The Other Side of Animation 124: Gnomeo & Juliet Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Many would argue that animation’s darkest year was 1985. This was the year Disney’s The Black Cauldron came out, bombed, got panned, and lost to The Care Bears Movie. Outside of Hayao Miyazaki’s Nausicaä of the Valley of the Wind, and Gwen, The Book of Sand, there was nothing else. I do agree with that opinion, but there have been a lot of bad/underwhelming years for animation. You not only have 1985, but you have 1987, 1997, 2006, and one of the more interesting years to talk about, 2011. 2011 had a lot of the same problems 2017 had, where there was not much to look forward to, and much of it felt like filler, just to get to the few mainstream films and the indie darlings. Even the indie animation wasn’t stellar in 2011. So, where does Gnomeo & Juliet rest on the list of films from 2011? Directed by Kelly Asbury, the same director behind the DreamWorks hit Shrek 2Gnomeo & Juliet, if you couldn’t tell by the title, is a variation on the famous tragic romance story of, well, Romeo & Juliet. While it didn’t get the best reviews, with an overall rating of 56% and a reviewer average of 5.6/10 on Rotten Tomatoes, it was a surprise financial hit. Then again, when you do not have a lot of competition, you are bound to do well. It even spawned a sequel that we will get to next time. So, after seven years, and learning that this was a passion project for Elton John, does this film actually hold up? Let’s check it out, and see what happens.

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The story takes place between two gardens that are next to each other. One belongs to Mrs. Montague, and the other belongs to Mr. Capulet. Once they leave the house, the garden gnomes from both gardens come to life. We then focus on our two leads, Gnomeo, played by James McAvoy and Juliet, voiced by Emily Blunt. Their families hate each other, and oddly enough, the two gnomes fall for each other. Can they find a way to be in love with one another before war breaks out between the two families? Can Elton John shove in as many references to himself as possible?

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So, let’s talk about the positives first. While I am not the biggest fan of this film, nor do I think it’s some underrated gem, I do have a few positives aspects to talk about. While not having a huge budget, the film’s budget was at a supposed $36 mil, they did find a way to work with it. The animation is not fluid, but you could argue that is the point. Because of how they are made of clay, you can excuse the textures and their clunky movements. I mean, it’s not like garden gnomes stay clean 24-7. They get affected by the environment and weather. This argument can’t be used for every part of the film’s CGI animation, but at the very least, the garden gnomes and garden items can use it.

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When the film isn’t focusing on pandering family film elements, and decides to focus on Gnomeo and Juliet, their chemistry is cute. Emily Blunt and James McAvoy work well off each other, and their relationship dynamic can be adorable at times. I also like the lawn flamingo, but that could be because he’s voiced by one of the greatest voice actors of all time, Jim Cummings. The flamingo probably has the second best story bits besides Gnomeo and Juliet. While I didn’t laugh a whole lot, there were a few jokes and moments that did get a small chuckle. Some of the Elton John references were cute, but that’s because I know who he is. The ad for the super lawnmower that is narrated by Hulk Hogan is also enjoyable, but in that “oh, I know who that is” kind of way. I don’t know if kids would find any of this film funny, because I saw this by myself. Now, you can calculate how sad that a 28 year old is watching an animated feature by himself on your own time.

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Everything else from this point on, fumbles and cracks onto the ground like a potted plant falling from a three-story window. The story is fairly predictable, and since this will not follow the ending of the film, it’s hard to sit there, knowing what’s going to happen at the end. This is especially the case when you are watching this to review its sequel. Many of the side characters are harmless, but they don’t leave that much of an impression on you. It makes you wonder why they got Ozzy Osbourne for the deer when he doesn’t really add anything to the role. At least in Brutal Legend, he was himself and was having an obvious blast with his character. It always bugs me when you get celebrities for cameos, and do nothing with them. While I give a somewhat pass to the animation, you can definitely tell this needed more polish. Of course, more polish might be a bad thing at times, but I wouldn’t be taken out of the experience when the animation quality dropped at the level of straight-to-DVD films.

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Really, it’s tough to be mad at this film. Gnomeo and Juliet is harmless. It’s really forgettable, and while not a good film at all, it’s not super memorable enough to be as the filmgoers like to say “terra-bad”. If you see it for a dollar or something, then I think you would be seeing a harmless, if ultimately mediocre animated feature. It’s definitely way better than Mars Needs Moms and Hoodwinked Too, but only by a slim margin, because it had some heart in the production. I definitely would be recommending films like Song of the Sea or Ernest & Celestine over Gnomeo & Juliet. Well, you won’t have to wait much longer, as the next review is of the sequel, Sherlock Gnomes. Thanks for reading! I hope you enjoyed the review, and I will see you all next time!

Rating: Lackluster!

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The Other Side of Animation 87: Smurfs: The Lost Village Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this Review!)

There is always a touch of disappointment when a film series starts to get its spirit and identity on track, but then still fumbles and falls off said tracks. For example, today’s review will be of the Smurf’s fourth foray into being translated onto the big screen. Let’s just say that this new movie had one of the biggest hurdles to get over, in terms of being an animated film. How do you succeed after two financially successful, but critically panned live-action ventures? Well, you kind of don’t. While not a huge financial bomb, it’s probably going to be one of the biggest underperforming animated films of 2017.  Well, let’s see what this new animated adventure directed by Kelly Asbury has to offer.

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The story revolves around the single female Smurf among Smurf Village, Smurfette, voiced by Demi Lovato. She doesn’t feel like she has a purpose, whereas everyone else pretty much does. One day, after hanging out with a few friends, she finds out that there might be a lost village hidden within their world. After getting denied the chance by Papa Smurf, voiced by Mandy Patinkin, to go beyond their village, she decides to go off on her own to find this lost village. She is joined by Hefty Smurf, voiced by Joe Manganiello, Clumsy Smurf, voiced by Jack McBrayer, and Brainy Smurf, voiced by Danny Pudi. On their adventure, they must avoid the grasp of the evil wizard Gargamel, voiced by Rainn Wilson. Can they find this lost village? Who inhabits the village? Was there no real surprise to this film since Sony outright said it was a village of female Smurfs?

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Yeah, that’s probably the biggest problem with this film, there is no real surprise or intrigue to it. It’s like watching an Illumination Entertainment film. It has very pretty visuals and good animation, but the story lacks substance, and seems to rely on its star-studded cast more than actual characters. It doesn’t help that Sony spoiled the surprise, but even then, I think everyone knew what the twist would be. Funny enough, the big twist of the all-female village seems wasted in terms of potential and content. They could explore and wonder what caused this split into bigger detail, or find something very creative to do with such a twist. I think the problem is that it happens in the third act, and then you are introduced to a slew of female Smurfs, which I’m sure were brought in for a possible sequel. It’s a shame, since the characters themselves aren’t terrible, and I sort of like Smurf Willow as this more laid back individual, but you don’t get enough time to flesh them outside of their one character trait. I get that they all have one character trait, but Inside Out had characters who were supposed to be one emotion, but they found ways to expand on said personality traits. Unless you know how to execute simple characters, they come off as bland and forgettable. Even the visuals that they showed off in the trailer, while still very vibrant, get pushed aside. I wanted this film to be more like DreamWorks’ Trolls film, since in that movie, they got to show off super creative creatures, lands, and characters.

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I was also distracted by a ton of the actors they got for the film. It’s another example where they could have either gotten a better voice director or super talented voice actors for the characters, but I get it. You want big names for your film, even though as of right now, no one really went to see your movie. It’s a shame too, since while I think voice actors could have been better choices, and I think Demi Lovato or Meghan Trainor were not needed and come off as pointless, I did enjoy the rest of the cast. Mandy Patinkin does a decent Papa Smurf, Joe Manganiello as Hefty was decent, Danny Pudi was a perfect choice for Brainy, Jack McBrayer, while not doing anything new, is fun as Clumsy, Rainn Wilson actually isn’t bad as Gargamel, though I think Hank Azaria did the voice better in the live-action films. Julia Roberts was good as Smurf Willow, Michelle Rodriguez was basically playing herself as Smurf Storm, Ellie Kemper is maybe a tad too annoying as Smurf Blossom, and Ariel Winter as Smurf Lily is pointless. They are doing their best to be these new characters, and I get that voice acting and acting in general is hard, but I don’t see them as the characters. They also do that thing where they bring in a ton of celebrities to do a line or two, like Gordon Ramsay is Baker Smurf, Tituss Burgess is Vanity Smurf, Gabriel Iglesias is Jokey Smurf, Jeff Dunham is Farmer Smurf, and Kelly Asbury is Nosy Smurf. The only two legit voice actors they hired were Frank Welker as Gargamel’s cat Azrael, and Dee Bradley Baker as Gargamel’s pet vulture, Monty.

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So, did I like anything about the movie? Well, I really enjoyed the animation. I consider this to be the best looking Sony Pictures Animated film to date. I love the colors, how the designs stay close to the original source material, and it’s not too Sony Animation-ish where it’s super hyper and it doesn’t take time to breathe. The colors are very vibrant, and when they are able to show off more of the magical stuff of the world, it’s fun to look at. I wish they could have done more than what we got. Even though the humor is very hit-and-miss with a lot of cop-out jokes, I did like the river scene with Gargamel and the Smurfs. Like I said above, while I was still distracted by all the actors in the film, they did their best. I mean, you are getting paid to be in what is essentially an apology letter for the previous two dumpster fires, so I think you would do your best to be invested within your roles.

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Smurfs the Lost Village is definitely leagues better than the live-action films that came out, and it definitely is creative in the visuals department. If you had to watch one Smurfs film, it’s definitely this one. If the story and pacing were better, along with the writing, I think they really could have had a hidden gem, or one of the better surprises in terms of animation. It needed to be more timeless than pandering to most casual moviegoers to leave a better impact. If this was made in Europe, maybe France, had 2D animation, or it was made in the 80s, I think we could have gotten more of an edge or more bite to the overall experience. Sadly, it’s just another dud that may or may not hurt Sony Pictures Animation if their upcoming Emoji Movie tanks as well. If you haven’t seen it yet, I would definitely wait for a rental. I can see some kids enjoying it, but I don’t know how long-lasting this film’s appeal will be, compared to something like The LEGO Batman Movie or My Entire High School Sinking into the Sea has. Maybe pick it up if you find it for cheap when it comes out, but there is no rush to see this film. In fact, how about we take a look at My Entire High School Sinking into the Sea next time? Thanks for reading! I hope you enjoyed the article, and I will see you all next time!

Rating: Lackluster