Worst to Best Animated Features of 2017 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

I apologize for this being so late, but here we are! This is the Worst to Best of Animated Films from 2017! It’s easy to look at 2017, and see it as not that fantastic of a year for animation. There was very little to be excited about, and it felt like the big studios dumped all of their filler projects in one year. It definitely looks inferior, compared to 2018’s line-up of animated films. However, looking past the big budget film scene that honestly had only two good animated features, the indie/foreign scene in 2017 was actually drop-dead amazing. It might actually be the strongest year for indie/foreign films since 2013. As usual, the rules are the same for these lists. They must have been released in the states in 2017. They also must be a part of the Oscar submission list. I sadly won’t be able to get to The Big Bad Fox, because GKids is, for one reason or another, not putting that film out yet, and I simply do not have the time to wait any longer to see it. I won’t tackle any direct-to-video films unless they are the DC-animated features, or if they are a big deal. Let’s get started!

39. Guardian Brothers

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Man, talk about a pointless film. While the original Chinese version is not that great either, at least it had a point to it. The Weinstein cut took out the one theme that made the film worthwhile, and they made it a bland, boring, obnoxious, cynical, and utterly pointless animated feature. It has decent animation, but it’s nowhere near as impressive as China’s Big Fish & Begonia. Screw this movie, and screw the Weinsteins for being utter garbage people, and utter garbage animation distributors. I am so happy they are gone.

38. Spark: a Space Tail

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The only thing this film has going for it, is that it was not Guardian Brothers. It was at the very least, presented as intended. It’s still a horrible film though, with bland visuals, boring jokes, unlikable characters, and generic action. It’s also one of two films from 2017 that wasted the talent of Sir Patrick Stewart. I saw no reason why this film needed to get made, when it’s full of nothing original or creative. Maybe Open Road Films will make sure to pick up better films in the future, but for now, they need to find something more worth their time.

37. A Stork’s Journey

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While I commend German animators trying out CGI theatrical animation, it helps when you have a thought-out film. This film’s CGI is ugly, the animation looks unfinished, and the characters are either forgettable or unlikable. I hated these characters, and they were a real reason why this film did not work. I liked the owl and her backstory, but that one character alone is not worth watching this film that Lionsgate thought was a good idea to bring over.  I also wish Lionsgate would stop thinking that just because a YouTuber is in it, it means people will buy it. 

36. The Deep

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This film is insane. While it has slightly better textures and animation than A Stork’s Journey, the lead character is just as bad. He is a selfish, inconsiderate brat. The film also doesn’t know how to make its world-building  sound logical with what happens in the third or so act. The only reason it’s above A Stork’s Journey is purely because of technical aspects. It actually doesn’t look that terrible for a very limited/straight-to-video release. It also outright lies about saying the people that worked on Madagascar made this film, when I couldn’t find anything about them. Unless proven otherwise, they lied in their marketing.

35. Leap!

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While not the worst of the Weinstein-distributed animated films with the least amount changed, it doesn’t mean it’s good. I can see it being a guilty pleasure, or a favorite among young kids, but it’s an awfully forgettable experience. The characters are not that memorable, it’s predictable, the music is not catchy, the acting was a touch annoying, and there were story points that felt out of place. While the animation was better than most films, the super-realistic textures to everything made more comedic moments look creepy and unrealistic. The dancing is sort of nice, and I didn’t hate the lead character, but if Hollywood wants to advertise great European animated films, they should have pushed The Little Prince and the many French films GKids brought over, like The Girl Without Hands, more than this forgettable, if ultimately harmless film.

34. The Emoji Movie

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Yes, if I was only doing the major releases, this would be the worst of the animated films. Yes, it’s cynical, uncreative, boring, and annoying. However, how many people actually saw this film from beginning to end? Yes it’s a horrible movie that Sony shouldn’t have rushed out and put into theaters, but at the same time, no one really talks about it anymore. It’s bad, but it never had any long-lasting value, outside of being infamous on the internet. It’s still nicely animated, and I liked some lines and sequences, but yeah, this movie is not good.

33. Seoul Station

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Listen, there is nothing wrong with a prequel story. They can add more lore and world-building to the original film. However, Seoul Station fails as a prequel. It doesn’t truly say how the outbreak in Train to Busan happened, the characters they focus on are bland, the story doesn’t really do all that much to add to Train to Busan, the animation is stiff, and the dialogue is not all that great. I wish I liked this more, because I think Asian countries outside of Japan can make some truly good work. I just don’t think this is one of them. It’s real only highlight is that you get to see an animated film that is a horror flick. You don’t get to see that often in the animation scene.

32. Nerdland

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You would think a comedy starring Patton Oswalt and Paul Rudd would be amazing, but this was not. You can tell this product flip-flopped in development. The characters weren’t all that likable, the jokes didn’t really land, and its depiction of Los Angeles was boring and typical. However, I do like the art direction, and when it was funny, it was really funny. I just wish I could have been more positive about the film, but I’m not going to give it a pass, because it happens to have two of my favorite actors in it.

31. Sahara

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I was honestly curious about this one. I was surprised to see Netflix bring it onboard for the US, and was wondering why they didn’t really advertise it. Well, once you watch it, you will see why. The English dub was so obnoxious, that I had to switch it over to the original French dub. The animation was not all that great, and the story was cluttered and forgettable. I liked some of the color usage, some of the dancing, and the few quiet moments, but they weren’t enough to make this a good experience.

30. The Star

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Boy, did this not need to be in theaters. If this was on Netflix from the start, that would have been fine. It’s probably the most positive of the Christian-based family films, and even with a $20 mil budget, its animation is not super terrible. However, it was still not all that funny, the story was boring, the side characters were too many and not at all entertaining, and I just felt badly for the cast that had to be in this movie. Again, it’s harmless, but there was no real reason this had to be in theaters.

29. Rock Dog

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 This movie’s development history, Lewis Black, and Eddie Izzard are the only good/interesting aspects to this film. The lead is bland, the film needed a bit more cash to polish out the animation, and it was a mess story-wise. It felt like it didn’t know what it wanted to be, so it copied a bunch of other elements from other and way better films. It has its moments, and I like the song at the end, but sadly, when this is one of Lionsgate’s better animated offerings, you know something is up with this film.

 

Stay tuned for Part two in the future!

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My Two Cents On The Submissions For Best Animated Feature at the 90th Academy Awards.

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

The recent line-up of animated feature films for the Oscars next year have popped up, and for the first time, I decided to break down the chances each of the contenders have to make it into the five spots. Overall, the line-up is pretty strong! I know that sounds weird, since the mainstream big budget films from the bigger studios have not been all that great, but if you look at the indie film offerings, you have quite possibly, the best line-up of smaller animated films of this decade so far. It’s probably just as good as 2013 with the wide variety of indie animation. Now then, I’m going to break it down into different categories with films that have spots already filled, films that have amazing chances, films that might have a chance, and films that have no chance. Little side note, I find it hilarious that none of the Weinstein-animated films like Guardian Brothers and Leap! are not on the list. Thankfully, that is great, because screw Harvey Weinstein and his horrible take on animated films. Now then, let’s get started!

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100% Certified Spots

Coco*: While it just came out, the amazing amount of hype this film has gotten and the early positive previews, this is probably the only Pixar film that has a chance at making it into one of the five sacred slots for Best Animated Feature. Plus, it just looks like a great movie. Way more than most of the films released this year from bigger companies.

* Despite the recent controversy of now ex-head of Pixar John Lasseter’s leave because of allegations, I don’t think it would be fair for everyone else who made Coco suffer because of his actions.

Loving Vincent: While not getting as wide of a release as Coco or other big animated films, Loving Vincent has been a critical darling and a constantly talked about movie since making its runs in festivals. Plus, winning one of the three major prizes at Annecy Film Festival sounds good as well. It’s just a unique film that has caught the film world by storm.

The Breadwinner: We have a movie being made by a veteran of the Best Animated Features section, Cartoon Saloon, which had The Secret of Kells and Song of the Sea nominated, the distributor GKids, and so much universal acclaim from reviewers and people who have seen it combined, it would be a shock if this didn’t make it onto the shortlist. Plus, it got a lot of attention during the Animation is Film Festival, and won the main prize there.

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75% Possible Contenders

In This Corner of the World: Lots of festival buzz and highly positive reviews. It probably has the best chance out of Japanese animated films, besides Mary and the Witch’s Flower. Plus, what Academy voter doesn’t love a war time-era film?

The Big Bad Fox & Other Tales: It’s being directed by one of the directors of the Oscar-nominated Ernest & Celestine. Plus, it’s under the GKids banner, and they have had two or so films in the running before for Best Animated Feature. Though I am concerned with how it doesn’t have an official release date yet for 2018, I would hate for it to be viewable after the awards.

The Girl Without Hands: Another festival favorite, and an almost entirely a one-man job. That alone is very noteworthy. Plus, high reviews and again, GKids. The beautiful and stylized animation doesn’t hurt either.

Mary and the Witch’s Flower: Let’s check off the boxes. GKids? Check! Made by ex-Studio Ghibli individuals? Check! Director of Oscar-nominated When Marnie Was There? Check! I think that covers it. Though I’m concerned that the release is just a month away from the awards, but we shall see.

Birdboy: The Forgotten Children: Another well-received animated film being distributed by GKids, and won a couple of awards including the GOYA award for Best Animated Feature, and has gotten mileage for being an animated film with a twisted edge to it and dark themes under the cute designs.

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50% Maybe?

Ethel & Ernest: As much as I love this movie when I watched it, with no real release date, I don’t know if its legacy as Raymond Brigg’s work will make it noteworthy enough to make it into the sacred five slots. I love this movie, but man, they should do something to compete.

A Silent Voice: I loved this movie, and I think it has more of a chance than Your Name did last year, because it was released in theaters in the states months before the award show, but that might not be enough, since most people, unless they are film or animation fans, know a lot about this movie. The biggest amount of coverage it got was when it beat out Your Name as Best Animated Film of 2016 from the Japan Movie Critics Award. I just hope the distributor in charge of the theater distribution for this film makes a big enough push for more people to see it.

Cinderella the Cat: To be perfectly honest, this was a surprise to see on the list. I have been following this film for a while, and all I know about it is the positive reception it has alongside that one review from Variety.com. However, since there has been no news on a US distributor, I don’t know how much its positive foreign reception will win people over.

Window Horses The Poetic Persian Epiphany of Rosie Ming: This is a cute and utterly charming movie about a girl trying to find peace for herself, while finding her father. I don’t hear too many people talking about this one, but it has enough festival buzz for a chance to make it, but it’s an uphill battle to get past some of the other indie/foreign films.

The LEGO Batman Movie: While I do love this movie, and think it came out at the right time, due to people still grieving about what happened three months earlier in 2016, the original didn’t get nominated (still sort of annoyed by that), so what chance does this one have? Plus, while I do love it, it’s not as good as The LEGO Movie. It doesn’t have the full heart and soul the previous film had. It’s a great and hugely entertaining watch, but I don’t know if they will give it a pity vote.

Napping Princess: Personally, this is one of my favorite movies to watch in 2017. However, it’s probably the GKids film, along with another on the list, to get the least amount of talk or push. It’s a fun adventure movie with some great characters and sequences, and some festival buzz, but it’s critically one of the less loved films of the 2017-distributed GKids films. Not going to stop me from enjoying it, but I can see it having more of a struggle than the others that I listed above.

Captain Underpants: This was one of the biggest surprises of the year, and while I am confident in putting it in the 50% range, it would sound odd, wouldn’t it? Oscar-nominated Captain Underpants. I don’t know how they will take this one seriously enough to consider it.

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25% Very Slim Chances

The LEGO Ninjago Movie: While it was still much better than most of the films on this list, it was also the least liked of the three films, and underperformed. It wasn’t a bomb, but it did not rake in as much cash as they were expecting. Plus, it’s the only one that you can consider to be more of a cash grab than the others. It also has the weakest story and writing out of the three LEGO Movies.

The Boss Baby: This film is mostly noteworthy for coming out around the same time as Alec Baldwin’s Donald Trump skits became the funniest bits of comedy for a while, so that probably helped push this movie’s financial success, but outside of that, the film itself was not well received, and in general is not regarded as one of the best animated films of the year. I know some have put it high on their list, but that’s only because they haven’t seen many movies.

Cars 3: Unlike The Boss Baby or the next entry, Cars 3 doesn’t have that much to say “yeah, this movie deserves an Oscar!” it’s more emotionally investing than the second film, but it still has a slew of problems in terms of its story and the ending. Plus, it underperformed because nobody wanted another flipping Cars movie! It’s not a horrible film, but I doubt it will have a chance.

Despicable Me 3: While a financial hit all over the world, Despicable Me 3 has too much going against it. For one, the story is not great, the characters are now barely there, and any advantages they had with improving or pushing the story forward, they don’t take, and just keep staying in that safe circle because it worked for them in the past. Sure, they got one nomination with Despicable Me 2, but that was a pity nomination in a rather underwhelming year. If SING and The Secret Life of Pets couldn’t get a nomination, then Despicable Me 3 won’t either.

Ferdinand: Listen, I don’t like picking on Blue Sky Studios, because I think they are a super talented group of people. However, they are having the same problems as Illumination Entertainment has. It’s why I put Ferdinand low on the list. Granted, the movie looks better than a lot of their offerings, but I just can’t find myself trusting that it’s going to be a great movie. Plus, Blue Sky doesn’t have much notoriety in the Oscar races.

My Entire High School Sinking into the Sea: I love this movie. It’s still my favorite animated comedy of 2017 so far, but looking at it now compared to the other contenders, I don’t see it getting nominated. It would be awesome, and GKids is behind it, but it’s too indie for its own good, and I think GKids has had better animated offerings now than back then.

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0% No Chance in Hades

The Emoji Movie: Come on, I might not think it’s the worst animated film of the year (that goes to The Guardian Brothers), but it’s still really terrible, and it has no chance in Hades in making it. Even when Sony sort of knows it doesn’t have a chance, then that is saying something.

Sword Arts Online: The Movie – Ordinal Scale: Yeah, sorry, but nope. It’s a film based on a pre-existing anime, and those never get nominated. It didn’t happen then, and it won’t happen now.

Moomins and the Winter Wonderland: I have a fondness for The Moomins, and I do love the cast they are building it up for, but I highly doubt it will have enough people knowing the source material to care. I love weird and unique foreign stuff, but this will not have one of those sacred spots.

The Star: I do not think the organization is going to let this one get a chance. It looks cheap, the advertising is  not giving the film justice, and I just don’t see it making it. I love the cast, and I wish they were in a better movie, but I’m sorry, The Star is going to have to shine somewhere else.

There you have it, my guess as to what films have the most to the least amount of chances to get those five spots for Best Animated Feature at the Oscars. As of right now, I am fairly confident that I am going to be correct with these placements, and hey, if any of the films that haven’t come out yet turn out to be good, then I am all for pushing them up the ranks. Do you all have any guesses? What five films would you love to get chosen for the Oscars?

 

The Other Side of Animation 98: The Emoji Movie Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

 

Every year, we always hear the loud wails and haunted screams that cinema is dead. It just so happens that in 2017, with Sony Pictures Animation’s The Emoji Movie, it just got too loud to ignore. The film is directed by Tony Leondis, a story artist and director. He worked on films like The Prince of Egypt, The Road to El Dorado, Kronk’s New Groove, Home on the Range, and directed Lilo & Stitch 2: Stitch Has a GlitchIgor, and Kung Fu Panda: Secret of the Masters. For some reason, out of all the years of movies made, The Emoji Movie just drove people up a wall. It came out a few weeks ago, and instantaneously, it was labeled as the worst movie of all time, the death of cinema, people were saying and demanding that Sony Pictures of Animation should be shut down, and you get the idea. Even though we made it through years that had Movie 43, Jack & Jill, Pixels, Gods of Egypt, 50 Shades of Grey, 50 Shades of Black, Meet the Blacks, Legend of Hercules, Saving Christmas, Troll 2, North, and so on, The Emoji Movie is the one that broke the camel’s back. Listen, it’s not a good movie, but people are overreacting and going into hyperbole territory to get clicks and views. Why would I say that if I just admitted that it was not a good movie? Well, let’s pick your favorite emoji and send that text.

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The entire story takes place inside one teen’s phone, as we enter the world of Textopolis, a city where all the emojis live. We focus on one in particular emoji named Gene, voiced by T.J. Miller. He is a “meh” emoji, who has a bit of a problem. He can’t simply be a “meh”, and has too many emotions to count! After a failed first day on the job, Gene wants to find a way to fix himself by hacking the code to solve his problem. He gets the help of a high-five emoji, voiced by James Corden, and a hacker emoji named Jailbreak, voiced by Anna Faris. Hopefully, they can get past the dastardly grasp of Smiler, a creepy smile emoji voiced by Maya Rudolph. Can Gene fix himself and somehow help the teen out in a real world problem of getting to know a girl?

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The biggest problem about talking about this film is while it will not affect the actual rating of this film, I have to talk about the overwhelming clickbait/hyperbolic backlash this film has gotten. People call it the worst movie of the year, the worst movie of all time, and the film that is what’s wrong with cinema. It’s not because I’m going to be defending this film as something good. It’s not a good movie by any stretches of the imagination, and is definitely on the lower end of my best to worst animated films of 2017, but people need to really stop acting like this is the film that’s going to kill cinema. Like I said above, people are using clickbait and hyperbolic opinions of this movie to get views, clicks, and whatever, and making it out to be a worse movie than it actually is. If there was a film that made the cinema industry actually halt in their tracks, then we have pretty much survived hundreds of extinctions after every time some knucklehead said, “this is the film that will kill the film industry”. It’s officially gotten to the point that if you are using hyperbole in your review or comment, I’m not going to take your opinion seriously. I know that sounds close-minded and very one-sided, but we live in a world where there are worse things going on every single day, and yet The Emoji Movie is apparently worth more of your anger than anything else. And to the people who want the studio that made this to shut down because they didn’t like it, or are stuck in a bad situation because of executive shenanigans, you have no right to say they should force 100s of people to lose their jobs because you don’t like their movie. It’s the most immature mentality that I have ever seen, and if you are that toxic about it, then you need to get a life.

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Let’s face honest 100% objective fact here, The Emoji Movie is not a good movie, but it’s the wrong kind of bad movie. It’s not the most super offensive thing with super hate-worthy characters and cheap straight-to-DVD quality animation. It’s not Norm of the North or Strange Magic levels of bad. Heck, I have seen movies that I enjoy that have way more repulsive elements to it like Belladonna of Sadness. It’s just boring bad. It’s a bad movie that doesn’t have a whole lot going for it, because the film itself feels like they had a base idea around what they wanted to do, but couldn’t or were not allowed to get past the “cynical cash grab” look and feel of the film. The universe this film takes place in is kind of confusing, since if you think about it, why are there emojis that have to be one emotion, while there are shrimp, elephant, and Christmas tree emojis that don’t coincide with a single personality? I mean, should they be deleted as well? Its world is not as clever that I think the writers are making it out to be. I don’t see other whimsical realms that our heroes go through, I just see the product placements that companies paid the most to have advertised in the film. It’s a universe with no real soul or identity to it. A bland world is one thing, but what about the three leads? Well, despite having good actors behind them, there is nothing really all that interesting about them. Gene is your generic lead who thinks being unique isn’t a good thing. James Corden, while super entertaining in other forms of media, has no real character with the high-five emoji, since all he does is try to spew a joke every 30 seconds. Jailbreak is obviously trying to be like the female lead from The LEGO Movie, but has none of the charm of said character. I also kind of love the horrible implication in this universe that if you stand out in this world, you deserve to die. What about the human characters? Yeah, couldn’t really get hooked on them either. They don’t act like real kids, but that, “I’m trying to make this kid like the one you saw in Inside Out, but not understanding that the girl in Inside Out was a complex character.” I also found a lot of the celebrity casting distracting, like Patrick Stewart as the poop emoji. Like, I get there is a bit of that niche-style appeal of, “oh tee hee, this wildly acclaimed actor is voicing poop”, but outside of that, again, I only saw the celebrities, and not the characters.

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I feel like this movie would have been so much better with maybe more freedom to the writers to do something more complex, or go full-tilt cynical. Like, I could imagine this film being way more interesting if it was a cynical lashing out at the audience who the execs think would watch this movie. Go black comedy on the characters and such, and sneak in some legit good morals inside the cynical jokes and clever writing. What happened is that they probably got a set of writers who wanted to go full-tilt and go crazy, but either weren’t allowed to, or were not talented enough to do such a thing. You can see how this movie could have worked if it was aimed at a more general audience and not just one part of the movie-going audience. That’s why films like Inside Out and The LEGO Movie were so amazing, because they could talk to every part of the audience. They weren’t talking to one side, and ignoring the other. The Emoji Movie is just a generic film with generic writing and morals. It’s something we haven’t seen a hundred times over in other movies, and have done a better job at saying these messages.

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So, what’s actually good about this movie? Well, the animation is pretty solid. I know the designers on Twitter spoke highly about having fun working with the designs, and the characters move pretty well. Even the human characters look better than most DreamWorks movies. The designs might be basic, but emojis are generally very basic in terms of designs. At the very least, this movie has more theatrical-quality animation than a lot of animated films that get limited releases by Lionsgate. I also enjoyed Maya Rudolph as the villain. She was hugely entertaining as this psychotic smile emoji, and she definitely had fun with the role. I also liked Gene’s parents, who were played by Steven Wright and Jennifer Coolidge. Any time they were on screen, I at least got a chuckle out of their delivery of their lines. It’s not the perfect mix of casting and writing, like Lewis Black as Anger in Inside Out, but it’s ideal casting in terms of who should play the meh emoji. The one scene I thought was pretty cool was when Gene’s parents were inside the Instagram app. I liked the idea of going inside a photo and it brings you into that photo’s location and everything around them is still. It was a nice artistic moment that I can respect.

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In the end, everyone is overreacting to this, and ironically going to see it because of said hyperbole. We have had cash-grab films made every year, like Dragonball Z Evolution, Jem and the Holograms, Baywatch, and so on. If Hollywood didn’t crumble and fall after those films, then it won’t with this one. The Emoji Movie is just a forgettable and bland film. I was honestly bored watching the movie, and spent a lot of time thinking what I would have done to make it a better movie than simply just a cash-grab/advertisement movie. It wants to be so many other films, but fails to do anything those films did well. If you really want to see it, just wait to rent it. It’s making enough to make back its budget, and it will just underperform before it leaves theaters. It’s bad, but it’s not the worst, and no one at Sony Pictures Animation deserves to lose their jobs over it. Now, if you want to see a really cynically made movie, join me next time as we talk about Digimon The Movie. Thanks for reading! I hope you all enjoyed the article, and I will see you next time.

Rating: Lackluster!

2017 in Animation So Far

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, it’s been over half a year now for 2017, and it’s time to look back at the year so far. I thought it would be interesting, since I don’t really talk about all the big movies until I do my Worst to Best list for every year. I’ll be setting this up differently as well, with the execution of this article. I’ll be doing separate little segments for what were my favorites so far, the biggest surprises so far, the most average films so far, the biggest disappointments so far, and the worst. At the end, I’ll put down some films that I am looking forward to, and hopefully some films that will come out in the states in the near future.

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Best Animated Films (so far)

My Entire High School Sinking into the Sea: Trippy, unusual, darkly comedic, and the definition of pure visual LSD, this indie film is the best animated film I have seen this year. With a great voice cast, a fun sense of humor, and a unique experience, I can’t wait to buy this movie for my collection.

LEGO Batman Movie: While I respect the comments that it relies too much on Batman references, and it doesn’t have the full heart of the original film, I went in wanting this to be a fantastic film, and that is what I got. Outside of My Entire High School, I haven’t laughed so much or enjoyed a theater-going experience this year as much as I have enjoyed LEGO Batman. It’s clever, the characters are likable, and I was smiling like a fool from beginning to end. Yeah, I have my issues with the film, but it’s actually good, unlike a lot of films from 2017.

Ethel & Ernest: This is such a simple movie, but it’s so good. It’s nothing super grand, or some characters going on a big adventure, it’s just the life and times of Raymond Brigg’s parents. It feels like such a personal film, and the team that made the movie obviously cared very much about the book the film is based on. With wonderful performances, multiple touching moments, and gorgeous animation, I am impatiently waiting for this film to get a US release.

Ocean Waves: Finally, after what seems like a century, the US finally gets a legit release of the last Studio Ghibli film to be brought over. While it is disappointing that there is no English dub for this film, it definitely has a lot of elements that would have made it hard to translate to English. It’s also a slower-paced and more realistic film about teens growing up during high school. It has its flaws in terms of story pacing and characters, but I still loved watching it, and when it hit it out of the park, it really hit it out of the park.

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Biggest Surprises (so far)

Captain Underpants: Who knew a film everyone was dreading ended up one of the most fun movies of the year? With characters that have charm, great animation, and an obvious amount of passion and soul put into the end product, I was pleasantly surprised by this film. Not to say it doesn’t have its problems, but I had more fun watching this than most of the animated films from this year. It knew what it wanted to do, and I respect that.

 Justice League Dark: It’s no surprise that DC has had an amazing year in 2017, and kicked it off with a fun and more mature story of magic, demons, and the return of Matt Ryan as John Constantine. It’s a film that takes advantage of its situation, and while it does have some pacing problems because of the 70-minute runtime, it’s still a blast to watch, and actually see some charm in the drab DC universe.

Teen Titans: The Judas Contract: This is pretty much an apology letter for Justice League vs Teen Titans as everything that was so good about this movie should have been in the previous film. Everyone has ample screen-time, the action is good, and I don’t want to strangle any of the characters. The main villain is definitely weak, and there are some predictable story beats, but it’s so much better than I was thinking it was going to be. I’m glad I was surprised.

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Biggest Disappointments (so far)

Cars 3: You would think by the third film, they would know what to do with this cash cow of a franchise. While I was definitely more emotionally invested in this one, and love that they just retconned Cars 2, I wouldn’t call this a great animated film by any stretch of the imagination. It’s definitely more of a sport movie than the previous films, but there is a bit too much going on, and it doesn’t know how to pace itself. The villains were weak, and the ending had some elements that I would call shenanigans on, since they just leave it open to make another Cars movie. While not the worst Pixar film by any means, it’s a shame the film didn’t live up to the extremely false advertising.

Despicable Me 3: Second verse, same as the first. Despicable Me 3 was better in a lot of ways to the previous installments, but was hugely flawed. It once again had way too many plots going on, and none of them get enough time to be fleshed out. It results in a movie that can be entertaining, but completely hollow at the same time. I don’t know how many more films they can make with the current style before people just turn on them. At the very least, Trey Parker’s portrayal as the villain was super entertaining. I’ll have more to say when I review it in the future.

Blame!: Since CGI animation in anime already has a tainted reputation for low quality products, you would hope a film like Blame! could show how to do it well. Sadly, all that you get is a rather boring and sometimes fun sci-fi world builder. The characters are bland, and even the higher quality movements can’t hide the fact that CGI animation in anime can and will be distracting.

 Seoul Station: While not a terrible zombie movie, I have no urge to rewatch this film. It has its moments and its social commentary, but since this film is supposedly connected to the fan favorite Train to Busan, then I think it needs to be more than just where the zombie outbreak started.

Smurfs: The Lost Village: While the trailer for this gave off both a good and bad impression, I was still hopeful that this would be a pretty solid film. Sadly, what we got was a rather predictable and yet again boring film. There is just nothing there for kids or adults. It’s way better than the live-action films, but that’s not saying much for a film that’s not willing to take risks.

The Boss Baby: While I don’t hate this movie, it’s obvious they went with one gimmick and didn’t really do much else. Alec Baldwin is the best part of the movie, but that’s not enough for this film to be good. It has good animation, and I liked a lot of the lines and jokes, but everything else felt so hollow, and lacked substance. We are sadly getting a sequel for some reason, but hopefully, it can be a Madagascar situation where they get better with each sequel.

Sahara: Probably one of the most disappointing films to hit Netflix. I was thinking they got a French animation gem on their hands, but instead, they got a French dud. While the CGI animation is pretty solid, the colors are vibrant, and there are points where the film does slow down, it doesn’t make up for an annoying cast, an English dub that forced me to watch it in French, and a film that’s not really interesting to watch. It definitely could have been a lot better in terms of story and characters.

Rock Dog: This film went through so much political baloney, that it’s hard to really trash this film. It has no focus, tone is an inconsistent wreck, the animation isn’t theatrical quality, and the side characters are pointless. It’s a shame, since it’s not a cynical cash grab, and it tried to be earnest in its intentions. It just didn’t pan out, and all we got was a mediocre film.

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The Worst (So far)

The Emoji Movie: While I know this is everyone’s favorite punching bag, it’s just a forgettable bad movie, people! It’s not super offensive outside of the concept, but it’s not super amazing either. It’s probably the most forgettable bad animated movie of 2017, that got pushed into the limelight because people call it the death to cinema. I’m working on a review of it right now, and I’ll say this, calm down, people!

Leap!: Yes, technically, I should wait to talk about this film when it’s officially released, but on the other hand, since it’s already available in an English format, and The Weinstein Company is simply redubbing and recasting for no reason, I have a right to say this movie is still 100% terrible. It’s an enjoyable type of terrible, since some choices in terms of animation and plot points are insane, but it’s otherwise bland and really forgettable with a terrible sense of humor, and animation that can be rather creepy-looking. I’m sure this had good intentions behind it, and I can’t say it’s the worst movie I have seen this year, but it’s still something I never want to watch again, but I sadly have to, since if I want to be fully fair to this film, I need to watch The Weinstein version.

A Stork’s Journey: I don’t get why this film had to get a limited release. Was anyone asking for this badly animated film? Its mean-spirited characters, bad pacing, and predictable plot also bog down the experience. It has one little scene that works, but that’s about it. Just avoid at all cost.

Spark: a Space Tail: Unlike the film mentioned above, I found nothing redeemable, or enjoyable about this movie. Open Roads didn’t give this film a wide release, and is now considered one of the biggest bombs in the animation scene. Even with that distinction, it has horrible animation, terrible characters, boring action sequences, a bland story, and it has no real reason to exist. Not even Patrick Stewart could save this. Until I say otherwise, this is still the worst animated movie of 2017.

Well, that was a bummer way to end the list, how about we close the editorial up with some movies that are coming out this year that I’m excited for? And yes, a lot of them are GKids films.

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The Remaining Films I’m Looking Forward to Through 2017

Coco: While Cars 3 did not fully deliver, Coco will hopefully be the one Pixar film to be fully satisfying with its themes of Day of the Dead, family, and music with a great art style, and gorgeous animation.

Mary and the Witch’s Flower: GKids recently picked up the rights to this film, and I’m not really surprised. It’s got veteran Studio Ghibli members, and GKids has a great connection with the famed studio. The first movie from Studio Ponoc looks really promising with beautiful animation, awesome character designs, and just a huge amount of creativity. I think this could easily be an Oscar contender for Best Animated Feature.

The Breadwinner: Probably the other Oscar contender for Best Animated Feature is yet another GKids-distributed film, based on the famous book. Cartoon Saloon is once again on a roll with a touching story, great animation, and they are mixing it up this time with two different styles of animation. It looks great, and I trust anything these two companies, GKids and Cartoon Saloon will put out.

The LEGO Ninajgo Movie: Well, so far, the two LEGO Movies we got have been pretty fantastic, can’t see a reason why not to be excited for this one. It’s also nice to see it be a mostly action-focused film, since it seems like we can’t get an action anything in animation these days. While the recent trailer probably showed off too much in terms of jokes, I’m still looking forward to the next LEGO Movie.

The Girl Without Hands: While I’m sort of disappointed this one-man film is not coming to my neck of the woods, I will wait for a DVD release, since I really want to see this visually ambitious and mature animated film. I have talked about it a bit on an Animation Tidbit, so I won’t go into much detail there.

Birdboy: The Forgotten Children: I have talked about this dark animated film as well, so if you want to see more of my thoughts about this Spanish-animated film, you can go to the link I put above for The Girl Without Hands, but none the less, I am looking forward to see how this dark tale unfolds.

In This Corner of the World: A big Annecy Film Festival winner about a young girl as she grows up during World War II. It has a luscious watercolor art style, a vibe that feels similar to a Studio Ghibli film, and a sad, but endearing story.

Loving Vincent: Hey look, another film I talked about in an Animation Tidbit editorial. It’s a beautifully abstract film, with a lot of blood, sweat, tears, and tons and tons of paint put into the overall project. I can’t wait for this film to get a wider release in October.

That is it for now, let’s hope more amazing films come out, and I will make a new list in the New Year covering the worst to best of 2017!