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As we head into the late stage of studios doubling down on either something that can be cheap and made on a production line, or throwing money at ideas and properties that everyone knows about, the importance of supporting and rooting for original properties is becoming even more of a thing. At this point, an original film is something that isn’t based on a pre-existing property. You would think that so many have gone and seen the big franchise anime films and having them become hits would lead to more people going to see original films that get brought over, but they don’t. It comes off as cinema-goers and anime fans are too afraid to be more adventurous with film-watching and supporting non-franchise-based films. Listen, it’s okay to like them, but if you genuinely want more anime to be seen and released in theaters, then you need to be able to support the ones that are not tied down to something familiar. How boring would filmgoing be if it was just franchise fodder? It’s a shame so many viewers are not that adventurous or are all that supportive of original properties, because many fantastic films get released every year. Sure, it’s a good idea for the distributors to also make sure as many people can see them as possible and not just limit them to major cities, but filmgoers share the responsibility as well. Don’t just go and see whatever big franchise film gets put into theaters. You need to go and support films like Goodbye Don Glees as well.
Directed and written by Atsuko Ishizuka, this film is animated by Studio Madhouse. We follow the tale of three friends. They are Roma Kamogawa, dubbed by Adam McArthur, Hokuto Mitarai, dubbed by Nick Wolfhard, and Shizuku Sakuma, dubbed by Jonathan Leon. The three of them live in a small rural town in the countryside, and hope for lives outside of the city. Unfortunately, when a fire breaks out in the forest near the town where they live, they are for some reason blamed for it, and the trio of heroes go on a journey in the countryside to find a way to prove their innocence.
So, you know how the metaphorical and literal igniting point of this film is the fire that the three are blamed for? Well, that’s the throughline of the entire story, but it’s not really about the fire if that makes sense. The film only really focuses on our main three characters, which results in a cast of side characters who really don’t get much development outside of one character that is connected to Roma’s personal arc in the story. Instead, the film doubles down on focusing on the three boys, and the real story is a coming-of-age story about what the three find important in their lives. What is the treasure that drives them and their goals in life? What is their ultimate adventure and the endgame of what they want to do? It’s a shockingly complex story, and the three leads work well off of one another. It finds a lot of time during its 90 mins to let the three relax and show off their friendship or reignite said friendship during some incredible moments. The three of them really do act like realistic teenagers and what they define as what it means to become more adult. It’s hard or really rare to find a film that has more grounded takes on teenagers, and it’s refreshing to see it here. I like that we have had a couple of films this year where the teens actually act like real teens or preteens as in the case of Turning Red. It shouldn’t be shocking due to this being the same director as A Place Further Than the Universe, but it’s nice to see other filmmakers from time to time show that they know how to write teenagers. It will even hit you with one emotional gut punch after another in the third act, so be ready.
For the animation, Studio Madhouse did their usual fantastic work with some expressive and detailed character animations and incredible environmental backgrounds. Due to the location, it results in a very nature-driven world where every kind of green can be seen that meshes into a world full of nature growing around the land itself, and at certain points, man-made paths, and vehicles covered in grass. There are some scenes that are truly and utterly awe-inspiring. It’s a shame this film only got a Fathom Event release, because this film looks incredible, and you know the big screens would have made this film pop. It’s always the same problem with Fathom Events, because there are so few screenings. The designs of the humans were handled by Takahiro Yoshimatsu, who worked on titles such as Desert Punk, Overlord, and A Place Further Than the Universe. He brings some very appealing looks for our three leads, and each of them stands out in their own ways from Roma’s touches of red in his clothes, the fabulous hair of Hokuto, and Shizuku’s iconic jacket. As usual, it’s a gorgeous film and it results in some of 2022’s most awe-inspiring moments. Voice acting-wise, the English dub is good, as we have a cast that includes some fairly well-known anime voice actors and one celebrity voice with Wolfhard. The overall cast includes Adam McArthur, Nick Wolfhard, Jonathan Leon, Victoria Grace, Alan Lee, and Stephanie Sheh. The music by Yoshiaki Fujisawa offers a combination of tunes that ranges from streams of ethereal nature to some quirky tunes to use for jokes and some emotional “gut punch” tunes that play when you least expect them. It feels different from the composer’s other work that includes Estab Life, Engage Kiss, Love Live Superstar!, and Isekai Cheat Magician.
Goodbye Don Glees is a surprisingly complex and endearing coming-of-age film about friendship between three boys that discover not only a way to save their lives, but also what drives their personal goals in life and their friendship. They set out to find that treasure that they hold near and dear to them. It’s a fantastic film that if you can find a way to see it on the big screen, do so. Otherwise, pick it up on Blu-ray to watch his charming story of friendship and life. Now then, we will now go on a journey via an ocean-bound apartment building via Drifting Home.