The Other Side of Animation 268: Super Giant Robot Brothers Review

(If you like what you see, you can go to to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at It would help support my work, and keep the website up. Thanks for checking out my work, and I hope you like this review!)

Animation is an ever-evolving medium that we will see growing and changing with how we see artists and tech individuals crafting more experiences. We have definitely seen where some roads to the evolution of animation have taken us from CGI art directions now more able to match the stylish concept art, to that upcoming Fox animated comedy Krapolis for some reason wanting to implement blockchain and NFT nonsense. We have seen animated films use motion capture technology, lower framerates, more stylish visuals, and a mix of both CGI and 2D in varying ways. It’s very cool to be in such a world right now, where we can try something out and see how it works. Maybe it results in something that’s admirable but messy, or something that may have a few clunky aspects but is overall executed well. Who knows, we are seeing anime these days use CGI and motion capture to wonderful success with Beastars, so maybe we can see something like that used for American animation. Oh wait, we have! This is where we are with today’s review, Super Giant Robot Brothers. 

Created by Victor Maldonado and Alfredo Torres, the series is directed by Mark Andrews and is produced by Reel FX Animation. The story revolves around two giant robots named Shiny, voiced by Eric Lopez, and Thunder, voiced by Chris Diamantopoulos, who are made to protect the day from evil kaiju invasions from an unknown alien force that wants to destroy the world. Can our two giant robot brothers be super, and protect the day along with the help of the child science prodigy Alex Rose, voiced by Marisa Davila? What are the origins of these aliens? What do the aliens want? What about the time travel one of the robots went through at the beginning of the show? 

So, what makes this show’s animation style distinct? Essentially, they used motion-capture, but instead of doing the motion-capture data stuff first, and then crafting the models for the motion-capture data, they made assets and models that will be used in the motion-capture process, and they made a production pipeline where the animation is happening in real-time. It’s a little complicated, but luckily, if you go to the Unreal Engine YouTube page, they have a video talking about the process of making Super Giant Robot Brothers. It’s very impressive how they were able to make this work. Of course, they have animators go through the data and give it all of those fancy and polished touches that you expect, since, well, we really don’t need another Ex-Arm situation with motion-capture and animation. Luckily, with what we do have, you can describe the animation as a mix or in the same vein of stuff like City of Ghosts, The Willoughbys, and that upcoming DC-animated DTV film that uses a more stylized CGI look. Despite a few moments where you can tell the motion-capture is there, the show does a great job hiding that aspect. The characters are extremely expressive and their posing gives off so much personality. You got the more child-like movements and expressions, from Shiny to Thunder’s more stoic, robotic, and calculated serious-faced mannerisms. The action also doesn’t get kneecapped by the motion-capture process. It’s still big, explosive, fast-paced, and a thrill to watch. The posing and lower framerate give the character’s movements and motions more of a punch, and you can tell exactly what kind of characters they are by said poses and movements.  Overall, it’s very impressive that this was done on Unreal Engine and a show that is able to use a video game engine. In addition, it doesn’t look like a weird clunky oversea’s animated film or those Unreal Engine demos, where they take a cartoony world and place it in the hyper-realism of Unreal Engine. 

So, is this show all just fancy and impressive motion-capture and action-packed CGI visuals? Of course not! It would be boring if this show was just flashy visuals. There is a story about how our round robot Shiny is teleported into the future and encounters his brother Thunder. The two of them bonding and working with one another is one of the emotional cores of the show, alongside Alex Rose’s journey of finding out what exactly happened to her parents that went through the same portal that Shiny went through. It’s a show that’s mostly about family, bonding, and trust with one another. It’s a show that is basically aimed at a pseudo-young audience, but the writing has enough snap to its dialogue between Shiny and Thunder that older audience members in the teen and adult area will have fun with the action and dialogue. It does balance out its comedy and drama fairly well, as the villains are straightforward, but fun to hear their banter. The voice cast is also solid with the already mentioned Eric Lopez, Chris Diamantopolous, and Marisa Davila, but we also have Delbert Hunt, Ren Hanami, Tiana Camacho, and Tommy Bello Rivas. The opening theme song is great, and it’s a shame they cut it short after the first episode. Theme songs seem to be disappearing all of the time with modern TV, and it would be a real shame for that to be a thing that keeps happening. You need theme songs to hype people up for your show, especially action shows. 

While it’s straightforward and aimed at a pseudo-younger audience, when has that ever actually stopped a show or a film from being good? Some of the most fun things are happening within the animation scene, and despite so much that is going on with Netflix and their situation with the animation industry, the people working in those industries are still going to put out some great stuff. This year alone has given us some really fun series and films, and Super Giant Robot Brothers is one of those. You will definitely feel the power of the Super Giant Robot Brothers, and if you love giant robot stuff whether they be video games, shows, and films, then you should give this show a watch. It’s a fun action-packed comedic romp that is a delight to sit through. Now then, how about we talk about that film that is simply put, one of the best films of 2022? You will have to wait and see what that is! 

Rating: Go See It!

The Other Side of Animation 229: Centaurworld Review


(If you like what you see, you can go to to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Heads up: I was able to watch this series before its recent release via a screener sent to me by Netflix. I got no other form of monetization other than the screener. Thank you, Netflix.

I previously talked about this in my Snotty Boy review, but animation is such a beautiful medium of storytelling. With passion, talent, time, and the right team at hand, one can make a unique and distinct experience that you can’t find with something in live-action. There’s always something to be said when a usually cartoony property is given the live-action treatment, and how much more critical fans and critics are of said live-action adaptations. Why would you limit yourself with live-action when you can do pretty much everything within the world of animation? Anyway, the reason I bring this up is that I’m reviewing a new show that would be nigh impossible to translate into live-action. The new series on Netflix, Centaurworld. 

Created by Megan Nichole Dong, Centaurworld is yet another creative and unusual animated series for the notorious streaming service that you probably wouldn’t have seen on TV. So, what do I think about this fairly offbeat adventure with a bunch of quirky centaurs that is filled to the brim with musical numbers and a slew of my favorite character actors? Read on to find out! 


Our story revolves around Horse, voiced by Kimiko Glenn. In her world, she is with her human companion, Rider, voiced by Jessie Mueller riding across the war-torn wasteland with a magical object that could help them out. Unfortunately, Horse and Rider get separated, and Horse ends up getting warped to a brand new world with the magical item. Horse has now found herself in the most magical place of all, Centaurworld! While there, she encounters a delightful cast of characters including a giraffetaur named Durpleton, voiced by Josh Radnor, Zulius a Zebrataur voiced by Parvesh Cheena, a kleptomaniac gerenuk-like taur named Glendale, voiced by Megan Nicole Dong, a birdtaur named Ched voiced by Chris Diamontopoulos, and a llamataur named Wammawink voiced by Megan Hilty. Can Horse and her new herd of friends find the rest of the pieces of the artifact and get her home and avoid someone called The Nowhere King? 


So, we are about a good decade or so past the premiere of shows like Adventure Time, Gravity Falls, and Steven Universe. These types of shows have brought into the animation and TV world adorable worlds with a very offbeat tone and edge that will spill out into something that kids can still enjoy, but are there for the adults as well. It might be made for “kids”, but you catch more fish with bait, if you know what I mean. So, since on the outside, it looks like a lot of other shows, how does this show differentiate itself from other ones? Well, let’s start with its visual look. It’s a gorgeous show with a cartoony look, with fun and expressive designs that take advantage of its setting and the creatures you encounter in this quirky world of half-man and half-animal creatures. One of my favorite little details is the centaur bird character played by Chris Diamantopoulos, who’s human half is the upper torso so he has to keep flapping with his human arms. The designs are all very creative and aren’t just straight-up half human half horse individuals. Like, if the basic definition is half human half animal, then why not go all out with how they look? That’s the beauty of animation, because with all of the different designs, they all mesh well together. If they tried to do these in realistic CGI, they would not work at all. Even our main character Horse has a bunch of fun little animation tricks on her that give her so much character despite how she was probably tough to animate. Yeah, I know some people have talked about the weird design contrast with Horse being wildly different than the other characters, but when you see the story unfold, it’s this brilliant bit of commentary and storytelling about Horse herself, and at the end of the day, the design difference never bothered me. I’m being vague because I find Horse’s arc to be fascinating, and creative with how her arc unfolds. I have also heard some people argue that the show’s visuals are aiming for more of a “let’s make meme-worthy looks” approach, but while that may be the case, it’s not as distracting as some other shows and films like Space Jam: A New Legacy and Powerpuff Girls 2016. 


Speaking of arcs and story stuff, the story itself seems like it’s going to be a goofier take on what would almost sound like a cartoon from the 80s. Like HBO Max/Cartoon Network’s The Fungies, it almost has a vibe of those shows. However, once you start binging the series, Centaurworld does reveal that it has a lot of baggage with its characters. This is a show that anyone can watch, but the topics and themes are very much adult. You can look at me and not believe me, but the show does tackle themes of abandonment, dealing with trauma, depression, self-esteem, love, trust, loss, and while the show will get goofy at one point or another through a lot of the episodes, the story beats themselves will ease you into the obvious baggage these characters have. It’s a clever way to approach these topics, and you can see how they weave it through the episodes. It might look and feel like a more polished 80s show, but it’s got the edge of a more modern cartoon that you just love to see. It’s able to be story-driven, but still takes its time with getting to the destination. This is why I love modern animation. Could you imagine people pitching this show back in the 70s and 80s? You would never get this far without some very heavy amounts of studio interference. Netflix might not be perfect, and I have plenty of issues with them as a company, but the fact they are letting creators do any kind of show they want is impressive. It’s not based on some pre-existing property or a spin-off of a popular show. Plus, the voice cast is amazing. On top of having a bucket list of guest stars, the main cast is one of my favorites of the season. You have Kimiko Glenn, Megan Hilty, Parvesh Cheena, Josh Radnor, Jessie Mueller, and Chris Diamantopoulos. Now I will say that it is a bit weird to see a POC character voiced by a white actress, and while she does a great job as Rider, I would be lying if I didn’t find the casting a tiny bit distracting since we had the constant recasting controversies last year. Everyone is distinct and they bring in a lot of fantastic energy to their performances. For me, while the comedy in the show might be hit and miss with some viewers, they mostly landed at a rate of 95%, and the song sequences are a delight at every point. Seriously, this show is so much fun to watch if you are a fan of musicals. 


Centaurworld is another slam dunk TV series for 2021 and Netflix. It’s everything I look for in a show, and I was grabbed by the premise alone. I think it was creative and smart that Netflix got a bunch of super talented individuals and asked them to make their dream projects that you would have a hard time pitching in more traditional settings like on a TV channel. I hope they keep this up because this is how we get more great shows and stories. It might be goofy, but it mixes its darker elements and musical moments so well. The show might be a bit much at first, but keep watching it, and I’ll be patiently waiting for a second and third season if that happens. Seriously Netflix, make sure Megan Nicole Dong gets to complete this show! Next time, I will be talking about the third Sony Pictures Animation film this year with Vivo

Thanks for reading the review! I hope you all enjoyed reading it! If you would like to support my work, make sure to share it out, and if you want to become a Patreon supporter, then you can go to I will see you all next time!

Rating: Essential!