The Oscars Relationship With Animation

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, I’m sure no one saw the Oscar nomination reveals and no one cares, even though we all care and get mad no matter what happens. All joking aside, in general, the Oscars this year is exceptionally fantastic. It has lots of variety in films, directors, actors, and movies. I know some are bummed out about Wonder Woman not headlining any awards even though it was one of the most important films of the year, but I get it.  However, out of all the categories to cause uproar, it was the ghettos of the Best Animated Feature category. The five officially nominated animated films for this category are Coco, Loving Vincent, The Breadwinner, Ferdinand, and The Boss Baby. I’m sure reading and knowing that, the Sesame Street song of “One of these things is not like the other” pops right up in your mind as you stare at those five films. Of course, the one that’s causing the biggest issue for many is The Boss Baby. Out of any movie, this is the one causing the biggest stir. Does it deserve such hate? Or is the problem deeper and grayer than black and white?

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Let’s get the personal subjective opinion out of the way first before we can get into the more layered conversation pieces of this editorial. In my personal opinion, I think The Boss Baby can be a very charming and a very funny movie with some downright amazing and trippy animation. However, seeing it as an overall film, it’s not great. It has a weak story, forgettable characters, and the film’s lineups of jokes don’t bring in many laughs. It only was a financial hit because it lined up its release with the very popular Alec Baldwin Donald Trump skits from SNL. It’s a mostly flat experience, but it’s also fairly harmless with a solid amount of creativity. It simply needed more fleshing out in the story and world-building department. It is a tad distracting to see an organization that’s all about awarding and giving attention to the best of the best from every year, nominate a film with a 52% overall score on Rotten Tomatoes and was not a critical or audience hit. I could think of 10 or so films that could take its spot. In short, I don’t like that it took one of those spots.

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Now then, let’s dive into the conundrum of the category of “Best Animated Feature”. The first question that comes up is what should be considered for a spot in this category? Well, since film is a visual medium and The Boss Baby does have some rather impressive animation, should that be enough to just have amazing animation? On the other hand, film does rely on a good story, writing, and characters. The Boss Baby, in terms of critic and audience reaction to it, was found to be lacking, so that should disqualify it from the running, despite having amazing animation. Does that mean the five contenders should have good writing, story, and characters? I mean, we kind of expect high quality animation for these awards. Even with this current conundrum, the voters wouldn’t be dumb enough to vote for something like Norm of the North.   But does that mean we should sacrifice the quality of the animation if we look at these award nominees in terms of story, writing, and characters?

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Okay then, so, what about the Academy itself? Can a lot of this be put on them? Well, we saw this coming when they announced that the voting pool was going to be open for all Academy members, and my overly hopeful editorial from last year thought it wouldn’t change. It’s not like it was a surprise that this could have happened. With this side of the argument, does that mean the Academy should bring back the voting limitations? On one hand, they probably should. You have a branch for the people that work in animation for this reason. Why on earth would you let outsiders who don’t know jack, and don’t even watch every film (which is funny since most foreign animated films are at the very least, 75 minutes long) into an area that was specially made for one group of voters and only that group of voters? You don’t tell a football player to bake a cake for a baking competition, why would you want anyone else, but the animation section of the academy to vote on this category? Then again, the entire point of opening up the voter account to non-animation individuals was to open up nominees of more casually popular films. I know that sounds like a bad idea, but then again, don’t we constantly criticize the Oscars for nominating and awarding critically acclaimed films that no one gets to see until like, the last minute on demand or a month before the awards? Shouldn’t we have more than what the critics got to see in limited screenings? You could argue they opened up the voting because animation is getting more recognition, since a lot of the most successful films of every year are animated films. At the same time though, the Academy is cynical about praising the best of the best, so why would they choose a film with such negative reviews to nominate, besides the obvious fact that DreamWorks marketed that film hard to the Academy?

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So, how would I solve this? I don’t know if I have a right answer to this situation. I mean, yeah, the obvious solution would be to gate off the animation section again, and have them vote for that section only. That way, something like The Boss Baby doesn’t get through again. Or, maybe the Academy needs to do something like the Annies, and have a US theatrical feature category and a foreign animated feature category to make it fair for both sides. I feel like the Academy needs to define what qualifies for certain categories, and not let it be handled by how much a studio is willing to give to individual voters. I feel like being more limiting would be regressive, and if we want to see improvement, and have more diverse films getting nominated, we need to be open to change. Maybe talking about how studios bribe/market their films to voters should be its own discussion, along with how if you are an Academy voter, you should watch every film being nominated. In the end, let’s be real, Coco is going to win, and The Boss Baby won’t. Let’s keep the conversation going though. What do you think about The Boss Baby being nominated? Do you think it deserves it? Doesn’t deserve it? Or do you think it’s a bigger problem with the Academy in general?

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My Two Cents On The Submissions For Best Animated Feature at the 90th Academy Awards.

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

The recent line-up of animated feature films for the Oscars next year have popped up, and for the first time, I decided to break down the chances each of the contenders have to make it into the five spots. Overall, the line-up is pretty strong! I know that sounds weird, since the mainstream big budget films from the bigger studios have not been all that great, but if you look at the indie film offerings, you have quite possibly, the best line-up of smaller animated films of this decade so far. It’s probably just as good as 2013 with the wide variety of indie animation. Now then, I’m going to break it down into different categories with films that have spots already filled, films that have amazing chances, films that might have a chance, and films that have no chance. Little side note, I find it hilarious that none of the Weinstein-animated films like Guardian Brothers and Leap! are not on the list. Thankfully, that is great, because screw Harvey Weinstein and his horrible take on animated films. Now then, let’s get started!

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100% Certified Spots

Coco*: While it just came out, the amazing amount of hype this film has gotten and the early positive previews, this is probably the only Pixar film that has a chance at making it into one of the five sacred slots for Best Animated Feature. Plus, it just looks like a great movie. Way more than most of the films released this year from bigger companies.

* Despite the recent controversy of now ex-head of Pixar John Lasseter’s leave because of allegations, I don’t think it would be fair for everyone else who made Coco suffer because of his actions.

Loving Vincent: While not getting as wide of a release as Coco or other big animated films, Loving Vincent has been a critical darling and a constantly talked about movie since making its runs in festivals. Plus, winning one of the three major prizes at Annecy Film Festival sounds good as well. It’s just a unique film that has caught the film world by storm.

The Breadwinner: We have a movie being made by a veteran of the Best Animated Features section, Cartoon Saloon, which had The Secret of Kells and Song of the Sea nominated, the distributor GKids, and so much universal acclaim from reviewers and people who have seen it combined, it would be a shock if this didn’t make it onto the shortlist. Plus, it got a lot of attention during the Animation is Film Festival, and won the main prize there.

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75% Possible Contenders

In This Corner of the World: Lots of festival buzz and highly positive reviews. It probably has the best chance out of Japanese animated films, besides Mary and the Witch’s Flower. Plus, what Academy voter doesn’t love a war time-era film?

The Big Bad Fox & Other Tales: It’s being directed by one of the directors of the Oscar-nominated Ernest & Celestine. Plus, it’s under the GKids banner, and they have had two or so films in the running before for Best Animated Feature. Though I am concerned with how it doesn’t have an official release date yet for 2018, I would hate for it to be viewable after the awards.

The Girl Without Hands: Another festival favorite, and an almost entirely a one-man job. That alone is very noteworthy. Plus, high reviews and again, GKids. The beautiful and stylized animation doesn’t hurt either.

Mary and the Witch’s Flower: Let’s check off the boxes. GKids? Check! Made by ex-Studio Ghibli individuals? Check! Director of Oscar-nominated When Marnie Was There? Check! I think that covers it. Though I’m concerned that the release is just a month away from the awards, but we shall see.

Birdboy: The Forgotten Children: Another well-received animated film being distributed by GKids, and won a couple of awards including the GOYA award for Best Animated Feature, and has gotten mileage for being an animated film with a twisted edge to it and dark themes under the cute designs.

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50% Maybe?

Ethel & Ernest: As much as I love this movie when I watched it, with no real release date, I don’t know if its legacy as Raymond Brigg’s work will make it noteworthy enough to make it into the sacred five slots. I love this movie, but man, they should do something to compete.

A Silent Voice: I loved this movie, and I think it has more of a chance than Your Name did last year, because it was released in theaters in the states months before the award show, but that might not be enough, since most people, unless they are film or animation fans, know a lot about this movie. The biggest amount of coverage it got was when it beat out Your Name as Best Animated Film of 2016 from the Japan Movie Critics Award. I just hope the distributor in charge of the theater distribution for this film makes a big enough push for more people to see it.

Cinderella the Cat: To be perfectly honest, this was a surprise to see on the list. I have been following this film for a while, and all I know about it is the positive reception it has alongside that one review from Variety.com. However, since there has been no news on a US distributor, I don’t know how much its positive foreign reception will win people over.

Window Horses The Poetic Persian Epiphany of Rosie Ming: This is a cute and utterly charming movie about a girl trying to find peace for herself, while finding her father. I don’t hear too many people talking about this one, but it has enough festival buzz for a chance to make it, but it’s an uphill battle to get past some of the other indie/foreign films.

The LEGO Batman Movie: While I do love this movie, and think it came out at the right time, due to people still grieving about what happened three months earlier in 2016, the original didn’t get nominated (still sort of annoyed by that), so what chance does this one have? Plus, while I do love it, it’s not as good as The LEGO Movie. It doesn’t have the full heart and soul the previous film had. It’s a great and hugely entertaining watch, but I don’t know if they will give it a pity vote.

Napping Princess: Personally, this is one of my favorite movies to watch in 2017. However, it’s probably the GKids film, along with another on the list, to get the least amount of talk or push. It’s a fun adventure movie with some great characters and sequences, and some festival buzz, but it’s critically one of the less loved films of the 2017-distributed GKids films. Not going to stop me from enjoying it, but I can see it having more of a struggle than the others that I listed above.

Captain Underpants: This was one of the biggest surprises of the year, and while I am confident in putting it in the 50% range, it would sound odd, wouldn’t it? Oscar-nominated Captain Underpants. I don’t know how they will take this one seriously enough to consider it.

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25% Very Slim Chances

The LEGO Ninjago Movie: While it was still much better than most of the films on this list, it was also the least liked of the three films, and underperformed. It wasn’t a bomb, but it did not rake in as much cash as they were expecting. Plus, it’s the only one that you can consider to be more of a cash grab than the others. It also has the weakest story and writing out of the three LEGO Movies.

The Boss Baby: This film is mostly noteworthy for coming out around the same time as Alec Baldwin’s Donald Trump skits became the funniest bits of comedy for a while, so that probably helped push this movie’s financial success, but outside of that, the film itself was not well received, and in general is not regarded as one of the best animated films of the year. I know some have put it high on their list, but that’s only because they haven’t seen many movies.

Cars 3: Unlike The Boss Baby or the next entry, Cars 3 doesn’t have that much to say “yeah, this movie deserves an Oscar!” it’s more emotionally investing than the second film, but it still has a slew of problems in terms of its story and the ending. Plus, it underperformed because nobody wanted another flipping Cars movie! It’s not a horrible film, but I doubt it will have a chance.

Despicable Me 3: While a financial hit all over the world, Despicable Me 3 has too much going against it. For one, the story is not great, the characters are now barely there, and any advantages they had with improving or pushing the story forward, they don’t take, and just keep staying in that safe circle because it worked for them in the past. Sure, they got one nomination with Despicable Me 2, but that was a pity nomination in a rather underwhelming year. If SING and The Secret Life of Pets couldn’t get a nomination, then Despicable Me 3 won’t either.

Ferdinand: Listen, I don’t like picking on Blue Sky Studios, because I think they are a super talented group of people. However, they are having the same problems as Illumination Entertainment has. It’s why I put Ferdinand low on the list. Granted, the movie looks better than a lot of their offerings, but I just can’t find myself trusting that it’s going to be a great movie. Plus, Blue Sky doesn’t have much notoriety in the Oscar races.

My Entire High School Sinking into the Sea: I love this movie. It’s still my favorite animated comedy of 2017 so far, but looking at it now compared to the other contenders, I don’t see it getting nominated. It would be awesome, and GKids is behind it, but it’s too indie for its own good, and I think GKids has had better animated offerings now than back then.

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0% No Chance in Hades

The Emoji Movie: Come on, I might not think it’s the worst animated film of the year (that goes to The Guardian Brothers), but it’s still really terrible, and it has no chance in Hades in making it. Even when Sony sort of knows it doesn’t have a chance, then that is saying something.

Sword Arts Online: The Movie – Ordinal Scale: Yeah, sorry, but nope. It’s a film based on a pre-existing anime, and those never get nominated. It didn’t happen then, and it won’t happen now.

Moomins and the Winter Wonderland: I have a fondness for The Moomins, and I do love the cast they are building it up for, but I highly doubt it will have enough people knowing the source material to care. I love weird and unique foreign stuff, but this will not have one of those sacred spots.

The Star: I do not think the organization is going to let this one get a chance. It looks cheap, the advertising is  not giving the film justice, and I just don’t see it making it. I love the cast, and I wish they were in a better movie, but I’m sorry, The Star is going to have to shine somewhere else.

There you have it, my guess as to what films have the most to the least amount of chances to get those five spots for Best Animated Feature at the Oscars. As of right now, I am fairly confident that I am going to be correct with these placements, and hey, if any of the films that haven’t come out yet turn out to be good, then I am all for pushing them up the ranks. Do you all have any guesses? What five films would you love to get chosen for the Oscars?

 

Should We Worry About The New Academy Award Rule for Animation? (Probably Not)

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Warning: This entire article is obviously subjective, and my solutions are not the end-all-be-all solution to the problem.

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Recently, the Academy of Motion Pictures put down a new rule for the Best Animated Feature voting, where instead of just the individuals of that branch of the Academy voting, everyone else from the other branches can throw their vote into the ring as well. Obviously, for many animation viewers and lovers, concerns were raised, since now anything is possible in terms of what animated films can get into those five precious spots that are meant for the best of the best from each year. So, should we worry? Why should we be worried? Is there anything truly worth being concerned about? Well, personally, I would say no. Why would I say that? If you will give me some of your time, I shall explain myself.

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So, let’s start with the concerns. People are afraid that this new ruling will allow films that are much weaker, in terms of critical receptions from both film reviewers and movie-goers, to slip on through due to less educated members of the Academy picking and voting through one of those films. I can also understand this fear, due to the film line-up this year. For those that are not paying attention, 2017 is not looking like a strong year for animation. DreamWorks has the recent financial hit, The Boss Baby, and the upcoming Captain Underpants film, Illumination has Despicable ME 3, Pixar has Cars 3 and Coco, Sony Pictures Animation has the underwhelming Smurfs: The Lost Village, The Emoji Movie, and The Star, and Blue Sky Studios has Ferdinand, to name a few. It’s not the greatest line-up from other years, like 2016 or 2015. The other concern is that it will be much harder for indie animated films from companies like GKids, Sony Pictures Classics, and Shout! Factory Kids to break through. “They will get thrown under the bus, because the bigger studios will throw around their budgets for marketing their films for award season, over companies that don’t have those massive budgets”. The possible results for the Oscars in 2018 could be set up like Coco, The Boss Baby, Smurfs: The Lost Village, Spark, and The Nut Job 2.

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Listen, I get it. This may open the floodgates for less knowledgeable people and even more marketing and big studio manipulation into an already flawed system. It could very well turn into a quantity-over-quality set of nominees. I perfectly understand the fear and cynicism. However, should we actually worry? Let’s look at the last couple of years of the Best Animated Features nominees. 2010 had Toy Story 3, How to Train your Dragon, and The Illusionist. 2013 had Frozen, The Wind Rises, Ernest & Celestine, The Croods, and Despicable Me 2. 2014 had Big Hero 6, The Boxtrolls, How to Train your Dragon 2, Song of the Sea, and The Tale of the Princess Kaguya. 2015 had Inside Out, Anomalisa, Boy and the World, Shaun the Sheep Movie, and When Marnie Was There. And recently, 2016 had Zootopia, Kubo and the Two Strings, Moana, My Life as a Zucchini, and The Red Turtle. While some of the films are odd nominees, what do a lot of those nominees have in common? For the most part, they are critically acclaimed films. I highly doubt, as flawed as the Academy system is, they are going to waste their time with movies that are not getting great reviews. It only takes a Google search to see what films have those nice little Rotten Tomato and IMDB scores. While the scoring systems on those sites are definitely another can of worms to deal with that other people on the net have already done, one can look at those scores, or do a little research as to which indie-animated films on the submission list are getting the most buzz around different critic guilds and word of mouth, and watch those. I doubt there is going to be an individual in the Academy that will say “oh yeah, Spark and The Boss Baby truly deserve it over the upcoming The Girl Without Hands and The Breadwinner.” Even with this new rule, I am not convinced that the organization is going to let the weaker nominees through.

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Now, am I saying we should just sit back, open up a bag of sweet maui onion potato chips, and not worry? Well, I would say yes for 80% of what I have said. If we want smaller indie-animated films to keep on getting nominated from companies like GKids, we are going to have to make an effort to support these films. Sure, you could go to five different viewings of the upcoming Guardians of the Galaxy 2, but you know Marvel and Disney won’t need help to make that film a hit. Instead, if possible, go and find a theater playing some of the smaller releases, like My Entire Highschool Sinking into the Sea. Why not support something like The Breadwinner or The Girl Without Hands instead of wasting your time with a highly regarded bad movie for a bad movie night? If we want to make sure they don’t get swept under the carpet, then we need to start either supporting these smaller releases in theaters, and If you like them, spread the word on social media, or purchase the DVD or rent the film, and spread the word. You can’t complain about the smaller/more original releases when you don’t go out and support them. However, those distributors need to start expanding into more than just specific theaters that show off arthouse/indie films. I get that these things cost money, but sometimes, you have to bite that bullet, and make that investment.

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Listen, I’m not saying what I suggest is going to be correct. As usual, this is a subjective opinion saying that I wouldn’t be too concerned, but still support the smaller releases. I understand the concern, but I don’t think it is as cataclysmic as many people say it is. If the Academy was selecting films like Norm of the North or Strange Magic for Best Animated Feature in previous years, or Gods of Egypt as Best Film, I would be more worried. For the most part, good taste and popular public opinion are going to win over corporate greed and cynicism. Still, if you think you need to put up the good fight and support the smaller releases, then do so. Personally, the only big animated films that are coming out in 2017 that have a chance at making the shortlist are Coco, The LEGO Batman Movie, and possibly The LEGO Ninjago Movie, and Ferdinand, but that last film mentioned is a risk since it’s from Blue Sky Studios. I’m sure GKids has a few spots pinned down for some of their films coming out like The Breadwinner and The Girl without Hands. Who knows, maybe Sony Pictures Classics and Shout! Factory Kids will have something up their sleeve this year. Keep enjoying animation big and small, but only you can make smaller films successful.