(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)
When I wrote my editorial about The Weinstein Company, and how awful of an animation distributor they were, a few days later, they announced that they were going to open up a new animation distribution branch that will specifically handle animated films. This raised so many red flags, but against my more moral judgement, I decided to give them a chance. As much as I get annoyed with certain studios like Illumination or Blue Sky, I never want them to fail. Even my anger with Lionsgate is more to the fact that I want them to stop bringing over everything just because it’s cheap and affordable. I want studios and distributors to succeed because when they do something good, it should be rewarded. Too bad The Weinsteins lost that one chance in one move with the 110th review, Guardian Brothers. As a rule, I only look at infamous bombs, successes, and failures as every 10th review, since I would rather talk about awesome stuff, and not be tied to looking at only “bad” stuff. So, what’s so bad about this one? Well, this was supposed to be the next “big” animated film to be brought over by The Weinsteins. It had a large cast, including Edward Norton, Meryl Streep, Dan Fogler, Bella Thorne, and Nicole Kidman. I mean, that sounds impressive for a film to have that cast. Hopefully it means that the film is such a monumentally amazing product that they wouldn’t even dare just slip it onto Netflix with no one knowing unless someone said something, right? Yeah, if you couldn’t tell by that “oh so subtle” amount of sarcasm, they slipped it onto Netflix like they did with Underdogs. Kind of makes you wonder why they cared at all to bring this over, chop it up, and spend that money hiring those big actors if they are just going to act like cowards, and release it with no one to know that they did such a thing. Before we start, I wanted to be fair with this film, so I watched both the original Chinese version, and The Weinstein version. So, heads up to the fact that I’m going to be comparing the two. Oh, and screw The Weinsteins. Well, let’s get started.
The film follows two brothers named Yu Lei and Shen Tu, voiced by Edward Norton and Dan Folger. They are gods that are feeling unloved by the humans, because no one is worshipping them for what they represent in the human’s lives. They then get taught about how they could possibly gain back the love and popularity with the humans, by adapting with the changing times. Unfortunately, they decided to shrug that off, because as you know, people fear change. Luckily, they get told of a different solution. The solution may come in the form of an evil spirit that was sealed in earth, after being defeated many years ago. Yu Lei decides to take on this task, while his brother Shen Tu gets involved with trying to stop him, but also deal with a mother and daughter who are the only humans who keep their presence around, even as the world moves forward. Can Shen Tu stop his brother from unleashing a terrible evil? Can the gods find a way for humans to love them again?
So, let’s just do a quick review of the original movie. I have to talk about the original first, because a lot of my complaints come from how Weinstein and his inept crew of animation individuals handled this movie. The original movie was called Little Door Gods. It was around 100 or so minutes, and to be frank, the movie is mediocre. It’s a film with a horrible pacing problem, jumping between Shen Tu interacting with the humans, and him trying to stop his brother from unleashing an ultimate evil. This is on top of the mother and daughter characters trying to stop a franchise mogul from taking over their restaurant. It ultimately takes away the stakes, due to how much the plot jumps around. It’s too much going on, and you don’t even see this large evil spirit until 15 minutes before the movie ends. Overall, the best part about the movie was the moral. Times change, and you need to adapt to the change, but you can still respect the past. It’s an interesting story element, and it gives the film a reason to exist. It’s like Meet the Robinsons or Monster’s University, two films that are not really that good, but have great morals near the end of their respective runtimes. It made slugging through the film less of a waste of time.
Now, what do the Weinsteins do with this film? Well, you know the entire point of the film was to embrace change, but to stay true to yourself, and respect the past? Well, too bad if that was your favorite part! They entirely rewrote the script, and took out those aspects. So, what do you get? Not a whole lot. You still get the whole evil spirit plot point, but the overall story feels hollow. You can obviously tell they cut scenes to be shorter, or cut out scenes entirely. There is a great example of this stupid scene cutting, when Shen Tu and the little girl go get the health inspector, and the health inspector reminisces about a costume party that you never get to see. You even see a snippet of that scene in the end credits. Like, why cut it out? Granted, a lot of the film was padded to fill the runtime, but if you are going to cut a scene, then make sure it’s a scene that has no value to the overarching story. It doesn’t help that the film has all the cringe-inducing additions of a Weinstein-distributed animated film. They force in jokes, pop songs, and a terrible voice-over dub. For a film starring such a huge cast of actors, you would think they would care about their performances, but it sounds like they cranked out the dub in a day, found out Leap! didn’t do well in the box office, and just used the first take for the film, and shoved the film onto Netflix, with no warning or advertisement.
Seriously, why was this film picked up? This was supposed to be the flagship title under the Weinstein’s new animated feature label, and yet, they just shoved it onto Netflix, with no one knowing unless you are in the animation scene. They already had the worst reputation in animation, and they made it worse by forcing this movie out. Even with the edits they made, it doesn’t fix anything. The movie was already flawed, so by editing it, the flaws are more apparent, and you don’t end up with a better product. It’s still a boring movie to watch, and all the added “benefits” don’t improve it. Animation has come so far since its inception, and the Weinsteins act like this is still 2001 when Shrek came out. Are you that ashamed that you started an animation branch, and knew Guardian Brothers wasn’t going to go over well?
So, is there anything really good about the Weinstein version or the original version? I mean, kind of. While films like Kung Fu Panda 3 have better fight scenes, Guardian Brothers still has some scenes where the action is pretty decent. The last fight against the evil spirit is creative at points, and even though this next praise is only for the original version, I still like the moral of having to confront change, since I know that is hard for a lot of people. The animation, while not theatrical quality at all, is still better than most Chinese-theatrical animated films. You can tell they wanted this to look good. You can tell the country wants to make more films with the effort that Pixar puts into their films. It’s not there yet with Chinese-theatrical animation, but I respect that they are at least trying. That is something the Weinsteins have never done with animated films.
It was challenging to know how to grade this movie. On one hand, it’s not a great movie, but the original is harmless. The Weinstein version is a chore to watch for a load of other reasons, and for their first flagship title under their short-lived animation branch, they messed up. They made a mediocre film worse, by simply removing the moral of the original film and simplifying everything. When you have an actress like Meryl Streep in the movie, and fail to use her, you know something is broken beyond repair. As much as I hate Spark: A Space Tail, it was, at the very least, presented as intended. Guardian Brothers was not, and it’s a worse film for it. Avoid it at all cost, and just watch or buy the Kung Fu Panda trilogy if you want some Chinese-themed action films with good stories, characters, and fight sequences. Well, it’s Christmas time, and this year, things are about to get a lot more oversaturated and yellow as we review the Despicable Me franchise with their first film. Thanks for reading! I hope you all enjoyed the review, and I will see you next time.
Rating: Blacklist/The Worst!