Animation Tidbits #4 What’s Cam Looking Forward To 10/19/17: Animation is Film Festival Edition

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome to another What’s Cam Looking Forward To on Animation Tidbits. I guess you can call this version the “Animation is Film Festival Edition”, because a lot of the films on this list will be at the LA-based Animation is Film Festival. So many of these animated films are making their US release at this festival. It’s a shame it wasn’t happening closer to me, since I live all the way in Texas, but I think anyone who wants to see some truly, in the sense of the word, “unique” animated films, they should go to this event. Now, some of these films I have talked about before, like The Breadwinner, Birdboy: The Forgotten Children, Zombillenium, and The Big Bad Fox and Other Tales. However, the mass majority of these will be new to the Animation Tidbit label. Let’s jump in!

Fireworks

While I am still bitter about Your Name’s success opening the floodgates for a slew of teen dramas/romances to overcrowd the market, I’m always willing to put that aside to judge the film on its own merits. Fireworks is helmed by the producer of Your Name, Genki Kawamura. It’s a tale of two junior high school boys, who fawn over the same girl who is going to be leaving their country-side town. One day, one of the boys finds a magical sphere that can control time, and uses it to try and get together with the girl, who by the time he finds this sphere, has fallen for the other guy. In the film, the boy will use the sphere he found to turn back the clock to fix a mistake, but may end up causing more consequences to doing such a thing than he would like. It reminds me of The Girl Who Leapt Through Time, which used the same plot idea. If handled well, it would lead to some touching scenes. The animation, while having fairly generic anime character designs, looks great, and I’m always down for a teen drama/romance to be taken or tackled in different ways. I wonder how good it will be compared to the mega hit Your Name, or the other massive hit, A Silent Voice. Granted, I am getting tired of Japan’s fixation on teen dramas and romances, but if the film can tell a compelling story and bring some creativity to the table, then I’m down to check it out. This will be playing the same day as The Breadwinner on Friday, the first day of the event.

MUTAFUKAZ

I love to consider this the French/Japanese-animated lovechild of a classic Robert Rodriguez action movie. MUTAFUKAZ is, like I mentioned, a French/Japanese collaboration combining Studio 4 ° C, director Shojiro Nishimi and Guillaume Renard, the creator of the comic on which the film is based.  It revolves around a young boy named Angelino, who lives with his skeleton friend Vinny in a dirty disgusting city known as Dark Meat City. After getting into an accident, Angelino starts to experience unknown powers, and boy, everything just hits the fan afterwards. Everything is thrown into this film, like a stew made of everything inside your fridge. You have gang fights, frantic car chases, Akira-style physic powers, trippy visuals, Jin-Roh-style soldiers, and utter chaos. It all blends together in this over-the-top action film that looks fantastic. I think for such a crazy idea, it was a good idea to get Studio 4 ° C because they are good at getting frenetic and fast-paced action done well. I’m concerned it’s going to be flash over substance, but it’s still one of the animated films I’m looking forward to seeing the most, due to the fact we rarely get action-focused animated features anymore.

Big Fish & Begonia

I have not been subtle about talking about the lackluster animation scene China has going on. It’s either bad anime-style clones, or really bad CGI with no thought about being creative with a small budget. This is why Big Fish & Begonia is poised to be the turning point for better animated features from that country. For a film that took a decade to make, the animation is gorgeous, and a lot of it makes the film look like this Chinese version of Spirited Away, which is fine by me. I have read early reviews of the film, which spoke highly of its philosophical elements, and it will have an English dub at the event, which means that Shout! Factory is probably getting ready for a more wide release and announcement for the film. If you want to see what could help turn China’s animation scene down a much more optimistic route, then you should definitely go check this film out.

Lu Over the Wall

Now, we have one of the big boys playing at the plate. Masaaki Yuasa, the director behind Mindgame, has two films out this year and at this event. Lu Over the Wall is the first film being shown, and is another take on the Little Mermaid story in the same way Hayao Miyazaki did with Ponyo. That means you will get offbeat characters, trippy animation, and a more light-hearted tone. It’s definitely what I got from the trailers and, from a few clips that are on YouTube, the charm really comes through the animation. It looks fantastic, and I hope GKids can bring this film over along with Masaaki’s other film that will be talked about later in this editorial.

Tehran Taboo

Now, this is a nice little surprise. Tehran Taboo is a German-Austrian collaboration about three different women and a musician trying to survive in a harsh and punishing city known as Tehran, where sex and drugs run amok under heavy religious and patriarchal ruling. It looks like an emotional and human experience, as we see these characters survive in such a restrictive life. I know some will argue about its animation, since it’s not technically 2D animation, but some form of rotoscope animation, but those purists can go bugger off. You are still tracing over living individuals frame by frame. Animation is much more vibrant and expansive these days, and this is a good example to show that. If you want something mature and adult during this festival, then it’s probably a good idea to step into the dramatic world of Tehran Taboo.

Mary and the Witch’s Flower

It’s not a surprise that one of the two major viewings that are sold out is the spiritual successor to Studio Ghibli, Studio Ponoc’s Mary and the Witch’s Flower. First off, the animation looks fantastic. It has a style very similar to Studio Ghibli, and while I have heard people say that this is distracting, I don’t find that a problem. Studio Ghibli isn’t doing anything besides Hayao Miyazaki’s newest film, and if it’s a distracting thing to have fluid and very expressive Japanese animation, then I think that’s a pretty good situation to have. Even Hayao Miyazaki and Isao Takahata have shown their approval of the film. It looks like a great one, and it has directors I trust behind it. It’s one of the most anticipated animated films of the year, and probably one of the sure Oscar nominees.

Night is Short, Walk on Girl

Finally, we have Masaaki Yuasa’s second film, Night is Short, Walk on Girl. Technically, it is a follow-up to a series he worked on called The Tatami Galaxy. The surreal romantic comedy of a girl and the guy who has a crush on her looks trippy, unreal, and hilarious. This is what I love about Yuasa’s work. Fantastic and vibrant visuals, interesting characters, and what might look random, has an underlying tone of something much more. I am concerned that I can watch this without having seen the TV series, which I just started, but the quality of the film will depend on if it stands strong on its own or not. Still, I hope GKids brings this and Lu Over the Wall over to the states.

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The Other Side of Animation 104: Napping Princess Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

With Mother! by director Darren Aronofsky causing an honestly interesting “controversy” because of it failing at the box office, and splitting people down the middle in terms of liking it or hating it, do we really want original movies? I mean, people complain about wanting to see original movies all the time, but then don’t go see them, when they get bigger budgeted marketing or wider release. It’s infuriating because you can’t have it both ways. You want more “original” movies getting wider spread releases and bigger marketing budgets? Then you had better go see them and not complain. I’m doing my part, and you should do the same. I know that sounds harsh, but it’s honestly true. That’s why I went to see Napping Princess. Released in the states back in September, Napping Princess was a surprise pick up by GKids. At the very least, it caught me by surprise. It was directed by Kenji Kamiyama of Ghost in the Shell: Stand Alone Complex and Eden of the East fame, and was released earlier this year, and was a competitor at 2017’s Annecy Film Festival. Needless to say, it got overshadowed by Lu Over the Wall, Loving Vincent, and In This Corner of the World. I wanted to get this review out of the way so people don’t overlook this film. Let’s dive in.

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The story revolves around a high school student named Kokone Morikawa, voiced by Brina Palencia. She lives with her dad, who is sort of a dead beat, but very talented car mechanic. Kokone is a rather sleepy individual, as when she drifts off into sleep, she enters a dream world her father told her about. Unfortunately for her, Kokone’s dad is under some kind of investigation with a company that is accusing him of stealing something. The two worlds then start to collide with Kokone’s dream world starting to mirror the real world.

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So, what is good about Napping Princess? Well, since it’s animated by SIGNAL.MD., a sub studio of IG Port (the merger of animation studio Production I.G and manga publisher Mag Garden), the animation is quite nice. It’s fluid, expressive, snappy, and just like Production I.G’s other animated film, A Letter to Momo, it has more realistic movements, but also has snappy comedic animation. I was surprised to see a film that I wasn’t expecting to be funny, have some truly hilarious moments. The comedy is mostly from good physical comedy, expressive facial animation, and some funny lines. Sometimes, it shows that the 2D animation is paired up with CGI elements, but thankfully, they gel well together, and is not as distracting as late 90s/early 2000s anime that used CGI to replace actual objects. Since this film has fantasy elements in it, I found a lot of the action and visuals to be fun, and pretty on a technical scale. The fight with the lava monster in the dream world is always entertaining, and I was excited to see how characters from the real world would gel in the dream world. Plus, you have to have some fun when you have a transforming moped with a side-car, and a pirate fighting alongside a young magical girl with a talking stuffed animal.

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In terms of themes and characters, I found the themes of not giving up on your dreams, and changing to the times to be interesting ones to tackle. Most of the time, when you think of animation, you think of themes that are fairly light-weight, so kids can easily absorb them on-screen. It’s a bummer when you can tell the people behind the story and writing didn’t think ahead of time to slip something in that is more challenging for viewers to watch. This film shows that change will happen, and it’s good to get with the times, and that no matter what challenges get in your way, do not stop. I also liked the characters. Sure, Kokone and her friend Morio are not new to the animation scene, but they are likable characters. I enjoyed their chemistry together, and the dialogue exchanges they have with other characters. While the story does mostly focus on Kokone, her dad, Morio, and the villain, I found myself not getting annoyed by side characters. The music is also fun to listen to, and if it sounds similar to something like Kingdom Hearts, that’s because it was done by the same composer, Yoko Shimomura. It adds a whimsical tone to the film that fits its fantasy and dream-like setup. Usually, this is where I talk about the voice cast for the film, but I only saw the English subtitle version, so, from the few clips I have seen of the English dub, it was pretty solid. Not the best dub GKids has done with a Japanese-animated film (I think Miss Hokusai is their best one), but the actors do a good job.

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Unfortunately, my biggest complaint about the movie is that later on, it doesn’t know how to combine both the dream world and the real world. It’s a great third act, but the seamless fusing of both worlds isn’t fully executed well. The final fight of the film is amazing, but when it cuts back to the real world, it’s jarring, and I found myself wondering what happened, or how they got to said location in the first place, while the dream world was fusing with the real world. Napping Princess also rides the line of being too long. It’s a well-paced film, but it’s just two-hour runtime almost runs the idea dry. I also wish the dream world had more whimsical designs. I perfectly get why it was more technologically-themed, but I was enjoying the fantasy world to the point I wish the movie was set in this one setting.

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While it is definitely not going to be winning any major awards, and I can understand if some people don’t like it (though I don’t agree with the user scores for the film), I had a blast watching this movie. It was full of charm, personality, and wonderful animation. It was a fun fantasy adventure flick with a nice mystery, keeping all the abstract imagery together. While I will be rooting for other GKids/indie animated films to do well at the Oscars, Napping Princess was an awesome surprise, and I hope more people get to see it when it hits DVD. Well, Halloween is about to be upon us, so let’s review a film filled to the brim with corpses with The Empire of Corpses. Thanks for reading, I hope you all enjoyed the review, and I will see you all next time.

Rating: Go See It!

The Other Side of Animation 102: The Cat Returns Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Well, it’s been two years since I started reviewing animated films, and I feel like it’s time to talk a little about myself, and what kind of movies I like to watch. I tend to enjoy a large variety of genres and different directors. I wouldn’t say I’m a hardcore film fan and watch every single classic film, but I watch what looks like something I would enjoy. However, I tend to mostly pick a film that I can watch with no need to learn about something beforehand, or require to research some lore or backstory before watching the film, so I can get into the story. I like to be instantly dropped in, and be able to not be distracted by in-your–face-world-building elements. In short, I want to be able to put in a movie, not have to be in a certain mood to watch it, sit back, and relax. I think that’s why for this two year special, I decided to choose the Studio Ghibli film, The Cat Returns. This is definitely an oddball of the Ghibli filmography. It was released back in 2002, and was originally conceived as a 20-minute short film for an amusement park. Unfortunately, they canceled the project, but Hayao Miyazaki decided to use the idea for his own studio. The individual sitting in the director’s chair this time around was Hiroyuki Morita. His name might not sound familiar, but he has done some work in the industry by starting at Ghibli as a key animator for My Neighbors the Yamadas and an in-between animator for Kiki’s Delivery Service. Morita went on to direct the anime series Bokurano, and was mostly an animator for stuff like Ghost in the Shell 2: Innocence, Tales from Earthsea, Afro Samurai: Resurrection, Lupin III: Bye Bye Lady Liberty!, and Tenchi Forever! As it stands, The Cat Returns is one of the few animated films from the studio that was not directed by Hayao Miyazaki or Isao Takahata. We didn’t get this film until 2005, and by that time, people were more focused on Miyazaki’s newest film, Howl’s Moving Castle. Let’s claw our way in, and check out The Cat Return.

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The story follows a high schooler named Haru, voiced by Anne Hathaway. Haru is having a rough spot in her life, where it seems like nothing is really working out for her. After coming back from school one day, she ends up saving a cat that was about to get run over by a car. By luck, the cat she saved happened to be a magical cat prince, voiced by Andrew Bevis. The prince thanks her, and later that night, Haru is visited by the prince’s father, The Cat King, voiced by Tim Curry. After some misunderstandings and complications, Haru ends up getting engaged to the prince, and tries to find a way to get out of the situation. She then meets a whimsical character known as The Baron, a small humanoid cat-like being, voiced by Cary Elwes. He decides to help her out, but right when he agrees to help her, Haru gets kidnapped and taken to the Cat Kingdom. It is up to The Cat Baron, along with his sidekick Muta, voiced by Peter Boyle, to help Haru escape the Cat Kingdom.

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The first thing you will notice about the film is the animation style. It’s still the fantastic 2D animation you know from such a studio, but it’s the designs that are for the most part, different. Everything is a touch more simplistic, and the human designs aren’t in the traditional Studio Ghibli design, and are more anime-style. It can definitely lead to more fluid animation, and for a film like The Cat Returns, it suits it. The story is very light, and while that might sound like a downside, it’s not. It’s a fantasy adventure film that uses its 75 minutes well, and it doesn’t overstay its welcome. It’s a film that knows what it wants to do. It’s just an easy-to-get-into fantasy adventure film. Now, that doesn’t mean The Cat Returns itself is lacking substance. It’s still a Studio Ghibli film, with likable leads, a solid set of side characters, a creative world, and a fun villain. It also has some amazing visuals from the Cat Kingdom to the action sequences that help cement the film’s more light-hearted tone. I have heard some people compare this to some fantasy comedies like the Princess Bride, and I can see where they are coming from. It’s funny and has an eccentric personality, but also acts like a fairy tale with odd rules and lush visuals. The film does have a message of never giving up on yourself or your dreams, but it’s more of a backseat moral. It wants to be more about the whimsical side of things, and to be a more comedic fantasy film, and I have no personal problem with that. It’s something that I have seen pop up from time to time, where critics in general dismiss a film being simple as a bad thing. I never really got that, since simple doesn’t always mean terrible. Of course, it does come down to execution, but even then, it’s not always seen in a positive light. I mean, do we call out The Wizard of Oz as being too simple and relying more on emotion than logic? No, we celebrate it as one of history’s best movies, and rightfully so. Sometimes, when I’m going out to get a bite, I’m not in the mood for something big, fancy, and complex. Sometimes, all I want is a cheeseburger that’s done well, and a $5 milkshake. Movies don’t always have to be complicated.

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As for everything else, the cast is pretty fantastic. Anne Hathaway does a pretty stellar job as Haru. While Haru might not be one of the classic Ghibli female characters, she is still interesting. She’s innocent and kind of light-headed, but she is still strong and wanting to make sense in a fantasy world, which is usually much harder than you would think. Cary Elwes is fantastic as The Baron, and it sounds like he was having a lot of fun playing another fantasy hero. Pete Boyle has some of the better laughs as Muta, and, of course, it’s hard not to talk about this film and not bring up Tim Curry’s old hippie performance of the Cat King. You can tell that he was having a blast as this expressive and hilarious villain. Then again, it’s Tim Curry, and he’s always a blast to watch, no matter what the film is. Andy Richter plays an assistant to the Cat King, and while I know in the Japanese dub, the character was female, and, yeah, it’s weird that they would do this, I think Richter pulls it off. Actually, the actors in this film do pull off excellent comedic timing. It’s probably one of the few Japanese-animated films I can think of, where the humor is easy to translate to any country. A lot of the times, and sorry if I have already said something similar in a previous review, comedy in different parts of the world ranges in what they define as funny, and it doesn’t always translate well when you place it in another country. A lot of older anime had this problem when you realize Japan loved wordplay and puns, and some of those don’t translate to English well. It’s why a lot of foreign films I tackle have more universally acceptable comedy, like old-fashioned Buster Keaton or Charlie Chaplin-style comedy, since you don’t need to know a foreign language to know why something in a film is funny in that form.

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I love this fantastical adventure, but I have some complaints. While the fight sequences are well-animated and are a blast to watch, the final fight between The Baron and the Cat King is underwhelming. There is a great action/chase sequence leading up to this battle, but then the battle itself only last a few seconds. I love the 75-minute runtime, but there are definitely times where the story could have been fleshed out more. You find out about Muta’s history in a scene near the very end of the film, and it doesn’t really add much. It’s more lore for the world of the Cat Kingdom, but not much else. There is this fun crow character voiced by Elliot Gould, and while it’s always good to hear him because his voice is unique, he doesn’t show up in the movie a whole lot. He pretty much shows up near the end of the first act, and then in the final act.

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The Cat Returns might not be one of Ghibli’s strongest films, or one of their most epic, but it’s still Studio Ghibli. It’s still well-animated, entertaining, well-acted, funny, and full of amazing imagery. I consider it the hidden gem of the studio, and to be honest, it has grown to be one of my favorites. Yeah it has its faults, but every film is going to have faults. It just depends on how big or bad they are to not be able to ignore. I would say go buy the Disney release of this film, but I would personally wait until the GKids re-release is available. Definitely not my favorite from the studio, but it’s still a splendid movie. Well, speaking of fantasy adventures, it’s time we look at 2017’s My Little Pony: The Movie. Everybody, thanks for reading! I hope you all enjoyed the review, and I will see you all next time.

Rating: Go See It!

2017 in Animation So Far

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, it’s been over half a year now for 2017, and it’s time to look back at the year so far. I thought it would be interesting, since I don’t really talk about all the big movies until I do my Worst to Best list for every year. I’ll be setting this up differently as well, with the execution of this article. I’ll be doing separate little segments for what were my favorites so far, the biggest surprises so far, the most average films so far, the biggest disappointments so far, and the worst. At the end, I’ll put down some films that I am looking forward to, and hopefully some films that will come out in the states in the near future.

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Best Animated Films (so far)

My Entire High School Sinking into the Sea: Trippy, unusual, darkly comedic, and the definition of pure visual LSD, this indie film is the best animated film I have seen this year. With a great voice cast, a fun sense of humor, and a unique experience, I can’t wait to buy this movie for my collection.

LEGO Batman Movie: While I respect the comments that it relies too much on Batman references, and it doesn’t have the full heart of the original film, I went in wanting this to be a fantastic film, and that is what I got. Outside of My Entire High School, I haven’t laughed so much or enjoyed a theater-going experience this year as much as I have enjoyed LEGO Batman. It’s clever, the characters are likable, and I was smiling like a fool from beginning to end. Yeah, I have my issues with the film, but it’s actually good, unlike a lot of films from 2017.

Ethel & Ernest: This is such a simple movie, but it’s so good. It’s nothing super grand, or some characters going on a big adventure, it’s just the life and times of Raymond Brigg’s parents. It feels like such a personal film, and the team that made the movie obviously cared very much about the book the film is based on. With wonderful performances, multiple touching moments, and gorgeous animation, I am impatiently waiting for this film to get a US release.

Ocean Waves: Finally, after what seems like a century, the US finally gets a legit release of the last Studio Ghibli film to be brought over. While it is disappointing that there is no English dub for this film, it definitely has a lot of elements that would have made it hard to translate to English. It’s also a slower-paced and more realistic film about teens growing up during high school. It has its flaws in terms of story pacing and characters, but I still loved watching it, and when it hit it out of the park, it really hit it out of the park.

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Biggest Surprises (so far)

Captain Underpants: Who knew a film everyone was dreading ended up one of the most fun movies of the year? With characters that have charm, great animation, and an obvious amount of passion and soul put into the end product, I was pleasantly surprised by this film. Not to say it doesn’t have its problems, but I had more fun watching this than most of the animated films from this year. It knew what it wanted to do, and I respect that.

 Justice League Dark: It’s no surprise that DC has had an amazing year in 2017, and kicked it off with a fun and more mature story of magic, demons, and the return of Matt Ryan as John Constantine. It’s a film that takes advantage of its situation, and while it does have some pacing problems because of the 70-minute runtime, it’s still a blast to watch, and actually see some charm in the drab DC universe.

Teen Titans: The Judas Contract: This is pretty much an apology letter for Justice League vs Teen Titans as everything that was so good about this movie should have been in the previous film. Everyone has ample screen-time, the action is good, and I don’t want to strangle any of the characters. The main villain is definitely weak, and there are some predictable story beats, but it’s so much better than I was thinking it was going to be. I’m glad I was surprised.

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Biggest Disappointments (so far)

Cars 3: You would think by the third film, they would know what to do with this cash cow of a franchise. While I was definitely more emotionally invested in this one, and love that they just retconned Cars 2, I wouldn’t call this a great animated film by any stretch of the imagination. It’s definitely more of a sport movie than the previous films, but there is a bit too much going on, and it doesn’t know how to pace itself. The villains were weak, and the ending had some elements that I would call shenanigans on, since they just leave it open to make another Cars movie. While not the worst Pixar film by any means, it’s a shame the film didn’t live up to the extremely false advertising.

Despicable Me 3: Second verse, same as the first. Despicable Me 3 was better in a lot of ways to the previous installments, but was hugely flawed. It once again had way too many plots going on, and none of them get enough time to be fleshed out. It results in a movie that can be entertaining, but completely hollow at the same time. I don’t know how many more films they can make with the current style before people just turn on them. At the very least, Trey Parker’s portrayal as the villain was super entertaining. I’ll have more to say when I review it in the future.

Blame!: Since CGI animation in anime already has a tainted reputation for low quality products, you would hope a film like Blame! could show how to do it well. Sadly, all that you get is a rather boring and sometimes fun sci-fi world builder. The characters are bland, and even the higher quality movements can’t hide the fact that CGI animation in anime can and will be distracting.

 Seoul Station: While not a terrible zombie movie, I have no urge to rewatch this film. It has its moments and its social commentary, but since this film is supposedly connected to the fan favorite Train to Busan, then I think it needs to be more than just where the zombie outbreak started.

Smurfs: The Lost Village: While the trailer for this gave off both a good and bad impression, I was still hopeful that this would be a pretty solid film. Sadly, what we got was a rather predictable and yet again boring film. There is just nothing there for kids or adults. It’s way better than the live-action films, but that’s not saying much for a film that’s not willing to take risks.

The Boss Baby: While I don’t hate this movie, it’s obvious they went with one gimmick and didn’t really do much else. Alec Baldwin is the best part of the movie, but that’s not enough for this film to be good. It has good animation, and I liked a lot of the lines and jokes, but everything else felt so hollow, and lacked substance. We are sadly getting a sequel for some reason, but hopefully, it can be a Madagascar situation where they get better with each sequel.

Sahara: Probably one of the most disappointing films to hit Netflix. I was thinking they got a French animation gem on their hands, but instead, they got a French dud. While the CGI animation is pretty solid, the colors are vibrant, and there are points where the film does slow down, it doesn’t make up for an annoying cast, an English dub that forced me to watch it in French, and a film that’s not really interesting to watch. It definitely could have been a lot better in terms of story and characters.

Rock Dog: This film went through so much political baloney, that it’s hard to really trash this film. It has no focus, tone is an inconsistent wreck, the animation isn’t theatrical quality, and the side characters are pointless. It’s a shame, since it’s not a cynical cash grab, and it tried to be earnest in its intentions. It just didn’t pan out, and all we got was a mediocre film.

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The Worst (So far)

The Emoji Movie: While I know this is everyone’s favorite punching bag, it’s just a forgettable bad movie, people! It’s not super offensive outside of the concept, but it’s not super amazing either. It’s probably the most forgettable bad animated movie of 2017, that got pushed into the limelight because people call it the death to cinema. I’m working on a review of it right now, and I’ll say this, calm down, people!

Leap!: Yes, technically, I should wait to talk about this film when it’s officially released, but on the other hand, since it’s already available in an English format, and The Weinstein Company is simply redubbing and recasting for no reason, I have a right to say this movie is still 100% terrible. It’s an enjoyable type of terrible, since some choices in terms of animation and plot points are insane, but it’s otherwise bland and really forgettable with a terrible sense of humor, and animation that can be rather creepy-looking. I’m sure this had good intentions behind it, and I can’t say it’s the worst movie I have seen this year, but it’s still something I never want to watch again, but I sadly have to, since if I want to be fully fair to this film, I need to watch The Weinstein version.

A Stork’s Journey: I don’t get why this film had to get a limited release. Was anyone asking for this badly animated film? Its mean-spirited characters, bad pacing, and predictable plot also bog down the experience. It has one little scene that works, but that’s about it. Just avoid at all cost.

Spark: a Space Tail: Unlike the film mentioned above, I found nothing redeemable, or enjoyable about this movie. Open Roads didn’t give this film a wide release, and is now considered one of the biggest bombs in the animation scene. Even with that distinction, it has horrible animation, terrible characters, boring action sequences, a bland story, and it has no real reason to exist. Not even Patrick Stewart could save this. Until I say otherwise, this is still the worst animated movie of 2017.

Well, that was a bummer way to end the list, how about we close the editorial up with some movies that are coming out this year that I’m excited for? And yes, a lot of them are GKids films.

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The Remaining Films I’m Looking Forward to Through 2017

Coco: While Cars 3 did not fully deliver, Coco will hopefully be the one Pixar film to be fully satisfying with its themes of Day of the Dead, family, and music with a great art style, and gorgeous animation.

Mary and the Witch’s Flower: GKids recently picked up the rights to this film, and I’m not really surprised. It’s got veteran Studio Ghibli members, and GKids has a great connection with the famed studio. The first movie from Studio Ponoc looks really promising with beautiful animation, awesome character designs, and just a huge amount of creativity. I think this could easily be an Oscar contender for Best Animated Feature.

The Breadwinner: Probably the other Oscar contender for Best Animated Feature is yet another GKids-distributed film, based on the famous book. Cartoon Saloon is once again on a roll with a touching story, great animation, and they are mixing it up this time with two different styles of animation. It looks great, and I trust anything these two companies, GKids and Cartoon Saloon will put out.

The LEGO Ninajgo Movie: Well, so far, the two LEGO Movies we got have been pretty fantastic, can’t see a reason why not to be excited for this one. It’s also nice to see it be a mostly action-focused film, since it seems like we can’t get an action anything in animation these days. While the recent trailer probably showed off too much in terms of jokes, I’m still looking forward to the next LEGO Movie.

The Girl Without Hands: While I’m sort of disappointed this one-man film is not coming to my neck of the woods, I will wait for a DVD release, since I really want to see this visually ambitious and mature animated film. I have talked about it a bit on an Animation Tidbit, so I won’t go into much detail there.

Birdboy: The Forgotten Children: I have talked about this dark animated film as well, so if you want to see more of my thoughts about this Spanish-animated film, you can go to the link I put above for The Girl Without Hands, but none the less, I am looking forward to see how this dark tale unfolds.

In This Corner of the World: A big Annecy Film Festival winner about a young girl as she grows up during World War II. It has a luscious watercolor art style, a vibe that feels similar to a Studio Ghibli film, and a sad, but endearing story.

Loving Vincent: Hey look, another film I talked about in an Animation Tidbit editorial. It’s a beautifully abstract film, with a lot of blood, sweat, tears, and tons and tons of paint put into the overall project. I can’t wait for this film to get a wider release in October.

That is it for now, let’s hope more amazing films come out, and I will make a new list in the New Year covering the worst to best of 2017!

The Other Side of Animation 94: My Life as a Zucchini Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

I am very fortunate with my family life. My family is pretty healthy, we have a good life, I am close to everyone, and I wouldn’t want to trade it for the world. Sometimes, it’s good to remember how fortunate you are, if you have a good family situation. Not everyone can get that, and I can’t even begin to understand or imagine myself growing up in a broken home, or as an orphan. I’m never going to relate to it, and I’m not going to try and act like I can. I think that is what’s interesting about today’s review of My Life as a Zucchini. This is a stop-motion animated film from last year, that was directed by Claude Barras, and was distributed here in the states by the always-amazing GKids. It picked up a lot of critical acclaim and award nominations. While only 60 minutes long, you would be amazed at how mature this film can be.

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The story revolves around a young boy named Zucchini. He does have a real name, but he would rather be called Zucchini. After the death of his mother, he is brought to an orphanage by a police officer named Raymond, voiced by Nick Offerman. While there, he befriends the other kids who live there, and gets to learn a bit more about each of them as time goes on. One day though, a young girl moves into the orphanage named Camille, and changes Zucchini’s life.

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So, what’s so amazing for a movie that’s no longer than an episode of Game of Thrones? Well, there is a lot to love about this little movie. It has a laid-back atmosphere, and while the kids can get rowdy, and there are some dramatic moments, the movie is very quiet. It lets the kids be the main focus. It’s definitely a smaller story and is not epic or sweeping, but it doesn’t mean it sacrifices quality storytelling. You get little details, like how Zucchini keeps the memory of his parents in the form of a beer can and a kite, or how while not told specifically what happened to one of the girls, her gestures and outward mood says everything. It’s a film that tackles what these kids probably feel like being parentless. The world is scary, and they don’t really trust anyone, or feel like there is any real hope outside the orphanage. I don’t blame them. The film knows really well how to balance the darker themes of unconditional love, family, being alone, with more positive moments of finding a way to help each other stay optimistic. You get to learn a bit about these kids as the film goes on, and they act like real kids. You know how you watch a family movie or a movie in general where kids are a focus? You know how rare it is to find child characters or child actors who are actually good? In My Life as a Zucchini, they act and talk like little kids. Even how they interact with the adults feels genuine.

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The animation is just beautiful. The stop-motion movements are all gorgeously handled, and while having some interesting designs, they find ways to make the movements fluid, and expressive. The voice work is probably one of GKids’ best dubs. Not only because of the celebrities that they hired, like Nick Offerman, Ellen Page, Will Forte, and Amy Sedaris, but the child actors for the English dub do a perfect job. One of the charms of the film is that they had all child characters in the original dub sit in one room to make the interactions with one another realistic. I’m sure trying to work on a dub to do such a thing would be very daunting for child actors who may not have a lot of experience voice acting, but they found a way. The music reminds me of a lazy Sunday afternoon, with a more indie tone to the background music when it pops up.

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If I had to really complain about something, the film probably could have been longer to maybe 80 minutes instead of 60. I loved every moment, and the film does use that time wisely, but I would have liked to have spent some more time during certain areas. Sometimes, there is a comment that doesn’t land, but in general, the run-time is my only major complaint.

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I really loved watching this movie, and if you saw my Worst to Best of 2016, you saw that it was my 4th favorite movie of the year. It’s deceptive in how mature and quiet the film, considering it stars a bunch of kids, and it does a great job tackling what an orphan feels like, along with the sad reality that some children grow up in broken households. I’m happy this film got so much love with the Golden Globes and the Academy Awards. If you haven’t seen this movie, then you should. I want to keep this “theme” of family going, as next time, we will review Wolf Children. Thanks for reading! I hope you enjoyed the review, and I will see you all next time.

Rating: Criterion/Essentials

Animation Tidbits #3: What’s Cam Looking Forward To? 5/22/17

 

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this quick editorial!)

So, I know it’s soon to do another editorial like this, but I found a slew of animated films to be on the lookout for, and since the Annecy Film Festival is right around the corner, I decided to do another list of films I’m looking forward to. Now then, let’s take a look at some of the films that will be competing at the festival first.

 In This Corner of the World

First up is the Japanese animated film by director Sunao Katabuchi, In This Corner of the World. This character-focused film that is about a young woman named Suzu during World War Two is a beautiful and emotionally-driven experience. While the story is said to be a fictional tale that takes place during that period in time, it is apparently based on real life events of said historical period. I love the soft watercolor look to everything, and that should be no surprise due to the director having previous award-winning films under his belt like Princess Arete and Mai Mai Miracle. I can’t wait for Shout! Factory to release this in the states with Funimation helping out because I will definitely be going to see this film when and if it comes to Austin.

Zombillenium

Like with Icarus from the previous list, Zombillenium has probably one of my favorite settings for an animated film. It’s a French animated film about a theme park where all the ghosts, ghouls, monsters, skeletons, and mummies are, in fact, real monsters. One day, a human named Hector, a safety regulations officer, is threatening to shut down the park. That is, until the vampire manager of the park decides to bite him and bring him on board as an employee. First off, the art style has this great comic book/cartoony style that is very eye-catching. Then again, this is based on the comic book series by one of the directors of this film. I feel like this setting could lead to some very interesting social commentary, with how the monsters work and live at the park, and how some of the monsters could symbolize labor laws and so on. I also get a vibe from something like a good HBO/FX drama, where it’s about the life and the days of the characters in their environment. Unfortunately, I don’t have a traditional trailer for this film, but instead, a music video. It’s done by Arthur DE PINS, one of the directors and the creator of the comic. I bet you that this was a huge excuse for not only a fun music video, but a tech demo to get funding for the film. It’s for a song called Nameless World by a French Rock Band called Skip the Use. This is also one of the films competing for the grand prize at the Annecy Film Festival, and it’s the only animated film competing at the Cannes Film Festival. I hope it turns out to be a fantastic flick.

UDATE: Here is a teaser for Zombillenium!

Bird Boy: The Forgotten Children

Well, GKids just got the rights to bring this film over in the fall, so I might as well talk about it next. Plus, I can’t pass up a GKids distributed film. This dark yet cartoony animated film from Spain is directed by Alberto Vazquez and Pedtro Rivero. If you are into the foreign animation scene, then you know about Alberto Vazquez, who is releasing a new movie called Unicorn Wars. And yes, that is a real movie. This guy is known for combining great animation, with cute designs and strikingly dark visuals. I can see it catching some people off-guard, but I think challenging what defines animation in terms of visuals is breathtaking. It might not be the first animated film to have super dark visuals and a story to boot, but it’s something I like to see going on from time to time with animation. I can’t wait to see who they get for the main cast, and I hope they can bring over his new film in the future.

The Swallows of Kabul

This one caught me by surprise. This French-animated film, based off the book of the same name, is being directed by two female directors. One of them is an actress-turned-director by the name of Zabou Breitman and designer/animator Eléa Gobbé-Mevellec. It’s also being produced by Les Armateurs, who worked on The Secret of Kells, The Triplets of Belleville, and Ernest & Celestine. Its watercolor art direction brings out some very beautiful visuals, and the character designs are fantastic. Then again, when one of the directors worked on The Prophet, The Rabbi’s Cat, and April and the Extraordinary World, it should be no surprise that it looks great in motion. Even though I know the story will be a bit more mature than your typical animated film, I don’t find the designs or the animation to be distracting. The teaser also does a good job at getting me intrigued about the story, as I’m curious to know what happened after the guard Atiq watched as his eyes were set on a beautiful woman who is the newest prisoner in a female prison. This is another good example why European animation can be so wonderful. Hopefully, in the future, we can hear more about the film.

The Breadwinner

While Wolfwalkers is in the early stages of development and funding, we can look forward to Cartoon Saloon’s upcoming film, The Breadwinner. This beautifully animated film from the studio that made Song of the Sea and The Secret of Kells is based off the book of the same name. It’s also being partly produced by Angelina Jolie. I’m a tad concerned about that part, since I have found her recent projects to be pretentious and lackluster, but just by the teaser trailer alone, the film looks impressive. I also enjoy the fact that they went full frontal with the casting, since they hired multiple actors of Afghan descent to be the major characters. It’s a wonderful-looking movie, and I can’t wait to watch it later this year.

Loving Vincent

This is probably the most visually striking of the films listed in this editorial. How many animated films can you think of that are painstakingly painted by very specific animators and artists that recreate and pay tribute to one of history’s greatest artists? I love the idea of someone going around asking about the legacy and impressions the artist left on people that he met. It’s such an impressive feat to watch what was going to be a short film directed by director Dorota Kobiela, and has now become this hugely passionate animated film celebrating the beauty and history of art from the infamous painter, Vincent Van Gogh. After it hopefully does well in the Annecy Film Festival, I will patiently wait for theater showings in my neck of the woods.

The LEGO Ninjago Movie

While this entire list has been mostly following smaller and foreign releases, it doesn’t mean I’m not looking out for the bigger releases. While we have gotten this trailer a few months back, I wasn’t really thinking about it until recently, as I was thinking back to The LEGO Batman Movie. It’s honestly going to be interesting to see how people react to another LEGO movie in one year. One kudos that I will give this film instantly is that no one has to watch the TV show with the same title to watch this movie, since neither the film nor the show are connected in any way. It also helps that personally, The LEGO Ninjago Movie gave off a strong first impression with good laughs, good animation, and solid voice work. It also helps that the film has a director that has worked in different positions on action-focused cartoons before, like The Powerpuff Girls Movie, Batman: The Animated Series, Tron: Uprising, Samurai Jack, and a lot of Cartoon Networks’ biggest and most popular cartoons. Now, I am concerned with how much emotional substance will be in this film, and how it’s going to have a slew of characters to introduce in one go, but I think Warner Animation Group has been pretty spectacular these past few years. Hopefully, The LEGO Ninjago Movie can be another feather in their cap.

Well, that’s it for this list. I probably won’t have enough to talk about for another one for a while, and I plan on doing an editorial on Blue Sky’s Ferdinand instead of adding it to a list, since I’m excited for it, but not fully on board with it due to the studio. Thanks for reading, and I hope you all get excited for these films as well!

The Other Side of Animation 88: My Entire High School Sinking into the Sea Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

To me, there is no real surprise to going to the movies these days. Since so many films are coming out, and Hollywood isn’t becoming too risky with its big budget films, there is just no real reason to go to the theaters. Yes, indie films do balance that out with telling more diverse stories and taking more risks, and not every film needs to be original, but at the same time, I want to be surprised. I don’t want to sit there knowing what exactly is going on, or walk into a movie knowing what the big twist or story points are going to be. That’s why I loved going into and coming out of My Entire High School Sinking into the Sea. This newly distributed GKids animated film was directed by comic book writer and artist, Dash Shaw, and boasted a solid cast, including Reggie Watts, Jason Schwartzman, Maya Rudolph, Lena Dunham, and Susan Sarandon. So far, it has had a pretty positive reception, with only a few people being split on the overall film. Where do I fit into that group? Well, let’s find out.

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The story revolves around two best friends, Dash, voiced by Jason Schwartzman, and Assaf, voiced by Reggie Watts. They run a school paper with their editor Verti, voiced by Maya Rudolph. After some shenanigans with Dash being jealous of Assaf and Verti going out, calling out Assaf in a new editorial, and getting in trouble with the popular girl, Mary, Dash finds something rather shocking. The school is building a new roof-top gymnasium, but the principle is ignoring building code, and the high school, well, sinks into the sea. Dash must get his friends, Assaf and Verti, out of there alive, alongside popular girl Mary, voiced by Lena Dunham, and a rather awesome lunch lady named Lunch Lady Lorraine, voiced by Susan Sarandon. Can they make it out alive? Can this film give you vast amounts of LSD-rich visuals?

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First off, let’s talk about the animation. When the trailer for this film came out, everyone was criticizing it for its less-than-stellar animation. To be fair, if you are not used to other styles of animation, I can understand the confusion, since it doesn’t look like a Pixar or Disney quality film. Personally, I have started to follow the philosophy of “I don’t care how much your budget is, it’s what you do with it that matters more”. You can be as pretty as you want to be, but if your overall experience has lackluster storytelling, execution, and characters, pretty animation won’t cut it. If it was all about looking nice, Pixar’s The Good Dinosaur wouldn’t have bombed. My Entire High School is more style over lazy animation. It might not have fluid movements all the time, but it has charm and personality. This isn’t like where GoodTimes Entertainment attempted to make a theatrical quality film with a $10 Mil budget with Rudolph the Red Nose Reindeer: The Movie, and obviously spent it on hiring big time celebrity actors instead of putting out high quality animation and having celebrity voice work at the same time.

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Personally, I never felt distracted by My Entire Highschool’s visual style, and got very comfortable with the film because of the film’s other strength, it’s writing. While indie dialogue can become hit-or-miss, I felt like the writing and characters for the film were very strong. I liked the dark comedy sprinkled throughout the film, I liked the chemistry between the characters, and I liked how punchy the dialogue felt. I know it’s not everyone’s cup of tea, but Dash Shaw found a way to make the quips and lingo coming from the characters feel natural. I can see why some people are calling this a modern day John Hughes film, since it has that tone and vibe down from something like The Breakfast Club. I also liked the characters. Sure, Dash doesn’t become a likable character at first, and I wouldn’t personally go as far as he does on some things, but I honestly felt like he acted more like a realistic teenager than most teens you see in movies. How many times have you been jealous and spiteful because of sudden change? Or how about how you felt like you were the greatest thing imaginable? To me, the characters came off more realistic than anything else. It also shows off how hollow and rather toxic school communities can be, due to how the different groups of students can damage one another. It’s also a satirical approach to a disaster movie, since while natural disasters can be scary and very damaging events, it’s darkly humorous that a principle would be so inept in budget spending that he would rather risk making more money and ignore safety code to justify a roof-top gymnasium than making sure the school didn’t collapse. It’s dumb and unrealistic, but how immensely over-the-top have most disaster movies been?

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If I had to complain about something, it would be that the LSD-style images near the third act can become a bit too much at times. I don’t have any trouble dealing with flashing images, but there was one scene where it almost became too much. It’s one of the few times I could think of where the visuals and indie style almost becomes distracting. I mean, yes, the animation is very different, and I think that helps it stand out, but when the indie vibe becomes too in-your-face, then that’s a problem.

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I know this movie will probably be on a base-by-base situation in terms of overall enjoyment, but I really loved My Entire High School Sinking into the Sea. It had great laughs, vibrant visuals, a good sense of humor, and the actors did a wonderful job bringing the characters to life. I thought it would be a while for something to top The LEGO Batman Movie as my favorite film of the year, but for now, it has topped it. I’m sure things might change in the future with upcoming GKids releases and other releases, on top of rewatching these films for the end of the year list, but for now, I have a current favorite animated film of 2017. Sadly, it’s getting close to the 90th review so how about we look at a movie Netflix didn’t bother to advertise for obvious reasons with Sahara? Thank you for reading my review. I hope you all enjoyed the article, and I will see you all next time

Rating: Go see it!