My Two Cents On The Submissions For Best Animated Feature at the 90th Academy Awards.

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

The recent line-up of animated feature films for the Oscars next year have popped up, and for the first time, I decided to break down the chances each of the contenders have to make it into the five spots. Overall, the line-up is pretty strong! I know that sounds weird, since the mainstream big budget films from the bigger studios have not been all that great, but if you look at the indie film offerings, you have quite possibly, the best line-up of smaller animated films of this decade so far. It’s probably just as good as 2013 with the wide variety of indie animation. Now then, I’m going to break it down into different categories with films that have spots already filled, films that have amazing chances, films that might have a chance, and films that have no chance. Little side note, I find it hilarious that none of the Weinstein-animated films like Guardian Brothers and Leap! are not on the list. Thankfully, that is great, because screw Harvey Weinstein and his horrible take on animated films. Now then, let’s get started!

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100% Certified Spots

Coco*: While it just came out, the amazing amount of hype this film has gotten and the early positive previews, this is probably the only Pixar film that has a chance at making it into one of the five sacred slots for Best Animated Feature. Plus, it just looks like a great movie. Way more than most of the films released this year from bigger companies.

* Despite the recent controversy of now ex-head of Pixar John Lasseter’s leave because of allegations, I don’t think it would be fair for everyone else who made Coco suffer because of his actions.

Loving Vincent: While not getting as wide of a release as Coco or other big animated films, Loving Vincent has been a critical darling and a constantly talked about movie since making its runs in festivals. Plus, winning one of the three major prizes at Annecy Film Festival sounds good as well. It’s just a unique film that has caught the film world by storm.

The Breadwinner: We have a movie being made by a veteran of the Best Animated Features section, Cartoon Saloon, which had The Secret of Kells and Song of the Sea nominated, the distributor GKids, and so much universal acclaim from reviewers and people who have seen it combined, it would be a shock if this didn’t make it onto the shortlist. Plus, it got a lot of attention during the Animation is Film Festival, and won the main prize there.

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75% Possible Contenders

In This Corner of the World: Lots of festival buzz and highly positive reviews. It probably has the best chance out of Japanese animated films, besides Mary and the Witch’s Flower. Plus, what Academy voter doesn’t love a war time-era film?

The Big Bad Fox & Other Tales: It’s being directed by one of the directors of the Oscar-nominated Ernest & Celestine. Plus, it’s under the GKids banner, and they have had two or so films in the running before for Best Animated Feature. Though I am concerned with how it doesn’t have an official release date yet for 2018, I would hate for it to be viewable after the awards.

The Girl Without Hands: Another festival favorite, and an almost entirely a one-man job. That alone is very noteworthy. Plus, high reviews and again, GKids. The beautiful and stylized animation doesn’t hurt either.

Mary and the Witch’s Flower: Let’s check off the boxes. GKids? Check! Made by ex-Studio Ghibli individuals? Check! Director of Oscar-nominated When Marnie Was There? Check! I think that covers it. Though I’m concerned that the release is just a month away from the awards, but we shall see.

Birdboy: The Forgotten Children: Another well-received animated film being distributed by GKids, and won a couple of awards including the GOYA award for Best Animated Feature, and has gotten mileage for being an animated film with a twisted edge to it and dark themes under the cute designs.

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50% Maybe?

Ethel & Ernest: As much as I love this movie when I watched it, with no real release date, I don’t know if its legacy as Raymond Brigg’s work will make it noteworthy enough to make it into the sacred five slots. I love this movie, but man, they should do something to compete.

A Silent Voice: I loved this movie, and I think it has more of a chance than Your Name did last year, because it was released in theaters in the states months before the award show, but that might not be enough, since most people, unless they are film or animation fans, know a lot about this movie. The biggest amount of coverage it got was when it beat out Your Name as Best Animated Film of 2016 from the Japan Movie Critics Award. I just hope the distributor in charge of the theater distribution for this film makes a big enough push for more people to see it.

Cinderella the Cat: To be perfectly honest, this was a surprise to see on the list. I have been following this film for a while, and all I know about it is the positive reception it has alongside that one review from Variety.com. However, since there has been no news on a US distributor, I don’t know how much its positive foreign reception will win people over.

Window Horses The Poetic Persian Epiphany of Rosie Ming: This is a cute and utterly charming movie about a girl trying to find peace for herself, while finding her father. I don’t hear too many people talking about this one, but it has enough festival buzz for a chance to make it, but it’s an uphill battle to get past some of the other indie/foreign films.

The LEGO Batman Movie: While I do love this movie, and think it came out at the right time, due to people still grieving about what happened three months earlier in 2016, the original didn’t get nominated (still sort of annoyed by that), so what chance does this one have? Plus, while I do love it, it’s not as good as The LEGO Movie. It doesn’t have the full heart and soul the previous film had. It’s a great and hugely entertaining watch, but I don’t know if they will give it a pity vote.

Napping Princess: Personally, this is one of my favorite movies to watch in 2017. However, it’s probably the GKids film, along with another on the list, to get the least amount of talk or push. It’s a fun adventure movie with some great characters and sequences, and some festival buzz, but it’s critically one of the less loved films of the 2017-distributed GKids films. Not going to stop me from enjoying it, but I can see it having more of a struggle than the others that I listed above.

Captain Underpants: This was one of the biggest surprises of the year, and while I am confident in putting it in the 50% range, it would sound odd, wouldn’t it? Oscar-nominated Captain Underpants. I don’t know how they will take this one seriously enough to consider it.

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25% Very Slim Chances

The LEGO Ninjago Movie: While it was still much better than most of the films on this list, it was also the least liked of the three films, and underperformed. It wasn’t a bomb, but it did not rake in as much cash as they were expecting. Plus, it’s the only one that you can consider to be more of a cash grab than the others. It also has the weakest story and writing out of the three LEGO Movies.

The Boss Baby: This film is mostly noteworthy for coming out around the same time as Alec Baldwin’s Donald Trump skits became the funniest bits of comedy for a while, so that probably helped push this movie’s financial success, but outside of that, the film itself was not well received, and in general is not regarded as one of the best animated films of the year. I know some have put it high on their list, but that’s only because they haven’t seen many movies.

Cars 3: Unlike The Boss Baby or the next entry, Cars 3 doesn’t have that much to say “yeah, this movie deserves an Oscar!” it’s more emotionally investing than the second film, but it still has a slew of problems in terms of its story and the ending. Plus, it underperformed because nobody wanted another flipping Cars movie! It’s not a horrible film, but I doubt it will have a chance.

Despicable Me 3: While a financial hit all over the world, Despicable Me 3 has too much going against it. For one, the story is not great, the characters are now barely there, and any advantages they had with improving or pushing the story forward, they don’t take, and just keep staying in that safe circle because it worked for them in the past. Sure, they got one nomination with Despicable Me 2, but that was a pity nomination in a rather underwhelming year. If SING and The Secret Life of Pets couldn’t get a nomination, then Despicable Me 3 won’t either.

Ferdinand: Listen, I don’t like picking on Blue Sky Studios, because I think they are a super talented group of people. However, they are having the same problems as Illumination Entertainment has. It’s why I put Ferdinand low on the list. Granted, the movie looks better than a lot of their offerings, but I just can’t find myself trusting that it’s going to be a great movie. Plus, Blue Sky doesn’t have much notoriety in the Oscar races.

My Entire High School Sinking into the Sea: I love this movie. It’s still my favorite animated comedy of 2017 so far, but looking at it now compared to the other contenders, I don’t see it getting nominated. It would be awesome, and GKids is behind it, but it’s too indie for its own good, and I think GKids has had better animated offerings now than back then.

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0% No Chance in Hades

The Emoji Movie: Come on, I might not think it’s the worst animated film of the year (that goes to The Guardian Brothers), but it’s still really terrible, and it has no chance in Hades in making it. Even when Sony sort of knows it doesn’t have a chance, then that is saying something.

Sword Arts Online: The Movie – Ordinal Scale: Yeah, sorry, but nope. It’s a film based on a pre-existing anime, and those never get nominated. It didn’t happen then, and it won’t happen now.

Moomins and the Winter Wonderland: I have a fondness for The Moomins, and I do love the cast they are building it up for, but I highly doubt it will have enough people knowing the source material to care. I love weird and unique foreign stuff, but this will not have one of those sacred spots.

The Star: I do not think the organization is going to let this one get a chance. It looks cheap, the advertising is  not giving the film justice, and I just don’t see it making it. I love the cast, and I wish they were in a better movie, but I’m sorry, The Star is going to have to shine somewhere else.

There you have it, my guess as to what films have the most to the least amount of chances to get those five spots for Best Animated Feature at the Oscars. As of right now, I am fairly confident that I am going to be correct with these placements, and hey, if any of the films that haven’t come out yet turn out to be good, then I am all for pushing them up the ranks. Do you all have any guesses? What five films would you love to get chosen for the Oscars?

 

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The Other Side of Animation 64: Long Way North Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

While I do think GKids is the best foreign/indie animation distributor, I wish more companies were like them. There are probably a slew of great foreign animated films, new and old, that we never get to see. It always seems like besides the stuff GKids brings over, companies will bring over the worst of the worst because they are cheap and won’t cost a lot to get some B or C-list celebrities to voice the characters. Not to say they are all utter schlock, but you have to look pretty hard to find one of these cheap films that are actually competent. Luckily, some companies still know quality when they see it, and to the best of their abilities, bring it over for everyone to see. You have Sentai Filmworks who brought over Short Peace, Funimation bringing over the amazing movies by Mamoru Hosoda, and now we have a new contender, Shout! Factory Kids. This is the family/children spin-off of horror/sci-fi distributors Shout! Factory. So far, their animated film offerings have been just okay. They have some unique films, like the French-made Jack and the Cuckoo Clock Heart, A Monster in Paris, which I have already reviewed, and the Canadian-produced Snowtime! And yes, I will get to them during Christmas. However, to me, their best-to-date, in terms of what they have brought over, is today’s review, Long Way North. This French/Danish collaboration is from first-time director Rémi Chayé. This might be his first directorial job, but he has been around the European animation scene for a good while, and has worked on many classic animated films. Heck, a lot of people on here worked on some of the best overseas-animated films of all time. It’s like a European animation version of The Avengers. Rémi Chayé worked on films that include The Painting, The Secret of Kells, and Eleanor’s Secret. One of the producers, Claus Toksvig Kjaer, was a producer on Song of the Sea. Another producer for Long Way North, Henri Magalon, was a producer on Ernest & Celestine. The composer, Jonathan Morali, also has his name under the critically acclaimed video game, Life is Strange. The individuals in charge of the art direction, Han Jin Kuang Liane-Cho, worked on The Illusionist, Ethel & Ernest, Zarafa, and The Little Prince, and Slaven Reese worked on Ethel & Ernest, Song of the Sea, Zarafa, and The Prophet.  Like, wow, you’ve got some really good individuals involved with this movie. So, is it as good as the 100% critic score or the 80% audience score on Rotten Tomatoes rating it has as of October 23rd, 2016? Well, let’s find out.

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The film takes place in Russia in 1882. We follow the story of a young Russian aristocrat named Sasha, voiced by Chloe Dunn. Sasha is still getting over the supposed death of her grandfather, Olukine, who left on a journey across the ocean to find the North Pole. After an incident with a royal snob that would have promised her father a strong political spot, Sasha decides to go off on her own to find a ship to go in search of her grandfather and his ship. What will she find? What will happen to her?

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I want to start with the animation since it’s fairly unique. At least, to me it’s unique. Long Way North has a beautiful art style, but the animation is very simple. It’s not super-fast or detailed. However, it’s very expressive, and you can easily get a lot of the emotions from the characters. It’s a beautiful movie with lush countrysides, freezing landscapes, and you can essentially feel the salty air in the seaside town Sasha finds herself in during the film. This film definitely has a vibe that you would see in a Mamoru Hosoda film or something from Studio Ghibli, with characters that can be tough, but with a kind heart to them. Sure, there are some crabby individuals, and I will get to them later in the review, but this film has something that reminds me of the interactions you see in films like Castle in the Sky or The Boy and the Beast. Long Way North also has a more mature tone. It’s nice to see this be a rather dark film in the later part. You don’t know if Sasha will actually find her grandfather’s ship and make it back. Sasha is a great character who is smart, active, and is willing to learn new things, and you want to see her succeed, but man, it can be grim later on. Not enough to ruin the film, but it can be as dark as something like Song of the Sea. The overall adventure is enjoyable to watch, with the highs and lows being pretty balanced, and the highs don’t overshadow the lows.

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I was hooked on this movie from beginning to end. However, I do have some complaints. They are minor, but I should bring them up. The royal prince that you see in the film should have been taken out. He has no real character besides being a spoiled jerk. Heck, he only appears at the beginning and the end of the film. I don’t see why he had to be an ignition point for the story to get started. Why not have Sasha find the navigations on her own, and then try to deal with her parents, who are not outwardly dealing with the loss of the grandfather, but don’t want to hear that there might be a possible way to find out what happened to him. I also feel like they could have made the film a bit longer. The real end of the film is the still frames in the credits. It would have felt more powerful if we got to see it all in motion. The pacing could also use some work. Long Way North flows pretty well, but there are some bits all over the movie that could have been better.

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Long Way North might not be anything innovative or groundbreaking, but it’s a freaking good movie. It’s simple, but well executed. It’s hopeful, but it’s not afraid to be tough. It has simple animation, but it’s gorgeous and well done. If you have a theater playing this movie, you should really see it. It’s one of my favorite films of 2016. It’s easily in my top 10. It’s also coming out on DVD in January, but still, find some way to watch this great movie. Next time, we will look at one of the most popular Japanese films of recent years with Miss Hokusai. Thanks for reading, I hope you enjoyed the review, and see you all next time!

Rating: Criterion/Essentials