2017 in Animation So Far

201701

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, it’s been over half a year now for 2017, and it’s time to look back at the year so far. I thought it would be interesting, since I don’t really talk about all the big movies until I do my Worst to Best list for every year. I’ll be setting this up differently as well, with the execution of this article. I’ll be doing separate little segments for what were my favorites so far, the biggest surprises so far, the most average films so far, the biggest disappointments so far, and the worst. At the end, I’ll put down some films that I am looking forward to, and hopefully some films that will come out in the states in the near future.

201702

Best Animated Films (so far)

My Entire High School Sinking into the Sea: Trippy, unusual, darkly comedic, and the definition of pure visual LSD, this indie film is the best animated film I have seen this year. With a great voice cast, a fun sense of humor, and a unique experience, I can’t wait to buy this movie for my collection.

LEGO Batman Movie: While I respect the comments that it relies too much on Batman references, and it doesn’t have the full heart of the original film, I went in wanting this to be a fantastic film, and that is what I got. Outside of My Entire High School, I haven’t laughed so much or enjoyed a theater-going experience this year as much as I have enjoyed LEGO Batman. It’s clever, the characters are likable, and I was smiling like a fool from beginning to end. Yeah, I have my issues with the film, but it’s actually good, unlike a lot of films from 2017.

Ethel & Ernest: This is such a simple movie, but it’s so good. It’s nothing super grand, or some characters going on a big adventure, it’s just the life and times of Raymond Brigg’s parents. It feels like such a personal film, and the team that made the movie obviously cared very much about the book the film is based on. With wonderful performances, multiple touching moments, and gorgeous animation, I am impatiently waiting for this film to get a US release.

Ocean Waves: Finally, after what seems like a century, the US finally gets a legit release of the last Studio Ghibli film to be brought over. While it is disappointing that there is no English dub for this film, it definitely has a lot of elements that would have made it hard to translate to English. It’s also a slower-paced and more realistic film about teens growing up during high school. It has its flaws in terms of story pacing and characters, but I still loved watching it, and when it hit it out of the park, it really hit it out of the park.

201703

Biggest Surprises (so far)

Captain Underpants: Who knew a film everyone was dreading ended up one of the most fun movies of the year? With characters that have charm, great animation, and an obvious amount of passion and soul put into the end product, I was pleasantly surprised by this film. Not to say it doesn’t have its problems, but I had more fun watching this than most of the animated films from this year. It knew what it wanted to do, and I respect that.

 Justice League Dark: It’s no surprise that DC has had an amazing year in 2017, and kicked it off with a fun and more mature story of magic, demons, and the return of Matt Ryan as John Constantine. It’s a film that takes advantage of its situation, and while it does have some pacing problems because of the 70-minute runtime, it’s still a blast to watch, and actually see some charm in the drab DC universe.

Teen Titans: The Judas Contract: This is pretty much an apology letter for Justice League vs Teen Titans as everything that was so good about this movie should have been in the previous film. Everyone has ample screen-time, the action is good, and I don’t want to strangle any of the characters. The main villain is definitely weak, and there are some predictable story beats, but it’s so much better than I was thinking it was going to be. I’m glad I was surprised.

201704

Biggest Disappointments (so far)

Cars 3: You would think by the third film, they would know what to do with this cash cow of a franchise. While I was definitely more emotionally invested in this one, and love that they just retconned Cars 2, I wouldn’t call this a great animated film by any stretch of the imagination. It’s definitely more of a sport movie than the previous films, but there is a bit too much going on, and it doesn’t know how to pace itself. The villains were weak, and the ending had some elements that I would call shenanigans on, since they just leave it open to make another Cars movie. While not the worst Pixar film by any means, it’s a shame the film didn’t live up to the extremely false advertising.

Despicable Me 3: Second verse, same as the first. Despicable Me 3 was better in a lot of ways to the previous installments, but was hugely flawed. It once again had way too many plots going on, and none of them get enough time to be fleshed out. It results in a movie that can be entertaining, but completely hollow at the same time. I don’t know how many more films they can make with the current style before people just turn on them. At the very least, Trey Parker’s portrayal as the villain was super entertaining. I’ll have more to say when I review it in the future.

Blame!: Since CGI animation in anime already has a tainted reputation for low quality products, you would hope a film like Blame! could show how to do it well. Sadly, all that you get is a rather boring and sometimes fun sci-fi world builder. The characters are bland, and even the higher quality movements can’t hide the fact that CGI animation in anime can and will be distracting.

 Seoul Station: While not a terrible zombie movie, I have no urge to rewatch this film. It has its moments and its social commentary, but since this film is supposedly connected to the fan favorite Train to Busan, then I think it needs to be more than just where the zombie outbreak started.

Smurfs: The Lost Village: While the trailer for this gave off both a good and bad impression, I was still hopeful that this would be a pretty solid film. Sadly, what we got was a rather predictable and yet again boring film. There is just nothing there for kids or adults. It’s way better than the live-action films, but that’s not saying much for a film that’s not willing to take risks.

The Boss Baby: While I don’t hate this movie, it’s obvious they went with one gimmick and didn’t really do much else. Alec Baldwin is the best part of the movie, but that’s not enough for this film to be good. It has good animation, and I liked a lot of the lines and jokes, but everything else felt so hollow, and lacked substance. We are sadly getting a sequel for some reason, but hopefully, it can be a Madagascar situation where they get better with each sequel.

Sahara: Probably one of the most disappointing films to hit Netflix. I was thinking they got a French animation gem on their hands, but instead, they got a French dud. While the CGI animation is pretty solid, the colors are vibrant, and there are points where the film does slow down, it doesn’t make up for an annoying cast, an English dub that forced me to watch it in French, and a film that’s not really interesting to watch. It definitely could have been a lot better in terms of story and characters.

Rock Dog: This film went through so much political baloney, that it’s hard to really trash this film. It has no focus, tone is an inconsistent wreck, the animation isn’t theatrical quality, and the side characters are pointless. It’s a shame, since it’s not a cynical cash grab, and it tried to be earnest in its intentions. It just didn’t pan out, and all we got was a mediocre film.

201705

The Worst (So far)

The Emoji Movie: While I know this is everyone’s favorite punching bag, it’s just a forgettable bad movie, people! It’s not super offensive outside of the concept, but it’s not super amazing either. It’s probably the most forgettable bad animated movie of 2017, that got pushed into the limelight because people call it the death to cinema. I’m working on a review of it right now, and I’ll say this, calm down, people!

Leap!: Yes, technically, I should wait to talk about this film when it’s officially released, but on the other hand, since it’s already available in an English format, and The Weinstein Company is simply redubbing and recasting for no reason, I have a right to say this movie is still 100% terrible. It’s an enjoyable type of terrible, since some choices in terms of animation and plot points are insane, but it’s otherwise bland and really forgettable with a terrible sense of humor, and animation that can be rather creepy-looking. I’m sure this had good intentions behind it, and I can’t say it’s the worst movie I have seen this year, but it’s still something I never want to watch again, but I sadly have to, since if I want to be fully fair to this film, I need to watch The Weinstein version.

A Stork’s Journey: I don’t get why this film had to get a limited release. Was anyone asking for this badly animated film? Its mean-spirited characters, bad pacing, and predictable plot also bog down the experience. It has one little scene that works, but that’s about it. Just avoid at all cost.

Spark: a Space Tail: Unlike the film mentioned above, I found nothing redeemable, or enjoyable about this movie. Open Roads didn’t give this film a wide release, and is now considered one of the biggest bombs in the animation scene. Even with that distinction, it has horrible animation, terrible characters, boring action sequences, a bland story, and it has no real reason to exist. Not even Patrick Stewart could save this. Until I say otherwise, this is still the worst animated movie of 2017.

Well, that was a bummer way to end the list, how about we close the editorial up with some movies that are coming out this year that I’m excited for? And yes, a lot of them are GKids films.

201706

The Remaining Films I’m Looking Forward to Through 2017

Coco: While Cars 3 did not fully deliver, Coco will hopefully be the one Pixar film to be fully satisfying with its themes of Day of the Dead, family, and music with a great art style, and gorgeous animation.

Mary and the Witch’s Flower: GKids recently picked up the rights to this film, and I’m not really surprised. It’s got veteran Studio Ghibli members, and GKids has a great connection with the famed studio. The first movie from Studio Ponoc looks really promising with beautiful animation, awesome character designs, and just a huge amount of creativity. I think this could easily be an Oscar contender for Best Animated Feature.

The Breadwinner: Probably the other Oscar contender for Best Animated Feature is yet another GKids-distributed film, based on the famous book. Cartoon Saloon is once again on a roll with a touching story, great animation, and they are mixing it up this time with two different styles of animation. It looks great, and I trust anything these two companies, GKids and Cartoon Saloon will put out.

The LEGO Ninajgo Movie: Well, so far, the two LEGO Movies we got have been pretty fantastic, can’t see a reason why not to be excited for this one. It’s also nice to see it be a mostly action-focused film, since it seems like we can’t get an action anything in animation these days. While the recent trailer probably showed off too much in terms of jokes, I’m still looking forward to the next LEGO Movie.

The Girl Without Hands: While I’m sort of disappointed this one-man film is not coming to my neck of the woods, I will wait for a DVD release, since I really want to see this visually ambitious and mature animated film. I have talked about it a bit on an Animation Tidbit, so I won’t go into much detail there.

Birdboy: The Forgotten Children: I have talked about this dark animated film as well, so if you want to see more of my thoughts about this Spanish-animated film, you can go to the link I put above for The Girl Without Hands, but none the less, I am looking forward to see how this dark tale unfolds.

In This Corner of the World: A big Annecy Film Festival winner about a young girl as she grows up during World War II. It has a luscious watercolor art style, a vibe that feels similar to a Studio Ghibli film, and a sad, but endearing story.

Loving Vincent: Hey look, another film I talked about in an Animation Tidbit editorial. It’s a beautifully abstract film, with a lot of blood, sweat, tears, and tons and tons of paint put into the overall project. I can’t wait for this film to get a wider release in October.

That is it for now, let’s hope more amazing films come out, and I will make a new list in the New Year covering the worst to best of 2017!

The Other Side of Animation 86: Teen Titans: The Judas Contract Review

teen01

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

It’s actually quite refreshing to see DC get back on its feet after the failure that was 2016. So far, it has had two great movies with The LEGO Batman Movie and Justice League Dark, both being fantastic films that are fun to watch and have a lot of great personality to them. Neither of them feels like they were trying too hard to be edgy or focused on the wrong aspects of the film that completely ruin everything else. So, where does Teen Titans: The Judas Contract stand among the DC fodder of this year? The Judas Contract is a follow-up to 2016’s Justice League vs. Teen Titans, a film that I really despised, and felt like it was wasted, based on the fact that one unlikable character took too much of the main story-time from the other members. So, how good is the follow-up? Is it as fantastic as the 2005 original show, or is it just another dud in the basket of other duds from DC? Let’s find out.

teen02

The story takes place one year after Justice League vs. Teen Titans. The team has gotten bigger with the newest member, Terra, voiced by Christina Ricci, a girl who can control rock. Nightwing, voiced by Sean Maher, has become co-leader of the Titans, along with Starfire. The main driving force and threat of this film centers around Brother Blood, voiced by Gregg Henry, a leader of a cult. He plans on taking the powers and life force from the Titans to ascend into godhood. He won’t be alone in pulling off this plan, as he has the help of Slade/Deathstroke, voiced by the late Miguel Ferrer. Can the Titans stop Brother Blood and Deathstroke? Is Terra a fully trustworthy character? Does this film have similar story beats to the 2000s series?

teen03

Right off the bat, I want to say that this film does everything better than the previous film in every single way. First off, Damian Wayne does not steal the spotlight, as this time, everyone gets shared screen-time. For the most part, everyone gets their own little story arcs, like Blue Beetle and his divisive relationship with his family, Nightwing and Starfire being a couple, and Beast Boy with his relationship with Terra. This is what the first movie should have been instead of Damian Wayne being the worst thing on earth and hogging up what was pretty much Raven’s story. I liked a lot of what was going on between the team members, and found their chemistry to be leagues better than the last film. Even Damian Wayne is toned down in this film, and becomes rather tolerable. I can’t believe that he would be toned down, since the writers adore making him a power fantasy character. Sure, I can see some people not enjoying the pairings or story arcs of what is going on between the different characters, but at the very least, it’s a step up from Damian hogging the spotlight, while everyone else is either poorly written or not fleshed out. This time, it really does feel like a team, and that is what you look for in these types of films. It’s why the Justice League in this film universe really bugged me. It’s because they always acted like they didn’t really like or respect each other, and they seem to be at each other’s throats, and willing to kill each other.

teen04

The animation is the typical direct-to-video DC film quality. It has good animation, even if at times they slow down the framerate, making the movements look iffy. However, that still doesn’t take away from the fact that the film has some fantastic action sequences. Granted, when you have Deathstroke and a bunch of characters that have super powers, you should be able to make the action top-notch. I personally prefer the action in Justice League Dark, but that’s mostly because it’s all magic-based, and you can get away with cool spells and pretty visuals with magic. I also liked that everyone was pretty competent in terms of being able to hold their own. The previous film had some good action, but some characters felt like they got the short end of the stick.  The voice cast is also stellar. Everyone from the previous film reprises their roles, and Terra’s voice actress, Cristina Ricci, and Miguel Ferrer in one of his final roles as Deathstroke do great jobs at their own characters. The rest of the voice cast is decent, like I think Gregg Henry as Brother Blood does a solid job as a creepy cult leader. Oh, and if you are a comic book fan and haven’t seen this film yet, they do keep the creepy Deathstroke and Terra relationship that happened in the comics.

teen07

The only real major complaint I have about the film is that the lead villain, Brother Blood, is not entirely original or unique. I have seen a couple of different versions of him, and each time that I have seen those iterations, he was way more imposing and threatening than this version. This version was simply boring, and he was just another zealous cult leader. Granted, Deathstroke had more of a character arc, alongside his relationship with Terra, but if Brother Blood is supposed to be the bigger threat, they didn’t do a good job. I also felt like the romance plot between Beast Boy and Terra was done way better in the show. Granted, a lot of storylines in films could be done better if they were spread across multiple episodes, but here it felt forced, even though that is what happens in the comics and the TV series. I think it also loses a lot of that emotional weight, because fans of the franchise have seen this story arc before. The only interesting change would be if we see the effect it had on Beast Boy in the next film.

teen05

While I think The LEGO Batman Movie and Justice League Dark are better, Teen Titans: The Judas Contract gets my “Redemption from Something Awful Award”, due to how it improves upon everything the first film failed to do. Heck, if Wonder Woman and the future DC-animated films continue to be good, Warner Bros. could have what can be considered their best year in terms of DC films. If you haven’t checked this one out, definitely do so. Well, as I wait for Batman & Harley Quinn to come out, how about we take a look at Smurfs: The Lost Village next time? Thanks for reading, I hope you enjoyed the article, and I will see you all next time.

Rating: Go See It!