The Other Side of Animation 100: Delgo Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Well, here we are! The 100th animation review. I’m honestly pretty proud of making it this far. The main goal was to talk about the lesser known animated films, because that is more interesting and fun to talk about, than the big named animated films. Over the 100 reviews, I have seen the animation world change, like DreamWorks being bought by Universal, Laika’s Kubo and the Two Strings making a huge fight for Best Animated Feature at the Oscars, and watching as GKids becomes a bigger deal among animation enthusiasts. It even led me to talk about stuff I normally wouldn’t be interested in, like the Oscars and their new ruling for animated features. I have also gained a good sizable following from people who enjoy animation and maybe haven’t heard about some of the films I talked about. I can’t wait to see how the industry moves forward for the next 100 reviews. Now, this is a special occasion, and it deserves a special movie. Since I make it a tradition for every 10th review to be something infamous and notorious, well, it was not hard to pick what can be considered one of the biggest animation disasters of all time with Delgo.

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While, for some reason, it is incredibly hard to find information on Delgo, it is known as the biggest failure in terms of a wide release theatrical animated feature. The film was directed my Marc F. Adler, who also produced it and came up with the story for the film. Supposedly, the film took a span of nine years from start to finish. Instead of getting help from Hollywood, he went out of his way to get outside help to fund, animate, and create this notorious flop. They even did stuff that probably added more to the cost by flying out to each individual actor’s place of living to voice their lines there, and not have them come to them. Heck, two of the actors actually died before the film was released. After being put together by “fresh out of the university” animators, who went under stage names for obvious reasons, Delgo was released in over 2,000 theaters with the help of Freestyle Releasing in 2008. Unfortunately for all the work Marc F. Adler and his crew did to be the next big animated hit with no help from Hollywood, the film was an utter failure from critics, the three film-goers who actually went to see this, and financially. Out of a meager $40 mil budget, not including other things like small marketing and such, it only recouped a little over $900K. Yeah, when you can’t even break a million, that says something for the quality of this film. I also held back the review for Delgo, because not only is it one of the biggest bombs in terms of animated films, it pretty much killed everyone’s career or killed their careers even more so than ever. Think about it, name one actor or person behind the scenes that went on to do better things after this film. None of them really had a career after this film. Maybe some success in more recent years, but this was a career killer for sure. So, after almost 10 years since its release, how does the film hold up? Well, let’s find out.

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The story takes place in this very Dark Crystal-like world known as Jhamora, where two different beings live. Some of these beings are humanoid lizard people, and the others are the same type of humanoid lizards, but can fly. Our story follows the journey of Delgo, voiced by Freddie Prinze Jr. He lives in a post-war world, where the flying individuals invaded and attacked his people. Suffice it to say, he and a majority of his people have a hate for the ones that can fly. One day while hanging out with his friend, Filo, voiced by Chris Kattan, he ends up running into the princess of the flying people named Kyla, voiced by Jennifer Love Hewitt, and her two generals, Bogardus and Raius, voiced by Val Kilmer and Malcolm McDowell.  After getting to know her some more, Delgo finds out about an evil plot from an exiled flyer named Sedessa, voiced by Anne Bancroft in her last role before her death, and must save the day with the help of his friends and the princess. Can he stop the two nations from getting into another catastrophic war?

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Let’s talk about the animation first. I think with talking about this film in general, it’s good to start off with its most glaring visual flaw. For a film that took eight or so years to make, it’s really ugly. I would argue it’s the ugliest theatrical animated film that I have ever seen. Yeah, Norm of the North had probably objectively worse visuals, but that was meant to be straight-to-video before it was forced into theaters. Delgo was meant for theaters and for that standard alone, it’s lackluster. It’s no better looking than Spark, and that film came out nine years later. It has all the hallmark signs of bad animation. It has stiff movements, flat textures, character designs are bland or really unappealing to look at, and movements and characters riding animals feel like there is no weight to them, and everyone is in front of a green screen. I want to know what exactly happened. This film had a budget of $40 mil. That’s $10 mil more than Toy Story. Heck, Delgo probably would have looked better if it came out around the same time Toy Story came out in 1995, but it came out in 2008, and it looks incredibly dated. I want to know what happened. Not in a stereotypically angry reviewer sort of way, but in a curious kind of way. Was it bad direction? Was it animators who were not that great and too fresh out of art school? Like, one day, I would love to see what happened with this film in some kind of documentary with people who worked on it or invested money into it. Anyway, the film’s art style is definitely trying to capture a vibe and atmosphere similar to The Dark Crystal, since they made their own universe that isn’t based on a book or a preexisting property. It doesn’t work, since the designs do not translate well. I wonder if they couldn’t update the technology or the designs in time, because nothing looks good. The entire film looks like a rough draft of what to do next, but they either ran out of money or time to get it out there. After all that time making the film, we are left with a world that’s not interesting to look at with ugly character designs.

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So, the animation is really terrible, but what about the characters and story? Well, the director and overall person in charge of this film, Marc F. Adler, wanted this to be the next big Lord of the Rings and Star Wars-style epic. You know, something that’s fantastical and epic, but set in a fictional world. Well, from start to finish of this film’s production, we have had the Lord of the Rings Trilogy, the Original Star Wars Trilogy rereleased in theaters, and the Star Wars Prequel Trilogy. Too bad this film couldn’t fix or update its script or characters to not feel dated on arrival. These characters are nothing more than just walking templates. You have the brash naïve young hero, the annoying side-kick, the pretty girl, the two evil generals to do the two general storyline of one staying evil and one redeeming himself, an evil villain for no other reason than to just be evil, bland side characters, and the hero’s parents who have two minutes of screen time before being axed off. They do nothing original or interesting with the characters in this film. They even make some of them unintentionally unlikable. For example, Chris Kattan’s character’s “wacky” antics actually gets Val Kilmer’s character axed off. Way to go. Even the story itself is so recycled and boring, that it becomes a tough sit. I know some people are like, “you have to judge this from the point of view of a kid watching this movie”. Well, you know what? No kid actually went to see this, and it didn’t become a cult hit like Cats Don’t Dance. I think kids made it clear that this film would bore anyone to tears. Even the fantasy elements have been done before. Why do you think I keep comparing it to The Dark Crystal? Fights are also not that fun to watch. Everyone is too floaty, and unlike Kung Fu Panda, which came out the same year, they don’t take advantage that, hey, they have animation and can make fights as amazing as they want them to be. Apparently, while making this film, they hired real-life people, and filmed them for reference for the animators. It really does show that it looks like motion capture when it wasn’t. It takes something as creatively unlimited as animation and makes it boring. How do you do that? For a medium that has been improved, perfected, and reinvented over a span of 71 years, from Snow White and the Seven Dwarfs to when Delgo was released, Delgo makes the entire medium of animation boring. Congratulations, that is quite the hyperbolic task.

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None of the actors bring anything that voice actors couldn’t have brought themselves to the table. Everyone sounds so wooden and uninterested, and that’s a shame. You have actors like Val Kilmer, Malcolm McDowell, Eric Idle, Michael Clarke Duncan, Burt Reynolds, and Melissa McBride in this movie, and none of them were there to be interesting. That’s another problem with the film, the actors they got to be in this movie. None of them were that great or super popular by 2008. Times change, and actors drop out of popularity, because they pick movies that don’t help them stay relevant. I think the only one who did a good job was Michael Clarke Duncan, but that’s because he was awesome, and is one of the few actors I honestly miss since his passing. What about everyone else? They were there for a paycheck. Yeah, that’s a proper way of going into a movie, not to improve your talent or leave a lasting impression, but just to get money.

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This film is so aggravating to sit through as a movie. Why? Because I was never once pulled into the movie, I was never once caring or feeling emotionally invested, and never once was I in a good mood watching this. All this time, money, and talent wasted on a movie that’s so bland, boring, forgettable, and a waste of time, when I could have been watching something else. This is why people are so angry with bad movies. They took time and money to see a movie, did not like it, and felt like they got conned. I can even get the idea of sitting through something bad for entertainment, like watching M.D. Geist or for some strange reason, Norm of the North. Delgo is a film that came out a decade late, and other films that have had the same elements have been better and more entertaining.

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So, what can I find to say that’s good? Well, like I said, Michael Clarke Duncan was one. I think he’s a hugely entertaining actor with a unique voice. I will also give this film the very tiniest amount of credit that it was at least trying something original. It wasn’t original in terms of themes, characters, and execution, but it wasn’t based on a book or preexisting property. In a time where films are coming out that are based on nothing, but preexisting properties wildly ranging in quality, with better original movies being left in smaller releases, this one dared to be something that stood out. It doesn’t work, but hey, at least you tried to make something original.

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Without a doubt, Delgo is the worst animated movie that I have ever seen. It doesn’t do one thing correct, and even though it’s only 80 minutes long, it feels like three hours. If I had to choose a film that I would love to never watch again, it’s Delgo. From start to finish, everything is wrong. On the other hand though, I feel badly for the people that wanted this to be a reality. You work hard for almost ten years getting outside investments and tech, along with the actors you want to make the movie your big breakout hit. Sadly, upon release, you realize that all that work went down the drain as you watch your project go down in history as one of the worst animated films of all time, and one of the biggest box office disasters of all time. Actors lose any potential future acting gigs, and your name is stuck to this project. In the end, I do feel badly that the project failed. It had potential, but it was squandered by incompetent development, and trying too hard to not get big studio help. We might like to complain about how bad big studios are, but sometimes, it’s good to have one that has your back. I would only recommend checking out Delgo if you are super curious about bad movies or about bad animation in history. Otherwise, just let it be. Well, 100 reviews is quite a feat to make, and I want to thank everyone who read, commented, and helped me get through any personal obstacles. It was a fun journey to get to 100 animation reviews, and I’m excited to see what will happen in the next couple of  years in the film and animation industry, as we make our way to 200 reviews. Next time, we are going to check out and review the best animated film of 2017 that I have seen so far, with In This Corner of the World. Thanks for reading, I hope you all liked my 100 reviews, and will love 100 more, and I will see you all next time.

Rating: The Worst/Blacklisted

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The Other Side of Animation 98: The Emoji Movie Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

 

Every year, we always hear the loud wails and haunted screams that cinema is dead. It just so happens that in 2017, with Sony Pictures Animation’s The Emoji Movie, it just got too loud to ignore. The film is directed by Tony Leondis, a story artist and director. He worked on films like The Prince of Egypt, The Road to El Dorado, Kronk’s New Groove, Home on the Range, and directed Lilo & Stitch 2: Stitch Has a GlitchIgor, and Kung Fu Panda: Secret of the Masters. For some reason, out of all the years of movies made, The Emoji Movie just drove people up a wall. It came out a few weeks ago, and instantaneously, it was labeled as the worst movie of all time, the death of cinema, people were saying and demanding that Sony Pictures of Animation should be shut down, and you get the idea. Even though we made it through years that had Movie 43, Jack & Jill, Pixels, Gods of Egypt, 50 Shades of Grey, 50 Shades of Black, Meet the Blacks, Legend of Hercules, Saving Christmas, Troll 2, North, and so on, The Emoji Movie is the one that broke the camel’s back. Listen, it’s not a good movie, but people are overreacting and going into hyperbole territory to get clicks and views. Why would I say that if I just admitted that it was not a good movie? Well, let’s pick your favorite emoji and send that text.

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The entire story takes place inside one teen’s phone, as we enter the world of Textopolis, a city where all the emojis live. We focus on one in particular emoji named Gene, voiced by T.J. Miller. He is a “meh” emoji, who has a bit of a problem. He can’t simply be a “meh”, and has too many emotions to count! After a failed first day on the job, Gene wants to find a way to fix himself by hacking the code to solve his problem. He gets the help of a high-five emoji, voiced by James Corden, and a hacker emoji named Jailbreak, voiced by Anna Faris. Hopefully, they can get past the dastardly grasp of Smiler, a creepy smile emoji voiced by Maya Rudolph. Can Gene fix himself and somehow help the teen out in a real world problem of getting to know a girl?

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The biggest problem about talking about this film is while it will not affect the actual rating of this film, I have to talk about the overwhelming clickbait/hyperbolic backlash this film has gotten. People call it the worst movie of the year, the worst movie of all time, and the film that is what’s wrong with cinema. It’s not because I’m going to be defending this film as something good. It’s not a good movie by any stretches of the imagination, and is definitely on the lower end of my best to worst animated films of 2017, but people need to really stop acting like this is the film that’s going to kill cinema. Like I said above, people are using clickbait and hyperbolic opinions of this movie to get views, clicks, and whatever, and making it out to be a worse movie than it actually is. If there was a film that made the cinema industry actually halt in their tracks, then we have pretty much survived hundreds of extinctions after every time some knucklehead said, “this is the film that will kill the film industry”. It’s officially gotten to the point that if you are using hyperbole in your review or comment, I’m not going to take your opinion seriously. I know that sounds close-minded and very one-sided, but we live in a world where there are worse things going on every single day, and yet The Emoji Movie is apparently worth more of your anger than anything else. And to the people who want the studio that made this to shut down because they didn’t like it, or are stuck in a bad situation because of executive shenanigans, you have no right to say they should force 100s of people to lose their jobs because you don’t like their movie. It’s the most immature mentality that I have ever seen, and if you are that toxic about it, then you need to get a life.

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Let’s face honest 100% objective fact here, The Emoji Movie is not a good movie, but it’s the wrong kind of bad movie. It’s not the most super offensive thing with super hate-worthy characters and cheap straight-to-DVD quality animation. It’s not Norm of the North or Strange Magic levels of bad. Heck, I have seen movies that I enjoy that have way more repulsive elements to it like Belladonna of Sadness. It’s just boring bad. It’s a bad movie that doesn’t have a whole lot going for it, because the film itself feels like they had a base idea around what they wanted to do, but couldn’t or were not allowed to get past the “cynical cash grab” look and feel of the film. The universe this film takes place in is kind of confusing, since if you think about it, why are there emojis that have to be one emotion, while there are shrimp, elephant, and Christmas tree emojis that don’t coincide with a single personality? I mean, should they be deleted as well? Its world is not as clever that I think the writers are making it out to be. I don’t see other whimsical realms that our heroes go through, I just see the product placements that companies paid the most to have advertised in the film. It’s a universe with no real soul or identity to it. A bland world is one thing, but what about the three leads? Well, despite having good actors behind them, there is nothing really all that interesting about them. Gene is your generic lead who thinks being unique isn’t a good thing. James Corden, while super entertaining in other forms of media, has no real character with the high-five emoji, since all he does is try to spew a joke every 30 seconds. Jailbreak is obviously trying to be like the female lead from The LEGO Movie, but has none of the charm of said character. I also kind of love the horrible implication in this universe that if you stand out in this world, you deserve to die. What about the human characters? Yeah, couldn’t really get hooked on them either. They don’t act like real kids, but that, “I’m trying to make this kid like the one you saw in Inside Out, but not understanding that the girl in Inside Out was a complex character.” I also found a lot of the celebrity casting distracting, like Patrick Stewart as the poop emoji. Like, I get there is a bit of that niche-style appeal of, “oh tee hee, this wildly acclaimed actor is voicing poop”, but outside of that, again, I only saw the celebrities, and not the characters.

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I feel like this movie would have been so much better with maybe more freedom to the writers to do something more complex, or go full-tilt cynical. Like, I could imagine this film being way more interesting if it was a cynical lashing out at the audience who the execs think would watch this movie. Go black comedy on the characters and such, and sneak in some legit good morals inside the cynical jokes and clever writing. What happened is that they probably got a set of writers who wanted to go full-tilt and go crazy, but either weren’t allowed to, or were not talented enough to do such a thing. You can see how this movie could have worked if it was aimed at a more general audience and not just one part of the movie-going audience. That’s why films like Inside Out and The LEGO Movie were so amazing, because they could talk to every part of the audience. They weren’t talking to one side, and ignoring the other. The Emoji Movie is just a generic film with generic writing and morals. It’s something we haven’t seen a hundred times over in other movies, and have done a better job at saying these messages.

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So, what’s actually good about this movie? Well, the animation is pretty solid. I know the designers on Twitter spoke highly about having fun working with the designs, and the characters move pretty well. Even the human characters look better than most DreamWorks movies. The designs might be basic, but emojis are generally very basic in terms of designs. At the very least, this movie has more theatrical-quality animation than a lot of animated films that get limited releases by Lionsgate. I also enjoyed Maya Rudolph as the villain. She was hugely entertaining as this psychotic smile emoji, and she definitely had fun with the role. I also liked Gene’s parents, who were played by Steven Wright and Jennifer Coolidge. Any time they were on screen, I at least got a chuckle out of their delivery of their lines. It’s not the perfect mix of casting and writing, like Lewis Black as Anger in Inside Out, but it’s ideal casting in terms of who should play the meh emoji. The one scene I thought was pretty cool was when Gene’s parents were inside the Instagram app. I liked the idea of going inside a photo and it brings you into that photo’s location and everything around them is still. It was a nice artistic moment that I can respect.

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In the end, everyone is overreacting to this, and ironically going to see it because of said hyperbole. We have had cash-grab films made every year, like Dragonball Z Evolution, Jem and the Holograms, Baywatch, and so on. If Hollywood didn’t crumble and fall after those films, then it won’t with this one. The Emoji Movie is just a forgettable and bland film. I was honestly bored watching the movie, and spent a lot of time thinking what I would have done to make it a better movie than simply just a cash-grab/advertisement movie. It wants to be so many other films, but fails to do anything those films did well. If you really want to see it, just wait to rent it. It’s making enough to make back its budget, and it will just underperform before it leaves theaters. It’s bad, but it’s not the worst, and no one at Sony Pictures Animation deserves to lose their jobs over it. Now, if you want to see a really cynically made movie, join me next time as we talk about Digimon The Movie. Thanks for reading! I hope you all enjoyed the article, and I will see you next time.

Rating: Lackluster!

The Other Side of Animation 92: A Stork’s Journey Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

One of my main rules is that I don’t tackle straight-to-video animated films, unless it has a reason for me to check it out, whether it be a streaming exclusive, or getting a limited theatrical released. I don’t do it with every straight-to-video schlock, because if I did, I would probably not want to review another animated film for life. Otherwise, I wouldn’t have to watch films like Spark or today’s review of yet another Lionsgate alumni, A Stork’s Journey. This German-animated film is directed by Toby Genkel and Reza Memari. It was a Google Play exclusive, but got a theatrical release at the end of June 2017. Listen, I know I have been critical towards Lionsgate and their animation distribution, since they tend to bring over some truly awful films, but I’m always willing to give them a chance. Let’s dive in and see if they should have made an “art house” film instead of this “wide appeal” film.

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The story is about a small sparrow named Richard, voiced by Drake Bell. After the movie decided to go Tarzan on his parents within the first three minutes, he was raised by storks. He feels upset that his father doesn’t love him, and isn’t allowed to travel with his adopted family to Africa. Richard then decides to say “screw it” to how birds actually work, and not realizing that sparrows don’t travel, tries to fly to Africa. Along the way he meets an owl named Olga, voiced by Jane Lynch, and a parakeet named Kiki, voiced by Marc Thompson. They travel, and go on a high flying adventure to find Richard’s parents.

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This movie was another chore to watch. While I get that not every studio around the world can throw around money or talent like Pixar and Disney, you would think by now, they could get the tech, tools, and talent used by, at the very least, 2011 Pixar. A Stork’s Journey doesn’t look good on a visual level. Everything looks like it was ripped right out of a full-motion cut scene from the original PlayStation days. It has flat textures, and everything from the grassy fields to the desert lands of Africa look so dull, way too shiny, and lifeless. While it doesn’t look as bad as Spark, Stork’s Journey is still way below theatrical-quality animation. Normally, I could look past wonky animation if the story or characters were any good. Sadly, that is not the case here. Richard is a really grating individual who is a pill of a character to watch. It doesn’t help that he’s kind of bone-headed, and constantly puts himself in danger. Jane Lynch’s character’s gimmick is that she has an imaginary friend, and while there are some scenes that almost hit a decent emotional note, it grows tiring really fast. Kiki, on the other hand, is just unlikable for the first half of the film, and became a character I lost interest in mere minutes after he appeared on screen. His story arc is so rushed, that it pretty much ends within, say, 14 minutes after he is introduced into the story.

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Actually, a lot of areas of the film feel rushed. Richard’s parents are killed within five minutes of the film, Kiki has no character besides being foppish after his “arc” wraps up, and they throw in a real last-minute villain into the mix. So the main characters can’t hold the story, what about the side characters? Yeah, good luck with that. The mother is bland, and the father is just the worst type of person. He will constantly put the rest of the stork flock in danger because of his stubborn pride, and the old “I’m a guy so I don’t need help” trope. Like, they get to Africa, find out the watering hole they usually go to is dried up. He gets an offer to find another watering hole, but he, for no reason, declines the offer. It’s 2017, and parents can be portrayed in unique and various ways. They don’t need to be the most hateful characters anymore. It’s a boring film to sit through, since you know how these buddy road trip films go, and since I don’t care for anyone in the film, I can’t think of a reason to watch it.

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The film also has this weird element of having yet another YouTuber as one of the actors getting top billing when they don’t even show up in the movie a whole lot. The “actor” this time is famous YouTuber ijustine as one of the couple of internet-addicted pigeons that you see throughout the film. I mean, I’m sure she is a nice person and all, but did she truly need to be one of the three actors mentioned at the top of the DVD case? It’s not like they really needed her for the role, when any actress could do what she did. This might just be me pushing a bias issue of YouTubers attempting to be more than what they are, but I never found why hiring them was such a big deal. I understand to get with the times and know that YouTubers are some of the bigger “celebrities” out there, but at the same time, incidences like the hugely mediocre EA E3 conference and the recent Vidcon stories makes them look horrible, no matter if they are personally involved or not.

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So, this must be truly worse than Spark right? Well, not really. Spark is still the worst animated film of the year, because it feels cynical and no real passion went into making the movie. While I don’t think A Stork’s Journey is great, I can, at the end of the day, tell that they were at least trying to tell a good story and have a story of being true to yourself no matter what, and so on. It doesn’t work at all and the film is obnoxious to sit through, but there was an attempt to make a film. I also think Jane Lynch, while her character is aggravating at points, has probably the only semi-emotional moment where she talks about her backstory and how she met her imaginary friend. It’s also done in a nice 2D animated sequence that doesn’t look bad. It makes you wonder why the rest of the film wasn’t done in 2D. I also respect the idea behind the pigeons being addicted to the internet as they sit along the wires. It could have led to an interesting bit of social commentary.stork09Even then, while it’s not as bad as Spark: A Space Tail, A Stork’s Journey is still terrible, and I have no idea why Google Play and Lionsgate wanted anything to do with this movie. You wonder with how much money they make being Google, and Lionsgate’s live-action stuff, they can’t afford to invest into some foreign films that people would actually want to watch. This is just another mediocre animated film that will be forgotten by the passage of time, with actors like Jane Lynch wasting their talents in it instead of firing their agent to find better projects. This movie annoyed me more than I thought it would, and I don’t want all of the animated films I’m reviewing counting down to the 100th review to be bad. How about next time, we try to do nothing but animated films that are amazing? Next time, we will look at Porco Rosso. Thanks for reading! I hope you all enjoyed the article, and I will see you next time.

Rating: Blacklist/The Worst

The Other Side of Animation 91: Blame! Review

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In my Patema Inverted review, I talked about why universe building is important, and why you don’t really want to be taken out of the film because the world the film takes place in isn’t well defined. Sometimes, you need to take time to explain certain elements, because while the universe building could be seen as padding or exposition, it needs to make sense. However, if your entire film is just world building and set-up for an even bigger story, then you also need to be careful there. On one side of said spectrum, you have Rise of the Planet of the Apes, which talks about the origin/reboots the universe the franchise takes place in. It might be building up to what happens, but you still care about the characters and hate to see what happens. On the bad side of the spectrum, you have the first G.I. Joe live-action film where it’s not really interesting, has a lot of questionable elements, and doesn’t give us what we want until pretty much the end of the film. So, where does the Netflix-exclusive Blame! come into play? Based off the manga series and the online miniseries, Blame! is the first theatrical film adaptation of the property. It was directed by Hiroyuki Seshita, and was produced by Polygon Pictures, a studio well known for its help with CGI/CGI segments of films like Ghost in the Shell 2: Innocence, the Disney film Valiant, and the upcoming Godzilla: Monster Planet. I didn’t really see a lot of people get excited or talk about this film, and it got me concerned, since when there is no previews or that many articles talking about it, you wonder why that’s the case. Anyway, how is the actual movie? Well, let’s find out.

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Blame! takes place in a world where the entire earth is covered in giant metal skyscrapers, and there is barely any organic life left. It sucks to be a human in this world, since humans are considered pests by the security system that they ironically made, and are killed on the spot by the security system if they are spotted. Now, the human race is about to go extinct and live in these little settlements. As the viewer, you follow the lead of the film, Killy, voiced by Johnny Yong Bosch, a wandering individual who comes across one of the human settlements, and decides to help them out with the help of a decayed robot scientist. Can they survive? What will they find? Can they avoid the security system or maybe an even more dangerous threat?

blame02Right off the bat, Blame! does a couple of elements excellently. First off, let’s talk about the animation. CGI anime has been a touch controversial, due to the fact that 2D animation is more loved with this medium than CGI, since CGI in anime has been poorly used before, and is still poorly used. An obvious example of bad CGI anime would be the recent Berserk series, since it looks like they just replaced 2D characters with CGI puppets, and either don’t have the time or the effort to make sure they move fluidly. It’s aggravating, since you can understand that CGI animation might be cheaper and could get more jobs for people in that insane working conditions nightmare known as the anime industry. At the same time, CGI just doesn’t have the soul that 2D has, and it never, will unless they were willing to go the Disney/Pixar level quality route. Blame!, on the other hand, has for the most part, pretty good anime-style CGI. No one comes off as puppet-like, nothing is too floaty or cheap, and it makes the action scenes and overall film fun to watch. You can really tell with something like the recent Berserk series when the camera swings around or moves quickly to try and trick the viewer into not spotting the shoddy animation. It makes watching the series tough since you know how good action anime can be. You feel every shot, punch, and strike that are being given to the enemy and the lead characters.

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I think the world building is done pretty well. To me, it stands out, with while being very drab and gray, an interesting concept, since you always hear about how we, as a species can stop overpopulation. Granted, the story does fall into the “the humans forgot to do something, and now the thing we created, wants to kill us” trope, but I could look past that since so many sci-fi-focused products give us that story. I liked that these giant robots that build everything are not bothered by humans, I think it’s scary that there can be killer security robots that can disguise themselves as humans to avoid the barrier keeping the humans safe. I liked how bug-like the security robots moved, and so on. Killy is an interesting character, since he is a cyborg, but he’s left open enough to hopefully see more of him fleshed out in a movie or series. You wonder why this cyborg was made when everything else wants to kill the humans that are still surviving. I will also give Blame! credit, because it pulls off one of the best twists I have seen in not just anime, but animated films. Maybe I could have picked up on it more, but I found the twist to be legit shocking.

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However, this film does fail in a lot of areas. For one, this feels like one of those franchise films that are solely made to set up the universe, and then the second film is what you actually get. I say this because the characters outside of Killy, are really boring. I could care less about what happens to this set of humans. You get every single anime/sci-fi trope you can think of. The only two interesting characters are again, Killy, and the scientist that helps them out. By the end of the film, I had a lingering feeling they were expecting this to be super amazing, and either spawn more films, or a TV series. It gets a bit drab to watch, because the characters fight only two types of enemies. They also do that thing where Killy decides to stay behind to kill something horrifying looking so the rest of the human survivors can escape, but don’t show us the actual fight. Like, don’t do that! Don’t cut away from the most interesting character in the entire film. Nothing else besides the world the film introduces to you leaves a huge impression, and that’s a shame, since I could have seen this being one of the great anime action films. I also felt like some of the anime tropes that are in, well, anime are annoying. For example, why does the scientist, when she gets a new body, get heels? And why does the bigger threat in the film (not spoiling it here) have a skirt? I mean, it’s not that it’s attractive when this threat is killing people point blank with the same weapon Killy uses.

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Blame! is definitely one of the better animated films to come out this year, but in terms of animated films in general, I personally thought it was just okay. It’s nothing ground breaking, it has its moments, but I can’t see myself watching this movie again. It doesn’t have the full-on staying power that something like Ghibli and Hosoda would create and show off. I can’t really say rent it, since it’s a Netflix exclusive, but if you aren’t done watching the new season of House of Cards or Orange is the New Black, maybe give it a look. Though, if you haven’t seen The Little Prince, then watch that first.  Well, that was fun, and before we start heading into some really good movies, I want to tackle one more middling film that shouldn’t be getting a theatrical release, but it is. Next time, we will look at the Google Play exclusive, A Stork’s Journey. Thanks for reading, I hope you enjoyed the review, and I will see you all next time.

Rating: Rent it!

The Other Side of Animation 90: Spark a Space Tail Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

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When I was looking at what films were coming out in 2017, I was one of the few people not trying to make it look like one of the worst years for animation as a whole. Sure, I can understand the dread and concern since so far, 2017 in animation has been pretty middling. Not that there haven’t been great animated films released this year, like The LEGO Batman Movie or My Entire High School Sinking into the Sea, but for every good film, three films of lesser quality pop up and overshadow the good ones. However, this year has also seen animated films that somehow slip into theaters and then quietly leave after being ridiculed for being in theaters, when they had no reason to be there. Spark: A Space Tail is one of those films. Written and directed by Aaron Woodley, this film was made by the same studios that made 2014’s critically panned, but financially successful (somehow) The Nut Job. You would think with a film that for one reason or another was a moneymaker like The Nut Job, the same care and attention would go into Spark. Apparently, the distributor for both films, Open Road Films, thought otherwise. There was no real marketing for this film besides one trailer a month before it came out, and I saw nothing else. No TV spots or online ads for the film. To no surprise, the film was given a limited release, and was rightfully panned by the critics and the two people that went to go see it. Apparently, the film is also a box office bomb that’s actually worse than Delgo. Granted, they won’t tell us the budget for Spark, but I think it’s a good estimated $20-$30 mil and it only made a little over $196K. How do you do that? Well, let’s find out.

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The story follows our lead, a monkey named Spark, voiced by Jace Norman. He’s stuck on a chunk of his old planet after his parents and planet were destroyed by an evil, yet small, dictator named Zhong, voiced by Alan C. Peterson. Spark dreams of taking down the evil empire with his friends Vix, voiced by Jessica Biel, and Chunk, voiced by Rob deLeeuw. After attempting to be useful, Spark actually makes things worse, by gives Zhong what he was looking for, a giant whale monster known as the Kraken. Spark must then make a second attempt to take down Zhong with his friends and an old military captain, voiced by Patrick Stewart.

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The many ways this film bothers me are too many to count. This is one of the most soulless and cynically-motivated films I have seen this year. There was no effort put into this film, and I honestly can’t think of one area where the film does something right. I mean, where do I start? How about the animation? It’s quite obvious this was never going to be a theatrical-quality-animated film. It’s woefully lackluster in its character designs, movements, and textures. It looks like a nicely polished PlayStation 2 game. Everything is too flat and the character designs are not that inspiring, and simply forgettable. It’s also yet another Asian-made CGI film that has elements of Journey to the West inspirations. Thankfully, it’s not just another Journey to the West-style story, but it’s getting really tiring that apparently, while it’s a popular story in that part of the world, they can’t think of any other stories to take inspiration/references from. The movements are definitely not as rubbery as Norm of the North, but they still don’t move as fluidly as they should. I know some would argue not every film needs to be a Pixar and Disney film, but they need to look just as polished if they want to be in theaters. Movements are clunky and limited, facial movements are very basic, and even the “action” sequences don’t have any weight to them. The characters feel like they are flying around a big green or blue screen, which makes the background look lifeless. It’s probably a good guess that they had enough of a budget for what would traditionally be enough for one episode of a regular CGI animated show.

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The story and characters are very flat, and not-at-all interesting. Spark is an annoying teenage character who is literally the reason behind Zhong getting the upper hand in the film, and is just a grating character to listen to. Yes he might be a teenager, but these types of characters are not endearing in the slightest to listen to or invest time with. Vix is a pill of a character, and Chunk probably is the most likable character, but is very basic. The villain shouldn’t be a threat. He can’t fight back against anyone bigger than himself, and while I get he was made more as a comedic villain, the film relies on everyone being too stupid to stand up to him. The overall story is very basic adventure 101 with a chosen one, and every cliché from this type of film that you have seen a hundred times. I don’t care if you are unoriginal, but you have to be executed well or do something new or refreshing. This film doesn’t do that well with a story that you can guess from the very beginning scene. I also wonder how the heck they got these actors. I know some of them aren’t current A-list, but how do you get Jessica Biel, Hillary Swank, Susan Sarandon, and Patrick Stewart? I get why you got that child actor Jace Norman, but those other four? You would think they would get to throw some weight around, especially Patrick Stewart and Susan Sarandon, since they were both in recent hits like The Feud and Logan. I understand that they did this way before those two projects came out, but come on.

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So, is there anything positive to say about this film? Not really. The only real reason this film has to exist now is to be a prime example of how to not make, distribute, in this case, animate, and market your film. I don’t know one thing this film did correctly to entice or interest anyone into seeing this film. It’s quite honestly one of the prime examples of a film that has no real reason to exist or to have been pushed into theaters. If Open Road Films cared at all about this film, they would have marketed more, put more time and effort into it, and actually gave a hoot about it. I can’t repeat this enough that this film has no reason to exist. I wish I could find something about this film as redeemable, but when more animated films are putting effort into their experiences, whether they turn out to be good or bad, you have to step it up in order for them to warrant theater time. For now, Spark has the honored spot as the worst animated film of the year. I don’t usually like talking about these films because I know the people that made them probably didn’t have the best work schedule to get this done, but if you are going to be selling me a product that I’m paying money for to see in a place that has multiple Hollywood-level films in other rooms, then you are opening yourself up for massive amounts of criticism. Sometimes, going straight-to-DVD is the better route for these animated films. How about next time, we look at the new anime film on Netflix with Blame! Thanks for reading; I hope to see you all next time as we count down to review 100 animation reviews.

Rating: The Worst/Blacklist

The Other Side of Animation 89: Sahara Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

When I choose a film to watch, I try not to go directly into the film with a sense of “oh man, I’m going to hate this film”. Who wants to go into a film knowing it’s going to be bad? I said in my previous review that I like to be surprised. If it turns out to be a good or bad movie, that’s up to the film, and what I take away from it. That’s how I go into every film, and it was no different with the newly released Netflix-distributed film, Sahara. I knew about this CGI-animated film from France since the end of last year, but was intrigued when I saw Netflix was going to distribute it. I was a bit concerned when they didn’t really advertise the film, and after watching it, I understand why. Let’s dive into the desert with Sahara.

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The story revolves around a cobra and a scorpion, who feel out of place with the colony of other snakes they live with. The cobra named Ajar, voiced by Robert Naylor, decides to try and fit in with the snakes that live within the oasis on the other side of the valley. Unfortunately for him, the snakes in the oasis are pretty high class, and have a rather strong defense system. He and one of the oasis snakes escape the boundaries of the environment, and end up bonding with one another. That is, for a few seconds, as a snake charmer kidnaps the oasis snake. Ajar, along with the Oasis’s snake’s lazy obnoxious brother, must go save the “love” of his life before she ends up in a worse situation.

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Yeah, as much as I love foreign animation with their focus on story and characters, with different art styles and styles of animation, Sahara definitely doesn’t feel like one of those amazing films I talk about on my site. It becomes very obvious, outside of the rating for this film, that it’s meant for very little kids. Even if this was meant for younger kids, I can’t imagine someone like my niece sitting through this boring film. I don’t think I have ever felt so bored with an animated film from France since forever. None of the characters are very fleshed out, and they end up getting stuck with very basic character traits. Ajar is your generic lead character, Pitt the scorpion is your nervous safety-reliant friend, the female lead has no real character to her, and even the villain isn’t a super terrible guy. He’s not a good guy or anything, but the villain of this film feels forced. That’s also a problem when one of the characters you follow has a very hipster/surfer bro-style of talking that sounds way off from the original French dub of the film. Yeah, that’s another problem, the English dub is terrible. It’s not poorly done, but I feel like they either got the wrong voice director, or the actors weren’t putting their all into it, but a lot of the characters in this film were annoying to listen to. Especially that brother to the lead female, he is by far the most annoying character I have seen so far in 2017. First off, how does he have a blonde wig? Why does he talk like a surfer? Why is he a pot addict? Yes, it’s technically not pot but pollen, but it’s the same thing in terms of context. How do these characters reference things like Batman and Robin when they are snakes in a desert? I made it halfway through the film before I paused, switched to the French dub, and watched it with subtitles. You can tell that the French actors were putting more into their performances than the US cast.

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The film also loves to include a slew of characters that have no real purpose for the film. None of them push the narrative along, they don’t have much in terms of personalities, and sometimes, they are entirely 100% objectively pointless. For example, Pitt gets a scorpion girlfriend. Why? Because they needed a love interest in the last 20 minutes for him. Why? Because heaven forbid, we get any animated films these days that don’t rely on a romance between characters. You have bullies that never show up again, a cult of bugs that don’t show up again, and a family of scorpions that were way too willing to let their daughter go along with Pitt on the adventure that you never see again. And you have these security birds that only appear in the beginning of the film, and I swear one of them probably dies in the desert. I wouldn’t mind all of these pointless and boring main and secondary characters if they had any real chemistry. There is no convincing chemistry and charm between any of the characters. The two leads don’t even have romantic opportunity together; they fall for each other in a matter of seconds. Give Disney some credit, they at the very least, give the leads three or more days to do such a thing. It’s so weak and poorly executed that it’s eye-rolling.

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Did I like anything about this tale of snakes? Well, that’s one thing I can give credit to for this film. It is about an animal that you don’t see as leads in an animated film very often, and are not villains. I also like the animation and designs of the characters. It looks generic by US animation standards, but it looks way better than most foreign CGI fares. Even the humans have good looks to them that remind me of the Illumination Despicable Me look. I also found the movements to be fluid, and maybe that’s because most of the characters are snakes, but I think that’s pretty commendable that they put more detail into the animation. The colors are also very nice, because even though it is the desert, there can still be a lot of different colors, from the vibrant plants to the different skin or scale tones of the animals that live there. It was also nice to see the film was willing to take breaks every now and again to let the characters breathe. It’s nice to see that since a majority of animated films from the states tend to be very hyper and comedy-focused; this one could take its time for viewers to breathe and to slow the plot down. It doesn’t fix any of the issues with the plot, but having some atmosphere is nice.

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I still stand by my opinion that a lot of foreign animation is leagues better than a majority of the films made in the states, but this is one of the few times where I consider this one of their blunders. It’s not the worst animated film from France by any means, but it makes you wonder why the heck Netflix picked it up, and why it was even made. It has nice animation, but nice animation can’t save a film from its lackluster characters and story. If you really want to see this, for the love of animation, please watch it in French with English subtitles. It’s one of the few French-animated films that I have seen that felt like they weren’t even trying. Well, that happens from time to time. Thankfully, Sahara is way more watchable than what is quite possibly my worst animated film of 2017. You will just have to wait to see what that is next time. Thanks for reading!

Rating: Lackluster!

The Other Side of Animation 87: Smurfs: The Lost Village Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this Review!)

There is always a touch of disappointment when a film series starts to get its spirit and identity on track, but then still fumbles and falls off said tracks. For example, today’s review will be of the Smurf’s fourth foray into being translated onto the big screen. Let’s just say that this new movie had one of the biggest hurdles to get over, in terms of being an animated film. How do you succeed after two financially successful, but critically panned live-action ventures? Well, you kind of don’t. While not a huge financial bomb, it’s probably going to be one of the biggest underperforming animated films of 2017.  Well, let’s see what this new animated adventure directed by Kelly Asbury has to offer.

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The story revolves around the single female Smurf among Smurf Village, Smurfette, voiced by Demi Lovato. She doesn’t feel like she has a purpose, whereas everyone else pretty much does. One day, after hanging out with a few friends, she finds out that there might be a lost village hidden within their world. After getting denied the chance by Papa Smurf, voiced by Mandy Patinkin, to go beyond their village, she decides to go off on her own to find this lost village. She is joined by Hefty Smurf, voiced by Joe Manganiello, Clumsy Smurf, voiced by Jack McBrayer, and Brainy Smurf, voiced by Danny Pudi. On their adventure, they must avoid the grasp of the evil wizard Gargamel, voiced by Rainn Wilson. Can they find this lost village? Who inhabits the village? Was there no real surprise to this film since Sony outright said it was a village of female Smurfs?

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Yeah, that’s probably the biggest problem with this film, there is no real surprise or intrigue to it. It’s like watching an Illumination Entertainment film. It has very pretty visuals and good animation, but the story lacks substance, and seems to rely on its star-studded cast more than actual characters. It doesn’t help that Sony spoiled the surprise, but even then, I think everyone knew what the twist would be. Funny enough, the big twist of the all-female village seems wasted in terms of potential and content. They could explore and wonder what caused this split into bigger detail, or find something very creative to do with such a twist. I think the problem is that it happens in the third act, and then you are introduced to a slew of female Smurfs, which I’m sure were brought in for a possible sequel. It’s a shame, since the characters themselves aren’t terrible, and I sort of like Smurf Willow as this more laid back individual, but you don’t get enough time to flesh them outside of their one character trait. I get that they all have one character trait, but Inside Out had characters who were supposed to be one emotion, but they found ways to expand on said personality traits. Unless you know how to execute simple characters, they come off as bland and forgettable. Even the visuals that they showed off in the trailer, while still very vibrant, get pushed aside. I wanted this film to be more like DreamWorks’ Trolls film, since in that movie, they got to show off super creative creatures, lands, and characters.

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I was also distracted by a ton of the actors they got for the film. It’s another example where they could have either gotten a better voice director or super talented voice actors for the characters, but I get it. You want big names for your film, even though as of right now, no one really went to see your movie. It’s a shame too, since while I think voice actors could have been better choices, and I think Demi Lovato or Meghan Trainor were not needed and come off as pointless, I did enjoy the rest of the cast. Mandy Patinkin does a decent Papa Smurf, Joe Manganiello as Hefty was decent, Danny Pudi was a perfect choice for Brainy, Jack McBrayer, while not doing anything new, is fun as Clumsy, Rainn Wilson actually isn’t bad as Gargamel, though I think Hank Azaria did the voice better in the live-action films. Julia Roberts was good as Smurf Willow, Michelle Rodriguez was basically playing herself as Smurf Storm, Ellie Kemper is maybe a tad too annoying as Smurf Blossom, and Ariel Winter as Smurf Lily is pointless. They are doing their best to be these new characters, and I get that voice acting and acting in general is hard, but I don’t see them as the characters. They also do that thing where they bring in a ton of celebrities to do a line or two, like Gordon Ramsay is Baker Smurf, Tituss Burgess is Vanity Smurf, Gabriel Iglesias is Jokey Smurf, Jeff Dunham is Farmer Smurf, and Kelly Asbury is Nosy Smurf. The only two legit voice actors they hired were Frank Welker as Gargamel’s cat Azrael, and Dee Bradley Baker as Gargamel’s pet vulture, Monty.

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So, did I like anything about the movie? Well, I really enjoyed the animation. I consider this to be the best looking Sony Pictures Animated film to date. I love the colors, how the designs stay close to the original source material, and it’s not too Sony Animation-ish where it’s super hyper and it doesn’t take time to breathe. The colors are very vibrant, and when they are able to show off more of the magical stuff of the world, it’s fun to look at. I wish they could have done more than what we got. Even though the humor is very hit-and-miss with a lot of cop-out jokes, I did like the river scene with Gargamel and the Smurfs. Like I said above, while I was still distracted by all the actors in the film, they did their best. I mean, you are getting paid to be in what is essentially an apology letter for the previous two dumpster fires, so I think you would do your best to be invested within your roles.

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Smurfs the Lost Village is definitely leagues better than the live-action films that came out, and it definitely is creative in the visuals department. If you had to watch one Smurfs film, it’s definitely this one. If the story and pacing were better, along with the writing, I think they really could have had a hidden gem, or one of the better surprises in terms of animation. It needed to be more timeless than pandering to most casual moviegoers to leave a better impact. If this was made in Europe, maybe France, had 2D animation, or it was made in the 80s, I think we could have gotten more of an edge or more bite to the overall experience. Sadly, it’s just another dud that may or may not hurt Sony Pictures Animation if their upcoming Emoji Movie tanks as well. If you haven’t seen it yet, I would definitely wait for a rental. I can see some kids enjoying it, but I don’t know how long-lasting this film’s appeal will be, compared to something like The LEGO Batman Movie or My Entire High School Sinking into the Sea has. Maybe pick it up if you find it for cheap when it comes out, but there is no rush to see this film. In fact, how about we take a look at My Entire High School Sinking into the Sea next time? Thanks for reading! I hope you enjoyed the article, and I will see you all next time!

Rating: Lackluster