The Other Side of Animation 113: Minions Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Spin-offs are something I don’t envy people having to make. With the popularity of a certain product or franchise, you know that the executives see nothing but dollar signs, and want to find a way to make even more fat stacks of cash. It’s why we don’t have a lot of good sequels or spin-off series or films that do well. They don’t really have heart or passion put into them. Still, you always want something to be good, because we know no one sets out to intentionally make a bad movie. So, where does Minions land on the scale of sequels, spin-offs, and prequels? Directed by Pierre Coffin and Kyle Balda, this prequel/spin-off was now focused on the most marketable characters of the franchise, the already mentioned Minions. It came out July 10th, 2015, a month or so after Pixar’s amazing Inside Out. While not getting the best reviews with it sitting at a total aggregate score of 56%, it was a first for the animation company to break a little over a billion dollars at the box office. So, where do I stand with this film? Do I stand on the side of the Minions? Or do I stand on the side of the critics? Let’s check it out!

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The story follows the evolution and life span of the Minions, little yellow beings that look for the biggest villains to work for. Throughout their existence, they have served many evil empires, while also coincidentally ending them in darkly comedic ways. Over time, they found shelter, and made their own civilization, but soon found no purpose without serving a villain. Three specific Minions named Kevin, Stuart, and Bob, all voiced by Pierre Coffin, decide to go off on an adventure to find a new super-villain to work under. This leads the three to a convention for super-villains, and they meet Scarlet Overkill, an infamous female super-villain voiced by Sandra Bullock. Can they help Scarlet become the queen of England? Or will they get into more comedic hijinks? I mean, what do you expect from Minions other than comedic hijinks?

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As usual, let’s start with the positive aspects of the film. Once again, the animation is still pretty good. It even looks a little better than the second film. Again, I have to give Illumination Entertainment the respect and admiration that they improved very quickly on their animation. The comedy is fast, snappy, creative, silly, and amusing. It’s actually surprising how many dark comedic jokes and slightly adult jokes are in this movie. Not every suggestively adult joke works, but I, at the very least, respect that they tried out different types of jokes. For a film that’s once again trading story for comedy, I was definitely finding this film much funnier than the previous films in the franchise.

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I think the best aspect of the film is the first third. It was fairly risky to start the film, and have the lead characters that don’t speak English. It reminds me of what would happen a few months or so later during 2015, when Shaun the Sheep Movie was released, another animated film that had no real dialogue. Sure, you get a narration, but for the most part, a huge chunk of the film is told through movements, gibberish, and clever visuals. The Minions don’t speak English, so you have to make sure their gibberish can be easily understandable. It reminds me of some of my favorite films from the 2000s to now with Boy and the World, The Illusionist, and The Triplets of Belleville. It actually showed that Illumination wasn’t scared to try something different. It makes the film feel unique, and the three Minions that we do follow are kept simple enough to get their individual personalities. It’s a lot of fun to watch, since you aren’t being distracted by a huge amount of goofy humor and dialogue. Now, in terms of Scarlett Overkill as a villain, Sandra Bullock hits it right out of the park. Scarlett Overkill is a great comedic villain. Sadly, while there isn’t much to her powers-wise, her design is great, her lines are funny, her delivery is perfectly timed, and she is even better than the last villain. Even her husband in the film played by Jon Hamm is very funny in his own way. You get a family the Minions meet up with, where the couple is played by Allison Janney and Michael Keaton, that are entertaining. Even Steve Carrell returns for a small cameo that is actually built up during the villain convention, and his appearance later on pays off.

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Sadly, while I can definitely praise a lot of this film, I’m going to start heavily criticizing it. This is when the cracks in the base of the franchise really start to show. For every good idea this film has, it has a downside to it. Minions can be funny, but the humor becomes too much, due to the lack of any real emotional engagement later on in the film. The three characters are likable, but the Minions as a whole can’t carry an entire movie on their shoulders. Scarlett is a fun villain, but there isn’t too much to her, outside some cool tech and kung fu. The first third is very well-executed, but the other two thirds are not, due to the lack of story, heart, and energy. It’s not 100% downhill after the first third, but it becomes less interesting as the plot moves forward. I know that it’s a movie about the Minions, but it’s still a movie with a budget as big as the main films, and is competing with the other big films. It’s like the creators behind the film didn’t want to fully commit to some of the ideas they threw down on the table.

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In the end, Minions is fine. It’s silly, harmless, and entertaining, but unless you have kids that enjoy Minions, I see no reason to see it. I understand why it made a lot of money, and why we are getting a sequel. If you haven’t seen it yet, there is no harm in checking it out, but if you want a good comedic animated film with heart and laughs, I would check out Ernest & Celestine, LEGO Batman, or The Cat Returns. Well, we might be going overboard with Despicable Me, but we are down to one more movie in the franchise with the next review being Despicable Me 3. Thanks for reading! I hope you enjoyed the article, and I will see you all next time.

Rating: Rent it!

The Other Side of Animation: The Triplets of Belleville Review

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

WARNING/PARENTAL HEADS UP!: There is some female nudity, but not a whole lot of it. Viewer’s discretion is advised. Enjoy the review!

So, we have seen crazy and insane storytelling done badly that was entertaining to watch in a “so good, it’s bad”  kind of way, but what about watching an animated film that is all sorts of crazy, but was done well enough to be considered one of the all-time great animated films? As we have seen in a lot of animated movies and shows, it seems like the most popular form of comedy is being fast-paced, over-the-top, or flat-out crazy. Even then, there is an art and style to said creative comedy. You can’t just be loud and visually weird and unusual. If you are all just flash and no substance, why should we waste our time with you? Yeah, shows like Adventure Time, Steven Universe, and films like The LEGO Movie are over-the-top, unique in their visuals, and have interesting senses of humor, but they all have good stories and characters you love and want to invest into. This is why, after that trainwreck of glorious/horrible animation that was MD Geist, I wanted to look at an odd, surreal, but amazing movie like The Triplets of Belleville. This movie was released back in 2003, winning critical acclaim and multiple award nominations. The Triplets of Belleville was directed by Sylvain Chomet, the man behind the 1991 animated film, The Old Lady and the Pigeons, and the 2010 animated, The Illusionist. So, is this film as good now as it was back in 2003? Well, let’s find out!

The story revolves around a grandmother named Madam Souza and her grandson named Champion. They live a simple life, until the day she finds out her grandson has a fascination with cycling. After getting her grandson a tricycle, the years pass, and we see the son is training for the grand pike race known as the Tour de France. During the race, Champion gets kidnapped by the French Mafia, and taken over to a romanticized version of New York. Madan Souza and her dog go after him, only to find themselves lost in the big city. Luckily for them, they end up encountering the famed Triplets of Belleville, three famous vaudeville singers from back in the day. Can they get Souza’s son back from the French Mafia?

So, this is a French 2D animated film about a grandmother, her dog, and three old ladies taking on the French Mafia to get the grandmother’s grandson back, with some of the most unusual and ugly (in a good way) artstyles ever implemented. Yeah, it’s a weird and sort of crazy film, but it all works! Why does it work? Well, maybe because while it has some unusual and crazy visuals, the story and characters are kept simple and easy to understand. You really get invested in and charmed by the individual characters, and this is amazing since there is basically no dialogue in the film. There is some at the beginning and end, but they are there to pretty much bookmark the start and end of the film. The only dialogue you hear is from the radio. Luckily, the execution of the animation and art design makes it quite clear to know what is going on with all of the character’s goals and intentions.

Speaking of animation, it is beautifully done. The art direction is what really makes this film stand out. It’s about as anti-Disney and DreamWorks as you can get, with humans that are quite frankly over-exaggerated and gross-looking. However, I mean that in the best way possible. Unlike the third-party tripe you get, the characters are well designed and have very memorable looks and diverse animations. I think some of my favorite character designs come from the grunts of the French Mafia. They look like walking dominos, and are just cool to look at. The overall presentation, like I have mentioned, is over-the-top and reminds me of caricatures. It’s rather beautiful in that regard. I love it when I get to see different art styles put into play, and in my opinion, more films need to do this instead of trying to be another DreamWorks and Pixar knock-off. The music is just groovy and jazzy. I love the original song that was nominated for best original song. It’s catchy and just a fun song to listen to.

If I had to complain about something, it would be this weird little hiccup that I saw with the English subtitles. Even though there is no talking, when you see the TV or radio sequences where there is dialogue, the English subtitles turn to French subtitles when you watch the film in English. Why is that a thing? I even watched it in French and the English subtitles are still French. That is such a huge hiccup in terms of the tech department that it’s kind of baffling that some employee didn’t quality control this part. Hopefully they fix this with a Criterion or Blu-Ray release. Heck, why isn’t this film part of the Criterion collection? It would look amazing.

The Triplets of Belleville is nothing short of a modern classic. It deserves to be talked about more than it does. I know it’s a famous movie, but man, this film got better the more times I watched it. Sadly, you can only get this movie in a DVD format, but if you can get it, I would highly recommend it. It’s pretty cheap and I even found a collector’s edition of sorts that had a ton of extras and both the French and English version of the film. I just want to keep praising this film for hours, but I would then be repeating myself. So, let’s move onto a film that could have been something better than expected, even with bad advertising, but was just a bad film overall. Next time, we look at Hell and Back. Thanks for checking out my work, and see you all next time!

Rating: Criterion/Essentials