The Other Side of Animation 196: Wolfwalkers Review

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

With everything that is going on in the year 2020, it does seem like foreign animated films are having a much harder time finding wider audiences. Even with film festivals going online, very few are being shown outside of their country of origin. From what I have seen, only a handful have been able to go online, due to probable legal shenanigans and not wanting to risk the film leaking online through piracy and whatnot. I get that, but it then makes the overall film year feel bone dry. No real news either has been announced for some of the other major foreign releases from last year, like Swallows of Kabul. People want to see these films, but due to the pandemic, and the legal complications of it all, the films are stuck in release/distribution limbo. So, when film festivals or distribution companies do make these films available to see for a wider audience, it’s a pleasant surprise, and it also gives financial support to the festivals, distributors, and studios. That’s why I was so excited to check out what is probably going to be the best animated film of 2020, Wolfwalkers. 

Directed by Tomm Moore and Ross Stewart, written by Will Collins, and animated by the ever-amazing Cartoon Saloon, this is the newest film by Tomm Moore that made its premiere at the Toronto International Film Festival 2020. It will soon be released on Apple TV+ and will have a limited theatrical release by GKIDS. So far, it has gotten critical acclaim, and it rightfully deserves it. Let’s bear our fangs and get right down to talk about this film. 

The story follows a young girl named Robyn Goodfellowe, voiced by Honor Kneafsey. She has moved from England to Ireland with her father Bill Goodfellowe, voiced by Sean Bean. Her father is a hunter for the Lord Protector Oliver Cromwell, voiced by Simon McBurney, who is the leader of the town in which the Goodfellowes live. The town is having a bit of a wolf problem that is preventing the town from chopping down the forest to, well, colonize the rest of the land. As Robyn follows her dad into the forest (against his request, of course), She encounters the pack of wolves that are led by a young girl who calls herself a Wolfwalker. Her name is Mebh MacTire, voiced by Eva Whittaker. 

I think it would be tough to talk about this movie without first talking about what might be some of the most visually stunning animation of 2020. Wolfwalkers is hands down, some of the prettiest 2D animation ever put to film. The fluidity of the movements, the designs, the colors, the rough 70s Disney/early Don Bluth is a sight to behold. I may have only been able to see this on a laptop, but it didn’t stop me from picking my jaw off the floor with how this film looked. It’s Cartoon Saloon’s most ambitious project in the art department. I love how the film uses rough sketchbook-looking characters, and they don’t clean it up at all. It gives the entire film a rough dirty look that matches the atmosphere and grunge of the period in which the film takes place. The film’s beautiful visuals are also executed perfectly, with quite wonderful editing and Samurai Jack-style split-screen effects to add tension and to enhance the emotional experience. Even the lighting in the animation makes everything look like it was animated on wood grain. It’s insane how visually stunning this film looks, and I just reviewed Children of the Sea, and this is on that level. 

The music is also wonderful as per usual. The team behind the music is the same team-up of Bruno Coulais and the folk group Kila, and to no shock at all, the music is fantastical, whimsical, atmospheric, elegant, energetic, and heavy when need be. On top of the amazing music, the voice cast is stellar. Besides the two lead actresses playing the, well, lead roles, Honor Kneafsey and Eva Whittaker, you also have the great Sean Bean, who is always fun to see in a film or show. You also have Maria Doyle Kennedy, Simon McBurney, Tommy Tiernan, John Morton, Jon Kenny, Oliver McGrath, Niamh Moyles, Sofia Coulais, and even Nora Twomey makes a cameo in the film. It’s a wonderful and lively cast. 

However, most of this film would fall flat without a good story, and to be frank, the story is great. While The Breadwinner is probably Cartoon Saloon’s darkest and most mature film story-wise, Wolfwalkers is up there in that same area. Seriously, this film tackles such themes as colonialism, environmentalism, sexism, freedom, family, discrimination, and you even see the villain use mass hysteria to get people on his side. None of these themes would work if the characters that encounter them weren’t great, and they are. Robyn and Mebh have fantastic chemistry and act like a real pair of sisters. It brings a lot of memories of My Neighbor Totoro, due to that film having sisters as the leads. Even Robyn’s father, Ben, is one of the better dads of animation. I know many “I have to protect my daughter” film dad tropes get tiring, annoying, and unintentionally creepy at points, but that’s not here in this film. Even the villain, while not the most original or three-dimensional, is extremely effective. He’s intense, intimidating, uses hysteria to get people on his side, and if need be, he can get off of his literal and metaphorical high horse and try to get the job done himself. The only one who doesn’t get to be fleshed out, and probably the film’s one nitpick is Mebh’s mom, but she turns out to be a sweet and caring individual and  make sure Robyn and Mebh are safe whenever she gets the chance to be onscreen. 

Anyway, Wolfwalkers is a masterpiece of animation and filmmaking. It’s hands down the best animated film of 2020, and the rest of the 2020 offerings need to step it up if they want to beat Apple TV+ and Cartoon Saloon’s film. Sadly, there are no release dates yet for the film on AppleTV+, but if you are okay enough to go to a theater (I wouldn’t personally go to one, but that’s just me), GKIDS will be distributing it through theaters in the US. Either way, see this film when it’s released. Now then, I think it’s time to review a very special screener. I can’t tell you what it is, but I bet you will all love the review!  

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time! 

Rating: Criterion/Essentials

The Other Side of Animation 58: Kingsglaive: Final Fantasy XV Review

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

In Short, multimedia projects are tricky to pull off. You could do well with the toys, comics, the movie, and TV show the multimedia project is based on, but one bad project could instantly spoil or give a bad first impression of said project. That’s what unfortunately happened to certain multimedia projects like Sonic Boom, which was all pretty solid until the Wii U tie-in game came out and ruined the first impressions of this new iteration of Sonic the Hedgehog. It was broken, not fun to play, not a well-designed game, and it is the worst selling game in the franchise. Luckily, everything else was pretty solid so, it saved itself from being an utter failure.  Well, Square Enix decided that they wanted to do something like Sonic Boom and decided to make an anime miniseries, and it is the topic of today’s review, Kingsglaive: Final Fantasy XV. This film that takes place in the upcoming games’ universe was directed by Takeshi Nozue, and has some surprisingly big actors in it, including Aaron Paul, Sean Bean, and Lena Headey. Normally, I wouldn’t review stuff like this, but since it had a limited run in theaters, and is connected to one of the biggest gaming franchises of all time, I definitely had to cover it. So, what do I think of the film? Well, unless you want to see some amazing realistic CGI, then you won’t get much unless you are planning on playing the video game.

Anyway, this film is a prequel film that takes place before the opening hours of the video game. It follows a group of elite guards known as the Kingsglaive. They help protect the king of Lucis, Regis Lucis Caelum CXIII, voiced by Sean Bean. The lead character that the plot revolves around is one of the Kingsglaive named Nyx Ulric, voiced by Aaron Paul. One day after a major battle against the kingdom of Niflheim, Nyx, along with his friends, is hired to help protect a female political figure named Lunafreya Nox Fleuret, voiced by Lena Headey. Of course, things begin to go wrong, and it’s a race to protect the giant crystal guarding Lucis, making sure Lunafreya doesn’t get killed or captured, and of course, set up the events that will lead into the video game.

So, what’s the best thing about this movie? Well, it’s the animation. While this might be a similar situation to Square Enix’s past CGI films, Final Fantasy: The Spirits Within and Final Fantasy VII: Advent Children, this is probably the best-looking of all the films. Its textures and animation are outstanding. This is easily some of the most realistic-looking character models and animation that I have ever seen done in terms of cgi-animated films. Everything looks amazing, and while it doesn’t fully do the whole “you won’t be able to tell this is cgi” kind of realistic, it’s still incredibly commendable with how good this looks. The fighting is also very flashy and fun to watch. I think it’s because of how agile the characters are, and how they use magic to throw their knives and be able to teleport to the knife. It’s definitely something you will have to see for yourself, or play the game to understand what I mean with the whole “teleporting combat”. The final act where the entire city is just torn apart and the enemies are invading is really intense, and it is a spectacle when you see the giant stone guardians of the city come to life.

Sadly, that is pretty much it for the compliments, because everything else is pointless. The lead characters are not memorable in the slightest. If you have seen any generic anime or action show with a team of characters including the bland male lead, the heavier-set well-intentioned best friend, the tough chick, and the snarky male. Heck, some of them don’t get to even be characters, like the tough chick gets killed so early in the film that it’s hard to care about her death. Heck, it’s hard to feel invested with a lot of these characters, because only a handful actually matter to the main story that will be in the video game. This means that unless you plan on picking up the game, you probably won’t or already don’t care about what happens to these characters. The only time you get to see the actual leads from the video game is at the very beginning and at the very end. Even if you look past the whole video game tie-in aspect of the film, it’s a painfully generic and boring film with only a few highlights of action and animation. I mean, at least this film is attached to the newest game in the franchise, and isn’t a pointless film like The Spirits Within, which is barely part of the Final Fantasy franchise.

I also found the film to be difficult to watch at times. It’s too flashy, and sometimes there is too much on screen to make it easy to watch. I think it’s because the film is overly detailed with its world and characters. It’s a beautiful movie that is just sometimes clustered with details and sometimes not-so-subtle product placements.

Kingsglaive: Final Fantasy XV is an almost pointless film that is part of a multi-media product. Unless you are a gamer and want to check this out, I would avoid it unless you want to see every animated film that was able to be in theaters. It’s a film that is flawed because it’s tied to a video game. If it had more freedom with its setting, and essentially, not being a part of a multi-media project, then it would have been better. As a film, I can think of much worse movies I have seen this year, like next week, we will look at one of the biggest U.S. bombs of 2016 and of all time, The Wild Life. Thanks for reading, I hope you all liked the article, and see you all next time.

Rating: Rent it!