The Other Side of Animation 121: Have a Nice Day Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated and live-action films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

For the last two years, I have seen China start to put their foot down, and really compete with animation. While not a great movie, The Monkey King: Hero is Back was a competent action-adventure flick that raked in millions. Big Fish & Begonia, a decade old 2D-animated film is getting positive reviews, and is coming out this year thanks to Funimation and Shout! Factory.  In general, it’s good to see that they want to put a lot of effort into their future projects, and not just coax by on cheap-animated schlock. Another animated film that I was looking forward to coming out in the states was Have a Nice Day. Directed by Liu Jian, Have a Nice Day made waves in the news when it was pulled from the Annecy Film Festival last year by the Chinese government. This caused a huge controversial backlash toward the country, because not only was China the guest country at the festival, but it was also considered a move of censorship by the country. While it was winning awards around the festival circuit, is Have a Nice Day worth the hype and controversy? Well, kind of. Let’s dive in.

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Have a Nice Day is a dark comedy with a mix of social commentary revolving around a cab driver who robs someone of $150 grand in US currency to help his girlfriend in South Korea with her plastic surgery.  Unfortunately for him, that money belonged to a mob boss, and it then turns into this mad dash between multiple characters to get that money from one another.

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Let’s talk about the most standout aspect of Have a Nice Day, the animation. Now, usually, I consider animation to be moving drawn pictures, or CGI models moving around. Have a Nice Day really stretches the terms of animation. A lot of the films are in still frames with mouths staying open when they talk. There is some movement, but it’s more like an underground motion comic. I can perfectly understand why this might turn people off. It all looks fine, but it’s as if you took still frames, and took inspiration from the animation philosophy from Adult Swim’s early days. I can understand if this was done on a shoe-string budget, and there wasn’t enough left over for the animation, but this will definitely put people off.  I know I have given the country flack for its bad animation, and while this one was probably more due to artistic decisions or budget limitations, it’s almost not an animated film. I know that sounds sort of gate-keeping to not call it animation, but once you see the trailer for this film, it’s understandable.

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So, since the animation is hugely kneecapped, what does this film have to counter-balance for the lack of animation? Thankfully, the best aspect of the movie is the dialogue. While you are definitely looking at a bunch of still frames, the dialogue between characters is interesting. It has a few solid jokes thrown in from time to time that are legit funny. It’s also interesting to see a bunch of the characters, major and minor, talk about money, and how China looks at money. Maybe that’s why it was pulled from the festival, but I personally found nothing offensive about this film, but I’m a white guy from Texas, so what do I know? It reminds me of The Rabbi’s Cat, since that film also had some odd animation, but you were kept invested with the film’s dialogue. The film also has a build-up to an immensely funny punchline at the end, but I won’t spoil it here.

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While I did find admiration that this was a mostly one-man job, I think my favorite aspect of the sound design was the music. Yes, there is one really random musical sequence in the film, but my favorite bit of music was the opening song by The Shanghai Restoration Project. It had a nice jazzy blues feel that fit over the decrepit and broken side of China. If anyone is curious, the track is called Dark Horse. While the animation was fairly, um, still, I found the acting to be pretty solid. I won’t say I remember one person being better than the other, but the chemistry between everyone felt cohesive. It was interesting to see how the acting would gel with the limited animation, and I was not all that distracted by it. Then again, I knew going in that this film would live and die by its dialogue and character interaction.

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Now then, let’s talk about the downsides. The animation is going to split people so hard down the middle. On one hand, it’s a style, and the director worked within his limitations of budget and time, while using more artistic liberties with what can be considered “animation”. On the other hand, it feels pointless to make this an animated film, because of how limiting the animation is. Sure, you can get the gestures and movements from the simple frames, but at the same time, it’s really pushing the definition of animation. It’s definitely going to distract a lot of people, and whether this was a purposeful decision or not, I did find myself at points being pulled out of the experience. While I love the entire punchline to the film at the end, it is a grind to get there. It’s not a very long movie, but it takes its time slow-burning its way to the finish line. It also does that thing where it cuts off at the end, leaving the ending to be up in the air in terms of what exactly happened after the big climatic sequence. I mean, sure, you can pick up what might have happened, but I think the film would have worked better with more closure. Then again, I know this technique is popular among many filmmakers like Tarantino, so your mileage may vary with the ending.

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While I was definitely happy to have a Movie Pass for this film, I’m still very glad I went out and supported it. It’s good to support original films and smaller creators if their films are showing in theaters in your area. I’m happy to see Chinese animation get ambitious with their goals with the medium, and while Have a Nice Day doesn’t check off all the boxes, it’s a way more important and interesting movie that’s out right now than 50 Shades Freed and that pointless Death Wish remake. If you can find a way to watch it, I would definitely recommend checking it out. Just look up the trailer for the film first to see if you might be into it. Well, let’s continue the support of animated films from overseas and look at the Annie Award-winning and Oscar-nominated The Breadwinner. Thanks for reading! I hope you enjoyed the review, and I will see you all next time.

Rating: Rent It!

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The Other Side of Animation 114: Despicable Me 3 Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

As you can tell, so far, my opinion on the Despicable Me franchise has been consistently, okay. Each film does something I like, but for every element I like, it does something that I don’t like. They have all been passable and harmless movies. And really, that’s sadly the term I would use for the studio, passable and harmless. They seem to be in this financially successful rut of not wanting to challenge themselves artistically. I respect and admire that not every film needs to be a Disney or Pixar heavy-weight, but at the same time, you can only go so far and so long in being successful when you are doing nothing different. Even though I like their film, SING, I still had plenty to dislike about it, and I can’t really say that I have a film of theirs I truly and utterly love and would recommend on the spot. I know there are talented people working on this franchise, and I think they don’t fully deserve a lot of this criticism, but you can’t help but think that they could be trying harder with their films. Sooner or later, another studio is going to come along, and be the next big thing, and Illumination will probably be in the same situation that Blue Sky was when they were churning out Ice Age sequels. I don’t want that to be the case, but if their future films are anything like Despicable Me 3, then I’m going to be concerned. Directed again by Pierre Coffin and Kyle Balda, Despicable Me 3 came out June 30th, 2017, and while once again, gaining mixed reviews, was another billion dollar cash cow for the studio and Universal. So, where do I stand on the quickest franchise to reach a trilogy and a spin-off? Well, let’s see if my mind has changed with this film.

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The story starts off with Gru, voiced by Steve Carell, and his wife Lucy, voiced by Kristen Wiig, on a mission to stop an evil villain known as Balthazar Bratt, an ex-child star-turned super-villain, voiced by the co-creator of South Park, Trey Parker. The good news is that they stop Bratt from his plan of stealing a large diamond, but the bad news is that Gru and Lucy get chewed out and fired from the Anti-Villain League for not capturing him. While making sure to comfort his kids in knowing that they will be alright, Gru gets a letter and a surprise from his long-lost rich twin brother, Dru, voiced also by Steve Carell. Gru and his family decide to visit his brother, who tries to tempt Gru back into the world of villainy. Gru takes up his brother’s offer, and decides to use this opportunity to get at Bratt. All the while, the Minions are rioting, and have left Gru.  Lucy is trying to become a step-mother to Gru’s adopted daughters. Can they stop Bratt from pulling off an evil heist? Will Gru and Dru bond as brothers? Will this film try a bunch of storylines, while not putting in the effort into making those stories interesting?

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I would like to get into the criticisms with this one first, but I want to get into the positives first, because I don’t hate this entire movie. The animation is, once again, very impressive. It’s pretty much the same level of quality that Minions had. Though maybe it’s just me, but I think they got their physical comedy down. Like the other films, I did find myself laughing, and as usual, it helps when the comedic animation is snappy. It’s fast enough to not be too much, and a lot of the jokes land. Balthazar Bratt is definitely a more gimmick-focused villain, due to his 80s attire, gadgets, and, well, everything else about him. However, Trey Parker does a good job with this villain, and makes him the best villain of the franchise so far. I was curious to see how Trey Parker would handle the role, and he brought a lot of great energy to the character, even if he had some cringe/eye-rolling lines.

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I also respect that this film did attempt to do more than just be more comedy-oriented like the second film. I like that it brought up a few different storylines. I liked Gru and Dru’s chemistry and the stories about their parents’ reaction to them both growing up, I liked Lucy wanting to be a better mother to Gru’s kids, and I even like the mass majority of the Minions rioting and walking out on Gru because he isn’t being a super-villain anymore. I even like that throughout three major films, Gru is still a likable character. Even after being tempted to go back to the side of being a super-villain, he’s still getting back at Bratt to help his family. It would have been very easy for him to just think about himself and be this unlikable character, like Shrek was in the fourth film. Instead, he doesn’t want to stop being a father or a husband, and I like that. I was also surprised about how little the Minions were in the film. What you see in the trailers is basically what you see in the film. It has its hit-and-miss jokes, but it was decently entertaining.

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If you don’t think I have complaints about this film, then I don’t know where you have been for the past couple of reviews. Personally, Despicable Me 3 shows everything that is wrong with the franchise on a film and artistic level. For every plotline they set up, they either do the bare minimum into putting effort into said plotline, or go nowhere with it. Where do they go with Gru and Dru’s relationship and the fact their parents were both disappointed with them in their own separate ways? It goes nowhere. Where does Gru and Dru’s relationship go beyond a very soft “liar’s revealed” storyline? It goes essentially nowhere. How deep is the story arc of Lucy trying to be a good mother to the girls? It has barely any focus. Do they ever dive into social commentary about Bratt, and how Hollywood and entertainment treats child actors? They do not. What about one of the girl’s subplot about her faith that unicorns exist? They do nothing with it. Do the little girls get to do a whole lot? They get to do a whole lot of nothing! I know the girls are meant to be the “heart” of the franchise and films, but if you can’t find any meaningful way to fit them into the story, then write them out of the film, by saying they are off in summer camp or something. I also wish Dru was played by a different actor. It comes off as lazy and cheap that they essentially rehashed Gru’s character model, changed it up enough, and decided to save money by hiring Carell to do the other voice.

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There is so much going on, and yet, not a whole lot happens. When I wasn’t having one of the few occasional laughs, or being invested in the few decent heartfelt moments, I was bored. It once again feels like they had ideas, and the writers weren’t good enough to know what to do, or they weren’t given the freedom to risk a few elements to actually progress the story. It’s concerning, since this also made a billion dollars at the box office, and even more than that in DVD and merchandise sales. Am I missing something here? I feel like this franchise is going to turn into the new Ice Age franchise, if they don’t start putting in the effort to improve everything. Yes, I laughed, the animation is good, the voice cast does a fine job, and the action is fun to watch, but after watching the film, I was left not remembering much, or caring about what happened. It doesn’t help things that they basically set up a fourth film that’s now going to happen. In my opinion, if they cut out a few story arcs, and focused on sharper writing and storytelling, then we may have had a pretty good movie. Instead, we get fairly hollow storylines and wasted opportunities.

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In the end, Despicable Me 3 is fine. It’s probably the most average film I have ever seen out of the franchise so far. I liked Gru, Lucy, and the villain, but they weren’t strong enough to make this a good movie. It baffles me how people are finally sick of the Ice Age franchise, but are not sick of this franchise for becoming hollower and more manipulative than usual. It’s not a tough watch or anything, but if they don’t’ start improving, another studio is going to come marching on through with the next new shiny thing, and Illumination will be forgotten. I am not harsh on them, because of the community getting sick of Minions, I’m harsh on them because they are talented individuals working on these films, and yet, they are perfectly fine with being boiler-plate forgettable. I hope they can improve, and if they do, then I’ll be happy to be there at any screening, and to praise the hard work at making better films. For now, I’m tired of this franchise, and I need a break. Next time, we will look at the popular TV series known as HarmonQuest. Thanks for reading, I hope you enjoyed the review, and I will see you all next time!

Rating: Rent it!

The Other Side of Animation 113: Minions Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Spin-offs are something I don’t envy people having to make. With the popularity of a certain product or franchise, you know that the executives see nothing but dollar signs, and want to find a way to make even more fat stacks of cash. It’s why we don’t have a lot of good sequels or spin-off series or films that do well. They don’t really have heart or passion put into them. Still, you always want something to be good, because we know no one sets out to intentionally make a bad movie. So, where does Minions land on the scale of sequels, spin-offs, and prequels? Directed by Pierre Coffin and Kyle Balda, this prequel/spin-off was now focused on the most marketable characters of the franchise, the already mentioned Minions. It came out July 10th, 2015, a month or so after Pixar’s amazing Inside Out. While not getting the best reviews with it sitting at a total aggregate score of 56%, it was a first for the animation company to break a little over a billion dollars at the box office. So, where do I stand with this film? Do I stand on the side of the Minions? Or do I stand on the side of the critics? Let’s check it out!

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The story follows the evolution and life span of the Minions, little yellow beings that look for the biggest villains to work for. Throughout their existence, they have served many evil empires, while also coincidentally ending them in darkly comedic ways. Over time, they found shelter, and made their own civilization, but soon found no purpose without serving a villain. Three specific Minions named Kevin, Stuart, and Bob, all voiced by Pierre Coffin, decide to go off on an adventure to find a new super-villain to work under. This leads the three to a convention for super-villains, and they meet Scarlet Overkill, an infamous female super-villain voiced by Sandra Bullock. Can they help Scarlet become the queen of England? Or will they get into more comedic hijinks? I mean, what do you expect from Minions other than comedic hijinks?

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As usual, let’s start with the positive aspects of the film. Once again, the animation is still pretty good. It even looks a little better than the second film. Again, I have to give Illumination Entertainment the respect and admiration that they improved very quickly on their animation. The comedy is fast, snappy, creative, silly, and amusing. It’s actually surprising how many dark comedic jokes and slightly adult jokes are in this movie. Not every suggestively adult joke works, but I, at the very least, respect that they tried out different types of jokes. For a film that’s once again trading story for comedy, I was definitely finding this film much funnier than the previous films in the franchise.

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I think the best aspect of the film is the first third. It was fairly risky to start the film, and have the lead characters that don’t speak English. It reminds me of what would happen a few months or so later during 2015, when Shaun the Sheep Movie was released, another animated film that had no real dialogue. Sure, you get a narration, but for the most part, a huge chunk of the film is told through movements, gibberish, and clever visuals. The Minions don’t speak English, so you have to make sure their gibberish can be easily understandable. It reminds me of some of my favorite films from the 2000s to now with Boy and the World, The Illusionist, and The Triplets of Belleville. It actually showed that Illumination wasn’t scared to try something different. It makes the film feel unique, and the three Minions that we do follow are kept simple enough to get their individual personalities. It’s a lot of fun to watch, since you aren’t being distracted by a huge amount of goofy humor and dialogue. Now, in terms of Scarlett Overkill as a villain, Sandra Bullock hits it right out of the park. Scarlett Overkill is a great comedic villain. Sadly, while there isn’t much to her powers-wise, her design is great, her lines are funny, her delivery is perfectly timed, and she is even better than the last villain. Even her husband in the film played by Jon Hamm is very funny in his own way. You get a family the Minions meet up with, where the couple is played by Allison Janney and Michael Keaton, that are entertaining. Even Steve Carrell returns for a small cameo that is actually built up during the villain convention, and his appearance later on pays off.

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Sadly, while I can definitely praise a lot of this film, I’m going to start heavily criticizing it. This is when the cracks in the base of the franchise really start to show. For every good idea this film has, it has a downside to it. Minions can be funny, but the humor becomes too much, due to the lack of any real emotional engagement later on in the film. The three characters are likable, but the Minions as a whole can’t carry an entire movie on their shoulders. Scarlett is a fun villain, but there isn’t too much to her, outside some cool tech and kung fu. The first third is very well-executed, but the other two thirds are not, due to the lack of story, heart, and energy. It’s not 100% downhill after the first third, but it becomes less interesting as the plot moves forward. I know that it’s a movie about the Minions, but it’s still a movie with a budget as big as the main films, and is competing with the other big films. It’s like the creators behind the film didn’t want to fully commit to some of the ideas they threw down on the table.

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In the end, Minions is fine. It’s silly, harmless, and entertaining, but unless you have kids that enjoy Minions, I see no reason to see it. I understand why it made a lot of money, and why we are getting a sequel. If you haven’t seen it yet, there is no harm in checking it out, but if you want a good comedic animated film with heart and laughs, I would check out Ernest & Celestine, LEGO Batman, or The Cat Returns. Well, we might be going overboard with Despicable Me, but we are down to one more movie in the franchise with the next review being Despicable Me 3. Thanks for reading! I hope you enjoyed the article, and I will see you all next time.

Rating: Rent it!

The Other Side of Animation 112: Despicable Me 2 Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

After any movie in the theater makes a small country’s worth of money, you know Hollywood will want a sequel. It’s always a shame when a sequel doesn’t always hit the mark, since you would believe a sequel to a super popular movie would be easy to do. All you really need to do is progress the story, characters, and not repeat anything from the last film. Sadly, we do have more bad sequels than good ones. So, where does Despicable Me 2 land? Directed by Pierre Coffin and Chris Renaud, Despicable Me 2 came out in 2013, and while it got mixed reviews, it was still a massive financial success by making $970.8 million on an increased $76 mil budget. It even got an oscar nomination for Best Animated Feature, but lost out to Frozen. So, is it better than the original? Is it funnier than the first film? Or is this the start of the downfall of Illumination Entertainment as an animation studio? Let’s get down to it!

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Steve Carrell is back as Gru, now living as a happy single father with his three girls. One day, he gets a visit from a mysterious woman, and is then kidnapped by her. This dangerous individual with a lipstick taser is Lucy Wilde, voiced by Kristen Wiig. Lucy has taken Gru to an organization known as the Anti-Villain League to help out in a situation where a mutagen called PX-41 was stolen by an unknown super-villain. At first, Gru is reluctant to join, but after his partner in crime, Dr. Nefario decides to quit, since Gru is no longer a super-villain, Gru takes up the job, and joins Lucy in trying to find out who stole the mutagen.

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Once again, let’s start with the good stuff. First up on the docket, the animation is 10 times better than the previous film. Say what you will about Illumination Entertainment, they quickly improved the quality. Even in that terrible The Lorax film they did, you can tell they had their animation down by that point. Everything looks better, from the textures, to the designs, to the snappier movements. It leads to the comedy being a lot funnier. Speaking of comedy, one of the biggest complaints I had of the first film was that the villain was very weak. Thankfully, the villain this time, Eduardo “El Macho” Perez, voiced by Benjamin Bratt, is a very entertaining villain. While not super complex in any way personality-wise, he’s way more amusing with a better design, lines, and probably one of the most over-the-top goofy deaths in any animated comedy. One of the big new additions to the franchise is Kristen Wiig’s Lucy Wilde. I’m usually hit-or-miss with Wiig as a comedy actress, but I think she has a lot of charm, and a couple of good laughs as well. The minions are, of course, in the movie, and do have some great laughs. I’ll even say they have some of the better laughs in the film.

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Sadly, while I think this sequel does improve in a couple of ways, this is where the series started to go south for me. For one, the three daughters of Gru do not have a lot to do. Really, the oldest one played by Miranda Cosgrove has a “plot”, and even then, it’s very straight forward, and they don’t do anything with it. The other two get sidelined, and are just there because they have to be there. It’s not like they can retcon them, but you can at least do something with them. While I think Kristen Wiig is funny in this, her character is a bit too hyper and goofy. She becomes a bit much, and I think she would have been better as the slightly quirky, but serious agent that she was at the beginning of the film. The film also sadly trades in the heart for more wacky antics. It can be funny and very entertaining, but the heart and the action tend to lose a lot of its luster when there isn’t that much time to focus on the best aspect of it with Gru. I’m fine with a film trading story for comedy, but the comedy has to be good enough to forgive the lack of focus to the story. Sadly, the comedy is hit-and-miss. Some parts are really funny, and some parts aren’t. It once again has predictable story patterns that you know are going to happen, and not that I need to be surprised every time I watch a movie, I want the predictability to be entertaining. It also leaves the action to be pretty forgettable. The last third can be fun, but it doesn’t have the action seen in other animated comedies.

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While improving in many ways, Despicable Me 2 is also middle-of-the-road. I enjoyed watching it for this review, and for when I made my Worst to Best Animated Films of 2013, but I don’t see myself wanting to watch it again. It has its good moments, but is just passable enough to not be anything hugely mediocre. Now then, we shall move on to the point of no return as we dive into the first spin-off film of the franchise with Minions. Thanks for reading, I hope you enjoyed the review, and I will see you all next time!

Rating: Rent it!

The Other Side of Animation 61: Hotel Transylvania 2 Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Last year, I reviewed one of Adam Sandler’s best movies, Hotel Transylvania. I mean, it’s shocking when a project with Adam Sandler pops up and it’s not terrible. Sure, it still had a lot of problems, like its cliché plot elements, story, and characters. However, for me, it was an enjoyable experience with more good than bad, but I can understand if someone wasn’t into this movie. So, last year, a sequel came out, and let’s say that the supposed “hate train” that certain directors, actors, and films receive came running on through the Hotel Transylvania 2 station. It was critically panned with a lot more negative reviews than the first film. People were calling it the worst animated film of 2015, and to me, they only said so because they hadn’t seen Strange Magic. Listen, usually I’m pretty agreeable on certain receptions of films from both critics and fans, but there are times where I disagree with both. What do I think of this sequel? Well, let’s take a look.

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Hotel Transylvania 2 continues our story with Dracula, played by Adam Sandler, now having a five-year-old grandson named Dennis, voiced by Asher Blinkoff. Dracula tells his daughter, Mavis, voiced by Selena Gomez, that he is a little disappointed that Dennis hasn’t grown his fangs. In fact, Dracula is so peeved at this notion that he goes behind his daughter’s back with her husband Johnathan, voiced by Andy Samberg, for Johnathon to take Mavis to his neck of the woods to see his parents, while Dracula and his friends help Dennis gain his vampire powers. On top of all this, Dracula will also have to deal with his father, Vlad, voiced by Mel Brooks, and his bat servant, Bela, voiced by Rob Riggle.

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Let’s get the bad out of way, because while I think this film is perfectly fine and normal, it does have a lot more problems than the first film. First off, it falls into a lot of the same traps that most sequels fall into, with jokes and gags from the first film taking the space of newer jokes, being overly familiar in terms of story and pacing to the original film. It makes it out like the creators were afraid to progress the story, like in the sequels to How to Train your Dragon and Kung Fu Panda. Now, in some respects, they do show that progress has been made, in terms of the setting, where humans are now accepted into the hotel, but it’s not enough to make a difference. It’s also a story where the dad is being a giant jerk to his daughter, and I perfectly see why with this one story element, people might get upset or mad at the story cliché.

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You also get the feeling that the executives were a bit more hands-on with the film. I say this because much of the dialogue and music choices felt like they were forced to be in the film. Not that the dialogue is all horrible, because there are a some great jokes, a good amount of soul, and humorous interactions between the characters, but it definitely feels a bit more fabricated. The ending also feels rushed. The film heavily advertised in magazine and online articles that Mel Brooks was going to be in this movie, and yet, he is really only in it for the last 20 minutes. It doesn’t help either that the moral of the story about being okay with yourself gets ruined in the final fight sequence, where everyone gets what they want. The final fight is also undone by the fast animation. I love the animation style, but it’s way too fast during this part. I also wish they could have had more time to invest into the interaction between Dracula and his grandson. Like, take out the repeated elements and jokes from the first film, and replace it with more heartfelt interactions between the characters.

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So, what is actually very good about this movie? Well, the animation is very good. The film is directed once again by Genndy Tartakovsky, and his art style definitely translates well to CGI. The same attention to detail in how every character moves is in this film, as well as with new characters like Johnathon’s parents, played by Nick Offerman and Meghan Mullally, the vampire camp counselor, voiced by Dana Carvey, Jon Lovitz as The Phantom of the Opera, and even Mel Brooks, in his short time, still does enough to leave an impression in terms of his character. The voice performances are also once again great with the same effort put into the same characters from the last film. I don’t know what it is, but Adam Sandler, Kevin James, Steve Buscemi, David Spade, and Keegan-Michael Keye (taking over CeeLo Green’s character) work off each other well. It doesn’t feel like they were phoning it in, like they have in the live-action Sandler films. Even when the jokes don’t land, at least the eye rollers were better handled by the delivery of said actors. The humor in Hotel Transylvania 2 is definitely a tad more hit-and-miss, with some lowbrow humor that feels lazy, but it’s one of those situations where when the humor is good, it’s hilarious. You won’t believe what happens when actors actually act, they actually make themselves worth watching!

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Listen, media critics, I don’t agree with you this time. I thought Hotel Transylvania 2 was fine! It’s not a great movie, but it’s not the worst film of 2015. Yes, it’s a bit more corporate-feeling, but it still has great animation, energetic characters, and some hysterical jokes. I wouldn’t recommend checking it out if you didn’t like the first one, but if you liked the first one and haven’t seen the second one, I would recommend doing so. I don’t think it’s as good as the first film, but it still has enough charm to not be an utter waste of time. Well, next time, we take a look at the gothic poet himself, Edgar Allen Poe, with an anthology film based on his work with Extraordinary Tales. If you want more animated spooks, then you had better be ready next time! Thanks for reading!

Rating: Rent it!

The Other Side of Animation 58: Kingsglaive: Final Fantasy XV Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

In Short, multimedia projects are tricky to pull off. You could do well with the toys, comics, the movie, and TV show the multimedia project is based on, but one bad project could instantly spoil or give a bad first impression of said project. That’s what unfortunately happened to certain multimedia projects like Sonic Boom, which was all pretty solid until the Wii U tie-in game came out and ruined the first impressions of this new iteration of Sonic the Hedgehog. It was broken, not fun to play, not a well-designed game, and it is the worst selling game in the franchise. Luckily, everything else was pretty solid so, it saved itself from being an utter failure.  Well, Square Enix decided that they wanted to do something like Sonic Boom and decided to make an anime miniseries, and it is the topic of today’s review, Kingsglaive: Final Fantasy XV. This film that takes place in the upcoming games’ universe was directed by Takeshi Nozue, and has some surprisingly big actors in it, including Aaron Paul, Sean Bean, and Lena Headey. Normally, I wouldn’t review stuff like this, but since it had a limited run in theaters, and is connected to one of the biggest gaming franchises of all time, I definitely had to cover it. So, what do I think of the film? Well, unless you want to see some amazing realistic CGI, then you won’t get much unless you are planning on playing the video game.

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Anyway, this film is a prequel film that takes place before the opening hours of the video game. It follows a group of elite guards known as the Kingsglaive. They help protect the king of Lucis, Regis Lucis Caelum CXIII, voiced by Sean Bean. The lead character that the plot revolves around is one of the Kingsglaive named Nyx Ulric, voiced by Aaron Paul. One day after a major battle against the kingdom of Niflheim, Nyx, along with his friends, is hired to help protect a female political figure named Lunafreya Nox Fleuret, voiced by Lena Headey. Of course, things begin to go wrong, and it’s a race to protect the giant crystal guarding Lucis, making sure Lunafreya doesn’t get killed or captured, and of course, set up the events that will lead into the video game.

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So, what’s the best thing about this movie? Well, it’s the animation. While this might be a similar situation to Square Enix’s past CGI films, Final Fantasy: The Spirits Within and Final Fantasy VII: Advent Children, this is probably the best-looking of all the films. Its textures and animation are outstanding. This is easily some of the most realistic-looking character models and animation that I have ever seen done in terms of cgi-animated films. Everything looks amazing, and while it doesn’t fully do the whole “you won’t be able to tell this is cgi” kind of realistic, it’s still incredibly commendable with how good this looks. The fighting is also very flashy and fun to watch. I think it’s because of how agile the characters are, and how they use magic to throw their knives and be able to teleport to the knife. It’s definitely something you will have to see for yourself, or play the game to understand what I mean with the whole “teleporting combat”. The final act where the entire city is just torn apart and the enemies are invading is really intense, and it is a spectacle when you see the giant stone guardians of the city come to life.

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Sadly, that is pretty much it for the compliments, because everything else is pointless. The lead characters are not memorable in the slightest. If you have seen any generic anime or action show with a team of characters including the bland male lead, the heavier-set well-intentioned best friend, the tough chick, and the snarky male. Heck, some of them don’t get to even be characters, like the tough chick gets killed so early in the film that it’s hard to care about her death. Heck, it’s hard to feel invested with a lot of these characters, because only a handful actually matter to the main story that will be in the video game. This means that unless you plan on picking up the game, you probably won’t or already don’t care about what happens to these characters. The only time you get to see the actual leads from the video game is at the very beginning and at the very end. Even if you look past the whole video game tie-in aspect of the film, it’s a painfully generic and boring film with only a few highlights of action and animation. I mean, at least this film is attached to the newest game in the franchise, and isn’t a pointless film like The Spirits Within, which is barely part of the Final Fantasy franchise.

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I also found the film to be difficult to watch at times. It’s too flashy, and sometimes there is too much on screen to make it easy to watch. I think it’s because the film is overly detailed with its world and characters. It’s a beautiful movie that is just sometimes clustered with details and sometimes not-so-subtle product placements.

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Kingsglaive: Final Fantasy XV is an almost pointless film that is part of a multi-media product. Unless you are a gamer and want to check this out, I would avoid it unless you want to see every animated film that was able to be in theaters. It’s a film that is flawed because it’s tied to a video game. If it had more freedom with its setting, and essentially, not being a part of a multi-media project, then it would have been better. As a film, I can think of much worse movies I have seen this year, like next week, we will look at one of the biggest U.S. bombs of 2016 and of all time, The Wild Life. Thanks for reading, I hope you all liked the article, and see you all next time.

Rating: Rent it!

The Other Side of Animation 47: The BFG Review

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

When you hear the term “made-for-TV movie”, quality entertainment isn’t usually what you think of. I mean, there are exceptions today if you see an exclusive film on Netflix or HBO, but usually, it’s a film with a TV-sized budget that has the off chance of being good, but is mostly low quality schlock. Not to say that there can’t be a good animated TV film, but they are rare and far between. Now, if this was back in the day, I would say a different answer entirely, since depending on the company, you could get some top-notch animation. This is where today’s film, The BFG (Big Friendly Giant) comes into play. This was a British-animated film that was a TV special that aired in 1989. It was produced by Cosgrove Hall Films, which is most famous for Danger Mouse, and Count Duckula. The BFG was directed by the late Brian Cosgrove, who was a director for both Danger Mouse and Count Duckula. At its release, this movie was rated pretty positively, and I have seen many people nostalgically comment on the film. So, does it hold up today? Let’s find out!

The main story revolves around a young orphan girl named Sophie, voiced by Amanda Root. One night at the orphanage, she is kidnapped by this massive hooded individual, and taken to Giant Country. Of course, like anyone in this situation, she is terrified to be in front of a giant. Luckily, it turns out that she was accidentally kidnapped by the BFG, or as he says, The Big Friendly Giant, voiced by David Jason. The BFG doesn’t eat humans unlike the rest of his kind. It then turns into a film where Sophie bonds with The BFG, and the goal becomes trying to stop the other nasty giants from eating the humans of the world.

Let’s get whizzpopped, and look at the good parts of the film. Being made in Europe and in the end of the 1980s, the 2D animation is rather nice looking. It’s always pleasant to see how the rest of the world treats 2D animation with the respect it deserves, and while there are a few elements showing off its TV budget limitation, the character’s movements are fluid, expressive, and look so much better than what you would expect TV animation to be. Not to say there wasn’t good TV animation in this time period, but I wouldn’t say it was all great either, which is why I adore the visually pleasing animation of The BFG. Due to the time period this was released, you also get a lot of trippy and atmospheric scenery that engrosses you into its fantasy world, with its mix of bright and dark colors that set the tone of the different scenes. I also liked how there is a bit of an edge to the overall film, like seeing the giants actually eat children. Sure, it’s off-screen, but to show that this actually happens is still admirable. The voice acting is also pretty solid. I think David Jason brings an enjoyable light-hearted tone to the BFG, and captures the elements that make the character charming, like his speech impediment, and how he actually goes out and gives children and people happy dreams.

With that said, I do think this film does have some problems. The little girl is not really that interesting, as she comes off more like any normal child character that you still sadly see these days, and I feel like they could have made her bond with the BFG much stronger. I also found the BFG, while likable, to be a tiny bit too goofy. He wasn’t downright annoying, but they could have toned the goofy side down a bit. The other human characters are also pretty forgettable. Oh, and that little animal thing that is sort of in the movie is also pointless. I saw no reason for that little critter to be there. I think overall, the film needed more…interesting writing. If this film was done during Don Bluth’s hit line of films, or maybe done by a different director, they could have made the film a lot more fascinating. They could have delved into the darker themes, more into the other deadly giants, shown on-screen the humans getting eaten instead of off-screen. I also get why they had song sequences, but I wouldn’t say they were necessary.

While I can see why the original author of the book, Roald Dahl, liked this film, and you can tell the creators were very passionate for it, I just think it’s okay. If you really love this movie, then more power to you, I don’t think this is a bad movie by any stretches of the imagination. It has great animation, a likable lead character, some gorgeous scenery and atmosphere, and was not a waste of my time to watch the 92 minutes. I just think it could have been a lot more interesting. The DVD copy of this film is very easy to find and is cheap on Amazon.com. If you want to see another version of The BFG that is not the recently released and sadly flopping live-action version by Steven Spielberg, then you won’t be wasting too much time with this old animated gem. Now then, you might not be wasting your time with this movie, but you will feel like it’s a waste of time for the next movie as we look at A Wind Named Amnesia. Thanks for reading, I hope you liked the article, and I will see you next time.

Rating: Rent It