The Other Side of Animation 183: Trolls World Tour Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

So, we live in a film industry where if your animated movie is a major hit, you, as a studio, will make a TV series, or, at the very least, a sequel. Normally, this sometimes comes off as short-sighted, because depending on how successful it is, you have to take in the context surrounding the film on release. Sometimes, the film was just that good, and sometimes, it was released during a time where there was a lack of competition. From films like The Nut Job 2 to The Secret Life of Pets 2, sometimes, the franchise isn’t strong enough to get people back into the theater to see the next film. However, that doesn’t mean that we don’t get good sequels. We get plenty of sequels that are as good as the original or surpass them in a few ways. One of those examples is the sequel to Trolls, Trolls: World Tour.

Directed by Walt Dohrn, this sequel to the 2016 DreamWorks Animation surprise hit is mostly in the news right now for being the first major animated film of 2020 to go directly to digital and on-demand. Onward doesn’t count, since it got a theatrical release. So far, as of writing this, it is getting mostly positive reviews, and from what rental and digital purchase services are saying, it’s doing pretty well financially. So, what do I personally think about this musical sequel? Do I find it superior to the original, or is this another sequel that got greenlit too quickly?

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Our story revolves around our leads from the last film, Queen Poppy, voiced by Anna Kendrick, and Branch, voiced by Justin Timberlake. They find out from Poppy’s dad that there are different kinds of musical races of trolls. These include country, funk, techno, classical, and rock. Sadly, the rock troll, Queen Barb, voiced by Rachel Bloom, is trying to get the six magical strings and rule the world. Can Branch and Poppy find the queen of rock and roll and stop her ways?

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Now, on the surface, and to an extent, this film looks like a lot of the same brightly colored family entertainment, but just like the previous film, there is more under the felt-like look of the world. So, the first film tackled themes about happiness, what does World Tour tackle? Well, for something based on a bunch of rainbow-colored hairy troll dolls, this film deals with themes of colonialism, LGBT elements, cultural appropriation, and plenty of commentary about pop music as a whole. Yeah, for a film that looks so candy-coated sweet, you wouldn’t expect that there would be themes this mature, and yet, here they are. Much of the dialogue in the film gives off these vibes, and the twist in the film also reinforces these topics. It leads to the film running into the same situation as WB’s Smallfoot, where it’s a comedy to a degree, and they do keep a lot of the weird trippy visuals and jokes, but it’s more story-focused. They like focusing on the clashing ideals and what happened to the different races of musical trolls, and I highly commend DreamWorks and the team that made this film for wanting to go a creative and mature route with the story. This is why, even with all of their faults, people still support DreamWorks, because, sometimes, they find a way to take an idea that sounds dumb on face value and run with it. I love it when a studio decides to do this, because it shows that they have an idea about how to make the film work. I’m not going to say other films based on intellectual properties didn’t try, but DreamWorks Animation was able to go the distance to make a more memorable product.

Animation-wise, the film still does look good. It’s doing more of that felt-like fabric that comes right out of Kirby’s Epic Yarn or Yoshi’s Wooly World. It’s even adding in more faux stop-motion movements into certain characters and parts of the world. It’s not going as far as to say, Netflix’s The Willoughbys, but the DreamWorks Trolls series still has one of the more unique looks out of any animated film series. Casting-wise, I’m mixed. On one hand, Anna Kendrick and Justin Timberlake were fine, and they have decent lines and good chemistry, but I found myself enjoying the other actors more. Rachel Bloom, James Corden, Ron Funches, and Sam Rockwell left more impressions on me than the other major celebrities. I also won’t deny that the celebrity casting was distracting. I get that everyone is enjoying a Kelly Clarkson bonanza, and she probably got on here the same way Gwen Stefani did in the first film by being on The Voice, but I found her distracting as the leader of the Country Trolls. Even minor characters who were played by celebrities were distracting, like the K pop group Red Velvet, the McElroy Brothers popping up all over the place that are only in there because they made some internet campaign to be in the sequel, even if they added nothing to the film, and you get the idea. To be fair, I did like some of the celebrity castings with George Clinton and Mary J Blige as the king and queen Funk Trolls, and Anderson Paak probably gets the best scene in the entire film. It’s a mixed bag for me in terms of the voice cast. The music is mostly cover songs, but they do have more original songs in this film than the last one, and I think if we get a third film, they should do all original songs.

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So, let’s talk about the faults in order of the least problematic to the biggest issue the film has under its belt. First off, this film stuffs in a couple of multi-song sequences, and unless you are a kid, you will find these parts obnoxious. One of those points is meant to be obnoxious, but it doesn’t mean it gets a free pass. When you get past those two moments, everything else is pretty okay pacing-wise. Also, for a film about how our differences make us unique and we should join forces into harmony with those unique traits, they still bash a couple of music genres like smooth jazz and disco. I think that last one, while funny in a cute way, is unfortunate due to the real reason why disco burned out so quickly, which is way darker than I have time to get into with this review. Once again, DreamWorks’ obsession with side characters that don’t do anything or add anything to the story is obnoxious. They have a few trolls from the original that don’t return for some unknown reason, and yet they introduce a new one voiced by Ester Dean, and she does nothing. She doesn’t have a major point to the overall story, and many of the returning troll characters don’t offer substance either. They are there, because they have to be, and I don’t care if they have more personality in the show, because people shouldn’t have to add an eight-season show to their list of shows to watch before this film. While the gaggle of music industry cameos of famous singers and musicians is appropriate here, many of them could have been replaced by voice actors and nothing would be missed.

Now then, let’s get into the real meaty issue with this film, Branch, and Poppy, but mostly Branch. Branch is another male lead in an animated sequel that has absolutely nothing to do. His entire arc was finished by the first film, and what does he get? A flimsy “I gotta tell Poppy how much I love her and I don’t know how to” plot. Yeah, not only does he get the same treatment as Gnomeo in Sherlock Gnomes, Ralph in Ralph Breaks the Internet, and Kristoff in Frozen II, Branch is quite possibly the worst of them. They even regressed his character’s design to be more like how he was in the first film. I don’t get that decision. At least you can talk about some commentary or themes with Kristoff’s Lost in the Woods sequence. Poppy gets a slightly better story, but she teeters on being too unlikable and stubborn. I get it’s the parallel story to Queen Barb, but you have to balance out a story arc with this kind of stubborn character carefully, because she could come off as more unlikable and annoying than anything else.

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While it aims high and doesn’t make the landing, I still enjoyed watching Trolls: World Tour. It’s one of those films that I think people will talk more about as time goes on. Now, this is a unique situation for this film as to how I would recommend it. On one hand, if you have kids, or want to do a watch party, then, yeah, I highly recommend checking it out. It will be worth the $20 asking price for rentals. On the other hand, if you are hesitant to put that much down for a rental, I would wait to buy it or rent it at a lower price point. It won’t be everyone’s cup of tea, and I stand by my criticisms, but I still enjoyed watching it. We will have to see if we come back to this world in the future outside of the new animated series going up on NBC’s service Peacock in the future. It’s kind of up to you if you want to support it. Now then, next time, we will be talking about Netflix’s first major animated film of 2020, The Willoughbys.

The Other Side of Animation 162: The Angry Birds Movie 2 Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

While I do stand by the fact that animation in the states should try to be more versatile and needs to start mixing it up on the theatrical side of things, it doesn’t mean I’m against animated features being cartoony. There has been a fairly toxic backlash towards animated films for being cartoony. I never got that, because if you hate a cartoon for being cartoony, then you must hate and despise almost a century of animation and hundreds of films and shorts because they are cartoony. Sure, I’m simplifying the argument, but to me, not every animated film needs to like Funan or Coco.

Sometimes, people want an animated film to be, well, cartoony, like today’s review, The Angry Birds Movie 2. Directed by Thurop Van Orman, this sequel was a curious case of how they were going to expand on the original film. While not a great film, the first Angry Birds film had its charm. However, the sequel is getting rave reviews not only from critics, but audiences as well, which I don’t think anyone saw coming. While it might not be raking in the cash the first film did, a sequel to a video game movie doing this well critically is surprising. Why is it doing well with audiences and critics alike? What is it about this film that has everyone really enjoying it? Let’s dive in, shall we?

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It’s been a year or so since Red, voiced by Jason Sudekis, Chuck, voiced by Josh Gad, and Bomb, voiced by Danny McBride helped save their island’s eggs from the evil pigs led by Leonard, voiced by Bill Hader. Every now and again, they launch stuff at each other from their respective islands. That is until Leonard and his crew finds out that there is a third island called Eagle Island that is run by a bird named Zeta, voiced by Leslie Jones. She plans on wrecking everyone else’s islands to get them to go away, take them over, and turn the islands into a water park. It is now up to Red and Leonard to team up to take down the threat, but they can’t go at it alone. Along with Chuck and Bomb, they also get the help of Mighty Eagle, voiced by Peter Dinklage, Silver, Chuck’s sister voiced by Rachel Bloom, Courtney, voiced by Awkwafina, and Garry, voiced by Sterling K. Brown. Can they reach Eagle Island and save the day?

So, how do you go about making a sequel to something like The Angry Birds Movie? Well, by getting the creator of The Misadventures of Flapjack, and go bonkers with the humor. Seriously, 2019 hasn’t really been the best year for comedic movies, and yet, here is The Angry Birds Movie 2 going the Mel Brooks route of comedy, and throwing different kinds of jokes at the audience, and they work! You’ve got physical gags, background gags, dialogue-driven gags, situational gags, meta gags, and you get the idea. It’s a theatrical cartoon that knows it’s a cartoon, and it will not apologize for it. I think that’s quite admirable.

So many cartoon fans want every theatrical release to be dramas, and yeah, it would be nice for some family films to take their stories more seriously, but at the same time, again, not every film needs to be like a Pixar drama. I found myself laughing multiple times during this film, and I wasn’t the only one. The entire theater I was sitting in was roaring with laughter, and while some jokes didn’t work, you would forget about them, because a good joke would then make you forget the bad joke. Of course, comedy is subjective, but the fact that the humor is hitting a home run consistently was a nice surprise.

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 Animation-wise, it’s Sony Pictures Animation, it’s pretty good for what the budget has, the colors are vibrant, and the movements are snappy and quick, but not overly quick. The designs are fun to look at, and everyone is fairly expressive. It helps that the characters have a lot of good chemistry with dialogue that bounces off one another. While there are plenty of great voices and performances, Leslie Jones’ Zeta steals the entire film. She had the best lines and the best jokes. For a comedy villain, she really works. Sure, they give her a little more pathos with who she is, but you can tell they focused more on the comedy angle, and combined with some witty writing, she turns in one of the funniest performances of the film. While you can guess from the trailers that they do a “they hate each other but end up together by the end” plot with Red and Silver, they definitely do, and while I’m not a fan of the trope, Jason and Rachel do have good timing. I also like how the film does add in themes of overcoming your fears, dealing with insecurities, and becoming a better person for the sake of your own health and the people around you. It might not be as fleshed out as it would be with a team from Disney or Pixar, but the film does handle those themes well.

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Now, it’s time to talk about the flaws of the film. While the comedy in this film is filled to the brim and bursting with different kinds of humor, I wish they would have taken out the jokes that were the worst part of the original film, the gross-out humor. Granted, the film does a great piss joke, but it’s the only one that works. It’s the same issue with Teen Titans Go! to the Movies, where the really good jokes are really good, but the immature jokes fall flat. The film also feels disjointed, as it has a subplot going along in the background that could have been its own animated short on the Blu-ray of this film. It also has some great laughs, but it’s always distracting when it’s cutting to and from the main story.

I also wish Gary was funnier. He has some good lines, and Sterling K. Brown is having a lot of fun with his character, but I wish he had some better lines. Josh Gad’s Chuck’s relationship with Silver is also the weakest and the creepiest part of the film. He’s the overly protective brother who comes off like he’s a bit, well, too close to his own sister, and I’m not sure if that’s intended to play off some offbeat humor to the film, but it’s awkward. While the film’s focus was on a more comedic experience, I wish the romance subplots were handled better.

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Still, even with the complaints, I was looking for a fun time, and I got a fun time. I wanted to see some good jokes, and I got some good jokes. It’s a film that sets out to be this quirky offbeat sequel to a film not many cared about but ended up being one of the big critic and audience hits of the year. Am I shocked to see a few people be in the minority by not liking it? No. Comedy is subjective, and while I really enjoyed the film, I can perfectly get why others don’t. It’s a bummer that this film is not performing as well as I think it should, but I’m also not surprised. I highly recommend people go see The Angry Birds Movie 2. Oh, and you should all go see this film to support the wonderful short that plays in front of the movie, Hair Love by Matthew A. Cherry. That short alone deserves its own review. So, now that we will have to wait for the next major feature, let’s travel to China as I review what is considered the biggest-animated film in China right now with Ne Zha. Thanks for reading my review! I hope you all enjoyed it, feel free to share my work, and if you want, you can show some support by donating to my Patreon at Patreon.com/camseyeview. I will see you all next time!

Rating: Go See It!