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Heads up: I was able to watch this film via a screener sent to me from Netflix. I received no other form of monetization other than the screener. Thank you Netflix for this opportunity.
Out of all of the shows that get people hot and bothered on Netflix, Big Mouth gets people the most bothered. The iconic adult comedy that revolves around the life of a bunch of kids going through the disastrous and horrifying time of puberty with the help of monsters and creatures representing different sides of the human condition has split viewers down the middle. Some love this raunchy comedy for what it’s tackling with puberty, sex, gender identity, and relationships. On the other hand, many do not care for it due to how it’s yet another crass raunchy animated comedy that supposedly skates by with an artificial approach to said topics mentioned in the previous sentence. It doesn’t help that other shows got canceled while Big Mouth was able to fester. Luckily, shows like Tuca and Bertie were able to find new life on other services, but you get the idea. People who hate adult animation and comedies tend to point to this one being the worst of them all as it lingers grossly on the service. And now Nick Kroll and his creative team have a spin-off show that focuses on the monsters at hand. Now then, let’s make a trip to the third floor to Human Resources.
This new show was created by Nick Kroll, Andrew Goldberg, Kelly Galuska, Mark Levin, and Jennifer Flackett. This takes place in the world of the creatures that inhabited Big Mouth. We follow a group of different creatures including love bugs, anxiety mosquitos, logic rocks, hormone monsters, depression kitties, addiction angels, and you get the idea. We follow them through their daily lives as they help deal with the problems, minute and personal.
So, with this being a spin-off to Big Mouth, expect a lot of the same elements that defined the iconic yet polarizing series. Comedy-wise, expect this to be fairly raunchy with so many sex jokes, swearing, and essentially, a small army worth of innuendos and visual gags. There will be nudity and some fairly graphical moments with violence and sex, but at this point with adult animated comedies on the streaming service, you should expect there to be no real limitations. As we have seen with shows like The Prince or HOOPS, being crass, shocking, offensive, and or in bad taste is not enough to make shows good, due to how you need something else to balance out the crass, cynical, and or mean-spirited nature of the art you are offering to viewers. Like how Big Mouth has a flawed if not admirable path of talking about the ugly side of puberty and coming of age with its kid characters becoming teens, Human Resources focuses more on the adult side of the lifespan. Granted, that sounds weird since this show is reliant on you loving the monsters and creatures that helped out the humans in the original show.
Luckily, there is substance to this show. We see themes and storylines dealing with friendships, workplace situations, trust, dealing with loss and grief, toxic traits, the unpredictable reasons behind being in love, the battle between love and logical thinking, self-love, complicated relationships, sex, and you get the idea. The show does give a lot of characters time to bounce off of one another, and while your tolerance for these characters will make this series enjoyable, there are a few likable characters including Randall Park as Peter the logic rock. Everyone does a good job working off of one another, and while the crass humor is, say it with this critic now, the ride-or-die element of your tolerance for the story and how it all unfolds, there are a few really solid jokes and gags.
Animation-wise, this show has the common adult-animated comedy visual look caused by problems that originate with bad production cycles made by giant studios and companies not giving the teams making these shows the time they need. As usual, people in the animation industry need new deals, so make sure you show support with stuff like #NewDeal4Animation, #StoryCraftUnite, and #EqualPay4EqualPaint. While it may not have the most appealing designs, there are a few designs that are fun to look at. I love the logic rocks and the need demons the most. It also seems like some moments in the show were able to breathe a little more and have a more fluid feel. The voice cast is also pretty good with a great cast of comedic and character actors. You have Aidy Bryant, Nick Kroll, Maya Rudolph, David Thewlis, Keke Palmer, Pamela Adlon, Randall Park, Ali Wong, Thandie Newton, Bobby Cannavale, Jemaine Clement, Maria Bamford, Rosie Perez, Henry Winkler, and even guest appearances from Hugh Jackman, Helen Mirin, Lupita Nyong’o, and Janelle Monae to name a majority of a really stacked cast.
Now, in terms of criticisms, with most comedies, the humor is hit-and-miss, and, well, that’s no different here. A lot of the humor can be a touch much. It has musical moments, but sometimes it can feel too chaotic onscreen all at once. Some of the comedy even goes down to just yelling, and it’s not fun to watch when everything is going bananas on screen. It also has issues from time to time of balancing out the crass comedy and its more sincere moments. Sometimes the morals hit, and sometimes the comedic punchline or gross-out joke tends to take away the emotional punch. Yes, these characters can be deplorable and gross, but shows like this need to be careful with wanting to have their cake and eat it too.
While your mileage will very much vary with this spin-off, Human Resources offers a more human experience to the adult animation landscape. If you like Big Mouth, but more for the times it hits more human themes and the creatures involved, then you will probably enjoy this show. If not, well, you can go watch something like Undone on Amazon Prime or Primal on HBO Max for your adult animated needs. Now then, next time, we will be taking a good look at Pixar’s Turning Red!
Rating: Go See It!