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Heads up: I was able to watch this series before its recent release via a screener sent to me by Netflix. I got no other form of monetization other than the screener. Thank you, Netflix.
One of the worst things you can do as an animated film is to be forgettable. When you are good or catastrophically bad, then you will at least be remembered for being really good or really bad. When you are unremarkable, well that’s an entirely different problem to have. You have left such a nothing impression on the audience that you will be completely forgotten, and then take up space on the shelf of a store or streaming service library that could be used for something that did leave an impression for a viewer. It’s important to know what kind of experience you want with your animated fare, and what you are going to have to offer to the viewers and reviewers that will get them hooked. Luckily, when you have some alumni from The Simpsons, Extinct, the focus of today’s review, is able to stand out from the other smaller animated film releases.
The story focuses on Op and Ed, voiced by Rachel Bloom and Adam DeVine. They are these circular donut-like animals known as Flummels. They live peacefully on an island with their kind, and are not the most popular beings among the Flummels. To try and fix a mistake they caused early in the film, Op and Ed find a magical flower that results in our two leads traveling through time. They end up in the modern-day, and encounter a small fluffy dog named Clarence, voiced by Ken Jeong. Clarence tells the two that they are in the future where the Flummels are no more. Ed and Op then set off on an adventure to try and save their species from going extinct. They’ll learn about the meaning of trust and friendship, and meet a colorful cast of characters along the way.
One of the first things to keep in mind is how there are two directors and three writers that have worked on The Simpsons behind this film’s story and script. You have David Silverman, Raymond S. Persi helming the film. Then you have Joel H. Cohen, John Frink, and Rob LaZebnik as the writers. While the film isn’t as sharp as the famous show, Extinct’s brightest spot is that it has a rather witty script. It’s not the wittiest, but it has a snappy comedy edge that includes a solid amount of dialogue, as well as visual, and dark jokes that give the film a punchier vibe than what you would expect. So many smaller-scale films tend to feel so boilerplate because they weren’t given enough time to make the dialogue and script more interesting. Extinct on the other hand, feels like it has something more to it, even if the overall story feels a tad busy. It kept me invested with what was going on because I wanted to see what the next joke was going to be or the next visual gag. The characters are solid enough with Op and Ed both being reflections of cynicism and reckless optimism, but they work well off each other. The side characters aren’t the most memorable, but they do have a few decent lines here and there that make them not entirely forgettable.
Animation-wise, it definitely looks like a film with a smaller budget, but the textures and compositing look good. There aren’t any real signs that the studios which made the animation have only the bare minimum with which to work. Everyone moves well and there were only a few times where the film showed its budget limitations. If you had to compare it to films in terms of animation quality, it’s on the same level as Red Shoes and the Seven Dwarves, Mosley, or Secret Magic Control Agency. It looks like a slew of the higher-end CGI fare from smaller releases. There is one musical sequence, and while the song itself is charming about whether you want to be safe in this safe room or die out there in history due to the many horrible things that happen in history, it’s not as much of a toe-tapper that it could have been. The voice cast is overall pretty great! They put in some more low-key comedy chops, and they deliver the jokes with some solid timing. It helps there are some fun actors involved with the cast. Ya have Adam DeVine, Rachel Bloom, Zazie Beets, Ken Jeong, Jim Jefferies, Benedict Wong, Catherin O’Hara, Henry Winkler, Alex Borstein, Reggie Watts, Nick Frost, and Richard Kind.
The one major downfall for this film is that the time travel aspect becomes way too complicated. It starts out well enough and easy to follow, but when the twist happens, well, it starts to unravel. It becomes too much, and it’s not like it needs to be this complicated. They do their best to explain it all, but even after seeing this film a couple of times, it feels like they still skipped a beat here and there. The side characters are also mostly forgettable. What elevates them slightly are the voice performances, but there are so many side characters that come in for one or two gags that they are never brought up again or add anything to the overall story. There were some of the characters that had a lot of fun concepts to them, but there was a real struggle to remember their names.
While Extinct is still one in a dozen of smaller film releases that normally come out to either rent or watch and are completely forgotten afterward, it does enough to actually warrant being remembered. It has some cute designs that look good in CGI, the writing is really snappy, and it will keep audiences more invested than other films of its kind. It’s more of a diamond in the rough-style hidden gem than a real bonafide gem, but if you are out of animated films to watch in between the major releases, then I personally recommend giving it a look-see. It does way more than most animated films, and I commend it for that. Even if the film fails on story and writing levels, at least it tries to make its experience memorable. Now then, we are diving into the world of Aardman with their newest stop-motion special, Robin Robin.
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Rating: Rent it!