The Other Side of Animation 180: Pokemon: Mewtwo Strikes Back-Evolution

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Well, it took 179 reviews, but I am finally talking about something from the Pokémon franchise. I know that seems a touch nutty that I avoided talking about this franchise for so long, but I wanted to tackle something Pokémon-related when I found a film I wanted to talk about. There are so many films to dig into that it’s a daunting task. I could probably get a good few months of content from just reviewing Pokémon films alone, but that didn’t interest me. If I wanted to talk about Pokémon, I needed a film that had more meat on its bones. That’s why, out of all of the films to talk about, I want to talk about the recent remake, Pokémon: Mewtwo Strikes Back-Evolution.

Directed by Pokémon movie mainstay Kunihiko Yuyama and Motonori Sakakibara, this is Pokemon‘s first foray into CGI theatrical animation by Oriental Light & Magic. It was released last year in July 2019 and finally got a wide release in February 2020. So, did giving the first film in the franchise a CGI remake improve and evolve? Or did it take an Everstone and not evolve or improve one bit?

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Well, the story of this remake is, well, the story of the original Pokémon film. I could keep it at that, but that wouldn’t be very professional of me. We follow our original trio of ragtag Pokémon trainers with Ash Ketchum, dubbed this time by Sarah Natochenny, Misty, dubbed by Michele Knotz, and Brock, dubbed by Bill Rogers. After having another fruitful battle, Ash and the gang are invited to an island where the supposed “strongest trainer in the world” lives. If only Ash knew that the trainer in question was Mewtwo, dubbed by Dan Green, a Pokémon that is the clone of the legendary Mew. Once Ash and his friends get to the island and find out about Mewtwo, the cloned Pokémon decides to reveal his plan of destroying the human race and any Pokémon that sides with humans. Can Ash find a way to stop Mewtwo from taking over the world? Will Team Rocket get in the way and maybe steal the film like usual? Did you see the original film?

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So, let’s not beat around the bush. This remake is the Lion King 2019 remake of the Japanese animation franchise film scene. Every problem you have had with Disney live-action remakes can essentially be found here with this remake. There is one major difference though to compare this remake to the Disney remakes like The Lion King, this is a worse remake. Listen, I get that this film is super nostalgic for many people. It’s super nostalgic for me! I went to see the original Pokémon film in theaters with my sister when we were young and loved Pokémon as well. However, the film’s story was flawed in its execution, and you can only use so much nostalgia to cover up the plot points that don’t fully work out or are counterproductive to the story’s themes and tone. So, why do I consider this a worse remake than Lion King 2019? Because it doesn’t do anything to improve upon the original. It’s a mediocre remake of a mediocre film. It even ruins some of the original film’s most iconic shots. Sure, you can move the camera around easier in a 3D-dimensional space, but the film looks boring, and it makes you remember how important storyboarding is to the overall execution of scenes. As I said, the story problems don’t get fixed. Mewtwo is still a gullible hypocrite, some of his actions make no sense, the characters say something that is then shot down by a later scene, the film’s morals are contradictive to the main point of the show, the ending is awful because it cuts any stakes or progression in the film had short, and if you are wondering, some characters show up and are never seen again.

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So, what about the animation? Well, the CGI used in the film is okay, but it doesn’t look all that good in motion. The Pokémon look great, because of course they do, but the humans do not look good at all. They are stiff, their animation wants to be cartoony, but it’s not fast or snappy enough, and the look of some characters make them look creepy. Ash and Misty look like porcelain dolls from a horror movie. Team Rocket looks great, but obviously, something happened when the translation from 2D to 3D took place, since the iconic Pokémon human designs become hit-and-miss. Okay, what about the dub? That should mean that they are using a script more akin to the original, right? None of that 4Kids tedious dubbing is there, right? Well, yes. The script is definitely missing that 4Kids kind of cheese, but it’s also missing that 4Kids cheese. Say what you will, 4Kids wasn’t a good company, but sometimes, the writers behind Pokémon got away with a few puns and jokes. Sadly, due to some scene changes, the better jokes from the 4Kids dub weren’t there, and were replaced with slightly more annoying jokes. I will say that at least the dubbing is solid stuff. The actors are doing their best, and they even brought back some returning voice actors for the characters. They do fix a few lines that made the original worse.

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Pokemon: Mewtwo Strikes Back – Evolution is a frustrating sit, because it does everything a bad remake does, and yet, everyone is just going to overlook it, because they liked the original movie. It’s just as cynical, or in my opinion, way more cynical than the Disney live-action remakes. At the very least, the Disney remakes have their original films to go back to. This film only has the original mediocre film to fall back on, and that’s not a good thing. I can’t say it’s the worst movie I have seen so far this year, but until further notice, it will be listed as the worst one until something else comes in. I know I was hard on this film, but you have to leave childhood nostalgia at the door for these kinds of films. I don’t recommend it, but there is nothing wrong if you find yourself or your kids enjoying this film. It’s easily the most harmless bad movie I have seen this year. It’s just another mediocre Pokémon movie in a series that has quite a few of them. Now then, let’s tackle one more Netflix animated film, and review Shaun the Sheep: Farmageddon.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

Rating: Lackluster

The Other Side of Animation 176: Ni No Kuni Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Well, it’s 2020. The start of the New Year, a new decade, and I want to focus on the feature-length animation side of things. This year is going to be wild because we have mostly original animated films coming out. I am always hopeful that what looks great turns out to be great, and films that might be bad eggs to be, well, not bad eggs. I’m always going to be like this going into every animated film no matter the situation, but sometimes, the walk down the yellow-brick road will lead to disappointing films. This where we are with the newest Netflix animation purchase, Ni No Kuni.

Directed by Yoshiyuki Momose, written by Akihiro Hino, based on the popular video game franchise, animated by Oriental Light and Magic (the same studio that animates the Pokémon anime and film series), and put out by Netflix here in the US, is our first major animated film. I was surprised by the sudden release of Ni No Kuni because once it was released in Japan last year, there was barely any news about it. No box office reports, and barely any reviews. Now that I’ve seen it, I can understand why. Why? Well, let’s dive in.

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The story revolves around three young teens named Yusuke Ninomiya, dubbed by Max Mittelman, Haruto Ichihara, dubbed by Alejandro Saab, and Kotona Takashina, dubbed by Abby Trott. They are best friends, even though some tension is there with Yusuke being confined to a wheelchair. One day, Kotona calls both Yusuke and Haruto because she’s being chased by a shadowy and creepy looking individual. The two boys save her, but were too late to prevent her from getting stabbed. As they try to take her to a hospital to get better, they almost get hit crossing a crosswalk. Luckily, instead of dying, Yusuke and Haruto get warped to a magical world known as Ni No Kuni. The two boys try to find their friend, and discover that this magical world runs parallel with their real world, and that every person in both worlds has a version of themselves. They find out that their friend Kotona who was hurt is the princess in the magical world. They also realize that if something happens in this magical world, it affects their world as well. Can the two find out how to make it back and solve the crisis of who attacked the princess and their friend?

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On paper, this movie looks like a fantasy feature that would offer something complex with its theme of what are you willing to do for the people you love. Unfortunately, the biggest downside to this film is the story and writing. The film is not based on either the first or second game, and I like that it tries its own story, but it’s too basic. The characters don’t evolve beyond their character traits, the side characters aren’t interesting, and the villain is boring. The drama of the two male leads should be strong enough to carry the film, but it’s not. It’s even more disappointing when the female lead is then relegated to the damsel in distress. This is bad, because the female leads in the first two games are great and active characters. Also, don’t be going in thinking the mystery of who tried to kill the two women to be captivating or something on the level of Knives Out. If you know anything about anime character designs, then you know who’s going to be the bad guy. The last-minute twists in the film are also so lazily integrated that I rolled my eyes when they happened.

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So, the script plays it safe, but what about the animation? Well, it looks like a Studio Ghibli and Studio Ponoc film, but that doesn’t mean it’s going to look as good as films from those studios. Like I said above, it’s animated by the people who do the Pokémon series and films, and it looks as good as some of their regular films, but at this point, you are wanting to see all of the little details that come with seeing a Ghibli or Ponoc film. You take it for granted, because while it’s not badly animated, it has nothing that I would say looks grand or theatrical. It also has CGI that doesn’t blend well. It doesn’t take full advantage of its setting, and that drags the experience down. What about the film’s voice work? Well, it’s not bad, and it at least tries to match the European/British tone of the two games. You have a solid cast including Max Mittelman, Alejandro Saab, Abby Trott, Patrick Seitz, Erica Lindbeck, Armen Taylor, Robbie Daymond, John DeMita, Spike Spencer, Wendee Lee, Kyle Hebert, Derek Stephen Prince, Kirk Thorton, Ray Chase, and others. Joe Hisaishi returns to compose the music, and it’s fine. Maybe it’s more of the Ghibli bias in me, or it’s the fact that another recent film he worked on, Children of the Sea had a much better soundtrack, but Ni No Kuni‘s usually iconic sound was not here. I think I liked one of the songs, and that’s it.

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I still stand by my opening statement that I go into every film hoping for the best. Sometimes I end up enjoying the film, and sometimes, I don’t. It helps that I also go in with a mid-level hype for every film because then, I don’t judge the film too harshly if they didn’t reach my impossible sky-high standards. Sadly, not every film can be a hit, and while I don’t think Ni No Kuni will be one of the worst animated films I have seen, it will be one of the most disappointing. I can now see why Netflix sort of buried the release of Ni No Kuni, and why most of the reviews were fairly mixed to negative. It had all of the elements to be a great film, but due to a bad script and weak story, the film falls flat. Check it out if you are curious, but there is no rush to watch Ni No Kuni. Now then, I think it’s time to check out Masaaki Yuasa’s newest film, Ride Your Wave.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

Rating: Rent it (It’s on Netflix, but still)