The Other Side of Animation Awards 2020!

imageedit_1_6694647879.jpg

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Welcome, one and all, to The Other Side of Animation Awards! To end the decade, we will be celebrating the theatrical animation scene. I’ve got to tell you all, this was tough! With a group of judges of me, myself, and I, I decided to make an award show that would pay tribute to the thrilling year of 2019. Before we begin, if you wonder why I chose me, myself, and I as judges, well, that’s because of the 32 animated films submitted last year, I saw 29 of them. That’s more than most of the Academy Voters ever see. Now, let’s get started!

imageedit_3_8994252063.jpg

Best US Animated Film: The category for the best US feature film.

NOMS: Toy Story 4, The LEGO Movie Part 2, Abominable, Frozen II, Missing Link, How to Train your Dragon: The Hidden World, Klaus, and Spies in Disguise.

Result: This was tough, because while I did enjoy all of these films, 2019 was a mixed bag. Not all of it was great, but I still very much enjoyed the contestants here. I was thinking about which one gave me an overall splendid and emotional experience, and that kicked off Abominable, How To Train Your Dragon: The Hidden World, and Frozen II. I love those three films, but their overall enjoyability was hampered by certain story elements. Spies in Disguise was surprising, but it could have been stronger. So, that leaves us with The LEGO Movie Part 2, Toy Story 4, Missing Link, and Klaus. Toy Story 4 probably had the best emotional story of the four choices, LEGO Movie 2 was poignant, but I enjoyed films like Klaus and Missing Link more. In the end, I had to make it a tie with Klaus and Missing Link as the Best US Animated Features, because they gave me two experiences that were refreshing and unique to see. Plus, it’s my award show, and I can do what I want.

Winner(s): Missing Link and Klaus

imageedit_5_6172191711.png

Best Foreign/Indie Animated film: the category for the best foreign/indie animated film of the year.

Noms: Funan, Bunuel, Promare, The Swallows of Kabul, Weathering with You, White Snake, Marona’s Fantastic Tale, Children of the Sea, Penguin Highway, I Want to Eat Your Pancreas, Okko’s Inn, I Lost My Body, This Magnificent Cake, Nezha, Another Day of Life, and Pachamama.

Result: As usual, the foreign animation scene was strong this year with many powerful, important, and incredible films. This was tough, because I recommend everyone check out these films. Some of them had downright jaw-dropping animation, and some had great stories. Due to how hard this was, I had to narrow it down to just a few films. My choices then came down to Marona’s Fantastic Tale, Bunuel, Funan, Promare, White Snake, and Weathering with You. I chose those, because they were the most compelling of the films, but then it came down to what I looked for in an animated film that was able to balance out both animation and story. At the end of the day, I had to go with Dennis Do’s Funan as the most fulfilling and satisfying balance of story and animation, but I think everyone should check out the films in this category.

Winner: Funan

imageedit_7_9042935161.jpg

Best 2D Animation: This Category is to award the film with the best use of 2D animation.

Noms: Funan, Bunuel, Promare, Children of the Sea, Weathering With You, The Swallows of Kabul, Penguin Highway, Klaus, Okko’s Inn.

Result: This is tough, because technically, most 2D animated films use some level of CGI, so I decided to nominate the films that use mostly 2D visuals, but CGI to enhance the experience. Promare is a visual treat, but a lot of it is using CGI. Weathering With You is drop dead gorgeous, but it has the same look as most of Shinkai’s films. It’s iconic, but familiar. Penguin Highway has some wonderful visuals, but you don’t get to the trippy stuff until the third act. Okko’s Inn is beautiful, but the more family friendly designs may turn off viewers. Bunuel has great visuals, but the animation can look stiff. It then came down to Children of the Sea, Klaus, The Swallows of Kabul, and Funan. All four of these films have incredible animation to them, and while I could technically make a four-way tie, I don’t want to keep doing that for each category. I then took it down to two films, Children of the Sea and Klaus. Both were stand outs in the animation scene due to their visuals and the execution of visuals. While the techniques used in Klaus are nothing new if you keep up with animation tools, the fact they took 2D animation and painted them like they were 3D models is wildly impressive. This is a nail biter of a decision, because the award could have gone either way, but I had to give it to Children of the Sea, because you watch that film in motion, and you get some of the most ethereal visuals that you will ever see in animation. Seriously, how it mixes its beautiful 2D animation with the CGI sea animals is out of this world.

Winner: Children of the Sea.

imageedit_9_5800960563.png

Best CGI Animation: This category is for the film with the best CGI animation.

Noms: Toy Story 4, Frozen 2, The Lion King, White Snake, I Lost My Body, The LEGO Movie 2, Abominable, Nezha, and Spies in Disguise.

Result: This one was a bit easier to narrow down in terms of what I thought had the best animation. The Lion King was a technical marvel, but outside of how bonkers real everything looks, that’s all it offers, and it’s not like we don’t have realistic CGI being used all the time. I love the look that I Lost My Body has made with its mix of CGI models and 2D textures and features, but the stuff with the detached hand was more interesting to look at animation wise than the humans. The LEGO Movie 2 looks great, but it’s still the same we have seen with the previous LEGO Films. Abominable had great scenery and some standout shots, but otherwise, it looks like another CGI animated film. Spies in Disguise is probably Blue Sky’s best looking film, even if some of the designs looked wonky, but I found the lighting super impressive. This leads us to the finale of the remaining nominees, Toy Story 4, Frozen II, White Snake, and Nezha. To me, while the two Disney films objectively look better, the visuals I saw in White Snake and Nezha were way more wild and surprising to me. CGI animation was rough for a good decade or so with Chinese animation, but now, we have these two films that look like they had Disney/Pixar money thrown at them. I then had to think about which one had the better shots, and I had to go with White Snake. Everyone should get a copy of White Snake and Nezha and watch them to see how far Chinese CGI animation has come, and to put it in their Blu-ray player of choice, and be in shock and awe at how gorgeous they are. Still, White Snake had some of the prettiest visuals I saw last year, and that’s why I chose it.

Winner: White Snake

imageedit_11_2677061316.jpg

Best Mixed Media Animation: This category lists the nominees are the films with the best mix of different kinds of animation styles.

Noms: Promare, Marona’s Fantastic Tale, I Lost My Body, Another Day of Life, and Bunuel.

Result: This is a fun one, because every once in a while, an animated film will stretch itself, and expand on what animation as a medium is. Bunuel and Another Day of Life do something fun by combining either Bunuel’s 2D animation with footage from the real life documentary they are making in the film, or Another Day of Life combines vibrant comic book-like visuals with actual live-action documentary-style footage of the time period in which the film takes place. I Lost My Body, like mentioned above, combines CGI models with 2D textures and designs. Promare uses a super vibrant color pallet with its mix of cartoonish 2D visuals and CGI models. However, the one winner for me in this category is Marona’s Fantastic Tale. Since it’s told from the perspective of a dog, the visuals take advantage of this fantastical world seen through the eyes of the dog, and every person the dog meets is animated differently. I could honestly gush about this film’s visuals all day and how there are fun symbolic elements to some of the characters. In short, Marona’s Fantastic Tale wins this award.

Winner: Marona’s Fantastic Tale

imageedit_13_9363992350.jpg

Best Action/Adventure Film: This category awards the film that symbolizes the best action/adventure film in the animation scene this year.

Noms: Promare, Toy Story 4, Spies in Disguise, How to Train Your Dragon: The Hidden World, Missing Link, White Snake, Nezha, and Batman vs TMNT.

Results: This was another category that was easy to break down, because the nominees were limited, and it was fun to break down what films I thought had the best action sequences, and gave us the best adventure out of the animation scene. Batman vs TMNT was the first to go, due to the limited budget hampering the film. They really should have spent the extra coin to give the animation to a studio like Studio MiR. Toy Story 4 has a lot of entertaining sequences, but it’s more of a drama. How to Train your Dragon: The Hidden World also got put on the chopping block due to its focus on story and comedy. Missing Link is a great adventure film, but the action is limited as it also focuses more on story and comedy. That left me with Nezha, White Snake, and Promare. While these three films do have great stories and characters, I then had to get critical with the action sequences. Nezha was ambitious and very creative, but it does have that low point where they resort to a fart joke to help progress the fight. The action in White Snake and Promare are both flashy, over-the-top, stylized, and are fun to watch. It was really splitting hairs, but I had to go with the one that had the more coherent fights, and I went with White Snake. Like I said, it was splitting hairs, and while I enjoy Promare more as a whole, White Snake had the more focused and enthralling story. Like I said though, I was splitting hairs.

Winner: White Snake

imageedit_15_9349427514.jpg

Best DC Animated Film: This category awards the best of the straight-to-video films from DC and WB.

Noms: Reign of the Supermen, Batman vs TMNT, Teen Titans Go! vs. Teen Titans, Wonder Woman: Bloodlines, and Justice League vs. The Fatal Five.

Results: Unlike most years, 2019’s lineup of direct-to-video DC features was pretty stellar. Each one had a certain theme and intriguing story that made them more worthwhile watches than most of the DC films that come out in this category. Like the Best Animated Feature and Best Foreign/Indie Feature, I look for the film that gives me the best overall experience. It really came down to Justice League vs. The Fatal Five, Teen Titans Go! vs. Teen Titans, and Batman vs. TMNT. I then narrowed it to just Teen Titans Go! vs. Teen Titans and Batman vs. TMNT. To be honest, while Teen Titans Go! was funny and amusing, I’m getting tired of the style of humor with the whole self-deprecation and meta aspect they know that no one likes this iteration of the teen team. That’s why I chose Batman vs. TMNT, because it checked the boxes of what I look for in these films. Does it have good writing? Check! Does it have solid animation? Check! Is the story interesting enough from beginning to end to be invested into? Check! It also had a different art-style, which I always look for. It was the one film where I don’t hesitate watching again.

Winner: Batman vs. TMNT

imageedit_17_2631566394.jpg

Best Comedy: This category goes to the film with the best comedy.

Noms: The Angry Birds Movie 2, Toy Story 4, Frozen II, Klaus, The LEGO Movie Part 2, Teen Titans Go! vs Teen Titans, and Missing Link.

Results: This is a tricky category, because comedy is so subjective and any winner I choose could be someone’s least favorite comedy. The first film to go was Teen Titans Go! vs Teen Titans, because while I found it funny, that show’s style of humor is starting to get a touch tiring, even if it is still pretty funny for 90% of the time. Klaus was next, because while the jokes and the characters are funny, I enjoy the writing and the chemistry the most and the great jokes are ones I don’t consistently think about. The same goes with Frozen II, because it’s funny, but I think more about the dialogue and the chemistry. Toy Story 4 probably has the best comedy of the four films in the franchise, but, like a broken record, I think about the story first and the jokes second. To me, the jokes came first for this award, and the last three films were hard to choose from because the comedy in Missing Link, LEGO Movie Part 2, and The Angry Birds Movie 2 are all different. Missing Link uses slow and very subtle wit. The LEGO Movie Part 2 uses the brand meta comedy that Lord & Miller have made popular. The Angry Birds Movie 2 uses the approach of being as ambitious as possible with all the humor and jokes that we push into the film. It’s wildly brave at how many kinds of jokes they try out, and for the most part, work. So, do we award it to meta humor, subtle wit, or everything and the kitchen sink comedy? Well, here is a good question, which film has the best comedy and what has the best combo of both story and comedy? When I thought about that, I had to give it to Missing Link. I love the story and the humor, whereas the other two films don’t fully live up to their stories.

Winner: Missing Link

imageedit_19_4045248436.jpg

Best Drama: This award goes to the best drama-focused animated film.

Noms: Funan, Bunuel, Children of the Sea, Toy Story 4, Frozen II, The Swallows of Kabul, I Want to Eat Your Pancreas, I Lost My Body, Okko’s Inn, and Weathering With You.

Results: So, like usual, I nominate a lot of films, but then start to break them down with how I enjoyed the drama and the story. I first films I let go of were I Lost My Body, Frozen II, then I Want to Eat Your Pancreas, Okko’s Inn, and then Children of the Sea. That left me with Toy Story 4, The Swallows of Kabul, Weathering With You, Funan, and Bunuel. These remaining films have very personal stories with intimate themes of life and personal discovery. I took off Weathering With You and Toy Story 4 because of story elements that hindered their experiences. That results in Funan, Bunuel, and Kabul. This is really hard, because I then had to cut Bunuel due to the slightly repetitive nature to Bunuel’s drama. At the end of the day, I decided to choose The Swallows of Kabul, because while Funan has great drama, The Swallows of Kabul lingers with me with its drama.

Winner: The Swallows of Kabul.

imageedit_21_2893123378.jpg

Best Director: This category goes to the best director or dual directors.

Noms: Salvador Simo (Bunuel in the Labyrinth of the Turtles), Dennis Do (Funan), Jennifer Lee (Frozen II), Zabou Breitman and Elea Gobbe-Mevellec (The Swallows of Kabul), Sergios Pablos (Klaus), Hiroyuki Imaishi (Promare), Josh Cooley (Toy Story 4), Makoto Shinkai (Weathering With You), Chris Butler (Missing Link), Anca Damian (Marona’s Fantastic Tale), and Troy Quane and Nick Bruno (Spies in Disguise).

Result: To me, the best director did, well, the best directing with the film. Like, who helped make the best experience, which director got the best performances out of their actors, and you get the idea. To me, that resulted in Salvador Simo, Dennis Do, Zabou Breitman/Elea Gobbe-Mevellec, Anca Damian, and Sergios Pablos. All of these directors did such fantastic jobs with their films, and if I wanted to, I could and really want to give it to all of them. I then finally broke it down to between Dennis Do and the duo of Zabou Breitman and Elea Gobbe-Mevellec. Like a lot of this editorial, it came down to splitting hairs, but I went with the duo behind The Swallows of Kabul, Zabou Breitman and Elea Gobbe-Mevellec.

Winner: Zabou Breitman and Elea Gobbe-Mevellec. (The Swallows of Kabul)

imageedit_23_9788158941.jpg

Best Short: This category goes to the best animated short.

Noms: Hair Love, Kitbull, My Moon, Memorable, Hors piste, and Sister.

Results: The animated shorts scene this year was unique as Disney didn’t really have one for their films, and Pixar was moving their shorts to Disney+ through their SparkShorts program. I then had to really rely on what got nominated and which ones I saw online. Now, the winner might be very obvious, but this wasn’t to say that it was an easy task of picking to award just one. They are also all different types of experiences. Yes, they all share a personal relationship theme, but some of them are funny, some are abstract, and some hit on very personal subject matters. However you may weave how I chose the short to win this award, but I had to give it to Hair Love. While I might adore the animation in some of the films slightly more, Hair Love is so personal, loving, caring, funny, relatable, and took the animation world by storm. Still, I highly recommend everyone get online to try and find a way to watch all of the shorts nominated.

Winner: Hair Love.

imageedit_25_4900701239.jpg

Best New Release That Was Previously Unreleased in the US of 2019: This category is for the best animated film that finally got a release in 2019.

Noms: Aya of Yop City, Son of the White Mare, Genius Party/Genius Party Beyond, The Case of Hana and Alice, and Mai Mai Miracle.

Results: As usual, the challenge came down to what gave me the best experience. I love the two Genius Party films, but those are anthology films, and you will either love every short or find some to be annoying. The Case of Hana and Alice is a sweet endearing teen drama, but it takes a bit too long to get going. Son of the White Mare is a visual marvel, but a bit repetitive due to its fairytale-style story. That left us with Aya of Yop City and Mai Mai Miracle. Both are great in their own respective ways as they show life during a certain period in history. I then decided to award the one I would watch the most, and that narrowed it right down to Mai Mai Miracle. I’m not shocked I liked this movie the most, since it’s the same director behind In This Corner of the World.

Winner: Mai Mai Miracle.

imageedit_27_5312781119.jpg

Best Lead Actor: This category awards the best male lead in an animated film.

Noms: Jorge Uson (Bunuel), Simon Abkarian (The Swallows of Kabul), Tom Hanks (Toy Story 4), Billy Matez (Promare), Brandon Engman (Weathering With You), and Jason Swartzman (Klaus).

Results: While it might not be on camera, actors still need to put in good performances to pull you into the film. Since this is the first time I’m awarding voice actors, I decided to go with variety. Jason Swartzman brings a lot of earnest sarcasm and pathetic nature to his character. Tom Hanks is just great as a wise and weathered Woody. Brandon Engman does well as a teenager finding his place in the world. Billy Matez does a good job at keeping up that impossibly optimistic and heroic spirit. Jorge Uson portrays a director trying to save his career while conflicted with his past and who he is as an individual. Simon Abkarian was also great as a man tired and weary of his country’s ideals as he tries to figure out what to do about the driving force of the story. After thinking about it, it came down to Jorge Uson and Simon Abkarian, and between the two, I think the best actor goes to Simon Abkarian. He left an impression on my viewing experience with a powerful and subtle performance.

Winner: Simon Abkarian (The Swallows of Kabul)

Best Supporting Actor: This category awards the best male supporting actor in an animated film.

Noms: Fernando Ramos (Bunuel), J.K. Simmons (Klaus), Zach Galifianakis (Missing Link), Johnny Yong Bosch (Promare), and Lee Pace (Weathering With You).

Results: To me, I was looking for an actor who was going toe to toe with the lead. The actors I chose for this award definitely accomplished that. Each of these actors was able to either keep up or even outshine the main character. It was tough, because I enjoyed all of these performances, but the one that stuck with me the most, and the winner of this one is Fernando Ramos from Bunuel, because he was so good as Ramon, and going head to head with the lead in the film, and having his own stand out scenes and lines.

Winner: Fernando Ramos (Bunuel)

imageedit_31_8721799679.jpg

Best Lead Actress: This category awards the best lead performance by an actress.

Noms: Zita Hanrot (The Swallows of Kabul), Stephanie Sheh (White Snake), Lizzie Brochere (Marona’s Fantastic Tale), Ashley Boettcher (Weathering With You),  Annie Potts (Toy Story 4), and Mana Ashida (Children of the Sea)  

Results: like I said above, I went with variety this year and this was even tougher to really narrow it down. I had to look at who I felt put in the stronger performance and I thought they all did. I went with who left a stronger impression on me. When it came down to it, my favorite performance was from Zita Hanrot from The Swallows of Kabul.

Winner: Zita Hanrot from The Swallows of Kabul

imageedit_33_6142835287.jpg

Best Supporting Actress: Obviously this award goes to the actress with the best supporting role.

 Noms: Hiam Abbass (The Swallows of Kabul), Christina Hendricks (Toy Story 4), and Yu Aoi (Penguin Highway).

Results: I know I said the other acting noms were tough, but this was the toughest one, because I didn’t find that many supporting roles that felt substantial from the female characters in the films from last year. When I thought about these three, I looked at their characters and their performances, and the one that stood out to me the most was Christina Hendricks as Gabby Gabby from Toy Story 4. She felt unique as a villain and was someone right out of a Ghibli film due to her layered character. This is probably my favorite acting that I have seen from Christina Hendricks, and she’s a good actress.

Winner: Christina Hendricks (Toy Story 4)

imageedit_35_8030814237.jpg

Best Soundtrack: This award goes to the best soundtrack and that includes the musical numbers.

Noms: The Swallows of Kabul, Children of the Sea, Funan, Bunuel, Frozen II, The LEGO Movie Part 2, Promare, and Weathering With You.

Results: So, I decided to combine both soundtrack and original songs into one category, because it’s easier that way for me. Put another coin in the jar, because I decided to make this category hard for myself. I love the music in these nominees, but which one had the best overall package of songs? Well, I loved Promare’s two theme songs, but I don’t fully remember the rest of the music. The same goes for Frozen II and The LEGO Movie Part 2. While I love the soundtracks to Funan and Bunuel, I don’t fully remember the individual tracks used outside of one song. At the end of listening to the soundtracks, I had to go with the soundtrack from Children of the Sea. It, like its movie, is so other worldly and mesmerizing. It captures a mood and experience unlike any other. Then again, it’s also Joe Hisaishi, and he always makes great soundtracks.

Winner: Children of the Sea.

And there we go! I apologize it took a month or two to get this done, but I hope you all enjoyed this, and I think I’ll do it again next year.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

The Other Side of Animation 154: Missing Link Review

imageedit_2_6068977005.jpg

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

SPOILER TALK HEADS UP!: Due to a certain joke occurring in the movie, I am going to be talking about one of the most important scenes of the film, and talking a little bit about where I stand with the situation.

As I sit here and type this review, a cloud of sadness and frustration looms over me. Not because of the movie I’m reviewing itself; it’s because of the current state of what thrives and dies within the current Hollywood theatrical film climate. It’s this uneven balancing act between the studios and the audiences to make this dance work, because when both forces aren’t synced up, good films end up falling by the wayside. People want original ideas and films, but then don’t go to see them, and instead, go see something that is based on a pre-existing property. However, studios need to know that not every film they release needs to be making billions, or cost $300 million. Because of the current climate, certain films seem to be popping up less and less on the big screen, but then flourish on streaming services. Maybe stop-motion animation should join that list due to today’s review, Missing Link. Directed and written by Chris Butler, Missing Link is the next film in Laika’s long line-up of beautifully-crafted stop-motion features that garner high praise, but sadly, underperform or bomb. Missing Link seems to be suffering from that scenario as of writing this review. Maybe this film’s box office was more elusive than the Missing Link himself. Let’s see what’s up!

imageedit_4_3127202175.jpg

The story revolves around Sir Lionel Frost, voiced by Hugh Jackman. He is an explorer who seeks out legendary and mythical monsters to prove that they exist. His main goal is to join this Adventurer’s club, but is constantly rejected for lack of proof of his adventures. One day, after getting back from another adventure, Lionel finds a letter that says that the individual in the letter is Big Foot, and tells Lionel to meet him in the Pacific Northwest to find him. Once getting there, Lionel meets the Big Foot in question, Mr. Link, who later goes by Susan, voiced by Zack Galifianakis. Susan asks Lionel to take him around the world to where the Yetis live, to help him find his own kind, and to find his place in the world. Along the way, the two are joined by Adelina Fortnight, a widow and old love interest of Lionel, voiced by Zoe Saldana, and avoiding the grasps of Lord Piggot-Dunceby, voiced by Stephen Fry, and Willard Stenk, voiced by Timothy Olyphant. Can Lionel help Susan find his people? Will Lionel make it into the club?

imageedit_6_5426779609.jpg

I think what I love the most about this movie, is how laid back it is. It’s a grand adventure, but it feels smaller in scale, due to how intimate the story is. For me, what makes the low-key charm of the film work is the chemistry between the three main characters. I know when the first trailer for Missing Link came out, people were worried, for some reason, that Laika was going to give up on their identity to be more mainstream. Well, to all of the skeptics out there, I was right, and had nothing to worry about! The character interactions in Missing Link always felt natural, especially the scenes with Lionel and Susan. They hold this movie together, and they work off each other well. Both characters have the same goal of being accepted and being a part of a community, but they cleverly show off the difference between the two. Susan wants to find the Yetis, because he is the last of his kind, and wants to find his way in the world, and being with the Yetis might help him, because they are “relatives”. Lionel wants to join this adventurer club for the sake of doing so, because he was told “no”. One is obviously more selfish than the other. Both characters though share that drive of wanting something so much, that it hurts when they aren’t able to get it. It also deals with themes of identity and looking at the bigger picture. While I know some were disappointed that Lionel is Laika’s first adult protagonist, because they think kids really want to see themselves as the heroes, I like him. He’s entertaining and enough of a jerk that you don’t just hate his guts throughout the entire film. Susan, voiced by Zack Galifianakis, is easily the most likable character. Either because of the writing or great directing, Zack makes Susan a very funny character. I know it’s easy to label Galifianakis as the inept weirdo comedy relief due to the Hangover trilogy and other films, but I think he has proven that he can be more than that, and this film is a great example of it. A lot of the humor is very witty and British in tone, and I think that makes it a more watchable film for the years to come. People will be coming back to this one more than any Illumination or Blue Sky comedy. It shows how smart comedic writing that’s not loud, fast, and pop-culture-focused can work. I also adored Zoe Saldana as Adelina Fortnight. She was a strong, fiery female who would always call out Lionel for his buffoonery, and it’s one of the few animated features that have the male and female lead not end up together. Good! Not every animated feature needs to have the male and female lead get together.

imageedit_10_8992631796.jpg

Of course, I can’t talk about this film, without talking about the gorgeous animation. This is easily the most ambitious animation Laika has done. You just see the blood, sweat, and tears put into the detailed environments, the characters, the movements, how smoothly everything moves, and the colors. It’s a beautiful movie to look at and be amazed how a lot of it was made by hand with very little CGI used. Even if you aren’t fully on board with the film or its characters, you can’t deny that the animation is well done. The voice cast is, to no surprise, good! I know there is this push for more voice actors to take lead roles, but you also have to understand that most casual movie audiences don’t know who famous voice actors like Tom Kenny, Jim Cummings, or Tara Strong are. That’s why they use celebrities, and while sometimes you can’t separate the actor from the character, here they do a good job with their respective roles.

imageedit_8_4288443394.jpg

I think the biggest issues this film has can be attributed to a few different criticisms. The first one revolves around the villains. I get what they were going for with Piggot and Stenk, with them being villains that you would have seen back in the old action adventure movie days, but they are easily the weakest characters of the film. They are played well by Stephen Fry and Timothy Olyphant, but they are a touch too simple. There was also another tired male prisoner joke in the film. It’s short, but I’m getting tired of seeing this joke being used. I also wish they did more with the Yetis. They aren’t in the film much, but are more of an obstacle that the heroes have to overcome than actual characters. It’s a shame too, because Emma Thompson, who voices the lead Yeti, probably has the best joke in the movie. It seems like sometimes, Laika has a problem with their third acts with how they are paced. There is also a joke that I have seen split people down the middle about when Mr. Link decides to go by the name of Susan. It’s a touching scene, but I can see why it sparked some debate if it’s unintentionally hurtful due to the fact that Lionel will sometimes, either accidently or the script forgot to make that change, will call Susan, Mr. Link. I have heard many opinions on the gradient of this discussion, and I don’t really have a fully-fledged opinion. I don’t think it’s as bad as others make it out to be, but I’m not dismissing the fact that it could be taken the wrong way. I think it’s unintentional in its execution. While I loved the chemistry between the characters, I wish there was maybe one more scene with the characters bonding. It’s one of the few times a film that’s 95 minutes long, could be almost two hours due to how laid back and enjoyable it is.

imageedit_12_9535678349.jpg

While I am mad that people are not seeing Missing Link, and are instead going to see Pet Sematary and Little, and Laika not having enough resources for marketing, I still love Missing Link. It might not be Kubo and the Two Strings or Coraline, but I love this movie. Heck, I love all of Laika’s movies. If people truly desire and want new or original stories and films, then they need to not hesitate on seeing films like Missing Link, because it’s stop-motion. Go see the film, and if you love it, that’s awesome, and if you didn’t find it to be impressive, then that’s okay as well! What matters is, is that you went to see and supported an original property. I can’t wait to own this flick on blu-ray when it comes out. Well, while we wait to see how enjoyable or cynical Ugly Dolls is in May, let’s check out one of DC’s newest films with Justice League vs. The Fatal Five. Thanks for reading the review! I hope you all enjoyed it, and I will see you all next time!

Rating: Criterion/essentials