Summer 2021 Anime Season Impressions Part 2

(If you like what you see, you can go to to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Here we have the second part of my impressions of the Summer 2021 anime season! As usual, these are just my subjective impressions of anime from a three or more episode viewing. The summer season has been mediocre, full of misfires that really didn’t connect to me or other viewers. It’s a sign of how there is too much anime coming out, and not enough time or people to properly flesh out the ideas. Who knows how good some of these could have been if they had proper time and talent attached to these projects. They also run into that problem of just because you can adapt something, doesn’t mean you can or should. Hopefully, the overly stuffed Fall 2021 Season will be better, but we will have to see. Let’s talk about these last few shows. 


Cheat Pharmacist’s Slow Life: Making a Drug Store in Another World (Crunchyroll)

Based on the novels, light novels, and manga by Kennoji, this anime adaptation is directed by Masafumi Sato, written by Hiroko Kanasugi, and produced by EMT Squared. This is the most middling mediocre isekai of the season. It’s not the worst one, but boy you had better be okay with watching a show that gets wildly repetitive. First off, we don’t know how the lead character got into this fantasy world or what he did beforehand. 

It’s a weird take, and while it is usually groan-inducing to see the lead character either die of being overworked or getting hit by a bus or a truck, the show, as of the episodes I watched, didn’t seem interested at all with telling us our lead’s backstory. 

Due to this being an EMT Squared anime, it’s more interested in having a male lead with a bunch of very young-looking women around him or falling for him than telling us a proper story. Listen, I’m not saying EMT Squared is a little sister or young girl harem anime studio, but after a while, you see a particular pattern in the shows they make. It’s luckily not directed by the guy who has made some of the studio’s more notorious shows like Assassin’s Pride or Master of Ragnarok, but it still has a few of those show’s worst elements. The little werewolf girl is meant to be this cute mascot for the character for the show, but her design is rough to look at, due to how it looks like she’s wearing just cotton panties/shorts and a vest that doesn’t cover her torso. Come on, anime industry, can we stop with these types of design tropes? I know you have to work hard and make your show look distinct from the other shows coming out, but let’s not cater to the creep crowd. It’s a shame this show is so mediocre, because an isekai all about potion making and health items sounds cool, and the visuals are decent enough to make for a different take on the isekai genre. 

It even has a few decent side characters that were enjoyable to see every time they are on screen. It’s a bummer they aren’t the actual focus of the show, since I don’t care for our main characters. It’s also too bad we already had a much better show all about this last season with The Saint’s Magic Power is Omnipotent. Oh, and Cheat Pharmacist doesn’t handle a character who has anxiety attacks very well, so, yeah. It’s one of the more notable misfires of the summer season, but I can at least understand why someone would turn on this show due to how lightweight and junk foody it is. Due to some elements that rubbed me the wrong way, I can’t say it’s harmless, but if we want to talk about shows that I find morally repugnant, well, I know a few that I would call the worst of the season.  

The Great Jahy Will Not Be Defeated (Crunchyroll)

This quirky little comedy is based on the manga by Wakame Konbu, is directed by Mirai Minato, written by Michiko Yokote, and produced by Silver Link. I think outside of an obnoxious first episode, the show mellows out by the second and third episodes. I even watched the latest episode and found the show to have a lot of charm. I don’t care for Jahy’s child form wearing a large shirt though and the fact they keep focusing on her legs. 

The show also has a lot of humor relying on Jahy being poor, and those jokes get tiring fast. The show was at its best when it focused on different types of jokes and introducing characters that play well off of Jahy, like her loyal servant, her unknown rival/assassin, the owner of the apartment, or her friend she works with at the pub. When it focuses on those elements, the show is decent. Granted, I kept thinking about The Devil is a Part-Timer while watching this anime, but that’s a huge problem with many shows this season, where I was constantly thinking of other shows with similar premises that I would rather be watching than the one I am watching now. However, I can’t say that this was one of the worst of the season. It’s straight down the middle. It has its moments, but it’s a show I can see myself skipping for other ones. 

Remake Our Life (Crunchyroll)

Based on the manga and light novels by Nachi Kio, this adaptation is directed by Tomoki Kobayashi, written by Nachi Kio, and produced by Feel. I will be honest about two specific things. One, I forgot to put this within the slice of life category for the first half, so I’m sorry about that. The second thing is that this show doesn’t get off on the best foot forward. It’s an hour-long premiere, and I felt like it focused too much on the front half of our lead getting sent back in time 10 years to go to a different art school to restart his life. It also dips too much into art school drama and cheap fanservice moments. 

With that said, when it starts to dive into the main character interacting with his classmates for projects and their drives for what they want to do, the series seriously picks up. It might not be the best-executed drama, but considering how mediocre a lot of the stories were in all of the anime this season, I am all for a show that does eventually by the second episode get the ball rolling, and tell a compelling enough tale for the audience to enjoy. 

The Duke of Death and his Maid (Funimation) 

Consider this the problematic favorite of the entire summer season. It’s based on the manga by Koharou Inoue, and the anime adaptation is directed by Yoshinobu Yamakawa, written by Hideki Shirane, and is produced by JC Staff. Seeing the team behind this series makes a lot of sense when you consider that the director was behind High Score Girl. The CGI visuals and cutesy gothic aesthetic will look familiar to the director’s previous work. 

It’s called the problematic fave, because on the outside and as a whole, there is a genuinely sweet story about a young man who is fated to be alone due to a curse put on him. Anyone or any living thing he touches will die, and the only people in his life are his loyal butler and his very anime-looking maid. The chemistry between the two leads from the title is extremely sweet and wholesome. They have some of the best chemistry out of any duo this season. The romantic feelings for one another are believable and cute. Some of the show’s best moments are when the two are together and speaking sincerely to one another. 

So, what makes it a problematic fave? It’s because the show’s tone and how it portrays the duke and his maid’s dynamic seems to be at odds with one another. It’s supposed to be sweet and cute, but the dialogue, how the characters act, and the tone play it up as harassment that’s played for comedy. Harassment is not okay, and it’s weird how the show uses dialogue and sequences that reinforce that, when the show is also saying it’s not that harassy. It’s a very odd tone to a quirky show, and to some degree, you can understand why they took this angle. Still, I don’t care much for the Duke’s sister’s quirk of falling for the butler. That felt tacked on and weird. 

Even then, with one or two rewrites and a fix to the tone of how these scenes are shot, everything would feel more cohesive with the rather expressive CGI animation. It’s an incredibly charming show that could have used one more run-through with the tone or maybe a female director or perspective on how to make it feel more cohesive. It’s still one of the better anime of the season though, and if you want to see a cute romantic comedy with a gothic twist, then this show will be right up your alley. 

The Dungeon of Black Company (Funimation)

This anime is based on the manga by Yohei Yasumura, and the adaptation is directed by Mirai Minato, written by our recurring writer this season Deko Akao, and produced by Silver Link. At first, the series shows its cynical dark comedy fangs with an isekai that’s all about tearing down and commentating on the infamous Black Company-style working conditions seen throughout Japan. Considering the definition of Black Company, I assume you can find this kind of problematic work ethics in any work culture from around the world. It has shades of Konosuba, where our main character is a real pain in the neck who, due to working around legal loopholes, was originally a human who raked in the cash by making a few questionable business decisions. The anime then sends him straight into the deep end by forcing him to work in inhumane working conditions. It then expands on the overall commentary about the flaws of workforces driven by capitalism.  

Sometimes, anime that wants to dabble in serious topics, using humor with commentary falls flat due to not being able to balance out the two, but Dungeon of Black Company tends to hit it out of the park with being creative with the fantasy setting, having a cast that are likably dumb and mean, and the commentary is spot on with how twisted some major corporations can be for the pursuit of the bottom dollar. Personally, I had to briefly stop myself from watching the show due to how much I was laughing and enjoying my time with the show. 

Of course, there is a reason why some people find the setting so disgusting, due to the real-life Black Company policies being used on actual people. Sometimes comedy has lines they shouldn’t cross, and that will be dependent on what that individual’s taste in comedy is. With that being said, with how many mediocre comedies and fantasy shows are out this season, anime fans should be happy there are a few isekai/fantasy shows that have more meat to their discussions. 


 Itaden Deities Only know Peace (Crunchyroll)

Content Warning: Rape is shown at the end of the first episode and is a constant thing in the overall show. I won’t blame you for wanting to bail after this warning. 

This anime is based on the manga by Amahara. It’s directed by Seimei Kidokoro, written by Hiroshi Seko, and produced by MAPPA. Honestly, while Gods of Highschool still might be MAPPA’s worst anime, Itaden Deities is right up there. This hot mess of a show feels like it was meant to be a dark comedy of fantasy action shows like YuYu Hakusho, mixed with the visual style of Kobayashi’s Dragon Maid, which is not a subtle comparison due to how the illustrator, Coolkyousinnjya designed the look of both Itaden and Dragon Maid series. It also has a ton of that edgelord tripe from the late 80s/early 90s anime era, where rape and assault are played up as huge elements of the story and even as jokes, which, you know, aren’t great. It has a decent hook at the beginning about the morality tale of Deities. They were meant to protect the human race, but due to how the newest batch never had to fight demons until a few episodes into the show, they don’t know how to react. 

I can see that hook being a really solid bit of commentary. With that said, it doesn’t work because I do not like these characters. You can make flawed and obnoxious characters interesting, but the lead characters in this show are some of the most unlikable I have seen this season. Even when the villains are also complete garbage, I would rather invest time with the villains than the heroes who are insufferable. 

By the time I caught up with the rest of the episodes, the show got worse when the stakes became nonexistent. Why should anyone care about what happens when the humans suck, the villains suck, and the heroes are intolerable jerks? There is no balance with it being stupidly violent and edgy. Anytime it gets better, it takes five steps back. This is one of MAPPA’s worst shows, and easily one of the worst shows of the season and the year. I’m so mad this wasn’t better. If you like it, that’s perfectly okay, but for me, I just can not recommend this to anyone. 

Spirit Chronicles (Crunchyroll)

This wildly mediocre isekai anime adaptation is directed by Osamu Yamasaki, co-written by Yamasaki, Megumu Sasano, and Yoshiko Namakura, produced by TMS Entertainment, and is based on the novels and manga by Yuri Kitayama. Outside of an incredibly dark way of making our characters teleport, and a slight twist to the formula with some of the characters having to share a mind and body of a pre-existing individual in the fantasy world, everything else is awful. 

It has cartoonishly mean characters who are bordering on a parody of rich classist individuals. There are no real surprises in terms of what the roles of our main characters are, and the biggest problem is that it does want to be something distinct. It has moments where it either builds up the lore of the world and has proper character moments that expand on our otherwise bland leads. It then drops those beats and turns into another mediocre isekai fantasy series that wants to be another Sword Art Online in more ways than one. Seriously, it took me three episodes to realize that the lead in the opening looks exactly like the lead in SAO. It also has some of the EMT Squared blood in its DNA as the lead has a harem of really young-looking girls and it’s never not uncomfortable. I know the isekai genre is super popular, but maybe we should take a break from adapting them if they are going to be this bad. It’s easily one of the worst anime of the season. 

How a Realist Hero Rebuilds a Kingdom (Funimation) 

The title should be How to Not Have Fun in an Isekai or How To Take A Comedic Idea and Ruin It! This anime adaptation is based on the novels and manga by Dojyomaru, directed by Takashi Watanabe, co-written by Go Zappa and Hiroshi Onogi, and produced by JC Staff. I was looking forward to this anime, due to the premise of an isekai where the story and action take a seat on the throne of running a kingdom from a “realistic” perspective. It’s not so much about the action as it is more about running a healthy and fair kingdom.

That sounds great. Too bad someone decided to lean into the more “work” side of things, leaving me unimpressed with how seriously they are taking the “realist” part of the show’s title. This whole anime and story feels like an anime made for those smarmy individuals that made articles that kickstarted Disney’s live-action remake train, because no one ever accepts that a fantasy story should be full of, well, fantasy/fantastical elements. This show is a boring sit, but it’s not like I don’t get how this can gel with someone. 

It has a few decent jokes, and to be fair, I have heard the anime doesn’t do a great job at portraying the source material’s charm and appeal. Well, that’s too bad, but even if I at all cared about whether the manga was good or not, the anime has to stand on its own legs. Being bored in a pretty generic fantasy world with a few elements that bug me is what I got from watching the first few episodes of this show. 

It’s not the worst show of the season since it is technically doing what the title set out to do, but I think if this series leaned more on the comedy aspect of this show’s premise, I would have enjoyed it more. How much fun would it be if it took the One Punch Man approach to subversive comedy, taking full advantage of how goofy this plot is and then have fun with it trying to be as realistic as possible? I think I’m also a bit burned by this anime, because I was looking forward to it, only to find out the actual anime I was curious about was coming out two seasons from now in Winter 2022. If they didn’t fully commit to being so realistic with how a realist would run a kingdom, maybe I would have enjoyed it more. Check it out if you want, there is a dub available, but this show was not my cup of tea. 

Battle Game in 5 Seconds After Meeting (Crunchyroll)

Another battle royale? Must be a day that ends in Y. This one is based on the manga by Saizo Harawata, and the anime adaptation is directed by Meigo Naito and Nobouyoshi Arai and produced by SynergySP, Vega Entertainment, and Studio A-Cat. Well, it’s another battle royale. It doesn’t do a whole lot to differentiate itself from other anime in the genre, and that’s becoming a huge problem. Why adapt something when there is no real meaty hook to make you stand out from the rest? It has one interesting hook with the lead character’s ability, where he has to convince his opponents what his abilities are, but that’s it. 

I guess it’s nice that the lead character is not a pushover, and whimpering about not wanting to be there, but they did make him a sociopathic monster, so, I guess you pick your poison on which one is worse. The other characters don’t stand out much, and the only thing that is fun to look up about this show are the voice actors with the sadistic cat girl being voiced by Haruko’s voice actor from FLCL and the dude with the sword ability voiced by the Japanese voice of Zoro from One Piece. It is a show that wants to be super grimdark and edgy, and it keeps doing so in the most cartoonish of ways. By trying to come off edgy, it comes off as edgeless. It can be a pseudo-fun time during certain battles, but I can already watch much better battle royales and much better action shows from this and previous seasons. It’s a vapid show that is another low point for this season full of low points. 

D_Cide Traumerei the Animation (Crunchyroll) 

Based on the mobile game by Sumzap and Drecom, this anime adaptation is directed by Yoshikazu Kon, written by Hiroshi Onogi, and produced by Zanzigen. Do you know what we have here? It is yet another anime with something really good about it, but undermined by mediocre storytelling and writing. First off, this is probably some of the best CGI animation of the season. It looks incredible and the fight scenes are well executed. It has some of the season’s best action sequences! 

But then it comes to the story and how it tries to do the whole “we have social commentary” approach, and this is where it falls flat. I don’t hate it when shows try to cover tough topics, but if you are going to touch topics like abuse, drugs, and toxic fans, maybe you should handle them with care and not like some uneducated teenager who thinks they know everything. I’m so sick of shows this season with half-baked plots and half-hearted executions of themes and commentary. 

Tsukimichi: Moonlit Fantasy (Crunchyroll) 

Who would have thought that one of the best shows this season would be an isekai? It’s based on the manga and novels by Kei Azumi, and the anime is directed by Shinji Ishihara, written by Kenta Ihara, and produced by C2C. It finally happened. We have an isekai this season that wasn’t complete garbage! 

While the comparisons to That Time I Got Reincarnated as a Slime are understandable, the novels came out a year before Slime got started, so technically, Slime should be thankful for Moonlit Fantasy. They even have some fairly similar elements of the main character getting warped to a fantasy world and befriending/making contracts with powerful individuals. Moonlit takes it in a more comedic direction where the lead gets two hot women who are loyal to him, but not in a horny fanservicey way. Even the lead getting sent to the fantasy world gets the raw end of the deal from that world’s goddess, and has to get bailed out by another deity to actually survive in the world. 

It has some real top-notch comedy, action, and character dynamics. It’s able to mix its comedic edge with sincere character moments and solid action. It’s one of the anime this season that feels the most cohesive, outside of Uramichi Oniisan and The Aquatope on White Sand. It stands as one of the best anime of the season and of the year so far.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to I will see you all next time!

Summer 2021 Anime Season Impressions Part 1

(If you like what you see, you can go to to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

There are no two ways to cut it, the Summer 2021 Anime Season has been a real hot mess. On top of two previous seasons that felt too stuffed for their own good, a lot of the shows this season felt like they were made and powered by the energy of burned-out/overworked/underpaid animators and storytellers having to put together multiple stories that had potential to be great, but many fell flat. This is not to say there weren’t any great anime, but it’s more inconsistent this season. Even some of the better shows run into some execution stumbles. Still, I’m going to give my impressions of the new anime this season. I’m skipping over the Scarlet Nexus anime since it’s basically an advertisement for the game that’s already out (the show is fine), and that dormitory ecchi/softcore porn anime will not be touched here. As usual, I’m only talking about the new seasonal anime, and no returning or sequel shows. 

Slice of Life

Girlfriend, Girlfriend (Crunchyroll) 

Based on the manga by Hiroyuki, this anime adaptation is directed by Satoshi Kuwabara, written by Keiichiro Ochi, and produced by Tezuka Productions. I’m always a bit hesitant to get into harem anime due to how they usually end up, and on paper, the premise of this one sounds so off-putting. A rom-com about a guy who ends up getting two girls to agree to date him? How do they pull this off? Well, with them all enjoying each other’s company in, of course, an overly comedic way, but in a way that makes for a real mixed bag of comedy. It helps that all of the characters want to be with one another, but they keep falling into the drama of one individual not being okay with being in a multi-partner relationship. It gets tiring when the best part of the show is when the three individuals, plus the future girl-partners enjoy their friendship and company. I will say that after seeing a little more of the show past my usual three episode rule, I was glad that they talked it out. It’s a vibrant show with amusingly dumb characters, and while a lot of the jokes do include yelling, there are a few legit laughs. It’s a show where your mileage will absolutely vary with how your experience unfolds, but compared to the slice of life rom-coms of the previous Spring season (outside of Nagatoro of course), I would rather watch this than Koikimo

Life Lessons with Uramichi Oniisan (Funimation) 

Based on the manga by Gaku Kuze, this adaptation is directed by Nobuyoshi Nagayama, written by Toko Machida, and produced by Studio Blanc. Do you know those rumors of hosts of children’s shows being unhinged behind the scenes? Where you were told the kind friendly persona they put on is hiding a dark side? Well, that’s essentially the premise of this show. This anime about tired, worn out, jaded, and cynical late 20/early 30-year-olds working a show they aren’t really into, revels in its dark comedy and there is something so charming about it. It might not have the flashiest animation this season, but how they executed it makes the jokes and punchlines land harder due to how snappy the facial expressions are. It’s also diving more into the mindset of the main characters, and I’m so happy that it’s not relying on one joke. Now there is definitely going to be a side of this show that will rub people the wrong way due to how, well, relatable the lead characters are and that feeling of not doing enough with your life at this point in time. I can totally see why some people may find this show off-putting, but I also understand why people enjoy it, and that includes me. With punchy character interactions, funny jokes, and a delightfully twisted sense of humor, there is a charm to this show that is unlike any other this season. 

The Aquatope of White Sand (Crunchyroll) 


This is another original anime this season from PA Works that is directed by Toshiya Shinohara and written by Yuko Kakihara. This show caught my eye early on before the new season of anime dropped with its gorgeous visuals, and the setting of two girls taking care of an aquarium with friends over the summer. It might have a very straightforward story, but the devil is in the details with how they execute the themes and topics covered in a premise like this. With a low-key atmospheric tone, a likable cast of teenagers/young adults, and an experience that feels more fully realized than most anime this season, The Aquatote on White Sand is easily one of the season’s best so far. 


The Detective is Already Dead (Funimation)


Based on the light novel and manga by Nigoju, the anime adaptation was directed by Manabu Kurihara, written by Deko Akao, and produced by ENGI. After last season’s incredible Odd Taxi, I was excited to find the next mystery anime, and sadly, well, this is what we have. I have heard the light novel is popular, but I’m wondering how popular it is for its detective elements, because much of the show is constant repetitive dialogue of things we already know, and the overall world-building is confusing and unrefined. It feels like a show that was made by combining a bunch of elements and not knowing what to edit or cut down on. I’m usually down with a weird sci-fi mystery experience, but this sure isn’t it. If you like the source material, that’s perfectly fine, but if this wants me to purchase said source material, it’s doing a bad job at it. 

Night Head 2041 (Crunchyroll) 

Based on the 1992 drama, this anime adaptation is directed by Takamitsu Hirakawa, written by George Iida, and produced by Shirogumi. What we essentially have is a mix of Equilibrium, Scanners, and Blade Runner, but with none of the interest that those films offer. It was incredibly difficult to jump into this show because it did such a poor job at explaining exactly how everything worked, and it kept throwing things into the formula that made it even harder to follow. It has some points of interest, but those promising elements are not enough to distract from the fact that this show seems to want to be the next Akira, both metaphorically and literally. Seriously, take a shot every time this show has someone reading an Akira manga. The CGI looks fine, but the whole art direction this show takes looks like every other bog-standard sci-fi series we have seen since Ghost in the Shell. Overall, so far, Night Head 2041 is fine, but I don’t have any real drive to go back to it. 

Peach Boy Riverside (Crunchyroll) 

Based on the manga by Coolkyousinnjya, this anime is directed by Shigeru Ueda, written by Keiichiro Ochi, and produced by Asashi Productions. I have no idea why they had to tell this show’s story out of order and have two different release strategies, because you will probably end up confusing your viewers about details and story beats. It’s really hard to feel invested in this world when I do not know how the story is supposed to be told. It’s not Pulp Fiction. Otherwise, I have enjoyed the first three episodes of this show due to some of its characters, action, and world. I wish I cared more because how the story is told is pulling me out of it. Maybe I’ll keep watching it, but I’m not sure. 

Re-Main (Funimation) 

This is an original anime this season that is produced by MAPPA, written by Masafumi Nishida, and co-directed by Nishida and Kiyoshi Matsuda. The story of a water polo champion getting into an accident and losing his memory makes for a promising plot point, that is unfortunately not too much of the focus of the show. You would think this would make for a compelling drama-driven show, but it has to share the room with the typical sports anime cliches, and it seems to be taking itself a touch too seriously. Maybe it’s because last season’s Bakuten was such a breath of fresh air for sports anime, but Re-Main feels too formulaic for its own good. It either needed to focus more on the effects of losing three years of memories and what that does to the lead, or feel fresh or interesting with the sports elements. Still, even with all of this said, the animation is gorgeous, the opening song is a banger, and what’s driving this series home is the cast of likable characters and their dynamics. Thankfully, it does dive into some bits of the main character’s memories after the three episode mark, but I’m sure some people were hoping for it to have as much screen time as the sports drama bits. It might not be MAPPA’s best series, but I am still enjoying this a lot more than their other series that we will get to next time. 

The Case Study of Vanitas (Funimation) 


This is based on the manga by Jun Mochizuki, this adaptation is directed by Tomoyuki Itamura, written by Deko Akao, and produced by Bones. I found myself overall charmed by this drama of vampires and humans. It’s a compelling watch as it focuses on a curse that plagues vampires, and this maybe/maybe-not human doctor who wants to cure the vampires of the world with the power of a sacred book. The core appeal of this show is the dynamic between our two male leads as they try to uncover the mystery while fighting an omnipotent force that absolutely creeps the heck out of me. The show does try to balance out more serious story beats with comedy, and while it can and does work a lot of the time, when it doesn’t, it falls flat. It’s a disappointment in that regard due to what one of the leads does to a female character in the third episode that happens to be a little too reckless for its own good. It’s like it tries a little too hard to have the characters be reaffirmed that they are straight when the vibe, tone, and how dialogue sequences are handled tell another story altogether. Still, I love this take on vampires, but it needed a little something to polish out the tone. I’m glad I decided to watch a few more episodes after my cut-off, since it does dive into the world more. The action is pretty good, and the animation is gorgeous. It’s a touch uneven at certain points, but I enjoyed this series, and the dub is out now! 

Kageki Shojo! (Funimation) 


Based on the manga by Kumiko Saiki, this adaptation is directed by Kazuhiro Yoneda, written by Tadashi Morishita and Miyako Matsumoto, and produced by Pine Jam. I know there are plenty of manga and anime that revolve around the setting of an all-female performing arts school that leads into being cast in huge performances, but since I’m not too familiar with those anime, this is the first one that I have seen set in that, well, setting. I love the distinct look of this anime with its human designs and vibrant colors used for the characters and the outfits they wear. It has some familiar elements for a drama/love story between two girls with one of them being closed off to the world, and the other being this ball of energy, but I do enjoy their chemistry. It’s also a drama that will heavily drench its story with as many dramatic plot points as possible that include abuse, stalkers, eating disorders, and the insane difficulties of working in this specific industry. It’s a bit much and it’s not all handled well, but I respect that this anime isn’t just fluffy best friends forever kind of anime and wants to dive into the darker sides of the industry. I may not have seen similar anime to Kageki Shojo, and its execution of drama could use some work, but even with its flaws, like a few other anime this season, it’s one of my favorites. 

Sonny Boy (Funimation)


This is one of the few original anime this season by One Punch Man Season 1 and Space Dandy director Shingo Natsume. This anime is written and directed by Natsume and produced by Studio Madhouse. What may look like another battle royale-style anime with students with powers, ends up being less action-focused and more philosophical and metaphorical with its setting. A bunch of students being stuck in random worlds that aren’t connected to theirs’ results in a ton of story beats, commentary, and all wrapped up with some great writing and one of the most distinct visuals of any anime this season. It’s a touch clunky right out of the gate with setting everything up, but by the third episode, I was hooked. It’s easily one of the best anime this season, and I hope it doesn’t fall flat when the final episode drops. 

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to I will see you all next time!