Worst to Best Animated Films of 2019 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Here we are with Part 2 of the Worst to Best Animated Films of 2019! We shall now dip our toes into the films that were, simply put, okay, and some that are pretty solid! Nothing wrong with that. If you have yet to see part 1, then I recommend doing so. Now then, let’s get started!

39. Reign of the Supermen

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While I like the second part of the infamous Superman story arc, I still find it overall just okay. Sure, it might have better character dynamics, better jokes, and some solid action, but it’s still having to follow up a story that already had to pretzel itself into fitting the storyline, and it’s one of the last stories in the current DC animated film universe. Hopefully, they can end on a high note.

38. Batman Hush

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Yet again, we have another DC adaptation of a famous comic book that decided to change things up for some reason. I love the chemistry between Batman and Catwoman, and before the reveal, I loved Hush as a villain. Even characters I don’t have the patience for, like Damian, get a good line. Sadly, the twist does undo a lot of the mystery, and I get that they wanted to probably change it, since fans already know, but still. Don’t change too much, DC and WB, or else you might end up ruining the entire point of the story.

37. The Lion King (2019)

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On one hand, yes, this is quite possibly the worst animated film of the year. It was a pointless retelling of an already good film. The photo-realistic CGI is impressive, but it takes away the emotion of it all, and the fact that no one talks about it anymore, but is yet a billion-dollar maker is frustrating, when people could have gone and seen other movies. Films like this shouldn’t be rewarded. On the other hand, I find the tech highly impressive, the cast is great, and I get why people went to see it. I still prefer the original, and if I could, I would combine elements from both the remake and the original into an ultimate version, but alas, we have yet another remake that shows that the Disney remakes aren’t dying anytime soon.

36. Zombillenium

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Out of all of the animated films from overseas that I was interested to see, Zombillenium was the biggest disappointment for me. It has such a fun setting and a cool art style, but the dialogue is weak and the film can’t commit to either being a family film or focused on the commentary of the workforce. It has its moments, and I love some of the darker jokes, but I can understand why this film went under the radar and got overshadowed by other films.

35. Justice League vs. The Fatal Five

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For once, I can talk about a newer Bruce Timm DC animation product and not be on the back of my heels for it. Sure, it falls apart near the third act, and Miss Martian felt tacked on, but the main story and how it handled talking about traumatic events and characters was combined with some of the better action sequences of the DC animated films. I’m rooting to see them return to the so-called Justice League universe in future animated films.

34. The Addam’s Family 

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Out of all of the big theatrical animated features, this one was the most disappointing. It felt like they didn’t want to go far with the dark humor, the story was lopsided in giving characters satisfying arcs, and the animation was cheap-looking. It has a lot of fanservice for fans of the franchise, the casting was great, and when the dark comedy was able to breathe, it was really funny. Hopefully, they can make a sequel that’s better looking, and better told the next time we see this kooky spooky family.

33. Pachamama

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Probably the most family-friendly film of the list, Pachamama was a simple, but charming film that I had the opportunity to see before it hit Netflix, and it’s such a treat. Not only does it take place in, and is a bit more faithful to the culture it’s based on, it also has a unique visual style that it can call its own. It’s more family-friendly, and it’s a fairly simple film, but nothing wrong with well-executed simplicity.

32. The Angry Birds Movie 2 

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Talk about one of the biggest surprises of 2019. Yes, the story isn’t the strongest, and yes, when the jokes don’t land, they fall hard, but who would have thought this was going to be one of the best comedies of last year? On top of the solid animation, the jokes go out there, and are in such an abundance of different flavors of comedy. I give the team that made this film so much credit for going out there, and making this one of the best video game animated films out there.

31. Genius Party/Genius Party Beyond

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This is a wild bunch of shorts that we finally got legally, and it is one of the purest forms of what animation can do, in terms of visuals and storytelling. Some of them don’t work, and the ones that don’t work absolutely don’t work, but when they do, they are some of the most creative visuals you will see out of Japan. I hope they don’t stop doing these anthology shorts, so they can keep bringing in or showing off talented individuals in the animation industry.

30. The Case of Hana and Alice 

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While it is a prequel to a live-action film, the mix of roto-scope and CGI animation doesn’t fully work, and it can be a touch slow, I found myself enjoying the story of these two friends. It takes its time with the actual story that connects the events, but the chemistry of the two female leads sells you on their friendship. It might not be one of the best films out there, but I found the overall charm and small-scale story to be worth watching.

29. Another Day of Life 

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Based on the true events of a famous Polish journalist, Another Day of Life combines CGI roto-scope animation with live-action documentary footage in a dramatic and war-torn time of the Angolan Civil War. It also has some pretty out-there visuals, and can be a rather gripping story. I think it’s a little long, and it’s not a film I’m thinking about rewatching multiple times, but it’s an interesting story, and the visual look alone is worth checking this flick out!

28. Ne-Zha

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It’s amazing how in one year, China was able to show the world that they should be taken seriously with their theatrical animation, and Ne-Zha is one of those films. While looking downright gorgeous, and telling a story about discrimination and destiny, it is also seasoned with some of the best action you will see in CGI animation. It’s a shame that while the story can be deep and the lead characters are likable, the comedy drags the story down, and it’s a lot of comedy that isn’t funny. Still, seeing this become one of China’s biggest hits, and it was one of two amazing animated films from China, it shows a bright future ahead for the industry.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

The Other Side of Animation 162: The Angry Birds Movie 2 Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

While I do stand by the fact that animation in the states should try to be more versatile and needs to start mixing it up on the theatrical side of things, it doesn’t mean I’m against animated features being cartoony. There has been a fairly toxic backlash towards animated films for being cartoony. I never got that, because if you hate a cartoon for being cartoony, then you must hate and despise almost a century of animation and hundreds of films and shorts because they are cartoony. Sure, I’m simplifying the argument, but to me, not every animated film needs to like Funan or Coco.

Sometimes, people want an animated film to be, well, cartoony, like today’s review, The Angry Birds Movie 2. Directed by Thurop Van Orman, this sequel was a curious case of how they were going to expand on the original film. While not a great film, the first Angry Birds film had its charm. However, the sequel is getting rave reviews not only from critics, but audiences as well, which I don’t think anyone saw coming. While it might not be raking in the cash the first film did, a sequel to a video game movie doing this well critically is surprising. Why is it doing well with audiences and critics alike? What is it about this film that has everyone really enjoying it? Let’s dive in, shall we?

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It’s been a year or so since Red, voiced by Jason Sudekis, Chuck, voiced by Josh Gad, and Bomb, voiced by Danny McBride helped save their island’s eggs from the evil pigs led by Leonard, voiced by Bill Hader. Every now and again, they launch stuff at each other from their respective islands. That is until Leonard and his crew finds out that there is a third island called Eagle Island that is run by a bird named Zeta, voiced by Leslie Jones. She plans on wrecking everyone else’s islands to get them to go away, take them over, and turn the islands into a water park. It is now up to Red and Leonard to team up to take down the threat, but they can’t go at it alone. Along with Chuck and Bomb, they also get the help of Mighty Eagle, voiced by Peter Dinklage, Silver, Chuck’s sister voiced by Rachel Bloom, Courtney, voiced by Awkwafina, and Garry, voiced by Sterling K. Brown. Can they reach Eagle Island and save the day?

So, how do you go about making a sequel to something like The Angry Birds Movie? Well, by getting the creator of The Misadventures of Flapjack, and go bonkers with the humor. Seriously, 2019 hasn’t really been the best year for comedic movies, and yet, here is The Angry Birds Movie 2 going the Mel Brooks route of comedy, and throwing different kinds of jokes at the audience, and they work! You’ve got physical gags, background gags, dialogue-driven gags, situational gags, meta gags, and you get the idea. It’s a theatrical cartoon that knows it’s a cartoon, and it will not apologize for it. I think that’s quite admirable.

So many cartoon fans want every theatrical release to be dramas, and yeah, it would be nice for some family films to take their stories more seriously, but at the same time, again, not every film needs to be like a Pixar drama. I found myself laughing multiple times during this film, and I wasn’t the only one. The entire theater I was sitting in was roaring with laughter, and while some jokes didn’t work, you would forget about them, because a good joke would then make you forget the bad joke. Of course, comedy is subjective, but the fact that the humor is hitting a home run consistently was a nice surprise.

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 Animation-wise, it’s Sony Pictures Animation, it’s pretty good for what the budget has, the colors are vibrant, and the movements are snappy and quick, but not overly quick. The designs are fun to look at, and everyone is fairly expressive. It helps that the characters have a lot of good chemistry with dialogue that bounces off one another. While there are plenty of great voices and performances, Leslie Jones’ Zeta steals the entire film. She had the best lines and the best jokes. For a comedy villain, she really works. Sure, they give her a little more pathos with who she is, but you can tell they focused more on the comedy angle, and combined with some witty writing, she turns in one of the funniest performances of the film. While you can guess from the trailers that they do a “they hate each other but end up together by the end” plot with Red and Silver, they definitely do, and while I’m not a fan of the trope, Jason and Rachel do have good timing. I also like how the film does add in themes of overcoming your fears, dealing with insecurities, and becoming a better person for the sake of your own health and the people around you. It might not be as fleshed out as it would be with a team from Disney or Pixar, but the film does handle those themes well.

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Now, it’s time to talk about the flaws of the film. While the comedy in this film is filled to the brim and bursting with different kinds of humor, I wish they would have taken out the jokes that were the worst part of the original film, the gross-out humor. Granted, the film does a great piss joke, but it’s the only one that works. It’s the same issue with Teen Titans Go! to the Movies, where the really good jokes are really good, but the immature jokes fall flat. The film also feels disjointed, as it has a subplot going along in the background that could have been its own animated short on the Blu-ray of this film. It also has some great laughs, but it’s always distracting when it’s cutting to and from the main story.

I also wish Gary was funnier. He has some good lines, and Sterling K. Brown is having a lot of fun with his character, but I wish he had some better lines. Josh Gad’s Chuck’s relationship with Silver is also the weakest and the creepiest part of the film. He’s the overly protective brother who comes off like he’s a bit, well, too close to his own sister, and I’m not sure if that’s intended to play off some offbeat humor to the film, but it’s awkward. While the film’s focus was on a more comedic experience, I wish the romance subplots were handled better.

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Still, even with the complaints, I was looking for a fun time, and I got a fun time. I wanted to see some good jokes, and I got some good jokes. It’s a film that sets out to be this quirky offbeat sequel to a film not many cared about but ended up being one of the big critic and audience hits of the year. Am I shocked to see a few people be in the minority by not liking it? No. Comedy is subjective, and while I really enjoyed the film, I can perfectly get why others don’t. It’s a bummer that this film is not performing as well as I think it should, but I’m also not surprised. I highly recommend people go see The Angry Birds Movie 2. Oh, and you should all go see this film to support the wonderful short that plays in front of the movie, Hair Love by Matthew A. Cherry. That short alone deserves its own review. So, now that we will have to wait for the next major feature, let’s travel to China as I review what is considered the biggest-animated film in China right now with Ne Zha. Thanks for reading my review! I hope you all enjoyed it, feel free to share my work, and if you want, you can show some support by donating to my Patreon at Patreon.com/camseyeview. I will see you all next time!

Rating: Go See It!

Worst to Best Animated Films of 2018 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Okay, we are now onto part 2 of the Worst to Best of 2018, and we will be going through the next couple of films on my list. If you haven’t seen part 1, please go back and see which films were on the bottom. Now then, let’s get started!

 

34. Tehran Taboo

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The first few films on this list are going to be in the category of “flawed, but ambitious”. Tehran Taboo definitely has its share of topics to talk about that include sex, religion, and the commentary about life in that country. However, while I’m usually down for a film to be an experience, I found this one to be a tough pill to swallow, and it was sort of boring. I don’t really remember much outside of the themes and the rotoscoped visual style. Still, it’s an interesting film to check out if you are looking for something more adult in your animation.

33. Bilal

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I didn’t know what to expect from this American/Arabic production from Parajoun Entertainment, but I was impressed. For a foreign feature, the CGI is rather impressive for the context of where it is from. I also like how it’s a grand epic adventure based on a real life individual. However, the problems come into play with the pacing. It looks like it wanted to go through the entire life of Bilal, but couldn’t pace it well to make sense. Huge spans of time jump forward constantly in the film, and we are introduced to many characters that don’t get much development. Also, while the goal of more realistic designs is admirable, sometimes the uncanny valley sets in, and some designs look more awkward than others. Still, I hope the studio behind this film can find support to keep making films if they are this ambitious.

32. Sgt. Stubby

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I feel badly that this film didn’t do better. Granted, its tone and not up-to-par animation didn’t help things, but a family film set in World War I is quite a risky endeavor. Yes, it’s not an “incredible” film, and it was never going to go full-tilt mature in tone to tackle one of history’s biggest wars, but the fact they were able to do this in the first place is something I can fully respect. It even takes time to let the characters talk, and it’s not just focused on the dog in question being adorable. It’s not perfect, and I can’t find myself really watching this one again, but once again, it’s at least different than most animated features.

31. Batman: Gotham by Gaslight

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Who wouldn’t love a legit Batman film where it’s set in an alternative history where he takes down Jack the Ripper? For the most part, I enjoyed the character chemistry between Bruce and Selina, and when they can let the ominous atmosphere and slight horror elements set in, it’s quite an eerie watch. Sadly, the entire reason this film is on this part of the list is because of the current animation style that is used for these direct-to-video films. Instead of putting more money into trying to copy the comic’s unique Mike Mignola art-style, it looks like every other generic DC-animated feature around, which really sucks. It’s one of the biggest opportunities that has been wasted on such a cool film. Maybe in a decade or so, we will get an actual big-budget take on this comic’s storyline that can deliver on the horror.

30. Suicide Squad: Hell to Pay

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I have reviewed this one already, and even though I have watched it three times, my opinions never changed about it. It has good action, good chemistry, and a few fun dark comedic moments and a nice Grindhouse-vibe, but the story’s tone is all over the place. It never felt like it had a true idea of what they wanted the entire story to be, and while I love the twist with who the real villain of the film is, it does raise some questions about previous DC film tie-ins. Still, it’s one of the better DC features that you can get, and I can understand why people enjoyed this one.

29. The Death of Superman Part 1

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While there are a lot of flaws with this story, like how they had to pretzel the story to fit the comic that this two-parter is based on, and some of the characters don’t feel like they add much to the story, when it actually focuses on Doomsday and Superman, it’s a lot of fun. It has some of the better action animation out of the DC films. You just feel the brutal strikes that the two give each other, and it actually made me care about Superman. Granted, the biggest flaw of this film is that it’s a two-parter that ruined not only this film’s story, but also killed the concept of death permanently in comics. Still, I recommend this and part 2.

28. The Grinch

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Now, if I was just including theatrical animated features only, this one would be lower on the list, but out of all of the animated features, this one fits perfectly in the mid-area of the list. It has beautiful animation, whimsical visuals, and a decent Grinch character. It might not be able to fully complete the themes that it introduces, but it’s so harmless that I find it the least offensive of Illumination’s films. It also has a nice ending, and it actually makes Cindy Lou endearing. It’s another Illumination Entertainment picture, but I wouldn’t mind seeing this one again.

27. Hells

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Yes, this movie’s plot is a huge mess, it overstays its welcome, and it feels like a lot of the characters don’t have any personality, but the animation for this film is so wild. It’s vibrant and wildly creative with its designs and what hell looks like. While you can obviously see where most of the money gets put into the flick, it’s a passion project that I can get behind.

26. Big Fish & Begonia

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To me, this is China’s first official foot in the door of serious animation fare. It’s beautiful, it has complex themes, and while the story is a bit bloated and has way too many characters and things going on, you do feel for the two main characters. The voice cast is great, the visuals are some of the most unique, and interesting out of an animated feature, and if you want to be supportive of these types of Chinese features, please check this film out.

25. Hotel Transylvania 3

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Now then, we are getting into the films that I think are pretty good. While the franchise as a whole is inconsistent, I think this is the best one, because it knows how to handle its characters, the jokes were funnier, the animation was great, and it had more of a plot on which to focus. Then again, when it’s all being directed and written by Genndy Tartakovsky, then that makes sense as to why it’s the best film in the franchise. I had a great time with this flick, and while some of the side characters don’t have too much to do, they are, like this movie, highly entertaining.

24. Satellite Girl and Milk Cow

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While this may not be South Korea’s first animated feature, it’s one of the first to get a major US release, and while it may have the same issue as Chinese animation with not being wholly original in the story department, it uses some jokes that aren’t all that funny, and the animation might not fully be up to par, I still found it an earnest and enjoyable fairytale-style film. The animation is pretty solid, and the physical comedy with Satellite Girl is actually really funny. Any time she shows off her robot girl gimmicks, the jokes are great. It’s an oddball film, but I like well-executed oddball films, and I think people should see it!

The Other Side of Animation 148: Spider-Man: Into the Spider-Verse Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

If you saw my editorials, talking about what I would like to see change in the big budget US animation scene, I talked about how certain studios should and could use a “shot in the arm” with trying out more ambitious storylines and visual styles. Animation is such a wonderful medium that is hamstrung by studios not bothering with stepping out of their comfort zones. Thankfully, Sony Pictures Animation decided to be a brave individual, and show that not only do you not need to spend triple digit millions, but can also make massive long-term profit and award acclaim with Spider-Man: Into the Spider-Verse. Directed by the trio of Peter Ramsey, Bob Persichetti, and Rodney Rothman, Spider-Verse was released back in December to universal acclaim, winning a massive pile of awards, and has certified itself by a team of me, myself, and I, as the best US animated film of 2018. Shall we swing into the review?

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The story revolves around Miles Morales, voiced by Shameik Moore. He’s a high school student who lives in a world where Spider-Man exists. Nothing is really all that different here in this universe. Spider-Man, voiced by Chris Pine, is loved, Miles dad, voiced by Brian Tyree Henry doesn’t trust Spider-Man, and Miles doesn’t really care about going the distance in becoming a better person. After hanging out with his uncle Aaron Davis, voiced by Mahershala Ali, Miles encounters Spider-Man attempting to stop King Pin, voiced by Liev Schreiber from using a giant machine to cause some supposed chaos. Luckily, Spider-Man sort of stops the machine from working while fending off Green Goblin and The Prowler. The bad news is that Spider-Man ends up getting killed by King Pin. The city is then swept over by sorrow from the loss of Spider-Man, and Miles feels responsible for the death of his universe’s Spider-Man. That is, until he encounters a much more self-defeated Peter Parker aka Spider-Man, voiced by Jake Johnson, from another universe. As the two try to find a way to get the alternate Spider-Man back to his own dimension, they encounter other Spider-Men from different dimensions. This includes Spider-Gwen, voiced by Hailee Steinfeld, Spider-Man Noir, voiced by Nicholas Cage, SP//dr, a Japanese anime-style Spider-Man/robot pilot voiced by Kimiko Glenn, and Spider-Ham, voiced by John Mulaney. They team up to try and stop King Pin, along with his lackeys Prowler, Tombstone, voiced by Marvin Jones III, Doctor Octopus, voiced by Kathryn Han, and Scorpion, voiced by Joaquin Cosio, from starting up the machine again, and possibly destroying Miles’ universe.

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Like a couple of times in my reviews, I want to talk about the animation first. This was the first big selling point when everyone saw the first teaser trailer for Spider-Man: Into the Spider-Verse. The visuals are literally jaw dropping. You will lose your jaw, and then have to go get it surgically reattached with how incredible and striking the visuals are. Everyone has said it, and it’s true, it looks like a literal moving comic book. The bright colors, the many details you would see in most comic books, the textures, the lighting, the designs, and how it all meshes well. Not one character from the different dimensions stands out in a bad way. Everything flows and gels well. I have seen some people argue that the animation is bad, but I’m sorry, that’s just objectively wrong. If you follow animation, then you know Spider-Verse does not have bad animation. The slower framerate and movements are there for a reason. If everything moved as fast as say, Sony’s Hotel Transylvania franchise, it would be an eye sore with all the bright and multi-colored visuals. It’s a style of animation that is used in other parts of the world, like in The Painting and Zombillenium. It’s used to work with the unique art style and not a budget limitation. When you see as much animation that varies in both budget and quality, you can see what is style and what is bad animation. Norm of the North is bad animation. Spider-Man into the Spider-Verse is good animation. End of lecture.

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In terms of the story, Spider-Verse has one of the most complex and complete stories out of most animated films in 2018. It’s the best told story among the US-made films. Films like Incredibles 2 and Ralph Breaks the Internet felt like they either didn’t go far enough with their themes and story, or only went at them in ways where they only go 50% and not 100%. Spider-Man fully commits to its multi-verse storyline mixed in with themes of coming of age, finding your own identity, not being fixated on events from the past, what it means to be a hero, and the harsh realities of being a hero. Every character works well with one another, and they treat everyone as characters. Sure, you can argue and nitpick and say that three of the six Spider-Mans don’t get as much development as the other three, but all six aren’t the main focus. The real focus is on Spider-Gwen, Miles, and Jake Johnson’s Peter Parker. Even Miles’ parents and Parker’s Aunt May are easily some of the best characters out of the movie. It’s so shocking to see an animated film treat everyone with actual dimension and not as one-note archetypes. While you can say that this film’s version of King Pin is not as good as the Netflix one, that isn’t really fair. This is one movie, whereas the Netflix one had three seasons to flesh out the character. It’s not really a perfect one on one comparison. However, you still get why King Pin is doing what he’s doing in the movie, and that’s pretty good. I also like how the film skims over origin stories. We really don’t need another Spider-Man movie that takes 40 minutes of its runtime to flesh out what happens. At least, it’s not a 100% origin story with the exception of Miles Morales, who has probably one of the best developments and stories out of any superhero movie.

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The voice cast for this film is perfect, and everyone seems to be on board and on the same level as everyone else. This isn’t like Venom or The Meg, where everyone, but one or two people know what kind of movie they are in. The talent is crazy good with Shameik Moore, Brian Tyree Henry, Mahershala Ali, Hailee Steinfield, Nicolas Cage, John Mulaney, Liev Schreiber, Jake Johnson, Lily Tomlin, Luna Lauren Velez, Kimiko Glenn, and as usual, seeing the late great Stan Lee in one of his last cameos is touching and endearing. The music is also incredible with plenty of amazing pop and rap songs that fit the tone perfectly. I even bought the soundtrack after I saw the film. I still listen to Vince Staples’ track.

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I really have no complaints about this movie. It’s truly the best US-made animated film of 2018, and congrats to Sony Pictures Animation for their successful 2018 line-up of animated features. Sure, I have minor gripes, but they really don’t matter when everything else is so strong. I highly recommend checking this film out, or getting it on blu-ray the day it comes out. It’s smart, funny, endearing, action-packed, and a blast. I think anyone who thought Sony Pictures Animation should just shut down and “drop dead” need to go crawl under a rock and never come back. Now then, before we hit 150, let’s keep making sure everything is awesome with LEGO Movie 2: The Second Part. Thanks for reading, I hope you all enjoyed the review, and I will see you all next time.

Rating: Criterion/Essentials

Worst to Best Animated Features of 2017 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

I apologize for this being so late, but here we are! This is the Worst to Best of Animated Films from 2017! It’s easy to look at 2017, and see it as not that fantastic of a year for animation. There was very little to be excited about, and it felt like the big studios dumped all of their filler projects in one year. It definitely looks inferior, compared to 2018’s line-up of animated films. However, looking past the big budget film scene that honestly had only two good animated features, the indie/foreign scene in 2017 was actually drop-dead amazing. It might actually be the strongest year for indie/foreign films since 2013. As usual, the rules are the same for these lists. They must have been released in the states in 2017. They also must be a part of the Oscar submission list. I sadly won’t be able to get to The Big Bad Fox, because GKids is, for one reason or another, not putting that film out yet, and I simply do not have the time to wait any longer to see it. I won’t tackle any direct-to-video films unless they are the DC-animated features, or if they are a big deal. Let’s get started!

39. Guardian Brothers

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Man, talk about a pointless film. While the original Chinese version is not that great either, at least it had a point to it. The Weinstein cut took out the one theme that made the film worthwhile, and they made it a bland, boring, obnoxious, cynical, and utterly pointless animated feature. It has decent animation, but it’s nowhere near as impressive as China’s Big Fish & Begonia. Screw this movie, and screw the Weinsteins for being utter garbage people, and utter garbage animation distributors. I am so happy they are gone.

38. Spark: a Space Tail

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The only thing this film has going for it, is that it was not Guardian Brothers. It was at the very least, presented as intended. It’s still a horrible film though, with bland visuals, boring jokes, unlikable characters, and generic action. It’s also one of two films from 2017 that wasted the talent of Sir Patrick Stewart. I saw no reason why this film needed to get made, when it’s full of nothing original or creative. Maybe Open Road Films will make sure to pick up better films in the future, but for now, they need to find something more worth their time.

37. A Stork’s Journey

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While I commend German animators trying out CGI theatrical animation, it helps when you have a thought-out film. This film’s CGI is ugly, the animation looks unfinished, and the characters are either forgettable or unlikable. I hated these characters, and they were a real reason why this film did not work. I liked the owl and her backstory, but that one character alone is not worth watching this film that Lionsgate thought was a good idea to bring over.  I also wish Lionsgate would stop thinking that just because a YouTuber is in it, it means people will buy it. 

36. The Deep

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This film is insane. While it has slightly better textures and animation than A Stork’s Journey, the lead character is just as bad. He is a selfish, inconsiderate brat. The film also doesn’t know how to make its world-building  sound logical with what happens in the third or so act. The only reason it’s above A Stork’s Journey is purely because of technical aspects. It actually doesn’t look that terrible for a very limited/straight-to-video release. It also outright lies about saying the people that worked on Madagascar made this film, when I couldn’t find anything about them. Unless proven otherwise, they lied in their marketing.

35. Leap!

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While not the worst of the Weinstein-distributed animated films with the least amount changed, it doesn’t mean it’s good. I can see it being a guilty pleasure, or a favorite among young kids, but it’s an awfully forgettable experience. The characters are not that memorable, it’s predictable, the music is not catchy, the acting was a touch annoying, and there were story points that felt out of place. While the animation was better than most films, the super-realistic textures to everything made more comedic moments look creepy and unrealistic. The dancing is sort of nice, and I didn’t hate the lead character, but if Hollywood wants to advertise great European animated films, they should have pushed The Little Prince and the many French films GKids brought over, like The Girl Without Hands, more than this forgettable, if ultimately harmless film.

34. The Emoji Movie

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Yes, if I was only doing the major releases, this would be the worst of the animated films. Yes, it’s cynical, uncreative, boring, and annoying. However, how many people actually saw this film from beginning to end? Yes it’s a horrible movie that Sony shouldn’t have rushed out and put into theaters, but at the same time, no one really talks about it anymore. It’s bad, but it never had any long-lasting value, outside of being infamous on the internet. It’s still nicely animated, and I liked some lines and sequences, but yeah, this movie is not good.

33. Seoul Station

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Listen, there is nothing wrong with a prequel story. They can add more lore and world-building to the original film. However, Seoul Station fails as a prequel. It doesn’t truly say how the outbreak in Train to Busan happened, the characters they focus on are bland, the story doesn’t really do all that much to add to Train to Busan, the animation is stiff, and the dialogue is not all that great. I wish I liked this more, because I think Asian countries outside of Japan can make some truly good work. I just don’t think this is one of them. It’s real only highlight is that you get to see an animated film that is a horror flick. You don’t get to see that often in the animation scene.

32. Nerdland

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You would think a comedy starring Patton Oswalt and Paul Rudd would be amazing, but this was not. You can tell this product flip-flopped in development. The characters weren’t all that likable, the jokes didn’t really land, and its depiction of Los Angeles was boring and typical. However, I do like the art direction, and when it was funny, it was really funny. I just wish I could have been more positive about the film, but I’m not going to give it a pass, because it happens to have two of my favorite actors in it.

31. Sahara

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I was honestly curious about this one. I was surprised to see Netflix bring it onboard for the US, and was wondering why they didn’t really advertise it. Well, once you watch it, you will see why. The English dub was so obnoxious, that I had to switch it over to the original French dub. The animation was not all that great, and the story was cluttered and forgettable. I liked some of the color usage, some of the dancing, and the few quiet moments, but they weren’t enough to make this a good experience.

30. The Star

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Boy, did this not need to be in theaters. If this was on Netflix from the start, that would have been fine. It’s probably the most positive of the Christian-based family films, and even with a $20 mil budget, its animation is not super terrible. However, it was still not all that funny, the story was boring, the side characters were too many and not at all entertaining, and I just felt badly for the cast that had to be in this movie. Again, it’s harmless, but there was no real reason this had to be in theaters.

29. Rock Dog

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 This movie’s development history, Lewis Black, and Eddie Izzard are the only good/interesting aspects to this film. The lead is bland, the film needed a bit more cash to polish out the animation, and it was a mess story-wise. It felt like it didn’t know what it wanted to be, so it copied a bunch of other elements from other and way better films. It has its moments, and I like the song at the end, but sadly, when this is one of Lionsgate’s better animated offerings, you know something is up with this film.

 

Stay tuned for Part two in the future!

The Other Side of Animation 136: Hotel Transylvania 3 Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

To me, the Hotel Transylvania franchise gets a lot more flack than it really should. Not to say that the films are flawless, I mean, they aren’t perfect films, but they are ultimately harmless. The hate these films receive seems to be way more critical than studios that have made worse films. Again, they have their flaws, and some parts are going to be more negatively received than others, but in a world where Guardian Brothers and Norm of the North exist, you can watch much worse in the animation scene than the Hotel Transylvania franchise. I was curious to see how the newest film, Hotel Transylvania 3: Summer Vacationwould work out. Directed by Genndy Tartakovsky again, we see Sony take its franchise and instead of releasing it in the fall like the last two, it uproots our heroes for a summer release. Does it work? Well, let’s see what we find.

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Adam Sandler returns as Dracula, who is having a bit of a rough patch in running the hotel with his daughter Mavis, voiced by Selena Gomez. He’s feeling lonely, and has no time for such things like dating or taking a break, while running the hotel. Mavis then decides to take her family and the entire gang on a cruise at the Bermuda Triangle. As Dracula and his friends/family get on the cruise, he catches himself zinging/falling for the captain of the ship, Erika, voiced by Kathryn Hahn. Unfortunately, no one knows that Erika’s full name is Erika Van Helsing, the great granddaughter of Abraham Van Helsing, voiced by Jim Gaffigan. Will Dracula find out before it’s too late and everyone is in trouble? Will they enjoy some really good visual gags and jokes?

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Let’s get the good out of the way, first. I know some people would rather hear me talk about the bad, but for me, I found a lot to love about this movie. First off, the animation is still amazing. No matter what pros and cons the individual films in the series have, the animation from Genndy Tartakovsky and his team bring so much life and identity with the films, and it’s no different here. Heck, Genndy himself makes a lot of jokes that wouldn’t have worked otherwise by a lesser director. They also take advantage of the setting, with the characters like the wolves dropping their kids off at daycare, Frankenstein and his gambling addiction, Atlantis as a casino with a giant kraken voiced by Joe Jonas, the shuffleboard goal being the outline of a dead body, the plane ride to the Bermuda Triangle being piloted and run by gremlins, and you get the idea. You can tell that the animators had a lot of fun working on this film, due to how lively, expressive, and entertaining the characters are. While no one really has a story arc outside of Dracula, I think everyone had a good gag, joke, or line. Some of the characters also felt more like characters than in the last movie. That’s probably because Adam Sandler was not behind the writing for this film. I think some of best gags also come from the fish servants that are all voiced by Chris Parnell. One of the biggest laughs that the audience and I got was at the scene where Chris is singing the Macklemore song Downtown in a super deadpan style. I also enjoyed the chemistry between Dracula and Erika. It was cute at times. I know much of this film is gag-driven, and can feel a lot like a Looney Toons cartoon, but it still finds moments for characters to breath and talk. Sure, it has predictable plot elements, but I liked elements that other people have criticized in this film. One example I find myself disagreeing with is that Dracula is being terrible by hiding the secret to Mavis that he has a crush on Erika. To me, I think that’s a bit more realistic, because how would you feel as a single parent and finding someone that reignites that spark, but you are worried about how your kids would react? The same goes for Mavis, as while it almost comes off like she has the exact same plotline as Dracula does in the first film, she’s nervous. I think there is a bit more heart in this film than others are saying. I even love how they flipped the whole dance sequence trope that happens in other films. I won’t spoil what happens, but I think everyone will get a laugh out of it.

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Now, with all that said, I still have plenty of flaws to talk about with this one. While I was laughing, it was laughing more at the reactions and physical aspects more than the jokes. While I’m glad the film didn’t overload the film with subplots, I wish more characters had something to do. They finally pay off the joke that the invisible man has an actual invisible girlfriend, but nothing is done with it. They make Frankenstein’s wife and him more of a loving couple, but not the invisible woman? I also wish Mel Brooks’ Vlad did more. The second film didn’t utilize him enough, and he’s basically background noise here. Jim Gaffigan is a wildly entertaining addition to the franchise, but, you guessed it, not a lot to do until the end. I also found the film predictable, but this film’s story was not its full focus. I respect that Hotel Transylvania 3 was meant more for gags, but I do wish there was more story in this film like there was in the first one.

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I know some people are mad at Genndy’s response to the Critics response to the film series’ reception, but I feel like he has a point. I found myself having a fun time, and needed a goofy romp after a stressful week of work. Now, I’m not saying I don’t get why people don’t like this series or find problems with it. I totally get why this might not be for everyone, but for me, I enjoyed it. I highly recommend checking it out. It’s not going to harm you or is sending some kind of negative message. It even has a nice moral at the end. While I don’t know how much more they can pull from this franchise, I have enjoyed my time with it. Sometimes, you just need a lightweight movie. So then, next time, let’s dive into a wacky and surprisingly humorous time with Teen Titans Go! To the Movies. Thanks for reading! I hope you enjoyed the review, and I will see you all next time!

Rating: Go See It!

Animation Tidbits #9: Annecy 2018 Part 4

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Welcome back to the unexpectedly amazing Annecy 2018 breakdown! This will be the final editorial about this festival before the June viewing of the event. This will include films that are being shown either fully made, or are in the final stages of completion. It will include both big budget films and smaller films. If you haven’t seen part 1, part 2, and part 3, then you should definitely go to those and see what the world is doing in animation.

Other Films

Wreck it Ralph 2: Ralph Breaks the Internet: While I enjoyed the first film, despite it losing steam in the third act, I found it to be one of the more interesting Disney-animated features, that revolves around a technology-based setting. It’s definitely a bit disappointing that they are moving to the internet to make fun of that, rather than going from arcade games to console games. Granted, the bit about click bait, Ebay, and the mobile game were funny, but since the original film skimped on the video game stuff, you kind of felt like you were deprived of what the film was advertising. Still, I am excited to see how this film turns out.

Hotel Transylvania 3: It’s not a perfect franchise, and there are definitely really crummy things about it, but I’ll admit, I do like watching these films. I don’t crave them all year long, but Genndy Tartakovsky has brought a lot of life and personality to animated features, that I hope he can bring more to in the future. While the plot for this film seems a tad clichéd, since now Dracula is going on a cruise to relax and maybe find a new love interest, I still hope it can be good.

The Incredibles 2: While many really love the original, it was interesting to see how people reacted to the sequel’s trailer. There are talks that it might have major sequelitis problems, where the roles have been reversed with Helen Parr being the superhero that goes around saving the day, while Bob helps the kids. I don’t fully agree with the negative backlash or concerns, but I get where they are coming from. It still has some interesting ideas that I hope are more fleshed out in the film. The animation is beautiful, and I love the addition of Bob Odenkirk as a new character in the film.

White Fang: Probably the most anticipated animated feature that will be distributed by Netflix this year. It’s by the director who did the award-winning short Mr. Hublot.  It’s an adaptation of the 1906 novel of the same name, but this time, with a rather vibrant art style. Sure, you can kind of tell there is something weird with the human movements, but the colors are what really bring this film up to another level. I love how everything looks painted, and it definitely gives the film a lush and identifiable identity among the animated films this year.

Another Day of Life: This is yet another mature animated feature, telling the story of what happened during the 1973 civil war in Angola. The story is told in a vibrant and beautiful underground comic book art style. It might look like a lot of rotoscoping was used, but you can’t deny that its colors and advantages with animation will make this story of a horrific event interesting to watch. It will also supposedly have a few moments of live-action sequences thrown in by the person that documented this incident. It reminds me of 25 April and Waltz with Bashir. I can’t wait.

Animation Tidbits #8: Annecy 2018 Edition Part 3

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Welcome to Part 3 of this look at Annecy 2018. This time, instead of looking at the films that are complete and are in competition, or out of competition, we are going to look at the films that are “in progress”. These are films coming out later this year, or are getting made for viewings for the upcoming year. While they will have TV work, I’m not going to cover that here. I also won’t be talking about films like Spies in Disguise, because there is no trailer for that upcoming Blue Sky Studio film, and I already talked about The Swallows of Kabul, which looks amazing. I will also be putting down the films that will have special screenings at the event. Let’s get started!

Work in Progress

Spider-Man: Into the Spiderverse: While I definitely understand where a lot of the criticisms aimed at Sony Pictures Animation are going, you can’t deny that Sony is actually one of the few studios willing to take risks with visuals. This is exactly the animated feature Sony needs to shake things up a bit. While some have complained about the movement fluidity, it’s a visual marvel. Its comic book art style pops, and brings something wholly unique to the animated feature landscape this year. I just hope the story can match the visuals. It has the potential to be one of the best animated feature films of 2018, and I want it to live up to that expectation.

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The Famous Invasion of the Bears in Sicily: Now that we got the first western feature out of the way for this list, it’s time to go back to our foreign offerings. This upcoming French/Italian collaboration is about a group of bears that live in the mountains of Sicily. Due to a harsh winter storm, they are forced to move down from the mountains. Along with that situation, the bear king has another motive of getting back his son, who was taken from him. While sadly, there is no trailer for this film, some of the screen shots and the poster shown look promising. I love how vibrant the colors are, and the designs are pleasant to look at. It’s a film that also has its own identity in terms of visuals. Can’t wait to see what happens next, and who might distribute it.

Bunuel in the Labyrinth of the Turtles: Movies about famous or infamous filmmakers is nothing new. Last year, we got The Disaster Artist, and a few years back, we got that one film about Alfred Hitchcock. This film is about Luis Bunuel, a filmmaker that almost lost his career during the Golden Age of film, and how he saved his career with a documentary. Because it’s an animated film, it can take full advantage of unique and surreal visuals that the director was known for. It also happens to have some of my favorite human designs. It just looks interesting to me, and they can take advantage of telling a fascinating story through a creative medium. Just because it’s animated, doesn’t mean you have to tell a family friendly story.

Penguin Highway: Based off the book by the same author of Tatami Galaxy, Tomihiko Morimi, Penguin Highway follows a young boy who must find out why a bunch of penguins have shown up in his town. Since this is by the same individual who did Night is Short: Walk on Girl and Tatami Galaxy, there is probably going to be some kind of symbolic meaning behind the penguins. The animation looks great, and I rather enjoy the absurd setting. The only thing I’m not really fond of is this young boy crushing on a dental assistant who’s much older than him. It’s a little weird, and the trailer constantly has points emphasizing her chest. I know boys get curious around 4th grade about sexual stuff, but I hope it’s not too creepy of a dynamic, because it does seem like a charming film. We can only hope for it to not be super weird. I know sex jokes are a popular thing in Japanese anime/comedy, but that stuff doesn’t really translate well at all to other countries. Otherwise, it looks like a good movie, and I hope I can check it out.

The Other Side of Animation 98: The Emoji Movie Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

 

Every year, we always hear the loud wails and haunted screams that cinema is dead. It just so happens that in 2017, with Sony Pictures Animation’s The Emoji Movie, it just got too loud to ignore. The film is directed by Tony Leondis, a story artist and director. He worked on films like The Prince of Egypt, The Road to El Dorado, Kronk’s New Groove, Home on the Range, and directed Lilo & Stitch 2: Stitch Has a GlitchIgor, and Kung Fu Panda: Secret of the Masters. For some reason, out of all the years of movies made, The Emoji Movie just drove people up a wall. It came out a few weeks ago, and instantaneously, it was labeled as the worst movie of all time, the death of cinema, people were saying and demanding that Sony Pictures of Animation should be shut down, and you get the idea. Even though we made it through years that had Movie 43, Jack & Jill, Pixels, Gods of Egypt, 50 Shades of Grey, 50 Shades of Black, Meet the Blacks, Legend of Hercules, Saving Christmas, Troll 2, North, and so on, The Emoji Movie is the one that broke the camel’s back. Listen, it’s not a good movie, but people are overreacting and going into hyperbole territory to get clicks and views. Why would I say that if I just admitted that it was not a good movie? Well, let’s pick your favorite emoji and send that text.

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The entire story takes place inside one teen’s phone, as we enter the world of Textopolis, a city where all the emojis live. We focus on one in particular emoji named Gene, voiced by T.J. Miller. He is a “meh” emoji, who has a bit of a problem. He can’t simply be a “meh”, and has too many emotions to count! After a failed first day on the job, Gene wants to find a way to fix himself by hacking the code to solve his problem. He gets the help of a high-five emoji, voiced by James Corden, and a hacker emoji named Jailbreak, voiced by Anna Faris. Hopefully, they can get past the dastardly grasp of Smiler, a creepy smile emoji voiced by Maya Rudolph. Can Gene fix himself and somehow help the teen out in a real world problem of getting to know a girl?

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The biggest problem about talking about this film is while it will not affect the actual rating of this film, I have to talk about the overwhelming clickbait/hyperbolic backlash this film has gotten. People call it the worst movie of the year, the worst movie of all time, and the film that is what’s wrong with cinema. It’s not because I’m going to be defending this film as something good. It’s not a good movie by any stretches of the imagination, and is definitely on the lower end of my best to worst animated films of 2017, but people need to really stop acting like this is the film that’s going to kill cinema. Like I said above, people are using clickbait and hyperbolic opinions of this movie to get views, clicks, and whatever, and making it out to be a worse movie than it actually is. If there was a film that made the cinema industry actually halt in their tracks, then we have pretty much survived hundreds of extinctions after every time some knucklehead said, “this is the film that will kill the film industry”. It’s officially gotten to the point that if you are using hyperbole in your review or comment, I’m not going to take your opinion seriously. I know that sounds close-minded and very one-sided, but we live in a world where there are worse things going on every single day, and yet The Emoji Movie is apparently worth more of your anger than anything else. And to the people who want the studio that made this to shut down because they didn’t like it, or are stuck in a bad situation because of executive shenanigans, you have no right to say they should force 100s of people to lose their jobs because you don’t like their movie. It’s the most immature mentality that I have ever seen, and if you are that toxic about it, then you need to get a life.

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Let’s face honest 100% objective fact here, The Emoji Movie is not a good movie, but it’s the wrong kind of bad movie. It’s not the most super offensive thing with super hate-worthy characters and cheap straight-to-DVD quality animation. It’s not Norm of the North or Strange Magic levels of bad. Heck, I have seen movies that I enjoy that have way more repulsive elements to it like Belladonna of Sadness. It’s just boring bad. It’s a bad movie that doesn’t have a whole lot going for it, because the film itself feels like they had a base idea around what they wanted to do, but couldn’t or were not allowed to get past the “cynical cash grab” look and feel of the film. The universe this film takes place in is kind of confusing, since if you think about it, why are there emojis that have to be one emotion, while there are shrimp, elephant, and Christmas tree emojis that don’t coincide with a single personality? I mean, should they be deleted as well? Its world is not as clever that I think the writers are making it out to be. I don’t see other whimsical realms that our heroes go through, I just see the product placements that companies paid the most to have advertised in the film. It’s a universe with no real soul or identity to it. A bland world is one thing, but what about the three leads? Well, despite having good actors behind them, there is nothing really all that interesting about them. Gene is your generic lead who thinks being unique isn’t a good thing. James Corden, while super entertaining in other forms of media, has no real character with the high-five emoji, since all he does is try to spew a joke every 30 seconds. Jailbreak is obviously trying to be like the female lead from The LEGO Movie, but has none of the charm of said character. I also kind of love the horrible implication in this universe that if you stand out in this world, you deserve to die. What about the human characters? Yeah, couldn’t really get hooked on them either. They don’t act like real kids, but that, “I’m trying to make this kid like the one you saw in Inside Out, but not understanding that the girl in Inside Out was a complex character.” I also found a lot of the celebrity casting distracting, like Patrick Stewart as the poop emoji. Like, I get there is a bit of that niche-style appeal of, “oh tee hee, this wildly acclaimed actor is voicing poop”, but outside of that, again, I only saw the celebrities, and not the characters.

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I feel like this movie would have been so much better with maybe more freedom to the writers to do something more complex, or go full-tilt cynical. Like, I could imagine this film being way more interesting if it was a cynical lashing out at the audience who the execs think would watch this movie. Go black comedy on the characters and such, and sneak in some legit good morals inside the cynical jokes and clever writing. What happened is that they probably got a set of writers who wanted to go full-tilt and go crazy, but either weren’t allowed to, or were not talented enough to do such a thing. You can see how this movie could have worked if it was aimed at a more general audience and not just one part of the movie-going audience. That’s why films like Inside Out and The LEGO Movie were so amazing, because they could talk to every part of the audience. They weren’t talking to one side, and ignoring the other. The Emoji Movie is just a generic film with generic writing and morals. It’s something we haven’t seen a hundred times over in other movies, and have done a better job at saying these messages.

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So, what’s actually good about this movie? Well, the animation is pretty solid. I know the designers on Twitter spoke highly about having fun working with the designs, and the characters move pretty well. Even the human characters look better than most DreamWorks movies. The designs might be basic, but emojis are generally very basic in terms of designs. At the very least, this movie has more theatrical-quality animation than a lot of animated films that get limited releases by Lionsgate. I also enjoyed Maya Rudolph as the villain. She was hugely entertaining as this psychotic smile emoji, and she definitely had fun with the role. I also liked Gene’s parents, who were played by Steven Wright and Jennifer Coolidge. Any time they were on screen, I at least got a chuckle out of their delivery of their lines. It’s not the perfect mix of casting and writing, like Lewis Black as Anger in Inside Out, but it’s ideal casting in terms of who should play the meh emoji. The one scene I thought was pretty cool was when Gene’s parents were inside the Instagram app. I liked the idea of going inside a photo and it brings you into that photo’s location and everything around them is still. It was a nice artistic moment that I can respect.

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In the end, everyone is overreacting to this, and ironically going to see it because of said hyperbole. We have had cash-grab films made every year, like Dragonball Z Evolution, Jem and the Holograms, Baywatch, and so on. If Hollywood didn’t crumble and fall after those films, then it won’t with this one. The Emoji Movie is just a forgettable and bland film. I was honestly bored watching the movie, and spent a lot of time thinking what I would have done to make it a better movie than simply just a cash-grab/advertisement movie. It wants to be so many other films, but fails to do anything those films did well. If you really want to see it, just wait to rent it. It’s making enough to make back its budget, and it will just underperform before it leaves theaters. It’s bad, but it’s not the worst, and no one at Sony Pictures Animation deserves to lose their jobs over it. Now, if you want to see a really cynically made movie, join me next time as we talk about Digimon The Movie. Thanks for reading! I hope you all enjoyed the article, and I will see you next time.

Rating: Lackluster!

The Other Side of Animation 87: Smurfs: The Lost Village Review

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There is always a touch of disappointment when a film series starts to get its spirit and identity on track, but then still fumbles and falls off said tracks. For example, today’s review will be of the Smurf’s fourth foray into being translated onto the big screen. Let’s just say that this new movie had one of the biggest hurdles to get over, in terms of being an animated film. How do you succeed after two financially successful, but critically panned live-action ventures? Well, you kind of don’t. While not a huge financial bomb, it’s probably going to be one of the biggest underperforming animated films of 2017.  Well, let’s see what this new animated adventure directed by Kelly Asbury has to offer.

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The story revolves around the single female Smurf among Smurf Village, Smurfette, voiced by Demi Lovato. She doesn’t feel like she has a purpose, whereas everyone else pretty much does. One day, after hanging out with a few friends, she finds out that there might be a lost village hidden within their world. After getting denied the chance by Papa Smurf, voiced by Mandy Patinkin, to go beyond their village, she decides to go off on her own to find this lost village. She is joined by Hefty Smurf, voiced by Joe Manganiello, Clumsy Smurf, voiced by Jack McBrayer, and Brainy Smurf, voiced by Danny Pudi. On their adventure, they must avoid the grasp of the evil wizard Gargamel, voiced by Rainn Wilson. Can they find this lost village? Who inhabits the village? Was there no real surprise to this film since Sony outright said it was a village of female Smurfs?

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Yeah, that’s probably the biggest problem with this film, there is no real surprise or intrigue to it. It’s like watching an Illumination Entertainment film. It has very pretty visuals and good animation, but the story lacks substance, and seems to rely on its star-studded cast more than actual characters. It doesn’t help that Sony spoiled the surprise, but even then, I think everyone knew what the twist would be. Funny enough, the big twist of the all-female village seems wasted in terms of potential and content. They could explore and wonder what caused this split into bigger detail, or find something very creative to do with such a twist. I think the problem is that it happens in the third act, and then you are introduced to a slew of female Smurfs, which I’m sure were brought in for a possible sequel. It’s a shame, since the characters themselves aren’t terrible, and I sort of like Smurf Willow as this more laid back individual, but you don’t get enough time to flesh them outside of their one character trait. I get that they all have one character trait, but Inside Out had characters who were supposed to be one emotion, but they found ways to expand on said personality traits. Unless you know how to execute simple characters, they come off as bland and forgettable. Even the visuals that they showed off in the trailer, while still very vibrant, get pushed aside. I wanted this film to be more like DreamWorks’ Trolls film, since in that movie, they got to show off super creative creatures, lands, and characters.

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I was also distracted by a ton of the actors they got for the film. It’s another example where they could have either gotten a better voice director or super talented voice actors for the characters, but I get it. You want big names for your film, even though as of right now, no one really went to see your movie. It’s a shame too, since while I think voice actors could have been better choices, and I think Demi Lovato or Meghan Trainor were not needed and come off as pointless, I did enjoy the rest of the cast. Mandy Patinkin does a decent Papa Smurf, Joe Manganiello as Hefty was decent, Danny Pudi was a perfect choice for Brainy, Jack McBrayer, while not doing anything new, is fun as Clumsy, Rainn Wilson actually isn’t bad as Gargamel, though I think Hank Azaria did the voice better in the live-action films. Julia Roberts was good as Smurf Willow, Michelle Rodriguez was basically playing herself as Smurf Storm, Ellie Kemper is maybe a tad too annoying as Smurf Blossom, and Ariel Winter as Smurf Lily is pointless. They are doing their best to be these new characters, and I get that voice acting and acting in general is hard, but I don’t see them as the characters. They also do that thing where they bring in a ton of celebrities to do a line or two, like Gordon Ramsay is Baker Smurf, Tituss Burgess is Vanity Smurf, Gabriel Iglesias is Jokey Smurf, Jeff Dunham is Farmer Smurf, and Kelly Asbury is Nosy Smurf. The only two legit voice actors they hired were Frank Welker as Gargamel’s cat Azrael, and Dee Bradley Baker as Gargamel’s pet vulture, Monty.

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So, did I like anything about the movie? Well, I really enjoyed the animation. I consider this to be the best looking Sony Pictures Animated film to date. I love the colors, how the designs stay close to the original source material, and it’s not too Sony Animation-ish where it’s super hyper and it doesn’t take time to breathe. The colors are very vibrant, and when they are able to show off more of the magical stuff of the world, it’s fun to look at. I wish they could have done more than what we got. Even though the humor is very hit-and-miss with a lot of cop-out jokes, I did like the river scene with Gargamel and the Smurfs. Like I said above, while I was still distracted by all the actors in the film, they did their best. I mean, you are getting paid to be in what is essentially an apology letter for the previous two dumpster fires, so I think you would do your best to be invested within your roles.

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Smurfs the Lost Village is definitely leagues better than the live-action films that came out, and it definitely is creative in the visuals department. If you had to watch one Smurfs film, it’s definitely this one. If the story and pacing were better, along with the writing, I think they really could have had a hidden gem, or one of the better surprises in terms of animation. It needed to be more timeless than pandering to most casual moviegoers to leave a better impact. If this was made in Europe, maybe France, had 2D animation, or it was made in the 80s, I think we could have gotten more of an edge or more bite to the overall experience. Sadly, it’s just another dud that may or may not hurt Sony Pictures Animation if their upcoming Emoji Movie tanks as well. If you haven’t seen it yet, I would definitely wait for a rental. I can see some kids enjoying it, but I don’t know how long-lasting this film’s appeal will be, compared to something like The LEGO Batman Movie or My Entire High School Sinking into the Sea has. Maybe pick it up if you find it for cheap when it comes out, but there is no rush to see this film. In fact, how about we take a look at My Entire High School Sinking into the Sea next time? Thanks for reading! I hope you enjoyed the article, and I will see you all next time!

Rating: Lackluster