Worst to Best Animated Films of 2019 Part 3

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Welcome back! Now, it’s time to get into the films that I enjoyed! This is the long part as we count down from 27 to 11! If you have yet to see the first two parts, make sure to use the tags in this editorial to get to Part 1 and Part 2. Now then, let’s keep counting down!

27. Son of the White Mare

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While this is a film from a few decades ago, it was never fully or officially released in the states until last year and will be coming out on Blu-ray this year. That’s a bloody shame, because this movie is awesome. The visuals are striking; the storytelling is straight-forward, but really, you watch this movie to see the amazing visual experience that it offers. Otherwise, it’s a simple fairy-tale-style story that relies way more on its abstract visuals to comment on certain topics. However, sometimes, you want to sit back and take in a film that offers outstanding visuals and enjoy the ride! I can’t wait until more people see Son of the White Mare.

26. This Magnificent Cake

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I honestly contemplated whether I would include this film on the list. Not because it doesn’t count as one, but I just find it odd that a 45-minute or as it’s called, a mid-length feature, is a film. Still, outside of that personal opinion, this is a very poignant and very dark piece about colonialism in the Congo. It obviously could have used a longer running time for everything to be a bit more impactful, and the ending fizzles out into abstract weirdness that is symbolic and meaningful, but it’s still one of the most unique experiences you can find in animation. I can understand why Barry Jenkins loved this film.

25. Abominable 

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It’s always a gamble nowadays on whether a DreamWorks release will be good or not, and that’s a shame because when they release something like Abominable, it shows why people still support them. Sure, it might not have the strongest characters or the beefiest story, but Jill Culton and her team were able to still bring a solid story with some gorgeous visuals to life with a way more interesting villain and tone that you don’t see a whole lot from the studio. I still have my issues with this studio, but Abominable shows that they still have a better sense of talent and storytelling than most animation studios.

24. Teen Titans Go! vs Teen Titans

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While I’m not a huge hater on the current iteration of the teen superhero team, I’m starting to get a little tired of it all now. It’s still a delightfully funny experience, the action is decent, and they were able to make the chemistry between the two different versions of the characters work. It’s always funny to see the same voice actor play two different versions of the same character. This iteration of the franchise might be losing its steam now, but if you enjoyed 2018’s Teen Titans Go! To the Movies, then you will find a lot to enjoy in this one.

23. Aya of Yop City 

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Produced by the director of 2013’s The Rabbi’s Cat, and directed by the creator of the comic series it’s based on, Aya of Yop City is easily one of the hidden gems of foreign animation. Not only is it one of the few animated films I have encountered that star an all African cast of characters, but isn’t about any of the major turmoils that are set in that country in a manipulative way. It’s more of a slice-of-life story, as Aya and her family and friends go through the challenges of relationships, love, jobs, and life. It can be surprisingly funny, endearing, and has a great visual look. It’s a shame that it wasn’t released until this year. Sadly, the story flounders in the end, and Aya herself is not the most interesting character, but people should still really check out this film. Just be ready to experience a film that doesn’t have a traditional story.

22. Wonder Woman: Bloodlines

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It’s rather sad that we finally got a second animated feature after 10 years, but the wait was worth it. The drama between Wonder Woman and one of the villains was compelling, the action was stellar, and it was nice to see a superhero film with a mostly female-lead cast. It’s also a bummer that there are a few moments where you can tell a guy directed the film, and the final act falls into generic action fare, but for a direct-to-video DC animated film, I enjoyed this one!

21. How to Train Your Dragon: The Hidden World

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It might be the weakest of the three DreamWorks Dragon films, and it 100% shows that DreamWorks doesn’t know how to handle its side characters, but it’s still a pretty stellar finale with downright stupidly good-looking animation, fantastic scenes with Hiccup and Toothless, and it shows how to somewhat properly cap off an incredible franchise.

20. I Lost My Body

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This shouldn’t be a big shock. Yes, I was not as huge of a fan as everyone else in the world with this multi-festival winning film. I didn’t think the film balanced out both stories well, I found the humans to be the biggest issue with the film, and I felt like other films should have been nominated. With all that said, this is easily one of 2019’s most unique films. It’s ethereal and mesmerizing watching the sequences with the hand and how the story unfolds. It also has a unique visual style that no other film in 2019 can copy. While I do not have the same love and support of it, I still found the experience to be enthralling from beginning to end.

19. Batman versus TMNT

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It seems like that my love for the DC animated films that go direct-to-video always leans to the non-Action 52-style storyline going on right now. I adored the art direction, the action was thrilling, and due to the two properties getting combined into one movie, the story goes bonkers with some sequences. It’s 2019’s Batman Ninja, and I am all here for it.

18. Frozen II

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The first film was lightning in a bottle, and Frozen II was going to have to go through some hurdles to overcome the giant challenge of trying to be as good or better than the first film. To a degree, I do like Frozen II better. I like the songs better, I like the tone, I like the commentary, and the film still does show why Anna and Elsa are great. It’s also a film that feels like the last act got changed due to probably being too dark. I don’t know if I’ll ever know what exactly happened with the third act that rubbed me and others the wrong way, and how Sven got the short end of the stick in terms of plots, but despite the rough spots, I still enjoyed my time with Frozen II.

17. Spies in Disguise

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It’s rather refreshing to sit here and type out the fact that I absolutely loved a Blue Sky Studios film. Seriously, outside of The Peanuts Movie and to an extent Robots and FerdinandSpies in Disguise feels like Blue Sky’s most cohesive film. The animation, the lighting, the designs, the characters, and the themes it tackles with how it handles aggressive and defensive tactics in spy work is rather ambitious for a film from a studio that has a mixed reputation. It doesn’t do it perfectly, and certain casting choices are distracting/bad, but overall, I would absolutely watch Spies in Disguise again in the future.

16. Mai Mai Miracle

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Don’t worry, this is the last of the “we didn’t get this movie until now” films on the list. Honestly, it is shocking that it took until 2019 to get one of the more charming animated features from Japan. It’s very much a film in the same vein as My Neighbor Totoro or the director’s recent work, In This Corner of the World. The story is about two girls from different financial classes enjoying and exploring the countryside post-World-War II. It has the same kind of problem as with the other films listed, where it seems like they had to have some kind of conflict, but if you love films like My Neighbor Totoro, you will love Mai Mai Miracle.

15. Okko’s Inn

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Technically, I saw this film two years ago at Animation is Film, and I still stand by my opinion that it is easily one of 2019’s hidden gems to check out. It’s a delightfully low-key coming-of-age drama that despite having a more simplistic art style, was able to really invest you into Okko’s trials of losing her parents. It also has some set pieces that are a wonder to the eye to see unfold with the power of animation.

14. I Want to Eat Your Pancreas

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I perfectly get why people would absolutely be on the fence with this one. It’s another one of those teen dramas that has one of the teens with a deadly disease and, yeah, sometimes it milks it a bit too much, and the film is a touch too long, and the designs aren’t all that memorable. However, In terms of these types of films, it’s easily one of the best versions of it. The animation is great, the characters have actual chemistry, and I was able to be fully sucked into the drama and romance. Your reception to this film will vary, but one thing we can all agree on is that this film costs way too much to purchase, Aniplex! Lower the blu-ray’s price!

13. Penguin Highway

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For a first time directing gig, Penguin Highway is a smart and creative coming-of-age story about a boy going through puberty and wondering about the world around him. Granted, I don’t know if your journey through growing up included a random infestation of penguins, but still. It overstays its welcome a tiny bit, and I can understand people having an issue with the boy’s fixation on an older woman character, but other than that, I really enjoyed it. I can’t wait to check out Studio Colorido’s future projects.

12. The LEGO Movie 2

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It’s truly a shame WB decided to burn through too much of the LEGO IP and it’s understandable as to why this film underperformed. I think it deserved to do better because it’s still a fantastic film with a great theme of boy vs girl mentalities, toxic masculinity, and identity. It’s still lighting quick with its wit, highly enjoyable comedy, and the characters are still strong, and I would argue are better than the first film. It might not have that lightning in a bottle hype the first film got, but overall, this film deserved to have done better.

11. Toy Story 4

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While I disagree with its Oscar win for Best Animated Feature due to it being the safest bet of the films nominated, and it runs into the DreamWorks situation of not being able to do anything with its side characters that aren’t the new ones, Toy Story 4 is still a stellar film in probably the most consistently high-quality franchise in animation. It might be an epilogue for Woody’s story, and Buzz gets short-changed, but the story is still strong, the characters are likable, the jokes are funny, and it still has a lot of that Pixar love that people adore about the studio.

Thanks for reading the editorial/list! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

Worst to Best Animated Films of 2019 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Here we are with Part 2 of the Worst to Best Animated Films of 2019! We shall now dip our toes into the films that were, simply put, okay, and some that are pretty solid! Nothing wrong with that. If you have yet to see part 1, then I recommend doing so. Now then, let’s get started!

39. Reign of the Supermen

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While I like the second part of the infamous Superman story arc, I still find it overall just okay. Sure, it might have better character dynamics, better jokes, and some solid action, but it’s still having to follow up a story that already had to pretzel itself into fitting the storyline, and it’s one of the last stories in the current DC animated film universe. Hopefully, they can end on a high note.

38. Batman Hush

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Yet again, we have another DC adaptation of a famous comic book that decided to change things up for some reason. I love the chemistry between Batman and Catwoman, and before the reveal, I loved Hush as a villain. Even characters I don’t have the patience for, like Damian, get a good line. Sadly, the twist does undo a lot of the mystery, and I get that they wanted to probably change it, since fans already know, but still. Don’t change too much, DC and WB, or else you might end up ruining the entire point of the story.

37. The Lion King (2019)

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On one hand, yes, this is quite possibly the worst animated film of the year. It was a pointless retelling of an already good film. The photo-realistic CGI is impressive, but it takes away the emotion of it all, and the fact that no one talks about it anymore, but is yet a billion-dollar maker is frustrating, when people could have gone and seen other movies. Films like this shouldn’t be rewarded. On the other hand, I find the tech highly impressive, the cast is great, and I get why people went to see it. I still prefer the original, and if I could, I would combine elements from both the remake and the original into an ultimate version, but alas, we have yet another remake that shows that the Disney remakes aren’t dying anytime soon.

36. Zombillenium

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Out of all of the animated films from overseas that I was interested to see, Zombillenium was the biggest disappointment for me. It has such a fun setting and a cool art style, but the dialogue is weak and the film can’t commit to either being a family film or focused on the commentary of the workforce. It has its moments, and I love some of the darker jokes, but I can understand why this film went under the radar and got overshadowed by other films.

35. Justice League vs. The Fatal Five

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For once, I can talk about a newer Bruce Timm DC animation product and not be on the back of my heels for it. Sure, it falls apart near the third act, and Miss Martian felt tacked on, but the main story and how it handled talking about traumatic events and characters was combined with some of the better action sequences of the DC animated films. I’m rooting to see them return to the so-called Justice League universe in future animated films.

34. The Addam’s Family 

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Out of all of the big theatrical animated features, this one was the most disappointing. It felt like they didn’t want to go far with the dark humor, the story was lopsided in giving characters satisfying arcs, and the animation was cheap-looking. It has a lot of fanservice for fans of the franchise, the casting was great, and when the dark comedy was able to breathe, it was really funny. Hopefully, they can make a sequel that’s better looking, and better told the next time we see this kooky spooky family.

33. Pachamama

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Probably the most family-friendly film of the list, Pachamama was a simple, but charming film that I had the opportunity to see before it hit Netflix, and it’s such a treat. Not only does it take place in, and is a bit more faithful to the culture it’s based on, it also has a unique visual style that it can call its own. It’s more family-friendly, and it’s a fairly simple film, but nothing wrong with well-executed simplicity.

32. The Angry Birds Movie 2 

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Talk about one of the biggest surprises of 2019. Yes, the story isn’t the strongest, and yes, when the jokes don’t land, they fall hard, but who would have thought this was going to be one of the best comedies of last year? On top of the solid animation, the jokes go out there, and are in such an abundance of different flavors of comedy. I give the team that made this film so much credit for going out there, and making this one of the best video game animated films out there.

31. Genius Party/Genius Party Beyond

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This is a wild bunch of shorts that we finally got legally, and it is one of the purest forms of what animation can do, in terms of visuals and storytelling. Some of them don’t work, and the ones that don’t work absolutely don’t work, but when they do, they are some of the most creative visuals you will see out of Japan. I hope they don’t stop doing these anthology shorts, so they can keep bringing in or showing off talented individuals in the animation industry.

30. The Case of Hana and Alice 

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While it is a prequel to a live-action film, the mix of roto-scope and CGI animation doesn’t fully work, and it can be a touch slow, I found myself enjoying the story of these two friends. It takes its time with the actual story that connects the events, but the chemistry of the two female leads sells you on their friendship. It might not be one of the best films out there, but I found the overall charm and small-scale story to be worth watching.

29. Another Day of Life 

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Based on the true events of a famous Polish journalist, Another Day of Life combines CGI roto-scope animation with live-action documentary footage in a dramatic and war-torn time of the Angolan Civil War. It also has some pretty out-there visuals, and can be a rather gripping story. I think it’s a little long, and it’s not a film I’m thinking about rewatching multiple times, but it’s an interesting story, and the visual look alone is worth checking this flick out!

28. Ne-Zha

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It’s amazing how in one year, China was able to show the world that they should be taken seriously with their theatrical animation, and Ne-Zha is one of those films. While looking downright gorgeous, and telling a story about discrimination and destiny, it is also seasoned with some of the best action you will see in CGI animation. It’s a shame that while the story can be deep and the lead characters are likable, the comedy drags the story down, and it’s a lot of comedy that isn’t funny. Still, seeing this become one of China’s biggest hits, and it was one of two amazing animated films from China, it shows a bright future ahead for the industry.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

The Other Side of Animation 175: Batman Hush Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

If I was a writer, I would not want to be in charge of writing a mystery thriller. Not only that, but one that has to revolve around Batman and the DC universe. When I think about the process of writing a mystery thriller, you have to be a few steps ahead of the audience. You don’t want to be too complex for the viewers to not follow along, but you don’t want to be so predictable that everyone gets the twist before it happens. This sounds so stressful, and it’s even more nerve-wracking when you are then tasked with adapting a well-known Batman story and having to make it work in a film format. This is why we are talking about Batman: Hush.

Directed by Justin Copeland, and released back in July 2019, Batman: Hush is based on the famous comic of the same name, but upon release, the reviews were generally positive, but not as glowing as other animated films released under this series of DC properties. So, what do I, a casual comic book and Batman fan, think about it? Well, let’s look under the cape and find out.

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Our story follows Superman. Nah, I’m kidding. It follows Batman, voiced again by Jason O’Mara, as he’s doing his usual Batman business of taking care of crime in Gotham City and going through his social life as Bruce Wayne. During an evening party, he encounters Selina Kyle, voiced by Jennifer Morrison, and his friend Thomas Elliot, voiced by Maury Sterling. After getting a call that Bane, voiced by Adam Gifford, is holding a kid hostage, Batman then runs into Selina Kyle as Catwoman, who took the ransom money that was for Bane. While on this pursuit, Batman is almost killed by a new masked antagonist, and after recovering from a near-fatal fall, learns that the villains of Gotham are being threatened by this new villain named Hush, voiced by Geoffrey Arend. Supposedly, Hush has dirt on every single villain in Gotham, and that includes Batman himself. Can Batman find out who Hush is and stop his nefarious scheme?

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One of the elements about this film that stood out to me was how much time we see Batman as Bruce Wayne. Seriously, the film does take a lot of time from the mystery of who Hush is to have Bruce and Selina’s relationship be a focal point of the story. Normally, I worry when a superhero film decides to not be about the superhero elements, because then you have to work hard on the rest of the story to justify keeping the characters out of their hero suits. The chemistry between Bruce and Selina is fairly cute. I like seeing Bruce let loose of being this stone-cold stoic individual, and his sidekicks reacting to the situation at hand. Even Damian, who is consistently the worst part of this new iteration of DC films, has a few funny lines. Since I never read the original comic, I was judging how the story was told, and I was kept invested due to the script being stronger and the character dynamics being more amusing than previous films. There were even fun sequences where Batman and Catwoman travel to Metropolis and fight Superman, and an amusing sequence with the Joker. In terms of action, I mean, you have a film where Batman fights the big hitters of his rogue’s gallery, a new villain that was able to almost cripple the Batman, and a stellar Superman fight. It checks off my boxes for a superhero film to be entertaining. The fights are intense and mostly satisfying. You have to try hard and make fight sequences with Batman look bad.

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Animation-wise, while I try to keep my criticisms limited to the next segment of this review, Batman: Hush looks okay. I know that due to releasing so many of these films a year, the animation takes a hit, but if you like how Young Justice or the new Harley Quinn look, then you know what to expect with these films. When the action is going, the animation is great, but when it’s not, it’s simply doable. I still think I would rather have DC stop releasing so many of these films a year, if that meant they could put a bit more of the budget into the animation. At least Batman vs. TMNT and Teen Titans Go! vs. Teen Titans had visually distinct looks. The voice cast for Batman: Hush, while still the same as previous films, are elevated by the tighter script. Seriously, this is probably some of the best voice work done for these films in a long time.

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Sadly, while the first two-thirds of this film are clunky, but charming, the third act is what drags this film down for me. From what I have read and what people have told me, the twist on who Hush was in the comics was wildly different from the film, and they changed who he is in the film, and to me, the film didn’t properly execute the new twist. It felt very last minute on who Hush was, and the film’s mystery element wasn’t as compelling during the last act of the film. It didn’t even have those nice details you see on the second time around like Knives Out did. The film felt like it forgot that this new villain was wandering around and was able to blackmail other villains into helping him out. The non-hero stuff is great, but it makes me think Bruce forgot (even with the head injury he took) what was going on. It also made Hush way less interesting when you found out who he was. It didn’t kill the entire mood of the film, but it almost did for me.

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While better in many ways compared to the previous DC animated films, Batman: Hush still disappoints. I don’t know if I could fully recommend it if you were a fan of the comic, but if you need to own every one of these films, then go ahead and check it out. For now though, let’s move away from the grimy Gotham City streets to a magical realm as we jump into Netflix’s first animated feature purchase with Ni No Kuni.

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to patreon.com/camseyeview. I will see you all next time!

 

Rating: Rent it.

The Other Side of Animation 155: Justice League vs. The Fatal Five Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Recently, in terms of quality, the DC brand has made a sudden course move to much better pastures. Sure, Aquaman is a bloated mess that felt like two movies in one, but it was such a blast to watch, and then Shazam! came out of nowhere, and was just an incredible movie. It’s easily my favorite superhero movie of 2019 so far, and I’m typing this as Avengers: Endgame comes out, so we will see how that ends up. Anyway, I’m happy that the company is doing a better job with its features, and I’m seeing some slight improvement in the animation department as well. While some of the films from last year were still okay at best, Batman Ninja was such an entertaining ride. It seems like whenever DC goes off the beaten path of something that’s not working correctly for them, they tend to get better results. For example, let’s see how Justice League vs. The Fatal Five does. Directed by Sam Liu, we see the return of not only Sam Liu as the director, but Bruce Timm as executive producer, and his designs take over the art direction of the film. This was also touted as the first DC-animated feature to deal with not only the Green Lantern Jessica Cruz, but also will be tackling characters with mental health challenges. So, how does it work juggling all of that? Well, let’s get started!

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The story sets us up in the future with the Legion of Superheroes, a “Justice League” of the future, to put it shortly. They are being attacked by three of a villain group known as The Fatal Five. The three members include Mano, voiced by Philip Anthony-Rodriguez, The Persuader, voiced by Matthew Yang King, and Tharok, voiced by Peter Jessop. So, what are they after? They are after a time machine to go into the past to get something. They get past Legion member Saturn Girl, voiced by Tara Strong, and Star Boy, voiced by Elyes Gabel. Fortunately, Star Boy ends up screwing up the three baddies’ plans, and ends up going into the past with them. Along the way, he encounters the current day’s Justice League members Batman, voiced by Kevin Conroy, Superman, voiced by George Newbern, Wonder Woman, voiced by Susan Eisenberg, Mr. Terrific, voiced by Kevin Michael Richardson, and young hopeful Miss Martian,  voiced by Daniela Bobadilla. Another side of the story has a unknown player in the overall plot with Jessica Cruz, the current Earth’s Green Lantern, voiced by Diane Guerrero. Will the Justice League be able to stop three of the Fatal Five members while dealing with the mystery of Star Boy and Jessica Cruz’s connection?

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So, how about we talk about the elephant in the room? This film deals with two characters who have mental health issues. Star Boy has a drug in the future that he takes to prevent some kind of mental breakdown, which the film describes as  paranoid schizophrenic, but even then, it’s a doctor from the past that describes it, so who knows if that’s really what it is. They don’t say what Jessica Cruz suffers from, and I want to take a guess, but I don’t want to mislabel it. That’s a big risk to have a film that tackles those types of issues. You have to be respectful about it, and tread lightly with making sure these disorders or issues are treated with delicate hands. For the most part, I think they do handle their struggles with the proper weight of said challenges. They aren’t just added in for no reason to give the story some kind of artificial struggle. Jessica Cruz, after surviving a pretty traumatic experience, struggles with getting up and socializing with the rest of the world. I could see how going through what happened would close one’s self away from the world. While they don’t really go into full detail as to what exactly happened with Star Boy, he’s more interesting as a character with his struggle to be helpful. He also realizes how crippling his issues are that could hinder the League’s attempts to stop the Fatal Five. You get a lot of quiet moments between Star Boy, Jessica Cruz, and the other characters. It might be fairly action-packed, but it does pull back to let the characters talk. Speaking of the action, while it might seem kind of busted for two of the villains seen for most of the film being a cyborg and a guy with a sharp axe, the action is pretty good! It’s nice to see the Fatal Five, for the most part, treated as major threats, which usually doesn’t happen a lot with most superhero films. Granted, I have some issues with the villains, but we will save that for a later part of the review. Even someone who I was very afraid would get the short stick, in terms of being important to the plot, Mr. Terrific, gets some great lines and action beats.

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Animation-wise, this is becoming the most boring part to talk about with these DC-animated films. Not that it’s badly animated, but it’s like talking about the LEGO games from Travelers Tales; it’s pretty much on-par with the other films recently released by DC and Warner Bros. When the action kicks in, the animation is great! You can still tell where they lessen the frames of animation, and some very minute parts feel like they slowed-down the footage, but it’s all on par for these animated features. It doesn’t hurt that the Bruce Timm designs are still very iconic. The voice cast is also stellar. While it could be seen as fanservicey to bring back Kevin Conroy, Susan Eisenberg, and George Newbern as Batman, Wonder Woman, and Superman, I am always happy to hear those voices. The rest of the cast also pulls their weight, with newcomers Elyes Gabel and Diane Guerrero doing splendid jobs as Star Boy and Green Lantern Jessica Cruz. The villains are also threatening with Peter Jessop, Matthew Yang King, and Philip Anthony-Rodruiguez’s performances. It’s always nice to see Kevin Michael Richardson, and I would totally watch a Mr. Terrific TV series or DC-animated film with Kevin Michael Richardson as the lead voice actor.

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So, where does this film fall flat? It’s funny how many people complain about the third act in Marvel films, and while some of them are definitely not handled the best, I would take the least liked third act of any of the Marvel films over the wonky and surprisingly sloppy third act of this movie. The plans the villains follow at first is pretty great as you find out why the Fatal Five went back in time, but then you find out about the actual plan, and it’s really stupid. I want to really talk about it, but I don’t want to spoil it for anyone who hasn’t seen it yet. My opinion on the overall third act had me asking too many questions, and maybe some of it is my lack of knowledge of certain characters, but I just couldn’t fully get into it outside of the ending.  I also wish Miss Martian was not in the film. It’s not that she isn’t entertaining, voiced well, and so on, but she felt out of place with the other characters. I don’t know, maybe I’m too caught up with how Young Justice handles her character on that show.

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Still, despite my gripe with the third act, I did find myself enjoying Justice League vs. The Fatal Five. It’s a film I can see myself rewatching more than other DC-animated features and other animated features overall. It also makes me wish they would reboot and make a new League of Superheroes show or series of films. It’s a cool premise, and the original series was pretty decent. Maybe we will see more of these futuristic heroes in the future, but for now, I recommend Justice League vs. The Fatal Five. Now then, we shall move from superheroes dealing with complex issues, to a film about a brand of toys that haven’t been popular in years. Next time, we dive into the world of the UglyDolls movie. Thanks for reading! I hope you all enjoyed the review, and I will see you all next time!

Rating: Go see it!

The Other Side of Animation 137: Teen Titans Go! To the Movies Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

While following the animation scene is a lot of fun, with finding new directors and discovering new animation projects, any scene in the entertainment industry or any industry at all has its dark side. One of the loudest toxic reactions you will ever get is if you dare like a show like Teen Titans Go! Listen, I get the annoyance and anger of them canceling the original show for, from what I remember, no real reason, and then years later replacing it with something more comedic and less violent. However, people really need to let go of the anger for this show. Yes, it can be fairly vapid and stupid, but the show has a lot of great episodes, moments of clever writing, and really funny jokes. It just seems unfair to throw this show under the bus, when the original Teen Titans show from the 2000s had mostly that same kind of humor. You can easily connect the two shows without much effort. Not every episode was dark and mature. The new show isn’t perfect, and the original isn’t either. If people like both shows, then that’s fine. I’ll say this though, Teen Titans Go! To the Movies is a way better movie than Teen Titans: Trouble in Tokyo. Directed by the series creators Michael Jelenic and Aaron Horvath, in terms of animation this year from the big studios, Teen Titans Go! To the Movies might be one of the biggest surprise of th eyear. What do I mean by this? Well, let’s check it out.

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The story follows our rambunctious group of “heroes”, Robin, voiced by Scott Menville, Beast Boy, voiced by Greg Cipes, Cyborg, voiced by Khary Payton, Raven, voiced by Tara Strong, and Starfire, voiced by Hynden Walch. After attempting to take down Balloon Man, voiced by Greg Davies, the villain is actually stopped by the combined forces of Wonder Woman, voiced by Halsey, Green Lantern, voiced by Lil Yachty, and Superman, voiced by Nicolas Cage. The three heroes call out the Titans for not really being heroes and all that comes with the responsibility. However, before the Titans can get chewed out too much by the adult heroes, they leave to go to Batman’s new movie premiere of Batman Again! Once there, and getting hugely ridiculed for not getting a movie, Robin decides that the only way to be taken seriously as heroes, is to get their own movie! Unfortunately, there are two things standing in his way, a movie director named Jade Wilson, voiced by Kristen Bell, and the fact that they don’t have a supervillain to call their own. Luckily for them, a supervillain named Slade, voiced by Will Arnett is trying to steal this stone to make his diabolical plan come to fruition! Can the Titans stop Slade? Will Robin get his own movie?

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I think it’s only fair if I started out with the positives. I have way too much to praise to save it for the last part of the review. First off, for a film on a $10 mil budget, and a simplistic art style, it looks really good. With these types of films, you have to grade on a slight curve. What saves it from simply looking like another film based on a TV show that didn’t really need to be in theaters, is the fact it constantly uses varying art styles during certain sequences. It’s mostly in the song sequences and certain gags, but I love that they were given the freedom to go all out on visuals. I would argue that it looks more visually interesting than most CGI films from this year. The backgrounds look crisper, and while the designs are still simple, I felt like the movements were smoother. This isn’t something like that awful She-ra film from decades ago that was pretty much done on the same budget as one of the episodes of He-Man.

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The biggest highlight of the film however is its comedy. From left to right, the film takes full advantage of being a superhero comedy that uses a lot of its best style of jokes and gags from the well-received episodes of the show. Teen Titans Go! To the Movies has some of the wittiest meta, self-deprecating, and best visual jokes of any comedy this year. It even has some of the darkest humor of 2018, where they take joy in what they do. I was surprised by this, because the writers and directors could have easily made this film a feature length version of an episode of the show that no one liked. Luckily for us, they lathered up all that elbow grease, and made sure this film had consistent laughs that were great for the kids, parents, and comic book fans. Even though it has a decent amount of low-brow humor, it does have a defense, in terms of reinforcing why the Titans got called out in the first place. I found myself consistently laughing alongside the audience when I went to go see this movie, and I was happy to see everyone young and old enjoying the film. You might even have to watch this film multiple times to spot all the jokes in the backgrounds. I could tell I missed a few. A lot of the reoccurring gags still have bite to them.

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However, one of the greatest aspects of this film is not on the visual or writing side of things, though, those are incredible, it’s the fact that the voice actors of the show and film get top billing. Yes, there are a huge amount of celebrities in small roles or rather questionable cameos, but they don’t get top billing. The ones you see on the posters and in the credits are the voice actors. I’m so happy about this, because they could have taken the My Little Pony: Friendship is Magic the Movie, and put all the big celebrities who had varying amounts of screen time first in the credits and posters. Yes, Kristen Bell and Will Arnett get billing, but Greg Cipes, Tara Strong, Khary Payton, Hynden Walch, and Scott Menville deserve it more than everyone else. I’ll say this though, my favorite celebrity cameo was Patton Oswalt as the Atom, who has some of the best laughs out of the movie.

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I love Teen Titans Go! To the Movies, and I found it hysterical from beginning to end, but I do have some complaints about this silly movie. While I get that the film needed a plot to keep the jokes rolling, the overall plot is not the most interesting. It’s a case where everything that happens between the predictable story beats are more entertaining than Robin’s arc of getting over his crippling self-esteem issues of living under the shadow of the Batman. While I did care enough for our heroes to save the day and be fully okay with being silly characters, I think I would have rather them not try to make this film have emotional stakes. Like, I care, but it felt like the film wanted you to feel invested with the Titans, but also laugh at a lot of the comedic scenes that go into surprisingly dark comedic areas. It clashes with the comedy, when you are also told to care about the characters. Not to say you can’t be emotionally invested with characters in a comedy, but you have to be careful with how you execute it. My final complaint is that I wish the film didn’t lean on the lowbrow humor. It might have a reason to be there, but when the rest of the humor is so good, the fart, toilet, and twerk jokes feel out of place.

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In general, this film reminded me that everyone shouldn’t be taking everything so seriously about the franchise and this type of media in general. Listen, there is nothing wrong with having legit issues with the franchise. However, there is also nothing wrong with enjoying the series and loving this movie. I’m not going to apologize for having a great time with Teen Titans Go! To the Movies. It’s easily one of my favorite comedy films of 2018. I can see myself rewatching this film when it comes out on DVD. I highly recommend everyone go see it. The only reason I would say not to see this film, is because this series isn’t your cup of tea, or simply aren’t interested in seeing it. I will say this though, they are not blackmailing fans of the original with this movie. You simply need to learn about how the current animation climate on TV works. Also, don’t go see this if you are going to hate on it. That doesn’t solve anything. While I have had fun talking about comedies for the past two reviews, it’s time to move on to another Netflix-exclusive animated feature with Flavors of Youth. Thank you for reading! I hope you enjoyed the review, and I will see you all next time!

Rating: Go See It!

The Other Side of Animation 129: Batman Ninja Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

You know, there is only so much you can do with a character, before you have to start getting creative. You either find new ways to tackle a character that has been around forever, or you simply stop their story right then and there. There are also tactics and plans to be had in-between those two decisions, but when you are someone like Batman, you have pretty much done it all. Batman Ninja, directed by Junpei Mizusaki, is one of the rare DC animated features to not be tied down to the more strict DC-animated film tropes. It’s a Batman film that decided to take a big shot of anime in its veins, and that is what we got. It also had some big names attached to it, like Takashi Okazaki, who was the creator of Afro Samurai, and Yugo Kanno, who did the music for Blame!Psycho-Pass, and the PlayStation 4 game, Nioh. It’s also one of the more interesting animated features, due to its mix of CGI and 2D animation. So, is it as good as the best action anime out there? Is it one of the best DC animated films out there? Let’s find out.

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The story starts us off with Batman, dubbed this time by Roger Craig Smith, during a mission at night, as he tries to stop Gorilla Grodd, dubbed by Fred Tatasciore, from selling another mighty invention of his to the black market for supervillains. These villains include Poison Ivy, dubbed by Tara Strong, Deathstroke, dubbed by Fred Tatasciore, Two-Face, dubbed by Eric Bauza, The Penguin, dubbed by Tom Kenny, Harley Quinn, dubbed by Tara Strong, and of course, The Joker, dubbed by Tony Hale. After Batman gets into a fight with Grodd, the machine goes haywire, and sends all of them, including some of Bruce’s closest allies and partners, back into feudal-era Japan. Now, along with Catwoman, dubbed by Grey Griffin, his butler Alfred, dubbed by Adam Croasdell, Nightwing, also dubbed by Adam Croasdell, Robin, dubbed by Yuri Lowenthal, Red Robin, dubbed by Will Friedle, and Red Hood, also dubbed by Yuri Lowenthal, must stop the villains, turn back time, and save the day.

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So, what’s so amazing about this film? Well, for one of the rare occasions, DC decided to let someone else take the wheel, and they take the wheel hardBatman Ninja is unapologetically dumb, fun, over-the-top, Japanese, and it will not stand down. Out of many of the DC-animated features I have seen the past few years, this one felt like it had the most consistent tones outside of the Adam West Batman films. It’s Batman in Japan, fighting a version of the Joker, whose grand master plan is to make a giant mech, and rewrite history. It will not let up on how anime this entire film is. From the designs to the action-packed fight sequences, it was clear that they knew what they were doing. Heck, they even have giant robot fights. Again, giant robot fights between the villains and Batman in feudal Japan. While there is definitely a story arc for Batman having to remember to rely less on his gadgets and more on his closest allies and his own skill, it’s balanced out enough within the main plot to keep you invested among the insanity.

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While I was fairly disappointed in how this film was going to be mostly CGI, and CGI on a small budget can be a gamble if you do not have the right creative team, I felt like it worked. Sure, they act like puppets sometimes, but the models used are way more expressive, detailed, and they feel like they have some kind of life to them. I was concerned about how action sequences would be handled, but I never found it distracting that they were CGI. The action is fast, brutal, satisfying, full of energy, and very entertaining to watch. The last fight between Batman and Joker is probably one of the best fights among these animated DC features. I never found myself wondering what the heck was going on during the fights. I think that’s because, unlike the Berserk anime series that uses CGI, Batman Ninja has proper direction in how the fights flow. On top of the crazy action, the color pallet is used well, the CGI models look good on the 2D planes, and they even have an entire surreal sequence done in 2D animation, and it looks fantastic. The music by Yugo Kanno was also matched up well with the film’s pacing and style. The big action theme that plays near the end is quite heart-pounding, and it makes the final fight so intense to watch.

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In terms of the voice cast, I was surprised. While we have some returning faces like Roger Craig Smith, Tom Kenny and Tara Strong reprising their roles as Batman, Penguin, and Harley Quinn, the rest of the voice cast is pretty spot-on. I was curious to see how Tony Hale would do as The Joker, and while a bit off-putting at first, he does a good job capturing that zany crazy nature of the character. As you can tell, many of the actors in this film pull double shifts with voicing multiple characters, but they are each unique sounding enough to not be an issue or a distracting element to the overall film. It was also simply fun to see other villains outside of the main Batman library, like Gorilla Grodd, who is definitely one of the more entertaining aspects of the film.

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While I do love this film in terms of how willing it is to be not only visually creative, but fun with its plot and setting, I do have a few complaints. I get why they used CGI animation, and it’s not the worst I have seen, but it definitely shows itself at times with how limiting it is. Sometimes characters seem more like puppets, and less like actual characters that are on the screen. It’s even more distracting when you can tell that not everyone is a CGI model. It is better than what I have seen Polygon Pictures or the Berserk series use, but I wish they went full-stop 2D animation for this film. For as fun as the action is, the final battle that is not Batman and The Joker is really underwhelming. You have all of these amazing villains and characters with the unlimited creativity of anime fight sequences, and the villains end up losing in under a minute. It’s really underwhelming, because all the other action sequences in the film are great. The one full 2D sequence was fun to see in the film, but it sticks out like a sore thumb. I don’t think I fully got why it was only that one scene, and why it was animated in such a way. The rest of the complaints are minor, like even though I respect how much the film wrapped itself up in the anime culture, some parts were just a bit much, like the little monkey sidekick. Some of Batman’s sidekicks also don’t have a lot to do, or get that many line reads.

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Overall, Batman Ninja is just a fun movie. By the end of the year, it probably won’t be in my top ten or five, depending on what else comes out, but it will be one that people should definitely pick up. If you were burned by their other animated features, definitely pick this one up. I had a lot of fun, and it’s easily one of the most entertaining DC animated films you can get right now. For now, we must move on to the 130th review as we take a look at another film that may be good or bad for infamous reasons. I won’t say what it is, but you will have to see next time! Thanks for reading the review! I hope you enjoyed it, and I will see you all next time.

Rating: Go See It!

The Other Side of Animation 128: Suicide Squad: Hell to Pay Review

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Warning/Parental Heads Up: This film is crazy violent. There is also some brief female nudity and quite a lot of death. I will also be spoiling some minor moments. Younger viewers should probably stay away from this film. Enjoy the review!

Looking back at films like Suicide Squad, I feel badly for what happened to it. It was almost complete, but then got delayed for reshoots, due to the negative reaction to Batman v. Superman: Dawn of Justice. It had a marketing campaign to match the film’s tone of Guardians of the Galaxy, came out, was widely panned upon release, was yet another DC film criticized for sloppy editing, and then was released on DVD with a different cut to it. Sure, it made money and gave DC/WB some profit, but you do get the feeling that it could have/should have been more than what we got in the final product. It’s always a bummer when studio shenanigans get in the way and hurt a film more than help it. Would have the original version been any better? Maybe, but we won’t know. Luckily, it won’t be the last time we see our rambunctious group of villains, as we are getting a sequel. For now, let’s look at the animated film, Suicide Squad: Hell to Pay. Directed by mainstay DC animated film director Sam Liu, Suicide Squad: Hell to Pay set itself up as this grindhouse-style action flick with plenty of violence, and plenty of action and fun. Does it succeed? Well, let’s find out.

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The story revolves around our ragtag group of villains working under the government. The team this time consists of Deadshot, voiced by Christian Slater, Harley Quinn, voiced by Tara Strong, Bronze Tiger, voiced by Billy Brown, Captain Boomerang, voiced by Liam McIntyre, Killer Frost, voiced by Kristin Bauer Van Straten, and Copperhead, voiced by Gideon Emery. They are under orders by Amanda Waller, voiced by Vanessa Williams, to find and take down Vandal Savage, voiced by Jim Pirri. He is apparently looking for something, and has gotten the help of Scandal Savage, voiced by Dania Ramirez, and Knockout, voiced by Cissy Jones. Can our team of misfits take them down? Can this film find a tone that fits?

I know I made that last part sound like a joke, but that is the film’s biggest failing. When the film starts, it’s this hyper-violent train heist, where Deadshot is with Count Vertigo, Punch, and Jewelee. And boy, do things get late 80s/early 90s anime-violent. Bodies are sliced in half, blood and guts fly everywhere, heads explode, and it then does that grindhouse film burn effect. The rest of the film is not entirely like this. It struggles to balance out the fun schlocky aspects, like finding out the most recent host of Dr. Fate was a male stripper, and even a plot twist of some other villains trying to find the same thing Vandal Savage is looking for. I won’t say who the villains are for those that haven’t seen it yet, but it’s a lot of fun, and the twist adds to the cheesy schlock of those old 70s/80s exploitation films. Some parts are fun to watch, and the dialogue is definitely punched up to match the tone, but then it tries to have slower moments and an emotional arc for Deadshot and his daughter. It’s not a bad idea for a character, but when it can’t find an ideal way to balance out the ultra-violence and the more dramatic moments, it flip-flops, and constantly kept taking me out of the experience. Much of the story does focus on only a few characters, and the rest are either given very little to do or little development as characters. I loved seeing Copperhead, but he doesn’t do a whole lot. He gets maybe one good death in, but that’s it. While it is schlocky fun, there comes a point where it becomes a bit much. There is some brief nudity that’s jarring, and that goes for the violence, too. Sometimes, things can get so violent, that it’s excessive. The plot also loses steam near the end, with twist after twist after backstabbing. Some of the lines for the snarkier characters also feel more like trailer lines than anything that felt genuine. This is especially true with Killer Frost.

So, what’s fun about the movie? Well, when everything does work, it’s an entertaining movie. While it has some of the same animation the other DC-animated features have, where a lot of the animation was obviously put into the action, and some areas lower the frames of animation, the action is fun to watch. I think what works with this film, more than in the Suicide Squad live-action film, was that the action was visible, and due to the more diverse cast of villains, we get to see more powers, more special moves, and it all sticks. It’s easily one of the more action-packed films from DC. When the characters do have time to be together, they are an amusing group. Everyone usually has a good quirk, or a clever line of dialogue. Even though I wish they didn’t kill off as many characters as they did, I do respect that they put some stakes into the plot. Even the additional villains bring flair and an entirely different DC story into the mix. Granted, that might make some aspects confusing. A lot of schlocky stuff would add in complex elements that are probably not needed, but they threw it in, because it was cool. The voice cast is once again very good. Tara Strong as Harley Quinn is always fun to hear, I like Christian Slater’s take on Deadshot, Vanessa Williams does a great job as Amanda Waller, Billy Brown brings this stoic calm headed tone to Bronze Tiger, Gideon Emery was delightfully slimy as Copperhead (who also had my favorite design out of all the villains), and Liam McIntyre brings in the same vibe Donald Gibson did as Captain Boomerang, to name a few. I also like their usage of other lesser known villains of the DC universe. Sometimes, you can only do so much with one character before you run into a wall, and run out of ideas. It’s why I always enjoyed the Batman: The Brave and the Bold TV series, because that was the entire point of the show.

While not my favorite of the DC films, Suicide Squad: Hell to Pay goes straight down the middle. When it’s fun, it’s a lot of fun. When the characters are allowed to work off one another, they are entertaining. I even like the story twist near the end, despite the drag the third act has. It even has a fun easter egg for the added antagonist’s voice actor, if you have seen one of the DC animated films from 2013 I simply wish it kept its tone consistent. It made the ultra-violence distracting, and the emotional moments feel unwarranted. Some of the animation can be stiff, and it’s not the most competently paced film out of the franchise. Still, it’s fun, and if you want to bring in the schlock for 80 minutes, I can think of worse films to watch. Before we get to review 130, let’s take a look at what is quickly becoming one of the best reviewed animated DC films with Batman Ninja. Thanks for reading, I hope you enjoyed the review, and I will see you all next time!

Rating: Rent it!

The Other Side of Animation 108: Batman & Harley Quinn Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Well, after a year of nothing, but positive reviews for a project, DC finally has what could be considered their worst outing of the year so far. Well, at least in the animation scene (I do know Justice League is not doing well). I mean, it’s bound to happen to some companies. Even GKids, Disney, and A24 will have a dud or a film that isn’t as good as their other offerings. I think it’s more disappointing, since DC has been really good so far this year. I enjoyed LEGO Batman, Justice League Dark, Teen Titans: The Judas Contract, and even though I haven’t seen it yet, Wonder Woman is one of the more important films of the year. Too bad that winning streak had to come to a halt with Batman and Harley Quinn. Probably one of the more hyped direct-to-video films from DC, this was promising from every aspect. It had Kevin Conroy and Loren Lester returning as Batman and Nightwing, Kevin Michael Richardson as one of the villains, and it was going to be this big comedic action film with Batman fighting alongside Harley Quinn, one of the most popular comic characters of all time. Sadly, as anyone can tell you by now, this film was not well received, and it was just another disappointment from DC’s animation front. Let’s dive into this Sam Liu-directed experience, and see what went wrong.

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The plot starts us off with Poison Ivy, voiced by Paget Brewster, teaming up with a rather low-key DC villain, Floronic Man, voiced by Kevin Michael Richardson. They break into a lab, and take a scientist hostage to unleash their evil plan. Batman, voiced by Kevin Conroy, teams up with Nightwing, voiced by Loren Lester, to find out what exactly is going on, and what specifically did the two plant villains steal. Unfortunately, if they want to find out about anything, they need to get in touch with Ivy’s long lost friend, Harley Quinn, this time voiced by Melissa Raunch of Big Bang Theory fame. Can they find Harley, and team up with her to stop Poison Ivy and Floronic Man?

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It’s really hard to talk about this film, and not bring up one of the biggest elephants in the room/problems with the film, Harley Quinn herself. She has been everywhere, and has enjoyed critical acclaim from all fandoms of DC. Sadly, she is incredibly hit-and-miss with this film. I don’t want to be too harsh on Melissa Rauch, because I know she has gotten the most criticism out of a lot of reviews, but she is part of the problem. Her voice for the character sounds like an incredibly obnoxious parody of how Tara Strong or Arleen Sorkin voiced her. It got grating quickly with her forced accent. I mean, she would be fine if the script and story did more with her than to be a sex icon. Listen, she is a very lovely character, but a lot of the jokes and scenes with her are focused around sex appeal, and I’m not some teen anymore. Her relationship with the Joker ruins any kind of sex appeal, due to how horrifying and damaging it was. The film just decides to give her a one-night-stand with Nightwing, and some scenes of fan service. Again, I wouldn’t mind a more mature edge to everything in this movie, if it didn’t clash with the more comedic tone of the film. This film is probably one of the more violent DC animated films. You will see blood, and the Floronic Man kills multiple people in the movie. The sleaze and the violence would have been better if the jokes landed. Sadly, the jokes don’t always land, and rarely did I laugh in the movie. The film tries out a lot of childish humor, adult humor, and clever humor, but it felt like too many people were trying to make the film’s comedy work. For example, they have a fun scene with Rob Paulsen playing two characters singing a country song, but then do full-on Harley Quinn fanservice, and it makes the fun part lose some weight. Also, does DC have something against Swamp Thing? This is the second film from DC this year with Swamp Thing, and he only appears in the last five minutes, and does nothing. He just spouts some philosophical garbage, and then says “peace!”, and sinks back into the swamp. Now, part of that is very funny, but at the same time, why have him in the movie if he isn’t going to do anything?

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The jokes and the action would probably be better as well, if the animation was better. At times, the animation is typical straight-to-video quality, but some scenes will dip in frames, and it’s really obvious that they spent more money on some scenes than others. It’s such a shame because they are using the old 90s animated series style. You know they can make that style work for multiple projects. I even noticed some weird details, like you can see Nightwing’s eyes through his mask, and you don’t know why they did that. His eyes are already super expressive with the mask on.

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So, what is great about this movie? Well, the voice cast is pretty outstanding. While I know I dragged Melissa Rauch through the ringer, the rest of the voice cast does a great job bringing their characters to life. Kevin Conroy, Kevin Michael Richardson, Paget Brewster, John DiMaggio, Rob Paulsen, and Loren Lester all have great performances. One of my favorite scenes is actually the scene I talked about above this sentence, where Paulsen plays twins singing a great country song. While the comedy doesn’t always land, when it does, the jokes are laugh-out-loud funny, though if you want a funny DC-animated film, you should just pick up The LEGO Batman Movie. Still, the comedy does work when the scenes line up with everything going on.

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Batman & Harley Quinn is a huge disappointment, and it doesn’t help Bruce Timm’s later work, since his reputation was hit with The Killing Joke last year. Like I said above, if you want a more comedy-focused DC animated film, you are better off getting The LEGO Batman Movie or Batman: Return of the Caped Crusaders. It’s honestly a shame this didn’t work out as well as it could have, because the idea is really good. A dark comedy Batman movie. That sounds like it would sell well. However, if this is the best they could do, then maybe it’s best they stick to more serious stories. Not the worst of the year, but it’s still not that great. Well, let’s jump into the countdown to 110 reviews, and check out Leap! Thanks for reading! I hope you enjoyed the review, and I will see you all next time!

Rating: Rent it!

The Other Side of Animation 86: Teen Titans: The Judas Contract Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

It’s actually quite refreshing to see DC get back on its feet after the failure that was 2016. So far, it has had two great movies with The LEGO Batman Movie and Justice League Dark, both being fantastic films that are fun to watch and have a lot of great personality to them. Neither of them feels like they were trying too hard to be edgy or focused on the wrong aspects of the film that completely ruin everything else. So, where does Teen Titans: The Judas Contract stand among the DC fodder of this year? The Judas Contract is a follow-up to 2016’s Justice League vs. Teen Titans, a film that I really despised, and felt like it was wasted, based on the fact that one unlikable character took too much of the main story-time from the other members. So, how good is the follow-up? Is it as fantastic as the 2005 original show, or is it just another dud in the basket of other duds from DC? Let’s find out.

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The story takes place one year after Justice League vs. Teen Titans. The team has gotten bigger with the newest member, Terra, voiced by Christina Ricci, a girl who can control rock. Nightwing, voiced by Sean Maher, has become co-leader of the Titans, along with Starfire. The main driving force and threat of this film centers around Brother Blood, voiced by Gregg Henry, a leader of a cult. He plans on taking the powers and life force from the Titans to ascend into godhood. He won’t be alone in pulling off this plan, as he has the help of Slade/Deathstroke, voiced by the late Miguel Ferrer. Can the Titans stop Brother Blood and Deathstroke? Is Terra a fully trustworthy character? Does this film have similar story beats to the 2000s series?

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Right off the bat, I want to say that this film does everything better than the previous film in every single way. First off, Damian Wayne does not steal the spotlight, as this time, everyone gets shared screen-time. For the most part, everyone gets their own little story arcs, like Blue Beetle and his divisive relationship with his family, Nightwing and Starfire being a couple, and Beast Boy with his relationship with Terra. This is what the first movie should have been instead of Damian Wayne being the worst thing on earth and hogging up what was pretty much Raven’s story. I liked a lot of what was going on between the team members, and found their chemistry to be leagues better than the last film. Even Damian Wayne is toned down in this film, and becomes rather tolerable. I can’t believe that he would be toned down, since the writers adore making him a power fantasy character. Sure, I can see some people not enjoying the pairings or story arcs of what is going on between the different characters, but at the very least, it’s a step up from Damian hogging the spotlight, while everyone else is either poorly written or not fleshed out. This time, it really does feel like a team, and that is what you look for in these types of films. It’s why the Justice League in this film universe really bugged me. It’s because they always acted like they didn’t really like or respect each other, and they seem to be at each other’s throats, and willing to kill each other.

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The animation is the typical direct-to-video DC film quality. It has good animation, even if at times they slow down the framerate, making the movements look iffy. However, that still doesn’t take away from the fact that the film has some fantastic action sequences. Granted, when you have Deathstroke and a bunch of characters that have super powers, you should be able to make the action top-notch. I personally prefer the action in Justice League Dark, but that’s mostly because it’s all magic-based, and you can get away with cool spells and pretty visuals with magic. I also liked that everyone was pretty competent in terms of being able to hold their own. The previous film had some good action, but some characters felt like they got the short end of the stick.  The voice cast is also stellar. Everyone from the previous film reprises their roles, and Terra’s voice actress, Cristina Ricci, and Miguel Ferrer in one of his final roles as Deathstroke do great jobs at their own characters. The rest of the voice cast is decent, like I think Gregg Henry as Brother Blood does a solid job as a creepy cult leader. Oh, and if you are a comic book fan and haven’t seen this film yet, they do keep the creepy Deathstroke and Terra relationship that happened in the comics.

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The only real major complaint I have about the film is that the lead villain, Brother Blood, is not entirely original or unique. I have seen a couple of different versions of him, and each time that I have seen those iterations, he was way more imposing and threatening than this version. This version was simply boring, and he was just another zealous cult leader. Granted, Deathstroke had more of a character arc, alongside his relationship with Terra, but if Brother Blood is supposed to be the bigger threat, they didn’t do a good job. I also felt like the romance plot between Beast Boy and Terra was done way better in the show. Granted, a lot of storylines in films could be done better if they were spread across multiple episodes, but here it felt forced, even though that is what happens in the comics and the TV series. I think it also loses a lot of that emotional weight, because fans of the franchise have seen this story arc before. The only interesting change would be if we see the effect it had on Beast Boy in the next film.

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While I think The LEGO Batman Movie and Justice League Dark are better, Teen Titans: The Judas Contract gets my “Redemption from Something Awful Award”, due to how it improves upon everything the first film failed to do. Heck, if Wonder Woman and the future DC-animated films continue to be good, Warner Bros. could have what can be considered their best year in terms of DC films. If you haven’t checked this one out, definitely do so. Well, as I wait for Batman & Harley Quinn to come out, how about we take a look at Smurfs: The Lost Village next time? Thanks for reading, I hope you enjoyed the article, and I will see you all next time.

Rating: Go See It!

The Other Side of Animation 78: Justice League Dark Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

As we move into 2017, DC is under a microscope in terms of their movies. To be honest, I’m quite looking forward to Wonder Woman, and hope that Justice League Part 1 will blow everyone out of the water. I don’t think anyone needs to be reminded that DC went through some rough times in 2016. Batman v Superman: Dawn of Justice failed to impress everyone, resulting in the film underperforming, and while Suicide Squad was a financial hit, it didn’t fare well with critics and audiences being split with it. Personally, I find both films to just be middle of the road. I’m sure if I thought long and hard, I could explain why they don’t work for me, but this is about animation so how did they do in 2016? Not well either. Besides the amazing Batman: Return of the Caped Crusaders, their offerings were boring, underwhelming, or terrible. Luckily, if DC’s 2017 offerings are anything like The LEGO Batman Movie and Justice League Dark, then they are in good hands. Let’s just dive in and see why Justice League Dark is one of the best starts in terms of animated films for 2017.

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All over the world, normal law-abiding citizens are going on murderous rampages killing innocent people in the process. The problem comes into play when the Justice League try to stop them, and they find out the people doing these horrible acts of violence are apparently seeing demons. Batman, voiced by Jason O’Mara, then decides to enlist the help of the more magical/supernatural heroes of the world. These include John Constantine, voiced by Matt Ryan, Zatanna, voiced by Camilla Luddington, Boston Brand a.k.a Deadman, voiced by Nicholas Turturro, Jason Blood/Etrigan the Demon, voiced by Ray Chase, Black Orchid, voiced by Colleen Villard, and Swamp Thing, voiced by Roger Cross. It’s up to them to find out who is exactly causing all this chaos.

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So, what does DC do right in this Jay Oliva-directed animated film? Well, I can tell you one thing that a majority of DC’s film line-ups didn’t have last year, charm. Justice League Dark probably has one of my favorite casts of characters in terms of DC animation. The way they work off one another makes them very likable and endearing to watch. I’m not fully on the DC hate bandwagon, but I’m not going to lie and say I found a lot of their recent iterations of characters in film form interesting or worth liking. Justice League Dark has a great balance of characters who are engaging and worth investing into. I think the best example of this is a scene early on in the film where John Constantine and Jason Blood are playing poker with The Demons Three. This one scene balances out action, comedy, and personality. Outside of that one scene, there are other points in the overall story, where the characters were engaging, and it helped that there was a good mystery of where the paranormal incidences were coming from. I was hooked in terms of what was happening, the villains behind this whole shebang, and let’s not forget how great the action is.

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The animation is fantastic. While it might be straight-to-DVD quality animation that you normally see in terms of DC’s animated features, and yes, there is a tiny bit of stiff movements, it’s definitely easy to tell that this film had a bigger animation budget than, say, The Killing Joke. Due to this being a story that revolves around magic and demons, you not only get great visuals of the spells, but also action that takes advantage of said magic. It’s why animation is such a great form of entertainment. While you do need to create it, you are not limited by real life physics or limitations. Let’s face it; unless you are Game of Thrones, or you get a really good effects team, TV-grade effects are not going to be that impressive. It’s just so satisfying to watch the action in this movie, and see how creative the spells got.

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The voice actors that were chosen were superb. It was a nice touch that they got Matt Ryan, who played John Constantine in the cancelled-too-soon NBC series as well, for this film. It’s like hearing Spike Spiegel in Cowboy Bebop. If it’s not Steve Blum, then it’s not the same character. The other cast members, in addition to the ones I mentioned above, include Alfred Molina as Destiny, Enrico Colantoni as Felix Faust, and Roger Cross as Swamp Thing. They all did a great job at their roles.

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Unfortunately, some of my complaints for this film come from some of the characters. They don’t really do much with Swamp Thing, and he doesn’t appear in the film until the 40-minute mark. He’s not really that interesting, and when he fights the big baddie of the film, he gets taken out rather quickly. I also didn’t care for what they did to Etrigan. Granted, I enjoyed about 80% of his screen-time, but what happens in the last 20% f this film bugs me. I won’t say what happens, but still. Deadman could also get somewhat annoying at times. I get why he couldn’t do much because he’s a soul, but he was very much the comic relief.

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Justice League Dark might be the newest entry in the flawed rebooted DC animated film universe, and it does have its share of problems, but it’s easily the best one since Batman versus Robin. I liked the fighting, the comradery between the characters, the animation, and the story. I wish they were able to flesh out some more characters and not one-shot them, because the team in this film were easily the most endearing and entertaining. If you are a DC fan, and haven’t picked this film up yet, then I highly recommend doing so. Even though it’s early in the year, and I still think after Justice League Dark and The LEGO Batman Movie, this could very well be DC and WB’s year in animation. Well, that was fun, but next time we shall take a look at China’s highest grossing animated film that wasn’t made by other studios with Monkey King: Hero is Back. Yes, it’s spelled like that. Thanks for reading, and I will see you all next time.

Rating: Go see it!