episodes I watched, but after a bit, I felt like I fell off on whether this was supposed to be a parody or they were just being very tongue-and-cheek with it when it comes off like every other power fantasy anime that comes out every year. I guess at least it has a sense of personality with how it’s trying to lay out its jokes, but I couldn’t personally vibe with this one. I get why a lot of people do, but it just wasn’t my cup of tea.
Chainsaw Man (Crunchyroll)
I mean, we all knew this was going to be one of, if not the best new show of the Fall 2022 season right? It’s based on the hit manga by Tatsuki Fujimoto that has taken the manga world by storm. The anime adaptation is obviously produced by MAPPA, it’s written by Hiroshi Seko, and directed by the duo of Ryu Nakayama and Nasato Nakazono. This show is just a bit of everything. It has fantastic action, incredible film quality level animation, dark comedy, and it doesn’t just fall back on its popularity or the gore to keep you invested. It has everything an anime fan or a newcomer to anime could want with how it balances everything to pretty much perfectly. There is a reason why this is considered one of the best shows of the year and season. You can’t get any better than this in terms of anime, and hopefully, MAPPA is treating its animators well to craft such an exquisite experience.
FANTASY/ISEKAI
I Somehow Became Stronger By Raising Farming-Related Skills (HiDive)
CW: Episode 2 has a really tasteless male getting assaulted joke.
Is anyone else getting really sick and tired of shows having a solid elevator pitch, but then completely bailing on it for no reason? This show is based on the light novels/manga by Shobonnu. It’s directed by Norihiko Nagahama, written by Touko Machida, and produced by Studio A-Cat. A super-powered farmer in a fantasy world where he doesn’t want to be the hero sounds like it could lead to a really creative comedy about a farmer who just wants to farm. The first episode has the lead character literally throwing a carrot at the speed of light and killing a dragon with it. That’s so funny and yet, the rest of the show is actually not about that. It’s about a farmer who just gets roped up into being a hero because he’s got really good stats. It’s a really boring watch that doesn’t do anything new or really fun with the formula, gets way too dark for a show that isn’t advertised as such, and of course, it will slowly have a colorful cast of female love interests and some non-threatening male friends that don’t get in the way of our lead and his forced-together harem. If it focused less on being just another power fantasy with a harem with really shoddy animation, there could have been something special. Still, alas, it’s another mediocre fantasy anime in a year full of them.
Management of a Novice Alchemist (HiDive)
Well, at least it isn’t boring. This is based on the novels/light novels/manga by Mizuho Itsuki. The show is directed by Hiroshi Ikehata, written by Shigeru Murakoshi, and produced by ENGI. I mean, it’s a “cute girls doing cute things” alchemy/fantasy edition. It doesn’t do anything truly unique outside of focusing on the crafting side than the magic, but it also has to fit in stuff like action and possible romance baiting between the four characters. It’s got a solid visual look with some better-than-usual animation, but it’s mostly just okay. If it looked a bit worse, I would rank it lower, but its aesthetic is what’s saving this run-of-the-mill anime. Not that originality is the end all be all, but after a bit with how much anime is coming out, doing the bare minimum while other shows are hitting it out of the park is going to bite some on the backside in the long run.
Beast Tamer (Crunchyroll)
Some of the toughest anime to give impressions on are shows that are just so committed to being down the middle in terms of quality and story execution. Beast Tamer is kind of that show but with enough charm to it that makes it hard to be hateful or angry towards it. This is based on the novels by Suzu Miyama. The anime adaptation is directed by Atsushi Nigorikawa, written by Takashi Aoshima, and produced by EMT Square. The funny thing about these “I got kicked out of the hero’s party” fantasy anime is that the reason for getting kicked out is so petty, and that might be the intention, but it’s never believably done. What’s more interesting is despite it being what will essentially be a harem anime with multiple cute fantasy girls, the show as of what I have seen, was not interested in fanservice. Or, at least not to a distracting degree where the show halts in its tracks to give you some cheesecake. The main cast has decent chemistry with how our lead is gonna save the day with kindness with his monster-taming skills, but it’s just okay. Nothing super obnoxious, but nothing all that stellar either. It could definitely fill the void of comfort food anime watching, but your tolerance for certain harem tropes will be the deciding point, or if you can truly utterly believe the igniting point of the overall story in the first place.
Raven of the Inner Palace (Crunchyroll)
Well, we have our The Heiki Story anime of the season, and I mean that in the way that we have a period drama that’s really fascinating. It’s based on the light novels by Koko Shirakawa. It’s written by Satomi Ooshima, directed by Chizuru Miyawaki, and produced by Bandai Namco Pictures. It’s a shame the first major story arc is split between two episodes because this is one of the rare few anime that would have been better as a one-hour premiere. It’s really slow to start out and build up the world-building, politics, and supernatural elements with the first episode, and by the second episode, it fully kicks into what the first mystery of the show is. By the third episode, you will be intrigued and compelled to see what the requests the Raven Consort get and how they unfold. It unwraps into a beautiful story of love, loss, and is full of political and royal drama/thriller elements to keep you in this gorgeously prepared world. Doesn’t hurt either that Queen Bee does a fantastic theme song for the show, and if you are down for something a bit different from your typical shonen action romps or the big league titles, then consider giving this one a shot.
Reincarnated as a Sword (HiDive)
This is what happens when you make a familiar, but compelling isekai. This is based on the novels by Yuu Tanaka. It’s directed by Shinji Ishihara, written by Takahiro Nagano, and produced by C2C. While the lead being reincarnated as a sword doesn’t seem like it leads to a very compelling story, it actually stands on its own as one of the better isekai this year. The sword’s interaction with our cat girl lead that so far, the anime has tried to avoid sexualizing, is nice since anime is so bad at not making young characters look lewd. I get ya want to sell merchandise, but instead of doing most anime nonsense, the show does focus on the growing bond between our leads and it makes for a more pleasant experience when you are able to enjoy the show without so much nonsense getting in the way. With a fun premise, great animation, and well-executed action, Reincarnated as a Sword was a pleasant surprise in a year full of mediocre isekais.
OTHER
My Master Has no Tail (HiDive)
This was a sweet little title. It’s based on the manga by TNSK. The anime adaptation is produced by Liden Films, written by Touko Machida, Kei Shimobayashi, Aya Satsuki, and Yuho Togashi, and directed by Hideyo Yamamoto. What starts off as a cute little fantastical take on a period piece where our little tanuki lead goes into the human world to see what is going on, turns into a friendship drama about her wanting to work under a storyteller’s wing in a changing world. No longer can a tanuki thrive in a world with carriages, cars, and at the time, modern devices. It’s a show that tackles themes of dealing with the fear of the unknown in an ever-changing world, respecting the past, and finding that ambition to push through the tides of change. It’s well-animated, the characters are likable, and while there may be some cultural barriers that will get lost in translation, the show is easy to follow and only has a little bit of that anime nonsense that hampers it from time to time.
Bibliophile Princess (HiDive)
This is where I wish this had a dub, due to how talkative it is. This is based on the light novels by Yui. This period piece drama/romance is directed by Taro Iwasaki, written by Mitsutaka Hirota, and produced by Madhouse. Listen, this show’s first episode is really slow, and you will only get the crumbs of what the drive of this show will be between a lovely prince and a bookish princess. Luckily, by the second and third episodes, the chemistry blossoms into a rather lovely romance with some gorgeous visuals. This is one of the few light novels where it’s not just an edgy male power fantasy isekai nonsense. Granted, even though I have watched plenty of episodes, I am worried about how much our princess has in terms of agency and how much development she gets from the story, since a lot of it is told from her perspective. Still, if you are in the mood for romance, period dramas, and something more slow and low-key, then you will probably like this show.
Blue Lock (Crunchyroll)
The one sports anime of the season comes in the form of one of the best sports anime of the year. It’s based on the manga by Muneyuki Kaneshiro with illustrations by Yusuke Nomura. The adaptation is written by Taku Kishimoto, directed by the duo of Tesunaki Watanabe and Shunsuke Ishikawa, and produced by Eight Bit. Instead of being another familiar but well-executed typical shonen-style sports anime, Blue Lock brings a more aggressive and sinister vibe to the sports formula by pitting teams against each other to become the best. With a more assertive and menacing art style to the players and the world itself, Blue Lock sets itself apart by being different and truly stands out among 2022’s mostly generic batch of sports anime.
Mobile Suit Gundam: The Witch From Mercury (Crunchyroll)
Never thought I’d see the day I talk about and love a Gundam series that wasn’t G-Gundam or the other series that Toonami and Adult Swim played back then. This is directed by Hiroshi Kobayashi and Ryo Ando, written by Ichiro Okouchi, and produced by Sunrise. Who knew that what we needed was not a group of angsty teenagers in yet another anti-war story that clashes with the sole money-making side of the Gundam franchise of selling a multitude of models and action figures? Yeah, war is bad, but look how cool the robots and action beats are. Thankfully, what ya get with this one is Gundam crossed with Revolutionary Girl Utena, which is already at this point, a tired and worn joke since one of the writers of Utena is writing the script for this show. On a more serious note, this show is just fantastic. It’s got its political upheaval and war is bad messages for sure, but instead of that stuff being in your face at all times, it focuses more on the characters and they are delightfully diverse and complex. It still weaves in themes of discrimination and corruption, but they are characters first and foremost. It also helps that they are pretty likable, on top of the fight scenes being pretty stellar. It’s the shot in the arm that this franchise needed and it just needed to have more LGBTQ+ elements. Who knew?
Akiba Maid War (HiDive)
Well, I found it, I found the most ideal trashy anime that I don’t have to feel guilty for watching. This original anime is directed by Soichi Masui, written by Yoshihiro Hiki, and produced by P.A. Works. Yeah, the show is basically John Wick, but here every woman wears a sexy maid uniform. It’s more of a trashy action flick mixed with some territorial crime/gang war drama where all of the maid cafes are actually competing against one another with shady underbelly stuff that you would find in most crime thrillers. It’s over-the-top and schlocky, but with how much personality is in this show and how it 100% commits to its premise of drama and over-the-top action, if you were a fan of Lycoris Recoil, then you will absolutely love this show. HiDive this year has gotten some of this year’s best shows and Akiba Maid Wars is one of them!
And there you have it. If you had to know the anime I’d recommend before the Winter season starts, please check out these titles: Chainsawman, Reincarnated as a Sword, Do It Yourself, Gundam: The Witch From Mercury, Akiba Maid Wars, Bocchi Rock, Raven if the Inner Palace, I’m The Villainess so I’m Taming the Final Boss, and honorable mentions go to Not a Married Couple, but Not Lovers and Urusei Yatsura.
The Other Side of Animation 