Worst to Best Animated films of 2017 Finale

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Here we are! The final part of the Worst to Best Animated Films of 2017! You know the drill. If you have not yet seen part 1, 2, or 3, then I will make sure to hyperlink them into this paragraph. The final stretch really showed how strong indie films were in 2017, and I hope more people are able to see them after this list. Now then, let’s get started!

 

10. The LEGO Batman Movie

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While it may have had too many hurdles to jump over during the award season to get nominated or win, LEGO Batman was still able to combine both a very funny comedy, a great homage/tribute to everything that is Batman, and still have a pretty good story attached to it with probably one of the best versions of the caped crusader.

9. My Entire High School Sinking into the Sea

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I don’t think 2017 will have a weirder or more entertaining dark comedy than My Entire High School Sinking into the Sea. It might have relied too much on abstract visuals in the third act, but I found this to be the best comedy in the animation scene of 2017. You just don’t see them get this weird and unusual.

8. Bird Boy and the Forgotten Children

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The foreign indie films got pretty dark in 2017, and Birdboy’s tackling of depression, drug abuse, struggling with inner demons, and death was probably the darkest film in terms of the animation scene. It might focus a bit too much on the symbolism at times, but the animation is beautiful, the atmosphere is somber, but hopeful, and it was just another great example of animation being able to tackle more adult subjects.

7. Napping Princess

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While it might mess up the mixing of both the dream and real world in the third act, I found myself loving Napping Princess. It was creative, it had good animation, the dialogue was funny, the characters endearing, and it was fun to get a non-anime franchise adventure film! I highly recommend this one!

6. The Girl Without Hands

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For a mostly one-man team, The Girl Without Hands is a beautiful and dark fantasy tale that actually warrants going into it with the mind of a child reading one of these fairy tales. It’s a gorgeous minimalist experience that is told through striking visuals. I wish more people got to see this visually stunning flick. Go out and buy a copy now!

5. In This Corner of the World

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To me, this was Shout! Factory saying that they want to be taken as seriously as GKids with foreign animation distribution. In This Corner of the World was a film that caught many off guard with the cute water color art style, but also combined it with the horrors of the bombs dropping on Japan. Yeah, it might be an intense thing to see such cute designs go through such horrific situations, but the story is still powerful, the female lead is a great character, and the animation is incredible. Definitely give this one a watch!

4. Loving Vincent

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While many indie/foreign animated features can go into the style-over-substance territory, Loving Vincent balances out its unique art style with a somber tale of trying to find reasoning behind the suicide of the famous painter. This is one of the few films of this decade that rightfully deserves being called unique. You can tell this was a loving passion project, as it respects and pays homage to the famous painter. It definitely deserved that Oscar-nomination.

3. Mary and the Witch’s Flower

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You could say that Studio Ponoc’s first film is a bit too reliant on Studio Ghibli tropes, but I welcome them with open arms. Yes, they should be able to stand out as their own studio, but until Ghibli is done with Miyazaki’s two films and Goro’s one film, I say let the Ghibli heritage run wild! Mary and the Witch’s Flower is a delightfully whimsical tale that was one of GKids most successful hits. It has great animation, another strong female lead, and it just made me smile while watching it. I’m fully on board with Studio Ponoc, and I can’t wait to see what they do next after Modest Heroes.

 2. Coco

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While Pixar has become more inconsistent with its quality, and the big fiasco and departure of John Lasseter, Coco still shows that when Pixar put their minds to it, they can craft a touching tale about family. Coco was one of the few films I saw back in 2017 that caught me off guard with how intimate it was. While it might not beat Inside Out or Up, Coco is one of Pixar’s top five best films!

1. The Breadwinner

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While there were many incredible animated-features in the foreign scene in 2017, The Breadwinner was the full package. It has incredible animation, a mature storyline, two different visual styles, had a great female director and producer, and was a powerful tale of perseverance in a troubled country. I was so mad that I was the only one in my theater when I saw this, because it truly deserved more love, to make more money, and to be seen by many more people. It’s as of this date, still on Netflix, and it’s available on DVD. Please do whatever you can, and go watch this incredible film. Good job Cartoon Saloon, you are three for three now.

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Worst to Best Animated Features of 2017 Part 3

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Here is Part 3 of the list! If you want to see part 1 and part 2, I have hyperlinked them in this sentence! I hope you all enjoy the next part of this list!

18. Justice League: Dark

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Maybe it was the fact that the 2016 line-up of DC-animated films was not that great, but Justice League: Dark was such an improvement on the other films from 2016. It had a more consistent and dark tone, I liked the character dynamics more, and the action was way better than most, because of all of the magic use. Sure, the main threat was a bore, but I’m fine with any way we can fit Alfred Molina and Constantine into a movie together.

17. My Little Pony the Movie

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I understand why this film didn’t really make a splash, but for a film based on a TV show, I found it enjoyable. It might not have hit every point of why people love this incarnation of the franchise, but it was a solid action-adventure romp. It struggled to mix 2D and CGI together, and the main villain was, just like Justice League: Dark, was not the best, but I had fun with this movie. I liked the jokes, most of the characters, and it was just good to see a 2D animated film in theaters.

16. Batman vs. Two-Face

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The last film the great Adam West was cast in is a wonderful sendoff to one of the most iconic actors of the past. It was a story that was able to pace itself better, the jokes and more serious moments were balanced out, the character chemistry was just right, and the animation looked great. It’s a fantastic DC-animated feature, and I highly recommend checking out this one last hurrah for Adam West.

15. Ocean Waves

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On one hand, I can understand why this film took so long to come over to the states. It’s not the most whimsical film, it doesn’t really have the more fantastical elements of a Miyazaki or Takahata, and we don’t even get an English dub in the official release. However, I still found myself enjoying this movie. I liked following the teens in the film through romance and maturing into adults. Even though Ghibli never let something like this happen again, where they had the younger staff members make a movie, I still enjoyed Ocean Waves.

14. The LEGO Ninjago Movie

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Listen, I think in the long run, it was the best thing to not connect it to the TV show. It was a good idea to make this stand on its own. It might be the third best LEGO Movie of the theatrically-released films, and it might not have the same depth as LEGO Batman or the original LEGO Movie, but I still had a blast with the action, the writing, and the fairly solid voice acting. Hopefully the new upcoming LEGO film can put everything back on track.

13. A Silent Voice

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While it has its problems in pacing, and a few characters that either don’t do anything, or don’t get a proper consequence handed to their behavior in the entire film, A Silent Voice is a powerful film about redemption and understanding one another. Along with the incredible soundtrack, it’s an emotional roller coaster with its ups and downs with a pretty satisfying arc for a majority of the characters. I think I even prefer it over Your Name. Now then, Elevenarts, you need to actually release this movie on DVD now!

12. Window Horses

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This was easily one of the more unique offerings during the 2017 animation scene. While you can definitely compare it to The Prophet, with different directors directing different poetry sequences, it’s a more personal story about finding oneself, and the power of family. Do not let the art style turn you away from one of the more diverse and unique animated offerings of this decade. Sandra Oh did a great job with this movie, and I hope she tries out other projects like this in the future.

11. Ethel & Ernest

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Yeah, this art style should be instantly recognizable to anyone who has seen the classic Christmas short, The Snowman, because this film is Raymond Briggs focusing on the life of his father and mother. The story focuses on them as they go through the time they first met, through World War II, and up to their deaths. It’s a charming and charismatic movie that I wish more people knew about. It’s beautifully animated with some great performances and incredibly touching scenes. It’s only available on DVD, which is a shame, but if you see it, please do pick up a copy of this film.

Worst to Best Animated Features of 2017 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome to part 2 of the list! If you have not yet read part 1, then please do so to see films that will not be on this part of the list. We are counting down from the worst to best of the animation offerings from 2017!

28. The Nut Job 2

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While it’s a marginally better sequel with better animation, better physical gags, a decent villain, and more entertaining voice work, it’s still not much better than the original. It’s still annoying, filled with annoying characters, and underutilizes its gimmicks. The Jackie Chan mouse is barely used. If you are going to have Jackie Chan, use him! Plus, this was only greenlit because the first one made money in a slow month back in 2014. Well, I hope the company that’s going under hoped it was worth the cash they spent and lost on it.

27. Batman & Harley Quinn

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While slightly better than many of the mediocre DC-animated features, it’s still a mess, no matter how you look at it. Most of the jokes don’t work, it’s too focused on Harley Quinn fan service, the story abruptly ends, and the animation quality dropped a lot in certain scenes. However, when the jokes did land, it was a laugh riot, and probably has one of the best mid-credit scenes out of any DC movie. It’s also always nice to see Kevin Conroy as Batman. Not the best, but not the worst, it’s pretty much okay.

26. Blame!

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It might have some fun fight sequences, some creepy designs, and a decent twist that caught me off-guard, this film works better as a world-builder than anything else. I didn’t care much for the characters, the animation was clunky, and sometimes, it looked like they duplicated character models. It has its moments, but I can see why this one got buried.

25. Smurfs: The Lost Village

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Man, even being the best of the films based on the Smurfs franchise still doesn’t mean much. It has visually beautiful animation, pleasant designs, good voice work, and some likable characters, but it seemed like they stopped halfway through production, and made it another forgettable animated feature. I do like a couple of aspects of it, but it still could have been better.

24. The Boss Baby

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I do think the hate this film got back then and still does is a bit much. It’s really not a bad movie. It has some of the best animation from 2017, some good laughs, and physical comedy that made me watch it as a film to just turn on and chill to. However, I still found the emotional investment of the characters to be lacking, because I never cared about what happened. It also shouldn’t have been nominated for Best Animated Feature, but it’s been almost a year now, and it’s time to let that go. I’m also not really looking forward to the sequel, but I hope it can be just as zany and visually entertaining as this one.

23. Despicable Me 3

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Man, this franchise got to the third film fast! While I think it’s technically the best one of the franchise, with great animation, a fun villain, the Minions not being in the film a lot, and Gru still being the best character of this entire franchise, it still falls flat. It had so many potential story arcs that it could have been fleshed out, but it chose to be the safest animated feature of 2017. Sooner or later, Illumination, you will need to start putting more emotional effort into your films, or people are going to get tired of the Minions and this franchise fast.

22. Cars 3

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Speaking of being the best film in an alright franchise, Cars 3 was a surprise. While it has its own pacing problems, more wasted potential with its story and villains, it also has the best animation, some of the story moments were touching, and Lightning is more worthy of my time than in the other films. It’s still the final film in a trilogy that gave Pixar their first official bad movie, but still.

21. Ferdinand

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While I can definitely still be mad that this film wimped out on its more serious tone, it’s forced family film tropes, and how it also shouldn’t have been nominated for Best Animated Feature, I still found myself really enjoying Ferdinand. It has some of Blue Sky’s most likable characters, best voice work, and some of the darkest story moments. I just wish it committed to its tone and not take the easy way out.

20. Teen Titans: The Judas Contract

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I could complain about how Brother Blood is a weak character, and the fact that if you have seen the 2000s Teen Titans show, or read the comic, you will know what happens, and they kind of kept one of the ickier parts of that storyline partly in the film. Outside of that, it’s still a pretty good flick! It gives the rest of the team time to be fleshed out, the action is great, the writing is better, and Damian isn’t the lead character! It did essentially sequel-bait as well, but overall, I still enjoyed this DC venture, and I hope the next film is even better.

19. Captain Underpants

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Now, we are heading into the films I loved from this year. Captain Underpants must be one of the biggest comedic surprises from last year. It had vibrant and wonderful animation, great jokes, was hugely entertaining to watch, and it was all done with a budget of $30 mil! That’s incredible! Sure, it had a few jokes that didn’t land, and its humor is not super original, but I find myself watching this film a lot!

Worst to Best Animated Features of 2017 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

I apologize for this being so late, but here we are! This is the Worst to Best of Animated Films from 2017! It’s easy to look at 2017, and see it as not that fantastic of a year for animation. There was very little to be excited about, and it felt like the big studios dumped all of their filler projects in one year. It definitely looks inferior, compared to 2018’s line-up of animated films. However, looking past the big budget film scene that honestly had only two good animated features, the indie/foreign scene in 2017 was actually drop-dead amazing. It might actually be the strongest year for indie/foreign films since 2013. As usual, the rules are the same for these lists. They must have been released in the states in 2017. They also must be a part of the Oscar submission list. I sadly won’t be able to get to The Big Bad Fox, because GKids is, for one reason or another, not putting that film out yet, and I simply do not have the time to wait any longer to see it. I won’t tackle any direct-to-video films unless they are the DC-animated features, or if they are a big deal. Let’s get started!

39. Guardian Brothers

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Man, talk about a pointless film. While the original Chinese version is not that great either, at least it had a point to it. The Weinstein cut took out the one theme that made the film worthwhile, and they made it a bland, boring, obnoxious, cynical, and utterly pointless animated feature. It has decent animation, but it’s nowhere near as impressive as China’s Big Fish & Begonia. Screw this movie, and screw the Weinsteins for being utter garbage people, and utter garbage animation distributors. I am so happy they are gone.

38. Spark: a Space Tail

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The only thing this film has going for it, is that it was not Guardian Brothers. It was at the very least, presented as intended. It’s still a horrible film though, with bland visuals, boring jokes, unlikable characters, and generic action. It’s also one of two films from 2017 that wasted the talent of Sir Patrick Stewart. I saw no reason why this film needed to get made, when it’s full of nothing original or creative. Maybe Open Road Films will make sure to pick up better films in the future, but for now, they need to find something more worth their time.

37. A Stork’s Journey

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While I commend German animators trying out CGI theatrical animation, it helps when you have a thought-out film. This film’s CGI is ugly, the animation looks unfinished, and the characters are either forgettable or unlikable. I hated these characters, and they were a real reason why this film did not work. I liked the owl and her backstory, but that one character alone is not worth watching this film that Lionsgate thought was a good idea to bring over.  I also wish Lionsgate would stop thinking that just because a YouTuber is in it, it means people will buy it. 

36. The Deep

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This film is insane. While it has slightly better textures and animation than A Stork’s Journey, the lead character is just as bad. He is a selfish, inconsiderate brat. The film also doesn’t know how to make its world-building  sound logical with what happens in the third or so act. The only reason it’s above A Stork’s Journey is purely because of technical aspects. It actually doesn’t look that terrible for a very limited/straight-to-video release. It also outright lies about saying the people that worked on Madagascar made this film, when I couldn’t find anything about them. Unless proven otherwise, they lied in their marketing.

35. Leap!

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While not the worst of the Weinstein-distributed animated films with the least amount changed, it doesn’t mean it’s good. I can see it being a guilty pleasure, or a favorite among young kids, but it’s an awfully forgettable experience. The characters are not that memorable, it’s predictable, the music is not catchy, the acting was a touch annoying, and there were story points that felt out of place. While the animation was better than most films, the super-realistic textures to everything made more comedic moments look creepy and unrealistic. The dancing is sort of nice, and I didn’t hate the lead character, but if Hollywood wants to advertise great European animated films, they should have pushed The Little Prince and the many French films GKids brought over, like The Girl Without Hands, more than this forgettable, if ultimately harmless film.

34. The Emoji Movie

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Yes, if I was only doing the major releases, this would be the worst of the animated films. Yes, it’s cynical, uncreative, boring, and annoying. However, how many people actually saw this film from beginning to end? Yes it’s a horrible movie that Sony shouldn’t have rushed out and put into theaters, but at the same time, no one really talks about it anymore. It’s bad, but it never had any long-lasting value, outside of being infamous on the internet. It’s still nicely animated, and I liked some lines and sequences, but yeah, this movie is not good.

33. Seoul Station

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Listen, there is nothing wrong with a prequel story. They can add more lore and world-building to the original film. However, Seoul Station fails as a prequel. It doesn’t truly say how the outbreak in Train to Busan happened, the characters they focus on are bland, the story doesn’t really do all that much to add to Train to Busan, the animation is stiff, and the dialogue is not all that great. I wish I liked this more, because I think Asian countries outside of Japan can make some truly good work. I just don’t think this is one of them. It’s real only highlight is that you get to see an animated film that is a horror flick. You don’t get to see that often in the animation scene.

32. Nerdland

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You would think a comedy starring Patton Oswalt and Paul Rudd would be amazing, but this was not. You can tell this product flip-flopped in development. The characters weren’t all that likable, the jokes didn’t really land, and its depiction of Los Angeles was boring and typical. However, I do like the art direction, and when it was funny, it was really funny. I just wish I could have been more positive about the film, but I’m not going to give it a pass, because it happens to have two of my favorite actors in it.

31. Sahara

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I was honestly curious about this one. I was surprised to see Netflix bring it onboard for the US, and was wondering why they didn’t really advertise it. Well, once you watch it, you will see why. The English dub was so obnoxious, that I had to switch it over to the original French dub. The animation was not all that great, and the story was cluttered and forgettable. I liked some of the color usage, some of the dancing, and the few quiet moments, but they weren’t enough to make this a good experience.

30. The Star

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Boy, did this not need to be in theaters. If this was on Netflix from the start, that would have been fine. It’s probably the most positive of the Christian-based family films, and even with a $20 mil budget, its animation is not super terrible. However, it was still not all that funny, the story was boring, the side characters were too many and not at all entertaining, and I just felt badly for the cast that had to be in this movie. Again, it’s harmless, but there was no real reason this had to be in theaters.

29. Rock Dog

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 This movie’s development history, Lewis Black, and Eddie Izzard are the only good/interesting aspects to this film. The lead is bland, the film needed a bit more cash to polish out the animation, and it was a mess story-wise. It felt like it didn’t know what it wanted to be, so it copied a bunch of other elements from other and way better films. It has its moments, and I like the song at the end, but sadly, when this is one of Lionsgate’s better animated offerings, you know something is up with this film.

 

Stay tuned for Part two in the future!